music appreciation. niccolò paganini 1782-1840 franz liszt 1811-1886

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Music Appreciation

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Page 1: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Music Appreciation

Page 2: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Niccolò Paganini1782-1840

Franz Liszt1811-1886

Page 3: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886
Page 4: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Virtuoso firstComposer second

Musical Quality vs. Public Purpose?

Right-hand technique Intonation, phrasing

Left-hand techniqueFlexibility, speed

Page 5: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Unequaled today?

Long fingersThree octaves over four strings

Double harmonics

Legato and pizzicato

Page 6: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Where?Why not published

Sergei Rachmaninoff “Variations on a Theme by Paganini”

Page 7: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

ReactionDiabolical!Fear and fascinatedCritics

Demonized yet awed

Concerts as “events”OverexposureMarketingBroken strings

Page 8: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Debuted at 10 Toured until 18 Mistress (“Kept Man”)

Elisa Baciocchi Sister of Neapolean

Perfected violin technique for over 10 yearsReappeared

CelebrityFollowing/fans/groupies

Page 9: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Elisa Baciocchi

Page 10: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

1901-1987 Virtuoso technique

Flamboyant Israel tour, 1953

Richard Strauss: “Violin Sonata” Attack

Defected to US in 1970 Shoulder damage

Paganini Caprice No. 24

Page 11: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Franz Liszt 1811-1886

Page 12: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Student of SalieriDebuted at 9

Beethoven’s “kiss”

Prince Esterházy

Disenchantedphilosophy, religion, literature

Victor Hugo, Heinrich Heine

Page 13: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Inspired by Paganini“Kept Man”

Countess Marie d'AgoultChildren, including Cosmia

Virtuoso pianistSimilar fame

Profound musicianNew language, like Chopin

Page 14: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

ConcertsFirst solo “recital” format

SocietyMusical IntellectualReligious

Lisztomania!

Page 15: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

CharityChurches, hospitals, schools

Young musicians“Who’s Who” list of students

Hungarian roots

Page 16: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

PriesthoodAbee

Sacred Music

Tone Poem Faust Symphony, Liebestraum

Very strange!

Page 17: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Huge ego vs. musical humility

virtuoso personality vs. kind, generous friend

Great “lover” and “womanizer” vs. spiritual, humanitarian ideals“Dies Irae”“Mephisto Waltz”“Todentanz”

Page 18: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886
Page 19: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Relationship with LisztSchoolingMusical education

Hans von BülowFavored conductor

Liszt and WagerMarried Cosima (two children)

Richard WagnerAffair and three illegitimate childrenMarriage and four children

Page 20: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Disowned by Liszt

Denounced by von Bülow

“Frau Wagner”

Age difference: 24 years Three children Bayreuth Festival

Director and producer: 31 years

Anti-Semite

Page 21: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886
Page 22: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Romantic Ideals

Page 23: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Why?

Celebration of the inexplicable, the super-human physical accomplishments of vocal and dance

technique

Story told through non traditional methods dance and song

Only profitable ‘classical’ music today. Why?

Page 24: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

RussiaParis

USA

Page 25: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

ItalyBel CantoNationalismVerismo

FranceOpera Comique

GermanyMusic Drama

Page 26: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

“Beautiful Singing” or “Beautiful Song”

Virtuoso technique requirements

Women Coloratura

Men High tessitura

Page 27: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Joan Sutherland

Maria Callas

Luciano Pavarotti

Page 28: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886
Page 29: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

“Il Re d’Italia”Nationalism“Va, Pensiero”

Shakespeare influence

Rigoletto (1851)Quartet

Aida (1900) Leontyne Price

Page 30: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886
Page 31: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Inspired by Aida performance

“Real life” situations

Exotic locationsUS WestAsia

Shorten, tighter drama

Melody

Page 32: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

1896Young characters ArtistsParis

romantic

Baz Lehrman production German TV

Act II (Musetta’s “waltz”)(Very strange!)

Page 33: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Political Controversial

Torture Murder Attempted rape

End of Act II Maria Callas

End of Act III Angela Gheorghiu and Roberto Alagna

Page 34: Music Appreciation.  Niccolò Paganini  1782-1840  Franz Liszt  1811-1886

Ballet

French Opera (Carmen)

German Opera (Die Walküre and Salome)Disclaimer