musical gestures and their diagrammatic logic musical gestures and their diagrammatic logic guerino...
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Musical Gestures Musical Gestures and their and their
Diagrammatic LogicDiagrammatic Logic
Guerino MazzolaGuerino MazzolaU & ETH Zürich U & ETH Zürich [email protected] [email protected] www.encyclospace.org www.encyclospace.org
DANS CES MURS VOUÉS AUX MERVEILLES DANS CES MURS VOUÉS AUX MERVEILLES J’ACCUEILLE ET GARDE LES OUVRAGES J’ACCUEILLE ET GARDE LES OUVRAGES DE LA MAIN PRODIGIEUSE DE L’ARTISTE DE LA MAIN PRODIGIEUSE DE L’ARTISTE
ÉGALE ET RIVALE DE SA PENSÉE ÉGALE ET RIVALE DE SA PENSÉE L’UNE N’EST RIEN SANS L’AUTREL’UNE N’EST RIEN SANS L’AUTRE
(Paul Valéry, Palais Chaillot)(Paul Valéry, Palais Chaillot)
DANS CES MURS VOUÉS AUX MERVEILLES DANS CES MURS VOUÉS AUX MERVEILLES J’ACCUEILLE ET GARDE LES OUVRAGES J’ACCUEILLE ET GARDE LES OUVRAGES DE LA MAIN PRODIGIEUSE DE L’ARTISTE DE LA MAIN PRODIGIEUSE DE L’ARTISTE
ÉGALE ET RIVALE DE SA PENSÉE ÉGALE ET RIVALE DE SA PENSÉE L’UNE N’EST RIEN SANS L’AUTREL’UNE N’EST RIEN SANS L’AUTRE
(Paul Valéry, Palais Chaillot)(Paul Valéry, Palais Chaillot)
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musiquemusique
mathématique
mathématique
LA VERITÉDU BEAU
DANSLA MUSIQUE
Guerino Mazzola
summer 2006summer 2006
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gestegestegestegesteformuleformuleformuleformule
harmonieharmoniede gestesde gestes
~
compositioncompositionde formulesde formules
~musiquemusique
mathématique
mathématique
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QuickTime™ and aTIFF (Uncompressed) decompressor
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Ryukoku Ryukoku violin robotviolin robot
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WasedaWasedawabot IIwabot II
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• Musical GesturesMusical Gestures
• Gesture CategoriesGesture Categories
• Diagram LogicDiagram Logic
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• Musical GesturesMusical Gestures
• Gesture CategoriesGesture Categories
• Diagram LogicDiagram Logic
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ll
hh
ee
sonicsoniceventsevents
scorescore
analysisanalysis
instrumentalinstrumentalinterfaceinterface
√√thawthaw freeze (MIDI)freeze (MIDI)
instrumentalizeinstrumentalizeinstrumentalizeinstrumentalize
gestualizegestualizegestualizegestualize
positionposition
pitchpitch
timetime
gesturesgestures
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Ceslaw Marek:Ceslaw Marek:Lehre des Lehre des
KlavierspielsKlavierspielsAtlantis-VerlagAtlantis-VerlagZürich 1972/77Zürich 1972/77
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Folie 2
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Every No play is a cross sectionEvery No play is a cross sectionof the life of one person, the of the life of one person, the shiteshite..
The shite is an appearance (demon, etc.)The shite is an appearance (demon, etc.)and a subject = one of the five elements and a subject = one of the five elements
(fire, water, wood, earth, metal) (fire, water, wood, earth, metal)
The The wakiwaki is is A kind of co-sub-A kind of co-sub-
ject and ject and mirror person mirror person
of the shite.of the shite.
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The No gestures are reduced to the The No gestures are reduced to the katakata units units and made symbolic.and made symbolic.
This enables a richer communication than with This enables a richer communication than with common gestures.common gestures.
Important:Important:
• Shite weaves a texture of fantasy usingShite weaves a texture of fantasy using curves.curves.
• Waki describes reality usingWaki describes reality usingstraight linesstraight lines..
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——positionposition
pitchpitch
timetime 00
11
11
22
2 2 + + 11
t.t.
22
11
1 1 22
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√√gesturesgestures
√√scorescore
hh
eell
HH
EE
LL
positionposition
pitchpitch
EE
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Symbolic scoreSymbolic score(a) Without(a) Withoutfingering fingering annotation annotation
(b) with (b) with fingeringfingeringannotation annotation
PhD thesis of Stefan Müller PhD thesis of Stefan Müller (Mazzola G & Müller S: ICMC 2003)(Mazzola G & Müller S: ICMC 2003)
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C3C3
DIN8996DIN8996
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Independent Independent symbolicsymbolicgesture curvesgesture curvesfor fingers for fingers 22et et 33
Curve parameter tCurve parameter ton horizontal axison horizontal axis
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QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.
Z Y
Xxx
zz yy
bb55
bb22
dd55
dd22
11(t(t))
66(t(t))
22(t(t))
33(t(t))
44(t(t))
55(t(t))
One hand One hand product product = = 112233445566
of 6 gestural curves in space-time (x,y,z;e) of pianoof 6 gestural curves in space-time (x,y,z;e) of pianoj = 1, 2, ... 5: tips of fingers,j = 1, 2, ... 5: tips of fingers,j = 6: the carpus, j = 6: the carpus, 6 6 = = rootroot
parameter t parameter t sequence of points: sequence of points:
(t) = ((t) = (11(t),...,(t),...,66(t))(t))
two base vectorstwo base vectorsof fingersof fingersdd22, d, d55
from carpus.from carpus.
e = timee = time
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Geometric constraints: six boxesGeometric constraints: six boxes
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The Newton condition for fingers or carpus j isThe Newton condition for fingers or carpus j is
mmjj dd2 2 spacespacej j /de/de22(t)(t) < K < Kj j
for all 0 ≤ t ≤ 1. for all 0 ≤ t ≤ 1.
Have masses mHave masses mjj and and
maximal forces Kmaximal forces Kjj
for fingers/carpus j.for fingers/carpus j.
Have masses mHave masses mjj and and
maximal forces Kmaximal forces Kjj
for fingers/carpus j.for fingers/carpus j.
dd2 2 spacespace3 3 /de/de22
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Use cubic polynomials for gestural coordinates, i.e., 76 Use cubic polynomials for gestural coordinates, i.e., 76 variables of coefficients:variables of coefficients:
xxjj(t)(t) = x= xj,3 j,3 tt33 + x + xj,2 j,2 tt22 + x + xj,1 j,1 t + xt + xj,0j,0
yyjj(t)(t) = y= yj,3 j,3 tt33 + y + yj,2 j,2 tt22 + y + yj,1 j,1 t + yt + yj,0j,0
zzjj(t) = z(t) = zj,3 j,3 tt33 + z + zj,2 j,2 tt22 + z + zj,1 j,1 t + zt + zj,0j,0
ee(t) (t) = e= e3 3 tt33 + e + e2 2 tt22 + e + e1 1 t + et + e00
Geometric and physical constraints Geometric and physical constraints polynomial inequalities: P(t) > 0 for all 0 ≤ t ≤ 1.polynomial inequalities: P(t) > 0 for all 0 ≤ t ≤ 1.
These inequalities are guaranteed by These inequalities are guaranteed by Sturm chainsSturm chains..
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Symbolic gestural curveSymbolic gestural curve
Physical gestural curvePhysical gestural curve
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fingers 2, 3: geometric constraintsfingers 2, 3: geometric constraints fingers 2, 3: physical constraintsfingers 2, 3: physical constraints
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Gestural interpretation of Carl Czerny‘s op. 500Gestural interpretation of Carl Czerny‘s op. 500
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Zur Anzeige wird der QuickTime™ Dekompressor „H.264“
benötigt.
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• Musical GesturesMusical Gestures
• Gesture CategoriesGesture Categories
• Diagram LogicDiagram Logic
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vv
xx
ww
yy
cc
aa
bb
dd
QuiverQuiver = category of quivers = category of quivers(= digraphs, diagram schemes, etc.) (= digraphs, diagram schemes, etc.)
DD = A V = A Vhh
tt
x = t(a) x = t(a)
y = h(a)y = h(a)
aa
EE = B W = B Wh‘h‘
t‘t‘
u q
DD
QuiverQuiver((DD,, E E))
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A gesture A gesture morphism morphism u:u: gg h is a quiver morphism u, h is a quiver morphism u, such that there is a continuous map f: X such that there is a continuous map f: X Y which Y whichdefines a commutative diagram: defines a commutative diagram:
ff
DD
EE
XX
YY
gg
hh
uu
GestureGesture((gg, , hh))category of (local) gesturescategory of (local) gestures
(Local) Gesture(Local) Gesture = = morphism g: morphism g: D D of quivers with values in a of quivers with values in a spatial quiverspatial quiver of a metric space X of a metric space X(= quiver of continuous curves in X)(= quiver of continuous curves in X)
XX
XX
DD
positionposition
pitchpitch
timetime
XXgg
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A A global gestureglobal gesturebeing coveredbeing covered
by threeby threelocal gestureslocal gestures
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Hypergestures! Hypergestures!
QuiverQuiver((FF, , ) = ) = metric space of (local) gestures ofmetric space of (local) gestures ofof quiver of quiver FF with values in a with values in a spatial quiver .spatial quiver .
XX
XX
Zur Anzeige wird der QuickTime™ Dekompressor „Animation“
benötigt.
FF
rr
EE
ss
ttRenate Wieland & Jürgen Uhde:Renate Wieland & Jürgen Uhde:Forschendes ÜbenForschendes Üben
Die Klangberührung ist das Ziel Die Klangberührung ist das Ziel der zusammenfassenden Geste, der zusammenfassenden Geste, der Anschlag ist sozusagen der Anschlag ist sozusagen die Geste in der Gestedie Geste in der Geste..
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EE
gg
hh
Hypergesture impossible!
gg
hh
Morphism exists!
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• Musical GesturesMusical Gestures
• Gesture CategoriesGesture Categories
• Diagram LogicDiagram Logic
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D D E E
D D ++ E E
1 1 = =
0 0 = Ø = Ø
DDEE QuiverQuiver(( ,, D DEE)) QuiverQuiver(( ,, D DEE))
≈ ≈ QuiverQuiver((E E ,, D D))
The category The category QuiverQuiver is a is a topostopos
Alexander GrothendieckAlexander Grothendieck
≈ ≈ QuiverQuiver((E E ,, D D))
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=
TT
vv
xx
ww
yy
In particular:The set Sub(DD) of subquiversof a quiver DD is a Heyting algebra: have „QuiverQuiver logic“.
Ergo:
Local/global gestures,ANNs,Klumpenhouwer-nets,and global networksenable logicaloperators (, , ,)
In particular:The set Sub(DD) of subquiversof a quiver DD is a Heyting algebra: have „QuiverQuiver logic“.
Ergo:
Local/global gestures,ANNs,Klumpenhouwer-nets,and global networksenable logicaloperators (, , ,)
Subobject classifierSubobject classifier
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Heyting logic on set Sub(g) of subgestures of g Heyting logic on set Sub(g) of subgestures of g
h, k h, k Sub(g) Sub(g)h h k = h k = h k kh h k = h k = h k k h h k (complicated) k (complicated) h = h h = h Ø Ø tertium datur: h ≤ tertium datur: h ≤ h h
u: gu: g11 g g22
Sub(u): Sub(gSub(u): Sub(g22) ) Sub(g Sub(g11) )
homomorphism of Heyting algebras homomorphism of Heyting algebras = contravariant functor = contravariant functor
Sub: Sub: GestureGesture HeytingHeyting
Heyting logic on set Sub(g) of subgestures of g Heyting logic on set Sub(g) of subgestures of g
h, k h, k Sub(g) Sub(g)h h k = h k = h k kh h k = h k = h k k h h k (complicated) k (complicated) h = h h = h Ø Ø tertium datur: h ≤ tertium datur: h ≤ h h
u: gu: g11 g g22
Sub(u): Sub(gSub(u): Sub(g22) ) Sub(g Sub(g11) )
homomorphism of Heyting algebras homomorphism of Heyting algebras = contravariant functor = contravariant functor
Sub: Sub: GestureGesture HeytingHeyting
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VIIVII
II
IIIIII
VV
IIIIVIVI
IVIV
cc
dd
ee
ffgg
aa
bb
C-major hypergestureC-major hypergesture
FingersFingers = = QuiverQuiver((FF, ), ) XX
FingersFingers
F F = =
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VV
II
II
VIVI
IVIV
==
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•Investigate the possible role and semantics of gestural logic in concrete contexts
such as local/global musical/robot gesturesand more specific environments...(and more generally: Quiver logic for ANNs,Klumpenhouwer-nets,global networks).
•Investigate a (formal) propositional/predicate language of gestureswith values in Heyting algebras of quivers.
Problems: