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MUSICAL DYNAMICS
IN TIME-LIMITED INTERSUBJECTIVE
CHILD PSYCHOTHERAPY
AN EXPLORATION BASED ON MICROANALYSIS OF THERAPEUTIC INTERPLAY
BY
UNNI TANUM JOHNS
DISSERTATION SUBMITTED 2018
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Thesis submitted: xxxxxxxxx
PhD supervisor: Prof. Lars Ole Bonde,
Aalborg University
Assistant PhD supervisor: Associate Prof. Bjørg Røed Hansen,
University of Oslo
PhD committee: Prof. Ulla Holck
Aalborg University
Prof. Leslie Bunt
Prof. Katharina Mårtenson Blom
PhD Series: Faculty of Humanities, Aalborg University
ISSN: xxxx- xxxx
ISBN: xxx-xx-xxxx-xxx-x
Published by:
Aalborg University Press
Skjernvej 4A, 2nd floor
DK – 9220 Aalborg Ø
Phone: +45 99407140
forlag.aau.dk
© Copyright by author
Printed in Denmark by Rosendahls, 2018
mailto:[email protected]
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CV
Unni Tanum Johns is a music therapist (Guildhall School of Music with Juliette Alvin
and advanced clinical studies with Paul Nordoff and Clive Robbins), an authorized
psychologist (University of Oslo) and specialist in clinical child- and adolescent
psychology (NPF). She currently has a clinical position at Akershus University
Hospital HF, Furuset child and adolescent outpatient Clinic. She is Associate
Professor at The Department of Psychology, University of Oslo. She participated in
establishing the Music Therapy education program in Norway, and in developing an
interdisciplinary Specialist Program in Intersubjective Child and Adolescent
Psychotherapy at the Regional Centre for Child and Adolescent Mental Health,
Eastern and Southern Norway (RBUP) (Svendsen et al., 2012; Johns, 2012b). She has
additional studies in the treatment of trauma in children and adolescents (Johns, 2017),
and has been teaching and supervising music therapy and psychology to students and
professionals for many years. Her clinical and academic focus of interest is the
integration of empirical knowledge with creative approaches to development and
change processes in psychotherapy with children, adolescents and their families,
taking as a starting point their individual experiences, needs and contexts. During
many years of clinical practice, the significance of non-verbal intersubjective
meetings came to the forefront (Johns, 1993, 1996, 2012a). From 2002, she
participated in initiating and implementing a research project on time-limited child
psychotherapy with children experiencing difficult family situations (Haugvik &
Johns, 2006, 2008; Johns, 2008; Haugvik, 2013). This led to further development and
writing on the subject (Svendsen & Johns, 2013; Johns). The present research builds
on the previous research study, and findings from this study comprise the background
knowledge for further analysis and research proceedings in the present study.
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PUBLICATIONS LEADING TO THE PRESENT STUDY
Haugvik, M. & Johns, U. (2006). Betydningen av felles fokus i tidsavgrenset
psykoterapi med barn: En kvalitativ studie av psykoterapi med barn som opplever
vanskelige familieforhold. [The significance of a shared focus in time-limited
psychotherapy with children experiencing difficult family situations]. Tidsskrift
for Norsk Psykologforening, 43 (1), 19-29.
Haugvik, M. & Johns, U. (2008). Facets of structure and adaptation: A qualitative
study of time-limited psychotherapy with children experiencing difficult family
situations. Clinical Child Psychology and Psychiatry, 13(2), 235–252.
Haugvik, M. (2013). Structured parallel therapy with parents in time-limited
psychotherapy with children experiencing difficult family situations. Clinical
Child Psychology and Psychiatry,18, 504-518.
Haugvik, M. & Mossige, S. (2017). Intersubjectively oriented, time-limited
psychotherapy with children: how does the therapist evaluate the therapeutic
process and what are the therapist’s tasks? Journal of Child Psychotherapy, 43
(3), 353-368.
Johns, U. (1993). Intersubjektivitet som grunnlag for utvikling [Intersubjectivity as a
foundation for development]. I G. Trondalen & E. Ruud (Eds.). Perpsektiver på
Musikk og Helse. 30 år med Norsk Musikkterapi (pp. 67-84). Oslo: NMH-
publikasjoner 2008:3. Skriftserie fra Senter for Musikk og Helse (vol. 1).
Johns, U. (1996). Stemmen som formidler av følelser og kommunikasjon: Et
utviklingspsykologisk og et psykodynamisk perspektiv. [The voice as conveyer of
emotions and communication: A perspective from developmental and
psychodynamic psychology]. (Master thesis, Cand. Psychol., University of Oslo].
Johns, U. T. (2008). ‘Å bruke tiden – hva betyr egentlig det?’ Tid og relasjon i et
intersubjektivt perspektiv. [‘To spend the time – what does it really mean’? Time
and relations in an intersubjective perspective] In G. Trondalen & E. Ruud (Eds.).
Perspektiver på musikk og helse. 30 år med norsk musikkterapi (pp. 67-84). Oslo:
NMH-publikasjoner 2008:3. Skriftserie fra Senter for Musikk og Helse (vol. 1).
Johns, U. T. (2012). Vitalitetsformer i musikk. I G. Trondalen & K. Stensæth (Eds.),
Barn, musikk, helse (pp. 29-44). Oslo: NMH publikasjoner 2012:3. Skriftserie fra
Senter for musikk og helse, (vol.3).
Johns, U. T. (2012). Terapeututvikling: Musikken i det terapeutiske samspillet.
[Therapeutic development: The music in the therapeutic interaction]. I Svendsen,
B., Johns, U., Brautaset, H. & Egebjerg, I. (2012), Utviklingsrettet intersubjektiv
psykoterapi med barn og unge. Bergen: Fagbokforlaget.
Svendsen, B., Johns, U., Brautaset, H. & Egebjerg, I (2012). Utviklingsrettet
intersubjektiv psykoterapi med barn og unge. [Developmentally directed
psychotherapy with children and adolescents]. Bergen: Fagbokforlaget.
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ENGLISH SUMMARY
The aim of this PhD study is to explore the influence of non-symbolic microprocesses
in time-limited intersubjective child psychotherapy through a musical frame. It builds
on microanalytic research, from infant development and music therapy, demonstrating
how musical elements can describe and illuminate variations in emotional expressions
and relationship qualities. There are until now few studies applying a microanalytic
‘musical’ approach to investigate therapeutic interplay with children referred to
mental health services.
Problems with emotion regulation are found in a wide range of diagnoses, affecting
the quality of children´s lives. Therefore, the facilitation of emotion regulation is a
central goal for child psychotherapy. Knowledge from developmental research shows
how affective, non-symbolic reciprocal moment-to-moment interplay underlie and
organize self-developmental processes.
Based on previous research findings and knowledge from infant research with
reference to musical parameters, such as vocalizations, timbre, pitch, melodic contour,
intensity, rhythm and tempo, as concrete descriptions of intersubjective exchanges,
this PhD study aimed at investigating the following three main research questions
through a phenomenological hermeneutic approach:
1. Can musical parameters be useful to capture intersubjective exchanges
between therapist and child – and if so, how?
2. Can a description of musical parameters, within a multilayered frame,
illuminate intersubjective microprocesses – and if so, how?
3. Can a phenomenological description and a hermeneutic interpretation
of musical parameters, clarify therapeutic interplay and basic
developmental processes such as emotion regulation in child
psychotherapy – and if so, how?
Two emotion regulation samples of therapeutic interplay with six children, from an
early and a late therapy session, are analysed. Applying a qualitative explorative
approach, a multi-layered research procedure was firstly developed, including a
musical framework as well as a psychological (Johns, 2018). The musical frame is a
registration of vocal, rhythmical, dynamic and temporal changes as concrete
descriptions of the specificity of therapeutic exchanges, as these unfold. The concept
of musical dynamics is suggested as a description of lived relationship experiences
over time.
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Data were drawn from a mixed-method multicentre study, taking place at the
Norwegian University of Science and Technology in Trondheim and at a child- and
youth psychiatric outpatient clinic at Akershus University Hospital in Oslo. Research
target was changes in emotion regulation in children 9-13 (36) with diagnoses within
the internalizing spectrum. Controls (28) were recruited from local schools in
Trondheim. Participants were assessed before and after therapy with multiple
methods, including psychophysiological measures, which are not a topic for this PhD.
Assessment with the Affect Consciousness Interview (ACI) were administered before
and after therapy, to obtain objective measures of affect integration. These measures
were applied as validation of findings and are described in article 2 in the PhD.
The qualitative multi-layered microanalysis revealed some patterns across samples
which demonstrate how a musical dynamics-based description embody and clarify the
child´s activity, emotional expressions and intentions as well as illuminate
intersubjective exchanges.
Findings from the Affect Conscious Interview (ACI) for each of the six children in
the study, compared to the non-clinical control group, indicate increased affect
integration and development of emotion regulation capability towards an age adequate
status. These findings support an understanding of time-limited child psychotherapy
as a frame for developmentally directed intersubjective microprocesses.
This PhD study contributes to clinical research and practice within child
psychotherapy by showing how a musical dynamics-based description, as part of a
multi-layered microanalysis, can clarify the specificity of both the child´s and
therapist´s activity, enabling intersubjective sharing and self-development. A focus on
the musical dynamics of therapeutic activity can further contribute to therapeutic
development by sensitizing therapists to qualities in their own activity, which promote
responsivity to the child.
The thesis consists of two articles. The first describes the development of the
microanalytic research procedure, and the other paper presents and discusses findings.
A short summary of articles is given in sections 1.6.1 and 1.6.2. As part of the
multicanter study, a handbook was written on the treatment method, integrating
research findings and is included together with a linking text. A summary of the
handbook is written as part of the description of the therapy method in section 1.2.3.
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LIST OF PHD PUBLICATIONS
Article 1
Johns, U.T. (2018). Exploring musical dynamics in therapeutic interplay with
children: A multilayered method of microanalysis. Nordic Journal of Music Therapy,
27 (3), 197-217.
Article 2
Johns, U.T. (submitted 2018). A study of musical dynamics in therapeutic interplay
with children: ’The important thing was to be understood through tone of voice and
movements’.
Treatment manual
Johns, U.T. & Svendsen, B. (2016). Håndbok i Tidsavgrenset Intersubjektiv
Barneterapi (TIB). Kunnskapsgrunnlag, behandlingsprinsipper og eksempler.
[Handbook in Time-Limited Intersubjective Child Psychotherapy (TIC): Knowledge
base, Treatment Principles and Examples]. Bergen: Fagbokforlaget.
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NORSK SAMMENFATNING
Denne PhD studien har som mål å utforske non-verbale mikroprosesser i tidsavgrenset
intersubjektiv barneterapi gjennom en musikalsk tilnærming. Den bygger på
mikrostudier fra spedbarnsforskning og musikkterapi, som viser hvordan musikalske
elementer kan beskrive og belyse kvalitative variasjoner i emosjonelle uttrykk og i
relasjoner. Det er til nå få studier som anvender en mikroanalytisk ’musikalsk’
tilnærming for å undersøke terapeutisk samspill med barn som er henvist til psykisk
helsetjenester.
Problemer med emosjonsregulering er relatert til en rekke forskjellige diagnoser, og
innvirker på kvaliteten i barns liv. Derfor er utvikling av emosjonsregulering et
hovedmål for barneterapi. Kunnskap fra spedbarnsforskning viser hvordan mønstre i
affektive, ikke-symbolske og gjensidige mikroprosesser organiserer selv-
utviklingsprosesser.
Basert på funn fra en tidligere forskningsstudie sammen med kunnskap fra
spedbarnsforskning som refererer til musikalske parametre, som vokaliseringer,
klangfarge, tonehøyde, melodisk kontur, intensitet, rytme og tempo som konkrete
beskrivelser av intersubjektive utvekslinger, har denne PhD studien hatt som mål å
utforske tre hovedforskningspørsmål gjennom en fenomenologisk-hermeneutisk
tilnærming:
1. Kan musikalske parametre være nyttige i å fange opp intersubjektive
utvekslinger mellom terapeut og barn – og i så fall, hvordan?
2. Kan en beskrivelse av musikalske parametre, som del av en flerlags ramme,
belyse intersubjektive mikroprosesser – og i så fall, hvordan?
3. Kan en fenomenologisk beskrivelse og en hermeneutisk tolkning av
musikalske parametre, klargjøre terapeutisk samspill og grunnleggende
utviklingsfenomener som emosjonsregulering i barneterapi – og i så fall,
hvordan?
To samples på emosjonsregulerings samspill, fra en tidlig og en sen terapitime med
seks barn 9-11 ble analysert. På basis av en kvalitativ eksplorerende tilnærming, ble
det først utviklet en flerlags mikroanalyse metode bestående av en musikalsk og en
psykologisk ramme (Johns, 2018). Den musikalske rammen er en registrering av
vokale, rytmiske, dynamiske og temporale endringer, som konkrete beskrivelser av
spesifikk aktivitet hos barnet eller terapeuten fra øyeblikk til øyeblikk. Begrepet
‘musikalsk dynamikk’ (‘musical dynamics’) er foreslått som en beskrivelse av levde
relasjonelle opplevelser over tid.
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Data kommer fra et multisenter prosjekt, ved Norges Teknisk Vitenskapelige
Universitet (NTNU) i Trondheim i samarbeid med BUP Furuset, Akershus
Universitetssykehus HF. Forskningsformålet er å studere endringer i
emosjonsregulering hos barn 9-13 med internaliserende vansker. Kontrollgruppe er
rekruttert fra lokale skoler I Trondheim. Deltagere ble målt før og etter terapi med
multiple metoder, inkludert psykofysiologiske mål, som ikke er tema for PhD studien.
Affektbevissthetsintervju ble foretatt før og etter terapi, for å få objektive mål på
affektintegrasjon. Disse målene ble brukt som validering av kvalitative funn, og er
beskrevet i artikkel 2 i studien.
Gjennom de kvalitative mikroanalysene fremkom det noen mønstre på tvers av
eksempler som viser hvordan en musikalsk dynamisk beskrivelse av det terapeutiske
samspillet med barnet inkorporerer barnets aktivitet og belyser barnets emosjonelle
uttrykk og intensjoner, så vel som å belyse intersubjektive utvekslinger.
Funn fra affektbevissthetsintervjuene for hvert barn, sammenlignet med
kontrollgruppen, indikerte økt affektintegrasjon og utvikling av emosjonsregulering i
retning av aldersadekvat status. Funnene støtter forståelsen av intersubjektive
tidsavgrenset barneterapi som en ramme for utviklingsrettede mikroprosesser.
PhD studien bidrar til klinisk forskning og praksis gjennom å vise hvordan en
beskrivelse av den musikalske dynamikk i det terapeutiske samspillet kan bidra til å
klargjøre spesifikke bevegelser hos barnet eller terapeuten som bidrar til
intersubjektiv deling og selvutvikling. Fokus på musikalske elementer og kvaliteter i
terapeutisk aktivitet kan bidra til terapeutisk utvikling gjennom økt sensitivitet og
oppmerksomhet på kvaliteter som fremmer responsivitet overfor barnet.
PhD studien består av to artikler, den første omhandler utvikling av en flerlags
mikroanalysemetode og den andre presenterer og diskuterer funn som fremkommer
gjennom analysene. En håndbok som beskriver behandlingsmetoden og som
integrerer funn fra studien er også inkludert sammen med kappen.
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ACKNOWLEDGEMENTS
This project has been a long journey full of winding new roads of challenges, learning
and surprises and I am immensely glad and grateful to have reached the end. Many
are those who have inspired, supported and contributed along the way.
Firstly, I want to thank the children and parents who have taken part in the study, and
without whose participation, sincerity and valuable comments I would have been
much poorer in both knowledge and outcome.
The study could not have been fulfilled without the support and enthusiasm of two
leaders at the Furuset child- and adolescent outpatient clinic during the research
period, Gro Traavik and Marianne Kveldstad. Their confidence in the significance of
qualitative clinical research and the courage to participate in a multicentre study has
been priceless. Also, I want to thank my colleagues, who have participated as
therapists and collaborators in the mixed method study. Marianne Haugvik, with
whom the first study of time-limited child psychotherapy was initiated, has been very
important in the work to broaden the scope of opportunities for clinical research.
A very special thank goes to my supervisor Lars Ole Bonde! Your creative and
knowledgeable mind, wise questions and often surprising ideas, your combination of
endless patience and impatience with everything that got in the way – all of this has
made the project and me develop – and I am deeply grateful!
I will be forever grateful to my wise supervisor on child psychotherapy research
Bjørg Røed Hansen. She has been my teacher and supervisor since 1991, when she
was the co-founder of the first child psychotherapy seminar at the University of Oslo.
She brought Daniel Stern to Oslo, and intersubjectivity to psychotherapy. Without
her pioneering work, this study might not have had the solid developmental and
psychological theoretical fundament to make meaning out of therapeutic
microprocesses.
Another key person to this study is Birgit Svendsen, who took the initiative to a mixed
method multicenter study of child psychotherapy, the first in Norway to apply
psychophysiological measurements in addition to qualitative method. Birgit’s
methodological skills, courage, global enthusiasm and talent in involving
collaborators has been crucial.
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The first person who eagerly supported an integration of music and psychology to
study nonverbal communication in child psychotherapy was Tony Wigram,
psychologist, musician, music therapist and researcher at the doctoral school at
Aalborg university. He made me believe that it was possible, worthwhile and fun to
research! Years later when I finally decided to pursue the project, I have had the
privilege of being a part of the international Aalborg research family. I am grateful
to Hanne Mette Ridder for always being attentive to practical, social and professional
issues, and to the other teachers on the program for the many unformal gatherings
and valuable exchanges. Presenting my ideas to a group with teachers and students
of such diversity in cultural and professional backgrounds has been enriching.
Invaluable backing from the beginning came from my friend and colleague Gro
Trondalen, whose continued support in everything from technical data challenges to
discussions about research issues has been of vital importance for which I am
grateful.
Thank you to my children Jonas, Ingrid and Niklas, who has always broadened my
perspectives and brought pleasurable distraction, and to my husband Erling who has
been there the whole time with patient and endless support and care.
Bjørg and Birgit both passed away much too early, Birgit in 2016 and Bjørg in 2018.
Their enthusiasm for child psychotherapy never ceased to exist and they followed the
research project to the end of their lives with the same passion and persistence. I
dedicate this work to them.
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TABLE OF CONTENTS
LIST OF PHD PUBLICATIONS .......................................................................... 11
Chapter 1. Introduction .......................................................................................... 21
1.1. Context of study ............................................................................................ 22
1.2. Personal motivation ....................................................................................... 23
1.3. Purpose of the study ...................................................................................... 24
1.4. CONCEPTUAL FRAMEWORK AND TERMINOLOGY .......................... 25
1.5. Overall structure of the study ........................................................................ 29
1.5.1. Figure 2. Flowchart of the multicenter research study ........................... 29
1.5.2. Therapy method/time-limited intersubjective child psychotherapy ....... 31
1.5.3. Summary of handbook of time-limited intersubjective child therapy (TIC)
......................................................................................................................... 32
1.6. Short summary of the articles of this PhD .................................................... 36
1.6.1. Article 1 (published) .............................................................................. 36
1.6.2. Article 2 (submitted) .............................................................................. 38
Chapter 2. Literature review and theoretical background.................................. 40
2.1. an overview of emPirical studies in child psychotherapy ............................. 40
2.2. A perspective on child psychotherapy as a process of development and
integration ............................................................................................................ 44
2.2.1. Affective dialogue; a matrix for self-development................................. 46
2.2.2. Development of emotion regulation ....................................................... 47
2.2.3. Affect integration ................................................................................... 49
2.3. A musical frame for understanding therapeutic interplay with children ....... 49
2.3.1. An infant research perspective on reciprocal ‘musical’ interplay .......... 51
2.3.2. Perspectives from music therapy ............................................................ 54
2.3.3. Integrating perspectives from musicology ............................................. 57
Chapter 3. Method .................................................................................................. 60
3.1. epistemological and ontological perspectives ............................................... 60
3.2. Research questions ........................................................................................ 62
3.3. Research methododology .............................................................................. 62
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3.3.1. A naturalistic setting .............................................................................. 62
3.4. The database – part of a multicentre study .................................................... 63
3.5. Recruitment and collection ........................................................................... 63
3.5.1. Mixed method study ............................................................................... 64
3.5.2. Affect consciousness interview .............................................................. 64
3.6. The participants ............................................................................................. 65
3.6.1. The children ........................................................................................... 65
3.6.2. The therapists ......................................................................................... 65
3.7. Data analysis - a qualitative methodology .................................................... 65
3.7.1. A phenomenological - hermeneutical approach ..................................... 66
3.8. Microanalysis ................................................................................................ 67
3.8.1. Video method ......................................................................................... 68
3.8.2. Sampling procedures .............................................................................. 68
3.8.3. Developing a multilayered method for video microanalysis .................. 69
3.8.4. Ethical considerations ............................................................................ 70
Chapter 4. Findings................................................................................................. 71
4.1. Summary of findings ..................................................................................... 71
4.2. Summary of affect consciousness interviews ................................................ 73
Chapter 5. Discussion ............................................................................................. 74
5.1. Evaluation of findings in a theoretical perspective ....................................... 75
5.2. Discussion of methodological issues ............................................................. 81
5.2.1. Reflexivity: preconceptions and how the researcher affected the study . 82
5.2.2. Study limitations .................................................................................... 83
5.3. Implications and recommendations ............................................................... 84
5.3.1. Implication and recommendations for clinicians ................................... 84
5.3.2. Implication and recommendations for health politics ............................ 85
5.3.3. Implication for research and future perspectives .................................... 85
5.3.4. Conclusions ............................................................................................ 86
Literature list ........................................................................................................... 88
Articles ................................................................................................................... 101
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TABLE OF FIGURES
Figure 1. Graphic overview of microanalytic research study
Figure 2. Flowchart of multicenter mixed method research study
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CHAPTER 1. INTRODUCTION
This study initiated in a previous research project on time-limited intersubjective
psychotherapy with children in difficult family situations (Haugvik & Johns, 2008).
After therapy ended, parents described the children as being clearer about their needs
and with increased ability to share both positive and negative feelings, as well as
symptom reduction. I wanted to study the method further, to search for hallmarks and
enabling conditions of therapeutic interplay facilitating self-regulation and affect
integration. The present study explores the non-verbal therapeutic dialogue in child
psychotherapy through a ‘musical frame’ as part of a microanalytic approach
(Tronick, 1998, 2007; Trevarthen, 2001; Stern, 2004; Harrison, 2013).
The primary aim is to illuminate and clarify features of dialogical exchanges, which
promote self-development in the child. The study is an integration of knowledge from
several areas:
Firstly, empirical infant research has opened doors into the possibilities of
microanalysis of moment-to-moment interplay and in this way has contributed with
knowledge about the intersubjective foundation of human development (Stern, 2000;
Trevarthen, 1980). Specifically, the study draws on the thinking of Daniel Stern and
his contributions on the relevance of infant research to clinical work and on the work
of Colwyn Trevarthen, whose microstudies has greatly contributed to acknowledge
the significance of musical vocal and rhythmical features for relationship qualities.
Secondly, knowledge from music about central and specific features of different
musical parameters and from music therapy, about the role of musical improvisation
in therapeutic work with different client groups, mainly adults.
Thirdly, a study of child psychotherapy needs to include child-specific knowledge
(Hansen, 2012; Johns, 2012). This includes child-specific emotional, cognitive and
somatic reactions. Children are different from adults, and such knowledge from
developmental psychology is necessary to communicate meaningfully and help
children and parents to make sense of their experiential world. Empirical infant
research has so far played a small part in child psychotherapy research and practice.
Children´s experiential world come to the forth, firstly through somatic, emotional
nonverbal expression. Therefore, psychotherapy should address such signals both
clinically and as a focus for research.
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1.1. CONTEXT OF STUDY
The research context is a multicenter study in child psychotherapy, which has been
taking place from 2014 at the Norwegian University of Science and Technology in
Trondheim, Norway, and at the Akershus University Hospital’s Child and Adolescent
Mental Health Clinic at Furuset, Oslo. The head of research is Professor Karl
Jacobsen, NTNU.
The project initiated in research on emotion regulation, influencing the understanding
of emotion regulation as a basic phenomenon across a variety of children´s diagnoses.
This has inspired an increased focus on the regulation, organization and integration of
affects in clinical work and research, which is also the background for the multicentre
study. The study applies several measures, both quantitative, such as
psychophysiological measures and qualitative, where this PhD represents a qualitative
video microstudy of emotion regulation interplay. On the background of comparative
findings from previous studies on psychophysiological measures, it was decided to
include children presenting with symptoms in the internalizing spectrum (anxiety,
depression or somatization).
The treatment context is Time-limited Intersubjective Child psychotherapy (TIC),
which has been developed in Norway for the past decades as a frame, for
intersubjective processes directed at self-development (Hansen, 1991a, 1991b, 2012).
It merges individual work with the child and parent therapeutic work. Theoretically,
it originates in a psychodynamic approach and has integrated knowledge from infant
research and creative arts.
Time-limited intersubjective child psychotherapy has been subjected to research since
the beginning of this century and the second clinical research background is a previous
research project on time-limited intersubjective therapy (Haugvik & Johns, 2008;
Haugvik, 2013; Haugvik & Mossige, 2017; Johns, 2008). Findings here showed that
parents, after therapy ended, described the children as being clearer about their needs
and having increased ability to share both positive and negative feelings. Findings
were supported by symptom reduction on symptom scales.
These findings inspired a further study on the impact of this treatment approach on
children´s emotional development, within the context of a musical frame, as a well-
used context in infant research to describe intersubjective microprocesses.
The clinical context and site of research is a natural clinical setting in an outpatient
mental health clinic for children and adolescents in Oslo and at a university student
clinic in Trondheim. Measurements and treatment procedures were carried out on
these sites. Three of the therapists are experienced specialists in clinical child and
adolescent psychology, the author being one of these also being an experienced music
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therapist. Two of the therapists are advanced clinical psychology students under close
supervision.
1.2. PERSONAL MOTIVATION
My personal motivation for this PhD study comes from clinical experience with
children in psychotherapy, together with a background as music therapist. Clinical
work with children has shown me the potentiality and richness of the therapeutic
dialogue, both implicitly and explicitly, and of the significance of the child’s
contribution to that dialogue. Meeting a child in the here and now and sharing the
child´s story from the child’s perspective, has had developmental value for me as a
child therapist. It has encouraged an interest in further knowledge about phenomena
influencing change processes from a dialogical micro perspective. My training, as a
child psychologist, has been within an intersubjective approach, which supports a
developmental view on child psychotherapy and emphasize the significance of
microprocesses in the therapeutic dialogue. Meeting children who struggle
emotionally, has shown me the therapeutic strength in children´s immediate implicit
and explicit signals to what goes on in the relationship. This has greatly inspired a
broadening of my understanding of the therapeutic relationship.
My background as a music therapist has influenced the way I experience encounters,
whether non-verbal or verbal, from a musical perspective, in which variations in
rhythm, tempo, silences, vocal tonality etc. play an important part in influencing
subjective experiences of an encounter. Children in therapy sometimes spontaneously
comment on what I think of as musical, non-verbal affective qualities in therapeutic
dialogues. In working with children who do not play, either because of traumatic
background or emotional neglect, it always makes an impression on me that when
they develop the capability to play through therapy, singing or humming often
accompany playing, with increased vitality. I have asked myself if it is also an
expression of increased emotional regulation, integration and flexibility, and I have
been motivated to explore these aspects further in child psychotherapy, combining a
musical with a psychological approach to microprocesses in the therapeutic interplay,
inspired by similar studies in infant research.
Beside the above sources of motivation, there are two more issues, which concern me
as a child psychologist: Firstly, the right of children to express their feelings and
needs, independent of grown-ups, as formulated in the United Nations Convention on
the Rights of the Child. For this to happen, they dependent on the support from the
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24
adult world. Secondly, since children seldom seek therapeutic help on their own
account, therapy must be understandable and meaningful from the perspective of the
individual child. Since children express themselves mainly in the here and now and
the non-verbal domain has priority above the verbal, psychotherapy with children
must favour a further understanding of non-verbal emotional communication.
1.3. PURPOSE OF THE STUDY
Summarized, two broad fields of knowledge from research inform the background for
the formulation of research questions that have guided the analysis of the present
study:
Firstly, research documenting how emotional disorders have serious impacts on the
lives and development of children and is an important area for research and
knowledge. There are several fundamental differences between children and adults,
implying that knowledge from adult research cannot be transferred directly to children
(Kazdin, 2000). Children communicate their difficulties mainly non-verbally due to
lack of verbal skills, making them more difficult to discover and understand for their
surroundings (ibid.). Kazdin encouraged more studies considering children´s
developmental perspectives. There is a need for studies in naturalistic clinical settings
with actual children who experience emotional disorders (Weisz, 2000). Midgley et
al. (2017) recommend that the research base for child psychotherapy incudes more
studies, in the future, which focus on how a treatment works, in addition to whether it
works. Based on a developmental research perspective (Lyons-Ruth, 2006) and the
role of intersubjectivity, more knowledge about developmental change processes in
in child psychotherapy is an important contribution (Hansen, 2012). A growing body
of knowledge indicates that therapeutic change involves basic developmental
processes, such as attention and emotion regulation (Saarni, Mumme & Campos,
1998; Schore, 2003; Campos, Frankel & Cameras, 2004; Jacobsen & Svendsen, 2010;
Braarud & Nordanger, 2014). The multicenter study, from which the data for this microstudy comes, aims at a broad mixed method study of changes in emotion
regulation.
Secondly, knowledge from infant research, which this microstudy part of the
multicenter research builds on and which shows how such basic self-developmental
processes take place in micro interplay from the start, being influenced by relationship
qualities. Taking a developmental research perspective (Lyons-Ruth, 2006) on child
psychotherapy, the focus is on studying therapeutic interplay between therapist and
child second by second in small emotion regulation samples. From infant research, knowledge about the role of intersubjective microprocesses for human development
has shown how musical parameters help to clarify key aspects of such microprocesses.
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Infant research has, to a large degree applied fundamental musical parameters, such
as rhythm, timing, vocal tonality and intensity to clarify significant intersubjective
aspects for development.
There is until now, little research on the significance of microprocesses in promoting
developmental change in children with emotional difficulties. There is also less
research on internalizing difficulties in children than in adults. The purpose of this
microstudy is to explore and illuminate therapeutic exchanges between therapist and
child, applying a research procedure, which includes a moment-to-moment
description of musical qualities.
1.4. CONCEPTUAL FRAMEWORK AND TERMINOLOGY
In the following, central theoretical concepts and framework in the thesis are defined.
In addition, terminology is defined in the articles and the thesis to clarify theory.
Intersubjectivity being a central conceptual framework, I will start by describing my
pre-understanding and conceptual theoretical background influencing the study.
Intersubjectivity is a relatively new concept within psychology and psychotherapy
(Hansen, 1991a, 1991b, 2012). It has its roots in philosophy and phenomenology.
Especially Husserl and Merleau-Ponty have contributed to an understanding of the
significance of human sensory and bodily sensations for awareness of subjective
phenomena (Hansen, 2012). I will describe the philosophical influence more in detail
under the method section under a phenomenology. Within psychotherapy, the concept
of ‘object relation’, as part of a psychoanalytic understanding, was challenged by
Jessica Benjamin (1990) who claimed that mutual recognition of subjectivity in the
therapeutic relationship is at the bottom of therapeutic development. Trevarthen´s
research made a major contribution to the understanding of intersubjectivity, leading
to an understanding of intersubjectivity as an inborn human motive for social
engagement. Intersubjectivity thus lie at the bottom of making sense of bodily sensory
experiences of vocal tonality, rhythm and tempo together with the facial expressions
of others, referring to a primary sharing of experiences underlying developmental
processes (Trevarthen & Hubley, 1978; Trevarthen, 1992; Stern, 2003) which take
place in microprocesses from moment to moment. Both emotional and cognitive
development are in this perspective embedded in a shared world of actions and
meaning, something which has led to increased respect for children communication
as something which transcends later cognitive development. It supports a
developmental perspective on psychotherapy, implying that the child´s self-
development is embedded from birth in intersubjective dialogue (Stern, 2000). From
this dialogue, relational patterns and representations of self-with others are
continuously developed, constructed and are subject to reconstruction. This view is
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embedded in an intersubjective perspective child psychotherapy, together with
therapy as an arena for reconstruction and development. The intersubjective
understanding of child psychotherapy, which is presented here, is that experiences of
subjectivity, mutuality and reciprocal exchanges are decisive for self- and self-with-
others development, also in psychotherapy.
Different theoretical traditions, which also influence my understanding, links
intersubjectivity to forms for interactive regulatory patterns (Beebe, Knoblauch,
Rustin & Sorter, 2005), development of mentalization (Fonagy, Gergely, Jurist &
Target, 2002) and sharing of mental worlds (Stern, 2000, 2003, 2004, 2005). Stern´s
view is that we are part of an intersubjective matrix, which both contains and gives
form to our mental lives through continuous interacting with each other. Stern
understands the therapeutic process as the regulation of the intersubjective field
between therapist and child in the service of development. Both Trevarthen (1980)
and Stern (2000, 2004) emphasize how the experience of mutuality arises from
subjective positions, implying therapeutic development as an expansion of both
intersubjectivity and subjectivity, as well as tolerance of separateness.
The following are definitions of concepts relating to the study, placed alphabetically:
Affects will be applied, in the study, as the main term in describing processes relating
to expressing and sharing affective information. Affect is understood as an
overarching concept to describe anything related to emotions or mood (Gross, 1998).
In the literature, affects and emotions are both applied to describe human experience
and processes such as emotion regulation. I will therefore use both terms according to
relevant literature and research. Daniel Stern emphasize that in describing subjective
experiences, he uses the word feelings, considering it to be the closest to personal,
subjective emotional experiences.
Affect attunement refers to an intersubjective process, characterized by a cross
modal matching of the child´s expression. The attention is thereby on the feelings
quality being shared. Misattunement is when the feeling intensity is either too strong
or too weak and does not match the child’s. If a child´s feeling is not attuned to over
time, the consequence is serious for the child´s inner world of feelings, often resulting
in withdrawal or loss of contact.
Affective scaffolding (Tronick, 1998, 2004) refers to how the therapist organizes the
affective regulating dialogue with the child to support expansion and development.
Dyadic expansion of consciousness model (Tronick, 2005) views therapist and child
as self-organising systems, which expands and reorganises through new relational
experiences. When mental balance in the child breaks down because of an interactive
error (for instance when the therapist misunderstands, mismatches or overhears), there
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is an opportunity for dyadic expansion following an interactive repair. In this model,
the improvisational sloppy character of therapeutic dialogues guarantee episodes of
miscoordination, with the potential of developing interactive meaning into greater
complexity, from repeated experiences of restoring mutual coordination.
Forms of vitality is linked to dynamic subjective experiences and the understanding
of vitality affects as profoundly intersubjective and refers to a more precise
description of human capability to share mental worlds (Stern, 2010).
Imitation of the other´s action has a key role in establishing mutual attention and
discover similarities between self and others (Meltzoff & Moore, 1998). Imitation
takes place in relation to dynamic, rhythmical and temporal qualities in movements,
gestures, facial expressions and vocal tonality (Fernald, 1985).
Implicit relational knowing (Stern, 2004) is non-verbal, non-symbolic, procedural
and non-conscious processes, which develops parallel with explicit knowing
throughout life (Stern, 2004, p. 113).
Internalizing disorders in children, such as depressive and anxiety disorders, has
been less researched than other areas of psychopathology, such as overtly, disruptive
behaviour (Tandon, Cardeli & Luby, 2011) mainly due to these children being easier
to handle for the environment. Nonetheless, for children suffering with internalizing
disorders, such as anxiety and depression, and have limited ability to describe internal
feeling states the need for clinical research and help is imperative.
Intersubjective consciousness has been proposed by Stern, as a description of a form
of dyadic consciousness arising in the here-and-now from a mutually created intense
dyadic experience. It involves an overlap of subjective consciousness, partially
including the consciousness of the other and an awareness of sharing the same mental
landscape in the present.
Intersubjective field involves intersubjective motives directing and organizing
activity (Stern, 2004). Such motives are 1) A need to read the intentions and feelings
of another to orient in the intersubjective field (p.106). 2) A need to define, maintain
and re-establish self-identity and self-cohesion. The understanding is that self-
identity, continuity and meaning emerges from intersubjective experiences (ibid.)
Joint (mutual) attention is considered a basic intersubjective sharing and crucial for
the experience of togetherness and development of social skills.
Mentalization refers to the ability to interpret meaning from other´s behaviour by
evaluating their underlying mental states and intentions, and at the same time have the
capability to understand implications of one’s own affects and actions on others
(Fonagy & Target, 1996, 1997).
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Microprocesses. Infant research, which has inspired the study, has contributed to
empirically based knowledge about the significance of microprocesses and about
forms of micro interplay, which are at the heart of the subjective experience of sharing
activity and meaning. Microprocesses direct focus to what is going on here-and -now
in the therapeutic interplay with the individual child, and to how this interplay can
attain developmental potential.
Modulation is also a musical concept and refers to an intersubjective process whereby
the child is helped to move from one emotional experience to another and is part of
the development of emotion regulation when the experience is internalized in the
child. Modulation may interweave and coincide with synchronization.
Musical parameters refer to aspects of musical sound, which can be varied and
described independent of each other and the traditional elements of music; such as
rhythm, melody, harmony, timbre and form. Such aspects are pitch, duration,
intensity, tempo, attack and vocal tonality etc. These aspects play an important role in
the present microanalytic study, where they are applied to describe dynamic
subjective experiences, such as dynamic forms of vitality.
Self-agency refers to the basic experience of being an agent capable of influencing
one’s own life through influencing the feelings and activity of others. It is considered
a key sense of self, embedded in the domain of core sense of self (Stern, 1985/2000)
and crucial for self- and self-with-others development as well as mentalization
(Midgley et al., 2017).
Synchronization means to adjust one´s activity to create and establish mutuality and
dialogue. It is considered a primary form of communication to establish
intersubjectivity (Trevarthen, 1979; Stern, 1985/2000).
Vitality affects (Stern, 2000) refers to the continuous, dynamic and changing flow
characterizing all mental life, as something more than categorial emotions as
described by Darwin. It is significant for the understanding of communicative
microprocesses in the study.
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1.5. OVERALL STRUCTURE OF THE STUDY
The following figure shows an overview of the context for the present microanalytic
study, within a multicenter mixed method study. N here indicates the aimed for
number, not the resulting number of children.
Figure 1. Overview of microstudy
1.5.1. FIGURE 2. FLOWCHART OF THE MULTICENTER RESEARCH STUDY
The following flowchart describes how the PhD study is part of the multicenter study
as a separate qualitative part. Text in red indicates the specific elements and steps of
the present microanalytic study.
TIC
(TIC
((((TIC
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30
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1.5.2. THERAPY METHOD/TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY
The therapy method applied in the multicenter study is time-limited intersubjective
therapy (Svendsen & Johns, 2012; Johns & Svendsen, 2016), which is developed as a
method for children, from a psychodynamic approach (Proskauer, 1969, 1971;
Peterlin & Sloves, 1985; Sloves & Peterlin, 1986). It has later been developed as a
mentalization based method (Midgley et al., 2017) in addition to an intersubjective
method. The latter is applied in this study, integrating knowledge from infant research
(Haugvik & Johns, 2008; Hansen, 2012) and combining structure and flexibility
through three distinct criteria: 1) Establishing a clear time-frame, 2) parallel sessions
with parents and 3) a mutually agreed shared therapy focus (Haugvik & Johns, 2008;
Johns & Svendsen, 2016). The concept of time-limitation represents two aspects of
time (Johns, 2008): 1. An overarching time structure of the number of weekly sessions
aimed at therapeutic alliance and 2. Predictability and repetition aiming at a
restoration of the sense of continuity and integration of emotional experience in
children who have reduced sense of continuity and affect-integration (ibid.).
The focus comprises an understanding of the child´s developmental needs.
Formulating an understandable therapy focus is intended to facilitate recognition in
the child and parents of their own experiential world as significant in the therapy
process. Gaining the parents´ consent and commitment, as well as creating curiosity
about themselves and the child has priority. Within a musical frame, the focus can be
compared to one or more ‘leitmotifs’; a reminder of central themes to be elaborated
(Johns, 2008). The goal for parental work is increased mentalization capability
(Haugvik, 2013; Midgley et al., 2017). The therapy process with the child is a flexible,
mutually created process from what emerges in the dialogue and directed at self-
development. Taking the child´s perspective in the here and now is in the forefront.
Children have a shorter time horizon than adults, and their life form takes place to a
larger degree in the present (Lyons-Ruth, 2006). This implies an intersubjective
perspective directed at sharing attention, intention and affective states on a microlevel,
where the child´s history emerges implicitly and explicitly (Hansen, 1991a, 1991b,
2012). The therapist has an active role through the sessions in exploring the child´s
feelings, intentions and thoughts, as these are expressed implicitly and explicitly, and
from there creating new meaning. As part of the multicentre research study, from
which the data in this study originates, a handbook was written, describing theory and
principles of the therapy method, based on research so far (Johns & Svendsen, 2016).
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32
1.5.3. SUMMARY OF HANDBOOK OF TIME-LIMITED INTERSUBJECTIVE CHILD THERAPY (TIC)
The following is a summary of the content of the Handbook of Intersubjective Child
Psychotherapy which was written as part of the PhD study and based on preliminary
findings in the multicenter project (Johns & Svendsen, 2016). The purpose of writing
a handbook of the therapy method was to give a thorough description of the
knowledge base and treatment principles which the therapy method builds on and give
examples to clarify. The acronym (TIB) is translated to TIC in English. We thought
that clear guidelines would serve as a helpful tool in the training of therapists. Also,
that it would clarify treatment procedures in clinical research using this therapy
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method, as in the present study. The following is a short summary of the five chapters
of the handbook (a detailed table of contents in English can be found in Appendix*):
Chapter one is an account of the theoretical knowledge base underlying time-limited
intersubjective child psychotherapy (TIC). The theoretical foundation is described
within four areas:
1. Developmental psychology.
This section describes developmental psychopathology which
builds on an understanding of how children are developed from
birth, via the interaction with others. This is called a transactional
model of development which illustrates the significance of
reciprocity and interactional, contextual embeddedness for the
development of disorders (Sameroff, 2009).
2. The intersubjective perspective on developmental- and change processes.
This section describes the main conceptual understanding, together
with central concepts which can be used as therapeutic relational
tools and gateways to therapeutic change (Hansen, 2012). Each of
the concepts are described, with examples from child
psychotherapy. Such concepts are: Turn-taking, imitation and
mutual attention. Next, the role of affective communication in
development is described and discussed, including basic nonverbal
forms, such as communicative musicality, narratives, dyadic
regulation and expansion, implicit relational knowing, forms of
vitality and affect attunement. All conceptual understanding is
exemplified from child psychotherapies. The five different
intersubjective forms of relating/’being together’ which can be
found and created in psychotherapy are.
1. Implicit sense of mutuality through affect
synchronization and mutual regulation and
includes early imitation and turn-taking
(primary intersubjectivity).
2. Mutual focus of attention involving something
which the child or therapist can draw attention
to as a source for interaction (secondary
intersubjectivity).
3. Intersubjective sharing and feeling understood
through affect attunement and selective
attunement.
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34
4. To express oneself though symbols, language
and shared meaning-making. Play is an
important part of this way of being together.
5. To attribute feelings, intentions and thoughts to
oneself and others (mentalizing). This process
implies a perspective on mental life which
creates possibilities for reflecting upon the
motives and intentions of oneself and others -
outside the here and now (tertiary
intersubjectivity of second order (Bråten, 2007).
It comprises the ability to integrate experience
and create self-biographical meaning.
Stern’s model of development of self domains is
presented after this, as a way of formulating
areas that a child needs to develop. The different
domains of self-development are also linked to
the formulation of therapy foci, which is
described later in the book.
3. Emotion regulation as a dyadic regulation system is described, with reference
to research.
4. Creative expressive art forms – play, music and drawing are presented with
examples from child psychotherapy.
In Chapter two the frame and structure of the therapy method is introduced, with a
detailed description of the three distinct elements of time-limitation, a shared therapy
focus’ and parallel work with parents. As mentioned before, the combination of
structure and flexibility is found to suit the work with children and parents. In the
following section on the role of metaphorically formulated therapy foci, with
examples of such formulations are provided. Examples very often emerge from the
work with individual children and from their individual way of expressing
nonverbally or verbally their inner world, inspiring various metaphors. Formulations
are organized in the handbook in the following way, here providing one example (The
book gives several examples):
▪ The therapy focus is directed towards development of self-regulation and
self-agency.
o We are going to be together and explore ways in which you can
become ‘just strong enough’. This is related to the child becoming
either ‘too strong’, implicating losing control or having to pretend
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to be stronger than is the case and therefore not being able to express
authentic feelings of insecurity or ask for help.
▪ The therapy focus is directed toward emotional areas that the child does not
have contact with. The child needs help to direct attention to the inner world
to be able to express emotions and experience intersubjective sharing.
o We can be together here to help you to ‘sing all of your tones loud
and clear’. This focus was used in therapeutic work with a girl, who
showed very little emotions, especially anger and sadness, which
inferred with her daily life. The suggested focus was inspired by the
girls love for singing.
▪ The child needs help to experience coherence and continuity in self-
biography.
o Here we can try to get to know both the big and the little girl, to try
to find out what it is like to be seven years and having experienced
so much. The focus points to overwhelming and potentially
traumatic events, effecting development and that the child takes on
too much responsibility. The focus is a recognition of children’s
right to be children.
Parallel work with parents is described in detail, with the perspective on parent work
as an arena for developing mentalization. For such development to take place, the
parents’ feelings, expectations and needs must be understood and acknowledged.
Chapter 3 and 4 give a step by step description and overview of the whole therapeutic
process, with clinical examples to illustrate each of the steps. In chapter 3, the first
meeting with the family and the following three parallel meetings with the child and
parents, called clinical interviews, are described. These meetings are summarized with
all participants, in a joint meeting called the focus meeting, in which the suggested
therapy focus is discussed and agreed on. In chapter 4, overarching relational themes
of the three phases in the therapy process are described: 1) To create a helping
relationship. This formulation represents findings from a research project on what
therapists do in the first therapy sessions with children, to create a working alliance
(Svendsen, 2007). To present oneself as a helper, was considered a key factor of
alliance building, and Svendsen found two distinctive domains of helping maneuvers
across therapists with different theoretical orientations (ibid.). The first domain
comprises implicit maneuvers and the second comprises explicit maneuvers, which
are described in the handbook (p. 88). 2) Now we are working together describes the
second phase of therapy, and 3) To keep each other in mind is the name of the last
phase, referring to the developmental bearing underlying this therapy method. Each
phase includes descriptions of both child-directed and parent-directed work.
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36
Chapter 5 describes the therapy processes with two children, in detail. The first
therapy process takes place during twelve therapy sessions. The second therapy
process is an example of a long-term therapy, with three sequences of twelve sessions,
being compared to ‘chapters’ within the child’s self-biography. Parallel work with
parents, schools and other significant persons and institutions in the child’s life are
described, according to the principles in the handbook of time-limited intersubjective
child psychotherapy.
1.6. SHORT SUMMARY OF THE ARTICLES OF THIS PHD
This PhD study is article-based, according to the structure for PhD studies at the
Aalborg University doctoral program. The two articles, which will be presented
under, aim at answering research questions, the first by addressing methodological
issues and the second by presenting and discussing findings from the microanalytical
study.
1.6.1. ARTICLE 1 (PUBLISHED)
Exploring musical dynamics in therapeutic interplay with children: A multi-
layered method of microanalysis
This article describes how a research procedure was developed, with the research aim
of exploring, describing and illuminating therapeutic exchanges with children at a
microlevel. The research task was approached from a musical perspective, inspired by
how infant research apply musical parameters, such as rhythm, tempo and vocal
tonality to describe relationship qualities. The background is psychotherapy research,
which validates the significance of relationship factors for change processes,
independent of any therapy method (Orlinsky, Rønnestad & Willutski, 2004). Relevant infant research is presented, as well as knowledge from music therapy,
indicating the significance of a musical foundation of affective communication. This
is in accordance with clinical experience from child psychotherapy and how the inner
worlds of children are expressed through dynamic, vocal, rhythmical and temporal
changes. Musical parameters were applied in the article as concrete descriptions of
the specificity of therapeutic intersubjective exchanges with children as these unfold.
Concepts which bridge an intersubjective and ‘musical’ understanding of
intersubjectivity, such as forms of vitality, are included. Data were taken from a
multicenter research study, with which the author collaborated and comprised six
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37
children 9-13 with poor emotion regulation capability (see Figures 1 and 2 above).
The overall research aim of the multicenter study was to study changes in emotion
regulation in children with internalizing difficulties, receiving time-limited
intersubjective psychotherapy. This is a developmentally informed therapy method
applying intersubjective knowledge and adopted to the individual child.
Foreknowledge about emotion regulation and the therapy method is described in the
article.
The article goes on to describe the procedure which were followed for purposeful
sampling according to finding emotion regulation samples to include in the
development of the research method for microanalyses. The result was a multilayered
method for microanalysis, including three layers in the research procedure of selected
video samples: 1) A detailed description of moment-to-moment therapeutic
exchanges, organized in units across a time-line to integrate and make comparisons.
2) Description of musical parameters which emerged in the therapeutic interplay and
3) Psychological description which was made based on a constant comparison
between the three levels, applying concepts from a developmental intersubjective
perspective. Sequences of change in emotion regulation were identified during the
sample. Lastly dyadic themes from intersubjective theory were identified based on
interactive exchanges within and across units. During the constant comparison process
the concept of musical dynamics emerged as a synthesis of musical parameters and
forms of vitality. The article includes an example from therapy of how the method is
applied.
In the discussion it is argued that a multilayered approach to understanding therapeutic
change processes, such as changes in emotion regulation, has a potential for a
complementary understanding of implicit and explicit processes. Musical dynamics is
discussed as a useful concept, with the potential of clarifying micro interplay with the
child. During procedures of microanalysis, musical dynamics stood out as facilitators
of change. It is proposed that a focus on musical dynamics promote attention to signals
in the children´s expressions, indicating subjective intentions, feelings and therapeutic
needs. This again may promote the therapist´s responsivity and involvement in
therapeutic microprocesses, bearing importance for therapeutic development. In the
conclusion, a focus on musical dynamics, as part of a multilayered microanalytic
procedure, is seen as a useful concept for illuminating features of break-downs and
repairs of intersubjective sharing, which is at the heart of an intersubjective
developmental perspective on therapeutic change.
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38
1.6.2. ARTICLE 2 (SUBMITTED)
A study of musical dynamics in therapeutic interplay with children. ‘The
important thing was to be understood through tone of voice and movements’
Samples of emotion regulation from the course of time-limited intersubjective child
psychotherapy with six children were analyzed within and across samples. Two
samples, from an early and a late session with each child, were analysed according to
the multi-layered method of video microanalysis, including a musical frame as well
as a psychological. The musical frame is a registration of vocal, rhythmical, dynamic
and temporal changes as concrete descriptions of the specificity of therapeutic
exchanges, as these unfold. The research questions guiding the microanalysis
presented in the article was 1) How can a description of musical dynamics, within a
multilayered frame, illuminate intersubjective microprocesses, and 2) How does a
description of musical dynamics, applied together with psychological knowledge,
clarify therapeutic interplay and basic developmental processes such as emotion
regulation in child psychotherapy.
Data came, as described in Figure 2 above, from six children taking part in a mixed
method multicenter research project on changes in emotion regulation. All therapy
sessions were videotaped, which was the total data material for the present qualitative
micro study. Emotion regulation was measured in the multicentre research project
with quantitative measures, before and after therapy, including symptom scales,
psychobiological measurements and the Affect Consciousness Interview. The goal of
the present microanalytic study described in article 2 was to explore how an analysis
of musical dynamics can elucidate therapeutic interplay facilitating self-development.
The multi-layered microanalysis of data resulted in identification of eight overarching
patterns of therapeutic interplay involved in emotion regulation samples: Four
described musical dynamics in the therapists´ activity: (1a) Therapists regulating the
child´s lack of coherent rhythm by slowing down tempo and providing more space can
promote intersubjective sharing and continuity; (1b)) Vocal tonality and vocal
contour of therapists can serve as invitation and support for the child to share a wider
feeling range; (1c) Therapists´ mismatches can be associated with therapist´s
eagerness to explore difficult feelings; (1d) Therapists adjusting rhythm and tempo
towards establishing, keeping and using a ground rhythm can enhance intersubjective
sharing. Two patterns described musical dynamics in the child´s activity: (2a) High
correspondence between tempo and dynamics can foster an impression of
intentionality; (2b) Distinct changes in the child´s musical dynamics can be associated
with dyadic synchronizing opportunities of significant feelings. Two patterns
described dyadic synchronization patterns: (3a) Rhythmical flow in dyadic
synchronization can render the child clearer and more expressive and enhance self-
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agency; (3b) A musical dynamics description can contribute to clarify processes of
interactive errors and repairs. Examples from microanalysis of samples were chosen
to illustrate each pattern and represented a condensation of the raw material, which
had been integrated into a narrative based on the multilayered microanalysis.
The affect consciousness interview, which has been adopted for children was
described. Measurements from pre- and post-tests with the affect consciousness
interviews with all six children were presented in detail. The measurements indicate
increased affect integration and development of emotion regulation capability towards
age adequate status for the age group. Findings suggest that adjustments or
sustainment in rhythm, tempo, vocal tonality, intensity and pauses, play a significant
part in microlevel change processes, and to the multilayered understanding of these.
Specifically, a musical dynamics description brought out patterns in subjective
contributions in the interplay. Also, increase in vitality and affect integration indicate
improvement in self-regulation capacity.
Implications of findings in relation to research questions are discussed and elaborated.
From an intersubjective perspective it is questioned whether a musical dynamics
description, in addition to having a potential for illuminating the child´s expressions,
also brings attention to therapeutic qualities as perceived by the child. How a child is
met and understood psychologically bears significance on alliance building, trust and
involvement in the therapeutic process. This is experienced directly by the individual
child, not primarily because of good therapeutic techniques, but because of the
therapist´s emotional availability and developmental empathy. It is suggested that a
musical dynamics perspective helps the therapist in bringing awareness to her/his way
of attuning and synchronizing to the individual child. More empirical research on
microprocesses in therapeutic interplay with children is warranted, to clarify
phenomena influencing therapeutic development.
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CHAPTER 2. LITERATURE REVIEW
AND THEORETICAL BACKGROUND
2.1. AN OVERVIEW OF EMPIRICAL STUDIES IN CHILD PSYCHOTHERAPY
I will firstly give an overview of some data on psychological disorders in children,
and on the main internalizing disorders of depression and anxiety, as a background
for empirical studies. Data from studies in Norway (Heiervang et al., 2007; Wichstrøm
et al. 2012) shows that 7 percent of Norwegian children suffer from symptoms of a
psychological disorder. 5 percent of children 0-17 receive treatment in outpatient
clinics (ibid.). Depression occurs in all age groups, with an increase from 1,6 percent
before adolescence to 14.3 percent for adolescents. For younger children numbers
indicate that depression is not discovered or diagnosed due to children´s lack of verbal
skills for emotions. For anxiety, the percentage is up to 3.2 for preadolescents,
increasing to 6.9 percent for adolescents (Wichstrøm et al., 2012). As mentioned
earlier, internalizing disorders have lagged behind compared to research on other
psychological disorders, supposedly because these are children with less presenting
challenges for their surroundings (Tandon et al., 2009). Children with internalizing
problems usually appear withdrawn, shy and fearful. None the less, depression and
anxiety have a profound impact on the lives of children, with experiences of
helplessness/hopelessness, intense fear, irritability, worry and uneasiness,
representing emotional, social and cognitive challenges in their everyday life.
There are today many evidence-based treatments for children and families (Kazdin,
2004; Midgley et al., 2017). Mostly these treatments have been developed for specific
diagnostic populations, and as Midgley points out (2017, p. 4), it is unrealistic for
child therapists to be trained in all. An additional problem is that many children either
drop out of treatment or are not able to profit from available treatments (Shirk, 2002).
There is also research which shows that for many children and parents a lack of
emotion regulation capability makes them unable to follow treatment procedures
(Scott & Dadds, 2009).
A search in the Psycinfo Database [250718], using the keywords psychodynamic
psychotherapy + children + intersubjectivity resulted in identifying a very limited
number of studies. Especially empirical studies are rare. The most important studies
are described in the following. In referring empirical studies in child psychotherapy,
I am limiting myself to studies with children and adolescents, bearing relevance for
the present study. I will therefore not include empirical studies on CBT. Most of the
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described empirical studies are therefore within psychodynamic psychotherapy. Since
this term covers many different approaches, I will quote the definition of Kegerreis
and Midgley (2014), which comes close to the definition of intersubjective child
psychotherapy: “…the central idea…. that behaviour, emotions and responses, have
an inherent logic and meaning – a way in which the child’s problems, despite apparent
unhelpfulness, make some kind of emotional sense. Their roots lie in the internal
world of the child that has been built up from his/her earliest experiences and
relationships” (p. 38). During the last decades, psychodynamic psychotherapy has
developed and integrated ideas from several areas of research, such as infant research,
attachment theory and neuropsychology (Lanyado & Horne, 2009; Kegerreis &
Midgley, 2014). This has led to an increasing number on short-term/time-limited
approaches which integrate developmental theory and research, such as
mentalization-based time-limited treatment for children (Midgley et al., 2017) and
intersubjective time-limited psychotherapy for children which is applied in the present
study (Haugvik & Johns, 2008). As of now, there are few empirical studies on these
approaches. Considering knowledge so far from empirical studies on child
psychotherapy, this supports findings from adult psychotherapy that therapy has an
effect (Kazdin, 2002; Shirk & Karver, 2003; Weisz & Kazdin, 2017) and that
relational qualities are related to outcome (Shirk & Saiz, 1992; Shirk & Karver). The
therapeutic relationship has been regarded as a common factor within adult
psychotherapy, across different interventions and patient groups (Orlinsky, Rønnestad
& Willutzki, 2004). A meta-analytic review (Shirk & Karver, 2003) indicated that the
therapeutic relationship impact outcome across different types of child and adolescent
therapies. Their conclusion is to view relationship qualities as a central and effective
factor also in child psychotherapy. Shirk and Russel (1996) have for long emphasized
the importance of being able to gain “a more precise understanding of the change
process embedded in therapeutic relationships” (p. 184).
In 2017 Midgley et al., made an updated narrative review of a former critical review
(Midgley & Kennedy, 2011) of the evidence base for psychodynamic psychotherapy
for children and adolescents. It is worth mentioning that findings in the first review
suggested that child psychotherapy without parallel work with parents might have
negative effect on family functioning (Midgley et al. 2017: 309). Also, that children
with internalizing disorders responded better than children with externalizing
disorders (ibid). Of critical remarks concerning the quality of the available data base,
the authors point out how heterogeneous clinical populations, large variability in
interventions and methodological limitations made it difficult to make conclusions.
They also point out that studies made very few references to other studies, or built on
previous research, limiting the cumulation of knowledge from research. Before 2011,
almost no treatment procedures have been manualized within individual
psychodynamic psychotherapy, which have added uncertainty regarding the
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42
procedures of interventions and potential similarities potent for comparison. However,
since then several treatment manuals have been published, making the treatment
design more transparent and eligible for evaluation. In the 2017 review (Midgley et
al., 2017), the authors follow the same methods as in the earlier review: Inclusion
criteria are children and adolescents between 3-18 years, short and long-term
treatments specified as psychodynamic and with a focus on evaluation treatment
outcomes as well as met criteria for inclusion. RCT studies were regarded as providing
stringer evidence of effectiveness. A total of 23 studies met inclusion criteria, 5 being
RCT studies, and are described in relation to groups of psychiatric diagnoses. I will
shortly describe findings concerning children with internalizing disorders: The largest
outcome study on psychodynamic psychotherapy (Goodyer et al., 2017), is an RCT
study comparing treatment with a psychodynamic short-term approach (STPP) and
CBT with a brief psychosocial intervention. Results showed equal effectiveness and
maintenance in reduction of depressive symptoms one year after treatment ended.
Improvements in the STPP group included a larger percentage of reduced symptoms
at the long-term follow up. Also, there was a relapse of 4 percent, compared to 16.5
in the CBT group, indicating long-term effectiveness. The review of studies on
anxiety disorders show few studies. In one, ten participants from 8-16 received a
manualized weekly treatment of 12 sessions. After treatment they no longer met
criteria for an anxiety disorder with improvements across all outcome measures and
in general functioning. Improvements were still present after six months. However,
the study showed a limitation in methodological requirements, such as small sample
sizes and lack of control group, which call for more research.
A meta-analysis of short term psychodynamic psychotherapy (STPP) models for
children was carried out by Abbas et al. (2013). They claim this to be the first
evaluation of treatment effectiveness, although such approaches are widely used for a
range of psychiatric disorders in children. Their findings indicate that STPP can have
positive outcomes across a wide range of psychiatric disorders, and that there is a
tendency that treatment improvements increase during follow-ups. However, more
systematic studies are needed. Out of the treatment approaches which build on
knowledge from attachment theory and empirical studies on mentalization,
mentalization-based treatment for children (MBT-C) is currently the most widely
used. A thorough and comprehensive treatment guide was written in 2017 (Midgley,
Ensink, Lindquist, Malmberg & Muller). The approach aims at promoting the
development of mentalization and resilience in children and parents (ibid). Peter
Fonagy puts words on the status of treatment approaches for children when he states
that ‘It is somewhat paradoxical that the maturity of an approach should have as its
marker the extension to the world of children’ (ibid, p. vii).
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The Erica Process and Oucome Study (EPOS) (Odhammar et al., 2011) was an
observation study without a control group. The research aim was to investigate
whether global functioning improved after treatment with short-term psychodynamic
psychotherapy. Sample size was 33 children with AD/HD or behaviour problems
between 4-10 years and their parents. When measured after treatment with CGAS
(Children´s Global Assessment Scale) and HCAM (Hamstead Child Adotion Scale)
effect size was 1.80 and 1.98. The study supports that parallel treatment with children
and parents can have positive effects, but the authors conclude that more research are
needed to identify which factors contribute to the change (Odhammar et al., 2011).
Empirical studies researching the outcome of time-limited intersubjective
psychotherapy with children are to my knowledge limited to the one conducted at the
Akershus university hospital outpatient child and adolescent clinic, Furuset with 9
children experiencing difficult family situations (Haugvik & Johns, 2006, 2008;
Johns, 2008; Haugvik, 2013; Haugvik & Mossige, 2017). In this study a wide range
of symptom scales were applied to measure outcomes after therapy and at a three-
months follow-up, in addition to parent interviews and video analysis. Results from
symptom scales showed an effect-size of 0.66 right after therapy and 0.74 three
months after therapy ended, which were in accordance with improvements reported
by parents. The second known study is the present collaborative research study
between this outpatient clinic and the Norweg