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3 MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY AN EXPLORATION BASED ON MICROANALYSIS OF THERAPEUTIC INTERPLAY BY UNNI TANUM JOHNS DISSERTATION SUBMITTED 2018

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  • 3

    MUSICAL DYNAMICS

    IN TIME-LIMITED INTERSUBJECTIVE

    CHILD PSYCHOTHERAPY

    AN EXPLORATION BASED ON MICROANALYSIS OF THERAPEUTIC INTERPLAY

    BY

    UNNI TANUM JOHNS

    DISSERTATION SUBMITTED 2018

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    4

  • 5

    Thesis submitted: xxxxxxxxx

    PhD supervisor: Prof. Lars Ole Bonde,

    Aalborg University

    Assistant PhD supervisor: Associate Prof. Bjørg Røed Hansen,

    University of Oslo

    PhD committee: Prof. Ulla Holck

    Aalborg University

    Prof. Leslie Bunt

    Prof. Katharina Mårtenson Blom

    PhD Series: Faculty of Humanities, Aalborg University

    ISSN: xxxx- xxxx

    ISBN: xxx-xx-xxxx-xxx-x

    Published by:

    Aalborg University Press

    Skjernvej 4A, 2nd floor

    DK – 9220 Aalborg Ø

    Phone: +45 99407140

    [email protected]

    forlag.aau.dk

    © Copyright by author

    Printed in Denmark by Rosendahls, 2018

    mailto:[email protected]

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    6

    CV

    Unni Tanum Johns is a music therapist (Guildhall School of Music with Juliette Alvin

    and advanced clinical studies with Paul Nordoff and Clive Robbins), an authorized

    psychologist (University of Oslo) and specialist in clinical child- and adolescent

    psychology (NPF). She currently has a clinical position at Akershus University

    Hospital HF, Furuset child and adolescent outpatient Clinic. She is Associate

    Professor at The Department of Psychology, University of Oslo. She participated in

    establishing the Music Therapy education program in Norway, and in developing an

    interdisciplinary Specialist Program in Intersubjective Child and Adolescent

    Psychotherapy at the Regional Centre for Child and Adolescent Mental Health,

    Eastern and Southern Norway (RBUP) (Svendsen et al., 2012; Johns, 2012b). She has

    additional studies in the treatment of trauma in children and adolescents (Johns, 2017),

    and has been teaching and supervising music therapy and psychology to students and

    professionals for many years. Her clinical and academic focus of interest is the

    integration of empirical knowledge with creative approaches to development and

    change processes in psychotherapy with children, adolescents and their families,

    taking as a starting point their individual experiences, needs and contexts. During

    many years of clinical practice, the significance of non-verbal intersubjective

    meetings came to the forefront (Johns, 1993, 1996, 2012a). From 2002, she

    participated in initiating and implementing a research project on time-limited child

    psychotherapy with children experiencing difficult family situations (Haugvik &

    Johns, 2006, 2008; Johns, 2008; Haugvik, 2013). This led to further development and

    writing on the subject (Svendsen & Johns, 2013; Johns). The present research builds

    on the previous research study, and findings from this study comprise the background

    knowledge for further analysis and research proceedings in the present study.

  • 7

    PUBLICATIONS LEADING TO THE PRESENT STUDY

    Haugvik, M. & Johns, U. (2006). Betydningen av felles fokus i tidsavgrenset

    psykoterapi med barn: En kvalitativ studie av psykoterapi med barn som opplever

    vanskelige familieforhold. [The significance of a shared focus in time-limited

    psychotherapy with children experiencing difficult family situations]. Tidsskrift

    for Norsk Psykologforening, 43 (1), 19-29.

    Haugvik, M. & Johns, U. (2008). Facets of structure and adaptation: A qualitative

    study of time-limited psychotherapy with children experiencing difficult family

    situations. Clinical Child Psychology and Psychiatry, 13(2), 235–252.

    Haugvik, M. (2013). Structured parallel therapy with parents in time-limited

    psychotherapy with children experiencing difficult family situations. Clinical

    Child Psychology and Psychiatry,18, 504-518.

    Haugvik, M. & Mossige, S. (2017). Intersubjectively oriented, time-limited

    psychotherapy with children: how does the therapist evaluate the therapeutic

    process and what are the therapist’s tasks? Journal of Child Psychotherapy, 43

    (3), 353-368.

    Johns, U. (1993). Intersubjektivitet som grunnlag for utvikling [Intersubjectivity as a

    foundation for development]. I G. Trondalen & E. Ruud (Eds.). Perpsektiver på

    Musikk og Helse. 30 år med Norsk Musikkterapi (pp. 67-84). Oslo: NMH-

    publikasjoner 2008:3. Skriftserie fra Senter for Musikk og Helse (vol. 1).

    Johns, U. (1996). Stemmen som formidler av følelser og kommunikasjon: Et

    utviklingspsykologisk og et psykodynamisk perspektiv. [The voice as conveyer of

    emotions and communication: A perspective from developmental and

    psychodynamic psychology]. (Master thesis, Cand. Psychol., University of Oslo].

    Johns, U. T. (2008). ‘Å bruke tiden – hva betyr egentlig det?’ Tid og relasjon i et

    intersubjektivt perspektiv. [‘To spend the time – what does it really mean’? Time

    and relations in an intersubjective perspective] In G. Trondalen & E. Ruud (Eds.).

    Perspektiver på musikk og helse. 30 år med norsk musikkterapi (pp. 67-84). Oslo:

    NMH-publikasjoner 2008:3. Skriftserie fra Senter for Musikk og Helse (vol. 1).

    Johns, U. T. (2012). Vitalitetsformer i musikk. I G. Trondalen & K. Stensæth (Eds.),

    Barn, musikk, helse (pp. 29-44). Oslo: NMH publikasjoner 2012:3. Skriftserie fra

    Senter for musikk og helse, (vol.3).

    Johns, U. T. (2012). Terapeututvikling: Musikken i det terapeutiske samspillet.

    [Therapeutic development: The music in the therapeutic interaction]. I Svendsen,

    B., Johns, U., Brautaset, H. & Egebjerg, I. (2012), Utviklingsrettet intersubjektiv

    psykoterapi med barn og unge. Bergen: Fagbokforlaget.

    Svendsen, B., Johns, U., Brautaset, H. & Egebjerg, I (2012). Utviklingsrettet

    intersubjektiv psykoterapi med barn og unge. [Developmentally directed

    psychotherapy with children and adolescents]. Bergen: Fagbokforlaget.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

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  • 9

    ENGLISH SUMMARY

    The aim of this PhD study is to explore the influence of non-symbolic microprocesses

    in time-limited intersubjective child psychotherapy through a musical frame. It builds

    on microanalytic research, from infant development and music therapy, demonstrating

    how musical elements can describe and illuminate variations in emotional expressions

    and relationship qualities. There are until now few studies applying a microanalytic

    ‘musical’ approach to investigate therapeutic interplay with children referred to

    mental health services.

    Problems with emotion regulation are found in a wide range of diagnoses, affecting

    the quality of children´s lives. Therefore, the facilitation of emotion regulation is a

    central goal for child psychotherapy. Knowledge from developmental research shows

    how affective, non-symbolic reciprocal moment-to-moment interplay underlie and

    organize self-developmental processes.

    Based on previous research findings and knowledge from infant research with

    reference to musical parameters, such as vocalizations, timbre, pitch, melodic contour,

    intensity, rhythm and tempo, as concrete descriptions of intersubjective exchanges,

    this PhD study aimed at investigating the following three main research questions

    through a phenomenological hermeneutic approach:

    1. Can musical parameters be useful to capture intersubjective exchanges

    between therapist and child – and if so, how?

    2. Can a description of musical parameters, within a multilayered frame,

    illuminate intersubjective microprocesses – and if so, how?

    3. Can a phenomenological description and a hermeneutic interpretation

    of musical parameters, clarify therapeutic interplay and basic

    developmental processes such as emotion regulation in child

    psychotherapy – and if so, how?

    Two emotion regulation samples of therapeutic interplay with six children, from an

    early and a late therapy session, are analysed. Applying a qualitative explorative

    approach, a multi-layered research procedure was firstly developed, including a

    musical framework as well as a psychological (Johns, 2018). The musical frame is a

    registration of vocal, rhythmical, dynamic and temporal changes as concrete

    descriptions of the specificity of therapeutic exchanges, as these unfold. The concept

    of musical dynamics is suggested as a description of lived relationship experiences

    over time.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    10

    Data were drawn from a mixed-method multicentre study, taking place at the

    Norwegian University of Science and Technology in Trondheim and at a child- and

    youth psychiatric outpatient clinic at Akershus University Hospital in Oslo. Research

    target was changes in emotion regulation in children 9-13 (36) with diagnoses within

    the internalizing spectrum. Controls (28) were recruited from local schools in

    Trondheim. Participants were assessed before and after therapy with multiple

    methods, including psychophysiological measures, which are not a topic for this PhD.

    Assessment with the Affect Consciousness Interview (ACI) were administered before

    and after therapy, to obtain objective measures of affect integration. These measures

    were applied as validation of findings and are described in article 2 in the PhD.

    The qualitative multi-layered microanalysis revealed some patterns across samples

    which demonstrate how a musical dynamics-based description embody and clarify the

    child´s activity, emotional expressions and intentions as well as illuminate

    intersubjective exchanges.

    Findings from the Affect Conscious Interview (ACI) for each of the six children in

    the study, compared to the non-clinical control group, indicate increased affect

    integration and development of emotion regulation capability towards an age adequate

    status. These findings support an understanding of time-limited child psychotherapy

    as a frame for developmentally directed intersubjective microprocesses.

    This PhD study contributes to clinical research and practice within child

    psychotherapy by showing how a musical dynamics-based description, as part of a

    multi-layered microanalysis, can clarify the specificity of both the child´s and

    therapist´s activity, enabling intersubjective sharing and self-development. A focus on

    the musical dynamics of therapeutic activity can further contribute to therapeutic

    development by sensitizing therapists to qualities in their own activity, which promote

    responsivity to the child.

    The thesis consists of two articles. The first describes the development of the

    microanalytic research procedure, and the other paper presents and discusses findings.

    A short summary of articles is given in sections 1.6.1 and 1.6.2. As part of the

    multicanter study, a handbook was written on the treatment method, integrating

    research findings and is included together with a linking text. A summary of the

    handbook is written as part of the description of the therapy method in section 1.2.3.

  • 11

    LIST OF PHD PUBLICATIONS

    Article 1

    Johns, U.T. (2018). Exploring musical dynamics in therapeutic interplay with

    children: A multilayered method of microanalysis. Nordic Journal of Music Therapy,

    27 (3), 197-217.

    Article 2

    Johns, U.T. (submitted 2018). A study of musical dynamics in therapeutic interplay

    with children: ’The important thing was to be understood through tone of voice and

    movements’.

    Treatment manual

    Johns, U.T. & Svendsen, B. (2016). Håndbok i Tidsavgrenset Intersubjektiv

    Barneterapi (TIB). Kunnskapsgrunnlag, behandlingsprinsipper og eksempler.

    [Handbook in Time-Limited Intersubjective Child Psychotherapy (TIC): Knowledge

    base, Treatment Principles and Examples]. Bergen: Fagbokforlaget.

  • 13

    NORSK SAMMENFATNING

    Denne PhD studien har som mål å utforske non-verbale mikroprosesser i tidsavgrenset

    intersubjektiv barneterapi gjennom en musikalsk tilnærming. Den bygger på

    mikrostudier fra spedbarnsforskning og musikkterapi, som viser hvordan musikalske

    elementer kan beskrive og belyse kvalitative variasjoner i emosjonelle uttrykk og i

    relasjoner. Det er til nå få studier som anvender en mikroanalytisk ’musikalsk’

    tilnærming for å undersøke terapeutisk samspill med barn som er henvist til psykisk

    helsetjenester.

    Problemer med emosjonsregulering er relatert til en rekke forskjellige diagnoser, og

    innvirker på kvaliteten i barns liv. Derfor er utvikling av emosjonsregulering et

    hovedmål for barneterapi. Kunnskap fra spedbarnsforskning viser hvordan mønstre i

    affektive, ikke-symbolske og gjensidige mikroprosesser organiserer selv-

    utviklingsprosesser.

    Basert på funn fra en tidligere forskningsstudie sammen med kunnskap fra

    spedbarnsforskning som refererer til musikalske parametre, som vokaliseringer,

    klangfarge, tonehøyde, melodisk kontur, intensitet, rytme og tempo som konkrete

    beskrivelser av intersubjektive utvekslinger, har denne PhD studien hatt som mål å

    utforske tre hovedforskningspørsmål gjennom en fenomenologisk-hermeneutisk

    tilnærming:

    1. Kan musikalske parametre være nyttige i å fange opp intersubjektive

    utvekslinger mellom terapeut og barn – og i så fall, hvordan?

    2. Kan en beskrivelse av musikalske parametre, som del av en flerlags ramme,

    belyse intersubjektive mikroprosesser – og i så fall, hvordan?

    3. Kan en fenomenologisk beskrivelse og en hermeneutisk tolkning av

    musikalske parametre, klargjøre terapeutisk samspill og grunnleggende

    utviklingsfenomener som emosjonsregulering i barneterapi – og i så fall,

    hvordan?

    To samples på emosjonsregulerings samspill, fra en tidlig og en sen terapitime med

    seks barn 9-11 ble analysert. På basis av en kvalitativ eksplorerende tilnærming, ble

    det først utviklet en flerlags mikroanalyse metode bestående av en musikalsk og en

    psykologisk ramme (Johns, 2018). Den musikalske rammen er en registrering av

    vokale, rytmiske, dynamiske og temporale endringer, som konkrete beskrivelser av

    spesifikk aktivitet hos barnet eller terapeuten fra øyeblikk til øyeblikk. Begrepet

    ‘musikalsk dynamikk’ (‘musical dynamics’) er foreslått som en beskrivelse av levde

    relasjonelle opplevelser over tid.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

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    Data kommer fra et multisenter prosjekt, ved Norges Teknisk Vitenskapelige

    Universitet (NTNU) i Trondheim i samarbeid med BUP Furuset, Akershus

    Universitetssykehus HF. Forskningsformålet er å studere endringer i

    emosjonsregulering hos barn 9-13 med internaliserende vansker. Kontrollgruppe er

    rekruttert fra lokale skoler I Trondheim. Deltagere ble målt før og etter terapi med

    multiple metoder, inkludert psykofysiologiske mål, som ikke er tema for PhD studien.

    Affektbevissthetsintervju ble foretatt før og etter terapi, for å få objektive mål på

    affektintegrasjon. Disse målene ble brukt som validering av kvalitative funn, og er

    beskrevet i artikkel 2 i studien.

    Gjennom de kvalitative mikroanalysene fremkom det noen mønstre på tvers av

    eksempler som viser hvordan en musikalsk dynamisk beskrivelse av det terapeutiske

    samspillet med barnet inkorporerer barnets aktivitet og belyser barnets emosjonelle

    uttrykk og intensjoner, så vel som å belyse intersubjektive utvekslinger.

    Funn fra affektbevissthetsintervjuene for hvert barn, sammenlignet med

    kontrollgruppen, indikerte økt affektintegrasjon og utvikling av emosjonsregulering i

    retning av aldersadekvat status. Funnene støtter forståelsen av intersubjektive

    tidsavgrenset barneterapi som en ramme for utviklingsrettede mikroprosesser.

    PhD studien bidrar til klinisk forskning og praksis gjennom å vise hvordan en

    beskrivelse av den musikalske dynamikk i det terapeutiske samspillet kan bidra til å

    klargjøre spesifikke bevegelser hos barnet eller terapeuten som bidrar til

    intersubjektiv deling og selvutvikling. Fokus på musikalske elementer og kvaliteter i

    terapeutisk aktivitet kan bidra til terapeutisk utvikling gjennom økt sensitivitet og

    oppmerksomhet på kvaliteter som fremmer responsivitet overfor barnet.

    PhD studien består av to artikler, den første omhandler utvikling av en flerlags

    mikroanalysemetode og den andre presenterer og diskuterer funn som fremkommer

    gjennom analysene. En håndbok som beskriver behandlingsmetoden og som

    integrerer funn fra studien er også inkludert sammen med kappen.

  • 15

    ACKNOWLEDGEMENTS

    This project has been a long journey full of winding new roads of challenges, learning

    and surprises and I am immensely glad and grateful to have reached the end. Many

    are those who have inspired, supported and contributed along the way.

    Firstly, I want to thank the children and parents who have taken part in the study, and

    without whose participation, sincerity and valuable comments I would have been

    much poorer in both knowledge and outcome.

    The study could not have been fulfilled without the support and enthusiasm of two

    leaders at the Furuset child- and adolescent outpatient clinic during the research

    period, Gro Traavik and Marianne Kveldstad. Their confidence in the significance of

    qualitative clinical research and the courage to participate in a multicentre study has

    been priceless. Also, I want to thank my colleagues, who have participated as

    therapists and collaborators in the mixed method study. Marianne Haugvik, with

    whom the first study of time-limited child psychotherapy was initiated, has been very

    important in the work to broaden the scope of opportunities for clinical research.

    A very special thank goes to my supervisor Lars Ole Bonde! Your creative and

    knowledgeable mind, wise questions and often surprising ideas, your combination of

    endless patience and impatience with everything that got in the way – all of this has

    made the project and me develop – and I am deeply grateful!

    I will be forever grateful to my wise supervisor on child psychotherapy research

    Bjørg Røed Hansen. She has been my teacher and supervisor since 1991, when she

    was the co-founder of the first child psychotherapy seminar at the University of Oslo.

    She brought Daniel Stern to Oslo, and intersubjectivity to psychotherapy. Without

    her pioneering work, this study might not have had the solid developmental and

    psychological theoretical fundament to make meaning out of therapeutic

    microprocesses.

    Another key person to this study is Birgit Svendsen, who took the initiative to a mixed

    method multicenter study of child psychotherapy, the first in Norway to apply

    psychophysiological measurements in addition to qualitative method. Birgit’s

    methodological skills, courage, global enthusiasm and talent in involving

    collaborators has been crucial.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    16

    The first person who eagerly supported an integration of music and psychology to

    study nonverbal communication in child psychotherapy was Tony Wigram,

    psychologist, musician, music therapist and researcher at the doctoral school at

    Aalborg university. He made me believe that it was possible, worthwhile and fun to

    research! Years later when I finally decided to pursue the project, I have had the

    privilege of being a part of the international Aalborg research family. I am grateful

    to Hanne Mette Ridder for always being attentive to practical, social and professional

    issues, and to the other teachers on the program for the many unformal gatherings

    and valuable exchanges. Presenting my ideas to a group with teachers and students

    of such diversity in cultural and professional backgrounds has been enriching.

    Invaluable backing from the beginning came from my friend and colleague Gro

    Trondalen, whose continued support in everything from technical data challenges to

    discussions about research issues has been of vital importance for which I am

    grateful.

    Thank you to my children Jonas, Ingrid and Niklas, who has always broadened my

    perspectives and brought pleasurable distraction, and to my husband Erling who has

    been there the whole time with patient and endless support and care.

    Bjørg and Birgit both passed away much too early, Birgit in 2016 and Bjørg in 2018.

    Their enthusiasm for child psychotherapy never ceased to exist and they followed the

    research project to the end of their lives with the same passion and persistence. I

    dedicate this work to them.

  • 17

    TABLE OF CONTENTS

    LIST OF PHD PUBLICATIONS .......................................................................... 11

    Chapter 1. Introduction .......................................................................................... 21

    1.1. Context of study ............................................................................................ 22

    1.2. Personal motivation ....................................................................................... 23

    1.3. Purpose of the study ...................................................................................... 24

    1.4. CONCEPTUAL FRAMEWORK AND TERMINOLOGY .......................... 25

    1.5. Overall structure of the study ........................................................................ 29

    1.5.1. Figure 2. Flowchart of the multicenter research study ........................... 29

    1.5.2. Therapy method/time-limited intersubjective child psychotherapy ....... 31

    1.5.3. Summary of handbook of time-limited intersubjective child therapy (TIC)

    ......................................................................................................................... 32

    1.6. Short summary of the articles of this PhD .................................................... 36

    1.6.1. Article 1 (published) .............................................................................. 36

    1.6.2. Article 2 (submitted) .............................................................................. 38

    Chapter 2. Literature review and theoretical background.................................. 40

    2.1. an overview of emPirical studies in child psychotherapy ............................. 40

    2.2. A perspective on child psychotherapy as a process of development and

    integration ............................................................................................................ 44

    2.2.1. Affective dialogue; a matrix for self-development................................. 46

    2.2.2. Development of emotion regulation ....................................................... 47

    2.2.3. Affect integration ................................................................................... 49

    2.3. A musical frame for understanding therapeutic interplay with children ....... 49

    2.3.1. An infant research perspective on reciprocal ‘musical’ interplay .......... 51

    2.3.2. Perspectives from music therapy ............................................................ 54

    2.3.3. Integrating perspectives from musicology ............................................. 57

    Chapter 3. Method .................................................................................................. 60

    3.1. epistemological and ontological perspectives ............................................... 60

    3.2. Research questions ........................................................................................ 62

    3.3. Research methododology .............................................................................. 62

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    18

    3.3.1. A naturalistic setting .............................................................................. 62

    3.4. The database – part of a multicentre study .................................................... 63

    3.5. Recruitment and collection ........................................................................... 63

    3.5.1. Mixed method study ............................................................................... 64

    3.5.2. Affect consciousness interview .............................................................. 64

    3.6. The participants ............................................................................................. 65

    3.6.1. The children ........................................................................................... 65

    3.6.2. The therapists ......................................................................................... 65

    3.7. Data analysis - a qualitative methodology .................................................... 65

    3.7.1. A phenomenological - hermeneutical approach ..................................... 66

    3.8. Microanalysis ................................................................................................ 67

    3.8.1. Video method ......................................................................................... 68

    3.8.2. Sampling procedures .............................................................................. 68

    3.8.3. Developing a multilayered method for video microanalysis .................. 69

    3.8.4. Ethical considerations ............................................................................ 70

    Chapter 4. Findings................................................................................................. 71

    4.1. Summary of findings ..................................................................................... 71

    4.2. Summary of affect consciousness interviews ................................................ 73

    Chapter 5. Discussion ............................................................................................. 74

    5.1. Evaluation of findings in a theoretical perspective ....................................... 75

    5.2. Discussion of methodological issues ............................................................. 81

    5.2.1. Reflexivity: preconceptions and how the researcher affected the study . 82

    5.2.2. Study limitations .................................................................................... 83

    5.3. Implications and recommendations ............................................................... 84

    5.3.1. Implication and recommendations for clinicians ................................... 84

    5.3.2. Implication and recommendations for health politics ............................ 85

    5.3.3. Implication for research and future perspectives .................................... 85

    5.3.4. Conclusions ............................................................................................ 86

    Literature list ........................................................................................................... 88

    Articles ................................................................................................................... 101

  • 19

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

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    TABLE OF FIGURES

    Figure 1. Graphic overview of microanalytic research study

    Figure 2. Flowchart of multicenter mixed method research study

  • CHAPTER 1. INTRODUCTION

    This study initiated in a previous research project on time-limited intersubjective

    psychotherapy with children in difficult family situations (Haugvik & Johns, 2008).

    After therapy ended, parents described the children as being clearer about their needs

    and with increased ability to share both positive and negative feelings, as well as

    symptom reduction. I wanted to study the method further, to search for hallmarks and

    enabling conditions of therapeutic interplay facilitating self-regulation and affect

    integration. The present study explores the non-verbal therapeutic dialogue in child

    psychotherapy through a ‘musical frame’ as part of a microanalytic approach

    (Tronick, 1998, 2007; Trevarthen, 2001; Stern, 2004; Harrison, 2013).

    The primary aim is to illuminate and clarify features of dialogical exchanges, which

    promote self-development in the child. The study is an integration of knowledge from

    several areas:

    Firstly, empirical infant research has opened doors into the possibilities of

    microanalysis of moment-to-moment interplay and in this way has contributed with

    knowledge about the intersubjective foundation of human development (Stern, 2000;

    Trevarthen, 1980). Specifically, the study draws on the thinking of Daniel Stern and

    his contributions on the relevance of infant research to clinical work and on the work

    of Colwyn Trevarthen, whose microstudies has greatly contributed to acknowledge

    the significance of musical vocal and rhythmical features for relationship qualities.

    Secondly, knowledge from music about central and specific features of different

    musical parameters and from music therapy, about the role of musical improvisation

    in therapeutic work with different client groups, mainly adults.

    Thirdly, a study of child psychotherapy needs to include child-specific knowledge

    (Hansen, 2012; Johns, 2012). This includes child-specific emotional, cognitive and

    somatic reactions. Children are different from adults, and such knowledge from

    developmental psychology is necessary to communicate meaningfully and help

    children and parents to make sense of their experiential world. Empirical infant

    research has so far played a small part in child psychotherapy research and practice.

    Children´s experiential world come to the forth, firstly through somatic, emotional

    nonverbal expression. Therefore, psychotherapy should address such signals both

    clinically and as a focus for research.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    22

    1.1. CONTEXT OF STUDY

    The research context is a multicenter study in child psychotherapy, which has been

    taking place from 2014 at the Norwegian University of Science and Technology in

    Trondheim, Norway, and at the Akershus University Hospital’s Child and Adolescent

    Mental Health Clinic at Furuset, Oslo. The head of research is Professor Karl

    Jacobsen, NTNU.

    The project initiated in research on emotion regulation, influencing the understanding

    of emotion regulation as a basic phenomenon across a variety of children´s diagnoses.

    This has inspired an increased focus on the regulation, organization and integration of

    affects in clinical work and research, which is also the background for the multicentre

    study. The study applies several measures, both quantitative, such as

    psychophysiological measures and qualitative, where this PhD represents a qualitative

    video microstudy of emotion regulation interplay. On the background of comparative

    findings from previous studies on psychophysiological measures, it was decided to

    include children presenting with symptoms in the internalizing spectrum (anxiety,

    depression or somatization).

    The treatment context is Time-limited Intersubjective Child psychotherapy (TIC),

    which has been developed in Norway for the past decades as a frame, for

    intersubjective processes directed at self-development (Hansen, 1991a, 1991b, 2012).

    It merges individual work with the child and parent therapeutic work. Theoretically,

    it originates in a psychodynamic approach and has integrated knowledge from infant

    research and creative arts.

    Time-limited intersubjective child psychotherapy has been subjected to research since

    the beginning of this century and the second clinical research background is a previous

    research project on time-limited intersubjective therapy (Haugvik & Johns, 2008;

    Haugvik, 2013; Haugvik & Mossige, 2017; Johns, 2008). Findings here showed that

    parents, after therapy ended, described the children as being clearer about their needs

    and having increased ability to share both positive and negative feelings. Findings

    were supported by symptom reduction on symptom scales.

    These findings inspired a further study on the impact of this treatment approach on

    children´s emotional development, within the context of a musical frame, as a well-

    used context in infant research to describe intersubjective microprocesses.

    The clinical context and site of research is a natural clinical setting in an outpatient

    mental health clinic for children and adolescents in Oslo and at a university student

    clinic in Trondheim. Measurements and treatment procedures were carried out on

    these sites. Three of the therapists are experienced specialists in clinical child and

    adolescent psychology, the author being one of these also being an experienced music

  • 23

    therapist. Two of the therapists are advanced clinical psychology students under close

    supervision.

    1.2. PERSONAL MOTIVATION

    My personal motivation for this PhD study comes from clinical experience with

    children in psychotherapy, together with a background as music therapist. Clinical

    work with children has shown me the potentiality and richness of the therapeutic

    dialogue, both implicitly and explicitly, and of the significance of the child’s

    contribution to that dialogue. Meeting a child in the here and now and sharing the

    child´s story from the child’s perspective, has had developmental value for me as a

    child therapist. It has encouraged an interest in further knowledge about phenomena

    influencing change processes from a dialogical micro perspective. My training, as a

    child psychologist, has been within an intersubjective approach, which supports a

    developmental view on child psychotherapy and emphasize the significance of

    microprocesses in the therapeutic dialogue. Meeting children who struggle

    emotionally, has shown me the therapeutic strength in children´s immediate implicit

    and explicit signals to what goes on in the relationship. This has greatly inspired a

    broadening of my understanding of the therapeutic relationship.

    My background as a music therapist has influenced the way I experience encounters,

    whether non-verbal or verbal, from a musical perspective, in which variations in

    rhythm, tempo, silences, vocal tonality etc. play an important part in influencing

    subjective experiences of an encounter. Children in therapy sometimes spontaneously

    comment on what I think of as musical, non-verbal affective qualities in therapeutic

    dialogues. In working with children who do not play, either because of traumatic

    background or emotional neglect, it always makes an impression on me that when

    they develop the capability to play through therapy, singing or humming often

    accompany playing, with increased vitality. I have asked myself if it is also an

    expression of increased emotional regulation, integration and flexibility, and I have

    been motivated to explore these aspects further in child psychotherapy, combining a

    musical with a psychological approach to microprocesses in the therapeutic interplay,

    inspired by similar studies in infant research.

    Beside the above sources of motivation, there are two more issues, which concern me

    as a child psychologist: Firstly, the right of children to express their feelings and

    needs, independent of grown-ups, as formulated in the United Nations Convention on

    the Rights of the Child. For this to happen, they dependent on the support from the

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    24

    adult world. Secondly, since children seldom seek therapeutic help on their own

    account, therapy must be understandable and meaningful from the perspective of the

    individual child. Since children express themselves mainly in the here and now and

    the non-verbal domain has priority above the verbal, psychotherapy with children

    must favour a further understanding of non-verbal emotional communication.

    1.3. PURPOSE OF THE STUDY

    Summarized, two broad fields of knowledge from research inform the background for

    the formulation of research questions that have guided the analysis of the present

    study:

    Firstly, research documenting how emotional disorders have serious impacts on the

    lives and development of children and is an important area for research and

    knowledge. There are several fundamental differences between children and adults,

    implying that knowledge from adult research cannot be transferred directly to children

    (Kazdin, 2000). Children communicate their difficulties mainly non-verbally due to

    lack of verbal skills, making them more difficult to discover and understand for their

    surroundings (ibid.). Kazdin encouraged more studies considering children´s

    developmental perspectives. There is a need for studies in naturalistic clinical settings

    with actual children who experience emotional disorders (Weisz, 2000). Midgley et

    al. (2017) recommend that the research base for child psychotherapy incudes more

    studies, in the future, which focus on how a treatment works, in addition to whether it

    works. Based on a developmental research perspective (Lyons-Ruth, 2006) and the

    role of intersubjectivity, more knowledge about developmental change processes in

    in child psychotherapy is an important contribution (Hansen, 2012). A growing body

    of knowledge indicates that therapeutic change involves basic developmental

    processes, such as attention and emotion regulation (Saarni, Mumme & Campos,

    1998; Schore, 2003; Campos, Frankel & Cameras, 2004; Jacobsen & Svendsen, 2010;

    Braarud & Nordanger, 2014). The multicenter study, from which the data for this microstudy comes, aims at a broad mixed method study of changes in emotion

    regulation.

    Secondly, knowledge from infant research, which this microstudy part of the

    multicenter research builds on and which shows how such basic self-developmental

    processes take place in micro interplay from the start, being influenced by relationship

    qualities. Taking a developmental research perspective (Lyons-Ruth, 2006) on child

    psychotherapy, the focus is on studying therapeutic interplay between therapist and

    child second by second in small emotion regulation samples. From infant research, knowledge about the role of intersubjective microprocesses for human development

    has shown how musical parameters help to clarify key aspects of such microprocesses.

  • 25

    Infant research has, to a large degree applied fundamental musical parameters, such

    as rhythm, timing, vocal tonality and intensity to clarify significant intersubjective

    aspects for development.

    There is until now, little research on the significance of microprocesses in promoting

    developmental change in children with emotional difficulties. There is also less

    research on internalizing difficulties in children than in adults. The purpose of this

    microstudy is to explore and illuminate therapeutic exchanges between therapist and

    child, applying a research procedure, which includes a moment-to-moment

    description of musical qualities.

    1.4. CONCEPTUAL FRAMEWORK AND TERMINOLOGY

    In the following, central theoretical concepts and framework in the thesis are defined.

    In addition, terminology is defined in the articles and the thesis to clarify theory.

    Intersubjectivity being a central conceptual framework, I will start by describing my

    pre-understanding and conceptual theoretical background influencing the study.

    Intersubjectivity is a relatively new concept within psychology and psychotherapy

    (Hansen, 1991a, 1991b, 2012). It has its roots in philosophy and phenomenology.

    Especially Husserl and Merleau-Ponty have contributed to an understanding of the

    significance of human sensory and bodily sensations for awareness of subjective

    phenomena (Hansen, 2012). I will describe the philosophical influence more in detail

    under the method section under a phenomenology. Within psychotherapy, the concept

    of ‘object relation’, as part of a psychoanalytic understanding, was challenged by

    Jessica Benjamin (1990) who claimed that mutual recognition of subjectivity in the

    therapeutic relationship is at the bottom of therapeutic development. Trevarthen´s

    research made a major contribution to the understanding of intersubjectivity, leading

    to an understanding of intersubjectivity as an inborn human motive for social

    engagement. Intersubjectivity thus lie at the bottom of making sense of bodily sensory

    experiences of vocal tonality, rhythm and tempo together with the facial expressions

    of others, referring to a primary sharing of experiences underlying developmental

    processes (Trevarthen & Hubley, 1978; Trevarthen, 1992; Stern, 2003) which take

    place in microprocesses from moment to moment. Both emotional and cognitive

    development are in this perspective embedded in a shared world of actions and

    meaning, something which has led to increased respect for children communication

    as something which transcends later cognitive development. It supports a

    developmental perspective on psychotherapy, implying that the child´s self-

    development is embedded from birth in intersubjective dialogue (Stern, 2000). From

    this dialogue, relational patterns and representations of self-with others are

    continuously developed, constructed and are subject to reconstruction. This view is

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    26

    embedded in an intersubjective perspective child psychotherapy, together with

    therapy as an arena for reconstruction and development. The intersubjective

    understanding of child psychotherapy, which is presented here, is that experiences of

    subjectivity, mutuality and reciprocal exchanges are decisive for self- and self-with-

    others development, also in psychotherapy.

    Different theoretical traditions, which also influence my understanding, links

    intersubjectivity to forms for interactive regulatory patterns (Beebe, Knoblauch,

    Rustin & Sorter, 2005), development of mentalization (Fonagy, Gergely, Jurist &

    Target, 2002) and sharing of mental worlds (Stern, 2000, 2003, 2004, 2005). Stern´s

    view is that we are part of an intersubjective matrix, which both contains and gives

    form to our mental lives through continuous interacting with each other. Stern

    understands the therapeutic process as the regulation of the intersubjective field

    between therapist and child in the service of development. Both Trevarthen (1980)

    and Stern (2000, 2004) emphasize how the experience of mutuality arises from

    subjective positions, implying therapeutic development as an expansion of both

    intersubjectivity and subjectivity, as well as tolerance of separateness.

    The following are definitions of concepts relating to the study, placed alphabetically:

    Affects will be applied, in the study, as the main term in describing processes relating

    to expressing and sharing affective information. Affect is understood as an

    overarching concept to describe anything related to emotions or mood (Gross, 1998).

    In the literature, affects and emotions are both applied to describe human experience

    and processes such as emotion regulation. I will therefore use both terms according to

    relevant literature and research. Daniel Stern emphasize that in describing subjective

    experiences, he uses the word feelings, considering it to be the closest to personal,

    subjective emotional experiences.

    Affect attunement refers to an intersubjective process, characterized by a cross

    modal matching of the child´s expression. The attention is thereby on the feelings

    quality being shared. Misattunement is when the feeling intensity is either too strong

    or too weak and does not match the child’s. If a child´s feeling is not attuned to over

    time, the consequence is serious for the child´s inner world of feelings, often resulting

    in withdrawal or loss of contact.

    Affective scaffolding (Tronick, 1998, 2004) refers to how the therapist organizes the

    affective regulating dialogue with the child to support expansion and development.

    Dyadic expansion of consciousness model (Tronick, 2005) views therapist and child

    as self-organising systems, which expands and reorganises through new relational

    experiences. When mental balance in the child breaks down because of an interactive

    error (for instance when the therapist misunderstands, mismatches or overhears), there

  • 27

    is an opportunity for dyadic expansion following an interactive repair. In this model,

    the improvisational sloppy character of therapeutic dialogues guarantee episodes of

    miscoordination, with the potential of developing interactive meaning into greater

    complexity, from repeated experiences of restoring mutual coordination.

    Forms of vitality is linked to dynamic subjective experiences and the understanding

    of vitality affects as profoundly intersubjective and refers to a more precise

    description of human capability to share mental worlds (Stern, 2010).

    Imitation of the other´s action has a key role in establishing mutual attention and

    discover similarities between self and others (Meltzoff & Moore, 1998). Imitation

    takes place in relation to dynamic, rhythmical and temporal qualities in movements,

    gestures, facial expressions and vocal tonality (Fernald, 1985).

    Implicit relational knowing (Stern, 2004) is non-verbal, non-symbolic, procedural

    and non-conscious processes, which develops parallel with explicit knowing

    throughout life (Stern, 2004, p. 113).

    Internalizing disorders in children, such as depressive and anxiety disorders, has

    been less researched than other areas of psychopathology, such as overtly, disruptive

    behaviour (Tandon, Cardeli & Luby, 2011) mainly due to these children being easier

    to handle for the environment. Nonetheless, for children suffering with internalizing

    disorders, such as anxiety and depression, and have limited ability to describe internal

    feeling states the need for clinical research and help is imperative.

    Intersubjective consciousness has been proposed by Stern, as a description of a form

    of dyadic consciousness arising in the here-and-now from a mutually created intense

    dyadic experience. It involves an overlap of subjective consciousness, partially

    including the consciousness of the other and an awareness of sharing the same mental

    landscape in the present.

    Intersubjective field involves intersubjective motives directing and organizing

    activity (Stern, 2004). Such motives are 1) A need to read the intentions and feelings

    of another to orient in the intersubjective field (p.106). 2) A need to define, maintain

    and re-establish self-identity and self-cohesion. The understanding is that self-

    identity, continuity and meaning emerges from intersubjective experiences (ibid.)

    Joint (mutual) attention is considered a basic intersubjective sharing and crucial for

    the experience of togetherness and development of social skills.

    Mentalization refers to the ability to interpret meaning from other´s behaviour by

    evaluating their underlying mental states and intentions, and at the same time have the

    capability to understand implications of one’s own affects and actions on others

    (Fonagy & Target, 1996, 1997).

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    Microprocesses. Infant research, which has inspired the study, has contributed to

    empirically based knowledge about the significance of microprocesses and about

    forms of micro interplay, which are at the heart of the subjective experience of sharing

    activity and meaning. Microprocesses direct focus to what is going on here-and -now

    in the therapeutic interplay with the individual child, and to how this interplay can

    attain developmental potential.

    Modulation is also a musical concept and refers to an intersubjective process whereby

    the child is helped to move from one emotional experience to another and is part of

    the development of emotion regulation when the experience is internalized in the

    child. Modulation may interweave and coincide with synchronization.

    Musical parameters refer to aspects of musical sound, which can be varied and

    described independent of each other and the traditional elements of music; such as

    rhythm, melody, harmony, timbre and form. Such aspects are pitch, duration,

    intensity, tempo, attack and vocal tonality etc. These aspects play an important role in

    the present microanalytic study, where they are applied to describe dynamic

    subjective experiences, such as dynamic forms of vitality.

    Self-agency refers to the basic experience of being an agent capable of influencing

    one’s own life through influencing the feelings and activity of others. It is considered

    a key sense of self, embedded in the domain of core sense of self (Stern, 1985/2000)

    and crucial for self- and self-with-others development as well as mentalization

    (Midgley et al., 2017).

    Synchronization means to adjust one´s activity to create and establish mutuality and

    dialogue. It is considered a primary form of communication to establish

    intersubjectivity (Trevarthen, 1979; Stern, 1985/2000).

    Vitality affects (Stern, 2000) refers to the continuous, dynamic and changing flow

    characterizing all mental life, as something more than categorial emotions as

    described by Darwin. It is significant for the understanding of communicative

    microprocesses in the study.

  • 29

    1.5. OVERALL STRUCTURE OF THE STUDY

    The following figure shows an overview of the context for the present microanalytic

    study, within a multicenter mixed method study. N here indicates the aimed for

    number, not the resulting number of children.

    Figure 1. Overview of microstudy

    1.5.1. FIGURE 2. FLOWCHART OF THE MULTICENTER RESEARCH STUDY

    The following flowchart describes how the PhD study is part of the multicenter study

    as a separate qualitative part. Text in red indicates the specific elements and steps of

    the present microanalytic study.

    TIC

    (TIC

    ((((TIC

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    30

  • 31

    1.5.2. THERAPY METHOD/TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    The therapy method applied in the multicenter study is time-limited intersubjective

    therapy (Svendsen & Johns, 2012; Johns & Svendsen, 2016), which is developed as a

    method for children, from a psychodynamic approach (Proskauer, 1969, 1971;

    Peterlin & Sloves, 1985; Sloves & Peterlin, 1986). It has later been developed as a

    mentalization based method (Midgley et al., 2017) in addition to an intersubjective

    method. The latter is applied in this study, integrating knowledge from infant research

    (Haugvik & Johns, 2008; Hansen, 2012) and combining structure and flexibility

    through three distinct criteria: 1) Establishing a clear time-frame, 2) parallel sessions

    with parents and 3) a mutually agreed shared therapy focus (Haugvik & Johns, 2008;

    Johns & Svendsen, 2016). The concept of time-limitation represents two aspects of

    time (Johns, 2008): 1. An overarching time structure of the number of weekly sessions

    aimed at therapeutic alliance and 2. Predictability and repetition aiming at a

    restoration of the sense of continuity and integration of emotional experience in

    children who have reduced sense of continuity and affect-integration (ibid.).

    The focus comprises an understanding of the child´s developmental needs.

    Formulating an understandable therapy focus is intended to facilitate recognition in

    the child and parents of their own experiential world as significant in the therapy

    process. Gaining the parents´ consent and commitment, as well as creating curiosity

    about themselves and the child has priority. Within a musical frame, the focus can be

    compared to one or more ‘leitmotifs’; a reminder of central themes to be elaborated

    (Johns, 2008). The goal for parental work is increased mentalization capability

    (Haugvik, 2013; Midgley et al., 2017). The therapy process with the child is a flexible,

    mutually created process from what emerges in the dialogue and directed at self-

    development. Taking the child´s perspective in the here and now is in the forefront.

    Children have a shorter time horizon than adults, and their life form takes place to a

    larger degree in the present (Lyons-Ruth, 2006). This implies an intersubjective

    perspective directed at sharing attention, intention and affective states on a microlevel,

    where the child´s history emerges implicitly and explicitly (Hansen, 1991a, 1991b,

    2012). The therapist has an active role through the sessions in exploring the child´s

    feelings, intentions and thoughts, as these are expressed implicitly and explicitly, and

    from there creating new meaning. As part of the multicentre research study, from

    which the data in this study originates, a handbook was written, describing theory and

    principles of the therapy method, based on research so far (Johns & Svendsen, 2016).

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    32

    1.5.3. SUMMARY OF HANDBOOK OF TIME-LIMITED INTERSUBJECTIVE CHILD THERAPY (TIC)

    The following is a summary of the content of the Handbook of Intersubjective Child

    Psychotherapy which was written as part of the PhD study and based on preliminary

    findings in the multicenter project (Johns & Svendsen, 2016). The purpose of writing

    a handbook of the therapy method was to give a thorough description of the

    knowledge base and treatment principles which the therapy method builds on and give

    examples to clarify. The acronym (TIB) is translated to TIC in English. We thought

    that clear guidelines would serve as a helpful tool in the training of therapists. Also,

    that it would clarify treatment procedures in clinical research using this therapy

  • 33

    method, as in the present study. The following is a short summary of the five chapters

    of the handbook (a detailed table of contents in English can be found in Appendix*):

    Chapter one is an account of the theoretical knowledge base underlying time-limited

    intersubjective child psychotherapy (TIC). The theoretical foundation is described

    within four areas:

    1. Developmental psychology.

    This section describes developmental psychopathology which

    builds on an understanding of how children are developed from

    birth, via the interaction with others. This is called a transactional

    model of development which illustrates the significance of

    reciprocity and interactional, contextual embeddedness for the

    development of disorders (Sameroff, 2009).

    2. The intersubjective perspective on developmental- and change processes.

    This section describes the main conceptual understanding, together

    with central concepts which can be used as therapeutic relational

    tools and gateways to therapeutic change (Hansen, 2012). Each of

    the concepts are described, with examples from child

    psychotherapy. Such concepts are: Turn-taking, imitation and

    mutual attention. Next, the role of affective communication in

    development is described and discussed, including basic nonverbal

    forms, such as communicative musicality, narratives, dyadic

    regulation and expansion, implicit relational knowing, forms of

    vitality and affect attunement. All conceptual understanding is

    exemplified from child psychotherapies. The five different

    intersubjective forms of relating/’being together’ which can be

    found and created in psychotherapy are.

    1. Implicit sense of mutuality through affect

    synchronization and mutual regulation and

    includes early imitation and turn-taking

    (primary intersubjectivity).

    2. Mutual focus of attention involving something

    which the child or therapist can draw attention

    to as a source for interaction (secondary

    intersubjectivity).

    3. Intersubjective sharing and feeling understood

    through affect attunement and selective

    attunement.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    34

    4. To express oneself though symbols, language

    and shared meaning-making. Play is an

    important part of this way of being together.

    5. To attribute feelings, intentions and thoughts to

    oneself and others (mentalizing). This process

    implies a perspective on mental life which

    creates possibilities for reflecting upon the

    motives and intentions of oneself and others -

    outside the here and now (tertiary

    intersubjectivity of second order (Bråten, 2007).

    It comprises the ability to integrate experience

    and create self-biographical meaning.

    Stern’s model of development of self domains is

    presented after this, as a way of formulating

    areas that a child needs to develop. The different

    domains of self-development are also linked to

    the formulation of therapy foci, which is

    described later in the book.

    3. Emotion regulation as a dyadic regulation system is described, with reference

    to research.

    4. Creative expressive art forms – play, music and drawing are presented with

    examples from child psychotherapy.

    In Chapter two the frame and structure of the therapy method is introduced, with a

    detailed description of the three distinct elements of time-limitation, a shared therapy

    focus’ and parallel work with parents. As mentioned before, the combination of

    structure and flexibility is found to suit the work with children and parents. In the

    following section on the role of metaphorically formulated therapy foci, with

    examples of such formulations are provided. Examples very often emerge from the

    work with individual children and from their individual way of expressing

    nonverbally or verbally their inner world, inspiring various metaphors. Formulations

    are organized in the handbook in the following way, here providing one example (The

    book gives several examples):

    ▪ The therapy focus is directed towards development of self-regulation and

    self-agency.

    o We are going to be together and explore ways in which you can

    become ‘just strong enough’. This is related to the child becoming

    either ‘too strong’, implicating losing control or having to pretend

  • 35

    to be stronger than is the case and therefore not being able to express

    authentic feelings of insecurity or ask for help.

    ▪ The therapy focus is directed toward emotional areas that the child does not

    have contact with. The child needs help to direct attention to the inner world

    to be able to express emotions and experience intersubjective sharing.

    o We can be together here to help you to ‘sing all of your tones loud

    and clear’. This focus was used in therapeutic work with a girl, who

    showed very little emotions, especially anger and sadness, which

    inferred with her daily life. The suggested focus was inspired by the

    girls love for singing.

    ▪ The child needs help to experience coherence and continuity in self-

    biography.

    o Here we can try to get to know both the big and the little girl, to try

    to find out what it is like to be seven years and having experienced

    so much. The focus points to overwhelming and potentially

    traumatic events, effecting development and that the child takes on

    too much responsibility. The focus is a recognition of children’s

    right to be children.

    Parallel work with parents is described in detail, with the perspective on parent work

    as an arena for developing mentalization. For such development to take place, the

    parents’ feelings, expectations and needs must be understood and acknowledged.

    Chapter 3 and 4 give a step by step description and overview of the whole therapeutic

    process, with clinical examples to illustrate each of the steps. In chapter 3, the first

    meeting with the family and the following three parallel meetings with the child and

    parents, called clinical interviews, are described. These meetings are summarized with

    all participants, in a joint meeting called the focus meeting, in which the suggested

    therapy focus is discussed and agreed on. In chapter 4, overarching relational themes

    of the three phases in the therapy process are described: 1) To create a helping

    relationship. This formulation represents findings from a research project on what

    therapists do in the first therapy sessions with children, to create a working alliance

    (Svendsen, 2007). To present oneself as a helper, was considered a key factor of

    alliance building, and Svendsen found two distinctive domains of helping maneuvers

    across therapists with different theoretical orientations (ibid.). The first domain

    comprises implicit maneuvers and the second comprises explicit maneuvers, which

    are described in the handbook (p. 88). 2) Now we are working together describes the

    second phase of therapy, and 3) To keep each other in mind is the name of the last

    phase, referring to the developmental bearing underlying this therapy method. Each

    phase includes descriptions of both child-directed and parent-directed work.

  • MUSICAL DYNAMICS IN TIME-LIMITED INTERSUBJECTIVE CHILD PSYCHOTHERAPY

    36

    Chapter 5 describes the therapy processes with two children, in detail. The first

    therapy process takes place during twelve therapy sessions. The second therapy

    process is an example of a long-term therapy, with three sequences of twelve sessions,

    being compared to ‘chapters’ within the child’s self-biography. Parallel work with

    parents, schools and other significant persons and institutions in the child’s life are

    described, according to the principles in the handbook of time-limited intersubjective

    child psychotherapy.

    1.6. SHORT SUMMARY OF THE ARTICLES OF THIS PHD

    This PhD study is article-based, according to the structure for PhD studies at the

    Aalborg University doctoral program. The two articles, which will be presented

    under, aim at answering research questions, the first by addressing methodological

    issues and the second by presenting and discussing findings from the microanalytical

    study.

    1.6.1. ARTICLE 1 (PUBLISHED)

    Exploring musical dynamics in therapeutic interplay with children: A multi-

    layered method of microanalysis

    This article describes how a research procedure was developed, with the research aim

    of exploring, describing and illuminating therapeutic exchanges with children at a

    microlevel. The research task was approached from a musical perspective, inspired by

    how infant research apply musical parameters, such as rhythm, tempo and vocal

    tonality to describe relationship qualities. The background is psychotherapy research,

    which validates the significance of relationship factors for change processes,

    independent of any therapy method (Orlinsky, Rønnestad & Willutski, 2004). Relevant infant research is presented, as well as knowledge from music therapy,

    indicating the significance of a musical foundation of affective communication. This

    is in accordance with clinical experience from child psychotherapy and how the inner

    worlds of children are expressed through dynamic, vocal, rhythmical and temporal

    changes. Musical parameters were applied in the article as concrete descriptions of

    the specificity of therapeutic intersubjective exchanges with children as these unfold.

    Concepts which bridge an intersubjective and ‘musical’ understanding of

    intersubjectivity, such as forms of vitality, are included. Data were taken from a

    multicenter research study, with which the author collaborated and comprised six

  • 37

    children 9-13 with poor emotion regulation capability (see Figures 1 and 2 above).

    The overall research aim of the multicenter study was to study changes in emotion

    regulation in children with internalizing difficulties, receiving time-limited

    intersubjective psychotherapy. This is a developmentally informed therapy method

    applying intersubjective knowledge and adopted to the individual child.

    Foreknowledge about emotion regulation and the therapy method is described in the

    article.

    The article goes on to describe the procedure which were followed for purposeful

    sampling according to finding emotion regulation samples to include in the

    development of the research method for microanalyses. The result was a multilayered

    method for microanalysis, including three layers in the research procedure of selected

    video samples: 1) A detailed description of moment-to-moment therapeutic

    exchanges, organized in units across a time-line to integrate and make comparisons.

    2) Description of musical parameters which emerged in the therapeutic interplay and

    3) Psychological description which was made based on a constant comparison

    between the three levels, applying concepts from a developmental intersubjective

    perspective. Sequences of change in emotion regulation were identified during the

    sample. Lastly dyadic themes from intersubjective theory were identified based on

    interactive exchanges within and across units. During the constant comparison process

    the concept of musical dynamics emerged as a synthesis of musical parameters and

    forms of vitality. The article includes an example from therapy of how the method is

    applied.

    In the discussion it is argued that a multilayered approach to understanding therapeutic

    change processes, such as changes in emotion regulation, has a potential for a

    complementary understanding of implicit and explicit processes. Musical dynamics is

    discussed as a useful concept, with the potential of clarifying micro interplay with the

    child. During procedures of microanalysis, musical dynamics stood out as facilitators

    of change. It is proposed that a focus on musical dynamics promote attention to signals

    in the children´s expressions, indicating subjective intentions, feelings and therapeutic

    needs. This again may promote the therapist´s responsivity and involvement in

    therapeutic microprocesses, bearing importance for therapeutic development. In the

    conclusion, a focus on musical dynamics, as part of a multilayered microanalytic

    procedure, is seen as a useful concept for illuminating features of break-downs and

    repairs of intersubjective sharing, which is at the heart of an intersubjective

    developmental perspective on therapeutic change.

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    1.6.2. ARTICLE 2 (SUBMITTED)

    A study of musical dynamics in therapeutic interplay with children. ‘The

    important thing was to be understood through tone of voice and movements’

    Samples of emotion regulation from the course of time-limited intersubjective child

    psychotherapy with six children were analyzed within and across samples. Two

    samples, from an early and a late session with each child, were analysed according to

    the multi-layered method of video microanalysis, including a musical frame as well

    as a psychological. The musical frame is a registration of vocal, rhythmical, dynamic

    and temporal changes as concrete descriptions of the specificity of therapeutic

    exchanges, as these unfold. The research questions guiding the microanalysis

    presented in the article was 1) How can a description of musical dynamics, within a

    multilayered frame, illuminate intersubjective microprocesses, and 2) How does a

    description of musical dynamics, applied together with psychological knowledge,

    clarify therapeutic interplay and basic developmental processes such as emotion

    regulation in child psychotherapy.

    Data came, as described in Figure 2 above, from six children taking part in a mixed

    method multicenter research project on changes in emotion regulation. All therapy

    sessions were videotaped, which was the total data material for the present qualitative

    micro study. Emotion regulation was measured in the multicentre research project

    with quantitative measures, before and after therapy, including symptom scales,

    psychobiological measurements and the Affect Consciousness Interview. The goal of

    the present microanalytic study described in article 2 was to explore how an analysis

    of musical dynamics can elucidate therapeutic interplay facilitating self-development.

    The multi-layered microanalysis of data resulted in identification of eight overarching

    patterns of therapeutic interplay involved in emotion regulation samples: Four

    described musical dynamics in the therapists´ activity: (1a) Therapists regulating the

    child´s lack of coherent rhythm by slowing down tempo and providing more space can

    promote intersubjective sharing and continuity; (1b)) Vocal tonality and vocal

    contour of therapists can serve as invitation and support for the child to share a wider

    feeling range; (1c) Therapists´ mismatches can be associated with therapist´s

    eagerness to explore difficult feelings; (1d) Therapists adjusting rhythm and tempo

    towards establishing, keeping and using a ground rhythm can enhance intersubjective

    sharing. Two patterns described musical dynamics in the child´s activity: (2a) High

    correspondence between tempo and dynamics can foster an impression of

    intentionality; (2b) Distinct changes in the child´s musical dynamics can be associated

    with dyadic synchronizing opportunities of significant feelings. Two patterns

    described dyadic synchronization patterns: (3a) Rhythmical flow in dyadic

    synchronization can render the child clearer and more expressive and enhance self-

  • 39

    agency; (3b) A musical dynamics description can contribute to clarify processes of

    interactive errors and repairs. Examples from microanalysis of samples were chosen

    to illustrate each pattern and represented a condensation of the raw material, which

    had been integrated into a narrative based on the multilayered microanalysis.

    The affect consciousness interview, which has been adopted for children was

    described. Measurements from pre- and post-tests with the affect consciousness

    interviews with all six children were presented in detail. The measurements indicate

    increased affect integration and development of emotion regulation capability towards

    age adequate status for the age group. Findings suggest that adjustments or

    sustainment in rhythm, tempo, vocal tonality, intensity and pauses, play a significant

    part in microlevel change processes, and to the multilayered understanding of these.

    Specifically, a musical dynamics description brought out patterns in subjective

    contributions in the interplay. Also, increase in vitality and affect integration indicate

    improvement in self-regulation capacity.

    Implications of findings in relation to research questions are discussed and elaborated.

    From an intersubjective perspective it is questioned whether a musical dynamics

    description, in addition to having a potential for illuminating the child´s expressions,

    also brings attention to therapeutic qualities as perceived by the child. How a child is

    met and understood psychologically bears significance on alliance building, trust and

    involvement in the therapeutic process. This is experienced directly by the individual

    child, not primarily because of good therapeutic techniques, but because of the

    therapist´s emotional availability and developmental empathy. It is suggested that a

    musical dynamics perspective helps the therapist in bringing awareness to her/his way

    of attuning and synchronizing to the individual child. More empirical research on

    microprocesses in therapeutic interplay with children is warranted, to clarify

    phenomena influencing therapeutic development.

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    CHAPTER 2. LITERATURE REVIEW

    AND THEORETICAL BACKGROUND

    2.1. AN OVERVIEW OF EMPIRICAL STUDIES IN CHILD PSYCHOTHERAPY

    I will firstly give an overview of some data on psychological disorders in children,

    and on the main internalizing disorders of depression and anxiety, as a background

    for empirical studies. Data from studies in Norway (Heiervang et al., 2007; Wichstrøm

    et al. 2012) shows that 7 percent of Norwegian children suffer from symptoms of a

    psychological disorder. 5 percent of children 0-17 receive treatment in outpatient

    clinics (ibid.). Depression occurs in all age groups, with an increase from 1,6 percent

    before adolescence to 14.3 percent for adolescents. For younger children numbers

    indicate that depression is not discovered or diagnosed due to children´s lack of verbal

    skills for emotions. For anxiety, the percentage is up to 3.2 for preadolescents,

    increasing to 6.9 percent for adolescents (Wichstrøm et al., 2012). As mentioned

    earlier, internalizing disorders have lagged behind compared to research on other

    psychological disorders, supposedly because these are children with less presenting

    challenges for their surroundings (Tandon et al., 2009). Children with internalizing

    problems usually appear withdrawn, shy and fearful. None the less, depression and

    anxiety have a profound impact on the lives of children, with experiences of

    helplessness/hopelessness, intense fear, irritability, worry and uneasiness,

    representing emotional, social and cognitive challenges in their everyday life.

    There are today many evidence-based treatments for children and families (Kazdin,

    2004; Midgley et al., 2017). Mostly these treatments have been developed for specific

    diagnostic populations, and as Midgley points out (2017, p. 4), it is unrealistic for

    child therapists to be trained in all. An additional problem is that many children either

    drop out of treatment or are not able to profit from available treatments (Shirk, 2002).

    There is also research which shows that for many children and parents a lack of

    emotion regulation capability makes them unable to follow treatment procedures

    (Scott & Dadds, 2009).

    A search in the Psycinfo Database [250718], using the keywords psychodynamic

    psychotherapy + children + intersubjectivity resulted in identifying a very limited

    number of studies. Especially empirical studies are rare. The most important studies

    are described in the following. In referring empirical studies in child psychotherapy,

    I am limiting myself to studies with children and adolescents, bearing relevance for

    the present study. I will therefore not include empirical studies on CBT. Most of the

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    described empirical studies are therefore within psychodynamic psychotherapy. Since

    this term covers many different approaches, I will quote the definition of Kegerreis

    and Midgley (2014), which comes close to the definition of intersubjective child

    psychotherapy: “…the central idea…. that behaviour, emotions and responses, have

    an inherent logic and meaning – a way in which the child’s problems, despite apparent

    unhelpfulness, make some kind of emotional sense. Their roots lie in the internal

    world of the child that has been built up from his/her earliest experiences and

    relationships” (p. 38). During the last decades, psychodynamic psychotherapy has

    developed and integrated ideas from several areas of research, such as infant research,

    attachment theory and neuropsychology (Lanyado & Horne, 2009; Kegerreis &

    Midgley, 2014). This has led to an increasing number on short-term/time-limited

    approaches which integrate developmental theory and research, such as

    mentalization-based time-limited treatment for children (Midgley et al., 2017) and

    intersubjective time-limited psychotherapy for children which is applied in the present

    study (Haugvik & Johns, 2008). As of now, there are few empirical studies on these

    approaches. Considering knowledge so far from empirical studies on child

    psychotherapy, this supports findings from adult psychotherapy that therapy has an

    effect (Kazdin, 2002; Shirk & Karver, 2003; Weisz & Kazdin, 2017) and that

    relational qualities are related to outcome (Shirk & Saiz, 1992; Shirk & Karver). The

    therapeutic relationship has been regarded as a common factor within adult

    psychotherapy, across different interventions and patient groups (Orlinsky, Rønnestad

    & Willutzki, 2004). A meta-analytic review (Shirk & Karver, 2003) indicated that the

    therapeutic relationship impact outcome across different types of child and adolescent

    therapies. Their conclusion is to view relationship qualities as a central and effective

    factor also in child psychotherapy. Shirk and Russel (1996) have for long emphasized

    the importance of being able to gain “a more precise understanding of the change

    process embedded in therapeutic relationships” (p. 184).

    In 2017 Midgley et al., made an updated narrative review of a former critical review

    (Midgley & Kennedy, 2011) of the evidence base for psychodynamic psychotherapy

    for children and adolescents. It is worth mentioning that findings in the first review

    suggested that child psychotherapy without parallel work with parents might have

    negative effect on family functioning (Midgley et al. 2017: 309). Also, that children

    with internalizing disorders responded better than children with externalizing

    disorders (ibid). Of critical remarks concerning the quality of the available data base,

    the authors point out how heterogeneous clinical populations, large variability in

    interventions and methodological limitations made it difficult to make conclusions.

    They also point out that studies made very few references to other studies, or built on

    previous research, limiting the cumulation of knowledge from research. Before 2011,

    almost no treatment procedures have been manualized within individual

    psychodynamic psychotherapy, which have added uncertainty regarding the

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    42

    procedures of interventions and potential similarities potent for comparison. However,

    since then several treatment manuals have been published, making the treatment

    design more transparent and eligible for evaluation. In the 2017 review (Midgley et

    al., 2017), the authors follow the same methods as in the earlier review: Inclusion

    criteria are children and adolescents between 3-18 years, short and long-term

    treatments specified as psychodynamic and with a focus on evaluation treatment

    outcomes as well as met criteria for inclusion. RCT studies were regarded as providing

    stringer evidence of effectiveness. A total of 23 studies met inclusion criteria, 5 being

    RCT studies, and are described in relation to groups of psychiatric diagnoses. I will

    shortly describe findings concerning children with internalizing disorders: The largest

    outcome study on psychodynamic psychotherapy (Goodyer et al., 2017), is an RCT

    study comparing treatment with a psychodynamic short-term approach (STPP) and

    CBT with a brief psychosocial intervention. Results showed equal effectiveness and

    maintenance in reduction of depressive symptoms one year after treatment ended.

    Improvements in the STPP group included a larger percentage of reduced symptoms

    at the long-term follow up. Also, there was a relapse of 4 percent, compared to 16.5

    in the CBT group, indicating long-term effectiveness. The review of studies on

    anxiety disorders show few studies. In one, ten participants from 8-16 received a

    manualized weekly treatment of 12 sessions. After treatment they no longer met

    criteria for an anxiety disorder with improvements across all outcome measures and

    in general functioning. Improvements were still present after six months. However,

    the study showed a limitation in methodological requirements, such as small sample

    sizes and lack of control group, which call for more research.

    A meta-analysis of short term psychodynamic psychotherapy (STPP) models for

    children was carried out by Abbas et al. (2013). They claim this to be the first

    evaluation of treatment effectiveness, although such approaches are widely used for a

    range of psychiatric disorders in children. Their findings indicate that STPP can have

    positive outcomes across a wide range of psychiatric disorders, and that there is a

    tendency that treatment improvements increase during follow-ups. However, more

    systematic studies are needed. Out of the treatment approaches which build on

    knowledge from attachment theory and empirical studies on mentalization,

    mentalization-based treatment for children (MBT-C) is currently the most widely

    used. A thorough and comprehensive treatment guide was written in 2017 (Midgley,

    Ensink, Lindquist, Malmberg & Muller). The approach aims at promoting the

    development of mentalization and resilience in children and parents (ibid). Peter

    Fonagy puts words on the status of treatment approaches for children when he states

    that ‘It is somewhat paradoxical that the maturity of an approach should have as its

    marker the extension to the world of children’ (ibid, p. vii).

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    The Erica Process and Oucome Study (EPOS) (Odhammar et al., 2011) was an

    observation study without a control group. The research aim was to investigate

    whether global functioning improved after treatment with short-term psychodynamic

    psychotherapy. Sample size was 33 children with AD/HD or behaviour problems

    between 4-10 years and their parents. When measured after treatment with CGAS

    (Children´s Global Assessment Scale) and HCAM (Hamstead Child Adotion Scale)

    effect size was 1.80 and 1.98. The study supports that parallel treatment with children

    and parents can have positive effects, but the authors conclude that more research are

    needed to identify which factors contribute to the change (Odhammar et al., 2011).

    Empirical studies researching the outcome of time-limited intersubjective

    psychotherapy with children are to my knowledge limited to the one conducted at the

    Akershus university hospital outpatient child and adolescent clinic, Furuset with 9

    children experiencing difficult family situations (Haugvik & Johns, 2006, 2008;

    Johns, 2008; Haugvik, 2013; Haugvik & Mossige, 2017). In this study a wide range

    of symptom scales were applied to measure outcomes after therapy and at a three-

    months follow-up, in addition to parent interviews and video analysis. Results from

    symptom scales showed an effect-size of 0.66 right after therapy and 0.74 three

    months after therapy ended, which were in accordance with improvements reported

    by parents. The second known study is the present collaborative research study

    between this outpatient clinic and the Norweg