mt fuji serenades for shakuhachi

7/31/2019 Mt Fuji Serenades for Shakuhachi

1/21

Sizes d-kan (1.8), a-kan (2.4), and e-kan (1.6) are used (intended for 7 hole Shakuhachi)

Mt. Fuji Serenadesfor Shakuhachi

Solo

Connor Helms


2/21

otoshi

Chin angle adjustments represented by arrows. Assume the command lasts only for the note

the arrow is written directly on, and that you are to change back to a normal angle at

the very next note. Finger hits to accent notes ('atari') are represented by corresponding hole

numbers above the note. Notes/rests of indeterminate length will have fermatas above them,

jo-ha-kyu rubato and phrasing is generally left to performer interpretation.

orm

furi-kiri

nayashi

(descend)

nayashi

(ascend)

alternate

fingering

kara-kara

komi-buki

bends

sorane

or

all 'X' noteheads are sorane

m

at times an alternate fingering is intended; specifically for a softer timbre a

quieter dynamic level than the standard method. this circle will appear abo

the intended note. the exact fingerings used are up to the performer

either upward or downward; immediately after playing the written note ben

in the direction of the arrow through chin angle

muraiki, either toward the end of a note or initially

pulsating breath


3/21

Copyright 2012 Connor Helms

Shakuhachi

f p

q = 30

q = 352

3

4

mf

q = 405

p

6

7

8

9

mfsfz

sfz

q = 5410

114&b

bd-kan (1.8)

Dawn

Twilight mawashi

Constant gradual acceleration of tempo throughout. When the 'moon is out',

do not accelerate tempo (you may decelerate at night sections if you wish).

port.

UConnor Helms

Part 1: The Five Lakes

1. Purple of Lake Motosu

&bb

&bbtake-yuri U

&bbm yoko-yuriU

&bbNoon

furi-kiri

korokoro

&bbm U sorane 3

&bb > > > > > > U3 3

&bb U

&bb U U

&bbDusk> > atari> > 4 > U m

j

j

j

r

r r

j j

j

n


4/21

11

12

13

f

q = 6514

15

(mp) f

16

17

p

q = 401

sfz p

q = 452

3

4

&bb. . . . . . tabane> . . . . . .> >

3 3 3 3 3 3 3 3

&bb > > m m> > U

3 3 3

&bbm U

&bbNight

the moon is out, do not accelerate tempo anymore(you may wish to decelerate)

3 3 3 3 3 3

&bbtamane U

&bbkorokoro

port.

3

&bb komi-buki

&bbTwilight

. .U

3

2. Lake Saiko, Sea of Trees

&bbDawn

progressivelyfaster trill

>komi-buki

U

&bb tabane. . . . .natural3 3

&bb> U

J

b n b n

R R j j

n j

j

w

# j

n j

3


5/21

mp

q = 555

pp p

6

sfz sfz sfz s fz sfz

7

8

mfp f

q = 659

10

11

12

f sfz

q = 7513

f

14

15

&bbNoon koro

koro . . . . . . .

&bb. . . . .

3

3

&bbatari

2 tate3

&bbkomi-bukiU

&bbDusk komi-buki U

&bbkarakara

~~~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~ korokoro

&bb~~~~~~~~

tabane

korokoro

U3

&bb . . .U

&bbNight

. . .. .

tabane. . .

3

&bb~~~~~~

~~~~~~

. . .> . > . . . . .tabane

. . .3 3

&bbprog.

faster~~

alternatefingering

o korokoro 3 3 3 3

R J J

j

j

j j

J

J

b J n

J

b

n n

j # j j j n j

# j

n b j j

b J J

n n n

# j j j j

J n

J

4


6/21

16

17

p fp

q = 451

q = 502

3

4

5

q = 606

7

rit.8

sfz sfz sfz

9

&bbfuri-kiri . . . . . . . .

3 3 3 3 3

&bb

bb

&bba-kan (2.4)Twilight

faster

prog.~~~~~ mawashi3. Lava in Lake Shoji

&bbDawn U multiphonic U3

3

&bb nayashikorokoro3 3 3

&bbkomi-buki tamane

. . .tamane

. . .3 3

&bb . . . .tabane

. . u

U

&bbNoon

korokoro

3 3 3 3 3 3 3 3

&bb

tamane

. . . . . . .

33 3 3

&bbnatural komi-buki take

furi-kiri

prog. faster~~~~~~~~~~~~~~~~~~~~~~~

&bba tempo U U U U

# j j

#j

r j

j

Bb n

j bB

j

j BB

j n j j j j jj j Bb

n

rj

j

5


7/21

mf sfz

q = 7010

11

12

sfz

13

q = 8014

15

16

mp f mp

17

18

&bbDusk . . . . . . . . . . . . . . tabane

&bb . . . . . .> . . . . .

&bb . . .U3

3

3 3 3

&bb tabane. . . .koro

koro

3 3 3 3

&bbNight . . . .

3 3

&bb . . . . . . . . . . . .

&bb .korokoro. >

3 3 3 3

&bb . . .. . . U3

3 3

&bb bb33

3

# j n n

J J J

Y

j J # j J

J # j

J J J J J j

BJ

b j

n j BB

n n

Bb

6


8/21

p

q = 501

q = 552

3

mp

4

p

5

mp

q = 656

7

8

9

f

q = 7510

11

&bbe-kan (1.6)Twilight

m m

4. Island of Lake Kawaguchi

&bbDawn

faster

prog.~~~~~~~~ >

korokoro

&bbfaster

prog.~~~ fast~~~

korokoro

&bbas quiet ascomfortablypossible

&bbas quiet ascomfortablypossible

fast~~~~~~~U

&bbNoon

faster

prog.~~~~~~~~o

&bbfaster

prog.~~~~~~~

korokoro

&bb~~~~~~~

~~~~~~~~~

~~~~~~~~~~~~~

U

&bb fasterprog.~~~~~~~ U

&bbDusk

&bb U .> > > > >

# # jj j

n J

j j j

#

j

J J J #J # j

b j n j

J

j n

j

b

# jn

# nJ j # #

j

j

# #R

7


9/21

12

sfz

13

q = 8514

15

16

17

p

18

p f p pp mp

q = 551

q = 602

3

4

&bb> > .

>.

> >

&bb

&bbNight . .

&bb> > . . . .

tabane

&bbkorokoro

&bbnayashi take U

&bb bb

&bbd-kan (1.8)Twilight

>Ugliss.

5. Laka Yamanaka the Prodigious

&bbDawn U

&bbtabane

&bb . .korokoro U

J r nR j j # j j

n

j

j

J # jj

n j# j # n

j

j j # jj # jj jj nJ J

j # j #

#

j # j

j

jj

j j j

j j

8


10/21

q = 705

6

7

8

mp pp mf p mf mp

q = 809

f

10

mf f

11

12

mp f mp

q = 9013

f

14

p mp

15

&bbNoonU . . . . U

3

&bb faster

prog.~~~~~~~~~~~~faster

prog.~~~~~~~~~~~~~~~ U

&bbtamane U3

&bb . .5 3 3

5

&bbDusk . . > > > take>3 3

5 3 3 5 5 5 5

&bb>

5

&bbtake

5

&bbU

&bbNight U

&bb~~~~~

~~~~~~~~

~~~~~~

&bbkorokoro gliss.

J J J

# j j

j j j

jJ n

# jj # j n

n n

jj j n

J J J

j

#

j

n b

n n

9


11/21

16

mp

17

p

q = 541

mp

2

3

4

mf

5

6

7

mf p mf sfz

8

mp

q = 659

294

294 298

298

2916

2916

&bb5

5

5

5

&bb

bb

&bba-kan (2.4)constant gradual acceleration tabane

Part 2:

Climbing the Mountain

&bb

port.

Uport.

&bb . .U

&bbprog. faster~~~~~~~~

&bbprog. faster

~~~~

&bb . . . . .3

&bb >

&bb U

&bb

j

# j

# n # n # n j

j

j j

# n r r r

# n r r

j r # r n j r # j j

n j j # R

j

j

j # j

r

# n J J R J J R

# n j j j

10


12/21

10

11

12

mf p mf sfz

13

mp mf

q = 7514

mp mf mp mf mf

15

16

17

18

19

sfz f mp f

20

&bbprog. faster~~~~~~~~

. . .3 3 3

&bb

. . . . .3

&bb >

&bb Ud-kan (1.8)

bb

&bbkorokoro

tabaneo 3 3

&bbo korokoro

> >fast/wide

3 3

&bb ~~~~~>

>

&bb(arhythmic)

&bb~~~~~~~~~

.. . . .

&bb3 3

&bb> 3 3

# n r r # j n j

j j

#

j n j

j j r # jr r # j n j

n J J J J R

J

r j n j j j

J

J j j

b J J J r

R

B< > R r b< > R

r B

b

n j j

r j n j j j

r J j j

11


13/21

21

22

23

mp

q = 8524

mp f

25

mpmf

26

mpmf

27

28

29

30

31

&bb(arhythmic)

&bb ~~~

. . > . . >3

&bb~~~~~~~ ~~~~

. . . . bb

. . .

&bban (1.6)prog. faster~~~~~~~~

&bbU

&bb3 3

&bb > >3

3

&bb

&bb ~~~~~

. . . .&bb . . . . . . . . . . . . . . . . . . .

~~.

&bb . . . . . . . .

Bb Rr b< > R

r B< >

b

n j

j

j r

r j j n

b r n r j

j r # r n j

r # j j

J

n

J

r j # j # jb J

J J n

J n

bB

Rr B

BRr Bb

b n j j n

j

j

# r n

12


14/21

32

33

34

mp

35

36

37

38

f f

q = 9539

40

f

41

42

&bb~~~ ~~~~~

&bb . . .

~~~~ . . . ~~.

&bb ~~~~~~

~~~

&bbkorokoro oU

&bbprog. faster

~~~~~~~~~

&bb . . . . .

&bb bb

&bb(arhythmic)U U U

&bb

decelerate tempo rather than accelerate

U U

&bb

&bb~~~

j j j

J

JJ j j # jj

b j JnJ

n b r n r # j j

j n # r b j

bB

Rr

BB

Rr

Bb

#

#

#

J j n

J J #

j J

13


15/21

43

44

45

46

47

48

49

f f

50

51

mf

q = 8052

p mf

53

&bb.> .> .> .> . . . . . . . . . . . . . .

3

&bb . . > > . . . . . . . . .

3 3 3

&bb~~~~~ ~~~~~ . . . . . .

&bb

&bbtamane

&bb.> .> .> .> > . > . > . . . . . . . . . . . . .

3 3 3 3

&bb~~~~~~~~~~~~~

. .. .

. .. U

&bb(arhythmic)U U U

&bb U U

&bbsteady tempo

&bbU

nR R

R R

j

j

# j

R R

j

J j

R J # j J

nR R

R R

j j #j

J

#

#

#

j J

j b j j j j

14


16/21

f

54

55

56

57

58

59

f f

60

61

mp

q = 6562

p f p f p f

q = 8563

f f

64

&bb> > tabane > >

&bb . U

&bb. . . . . . . . . . . U

&bbtabane . . .

&bb~~~~~~~ . . . . . . . . .

&bb~~~~~~~~ . . . ~~~~ U

&bb U U U

&bb U U bb

&bbkorokoro

&bb(arhythmic)

m

&bb

R

J R

J

R

r

J

J

J

J j J

#

#

#

#

j

j

j

r

b j

J

R

Bb Rr R

Rr

#

15


17/21

65

mp mf mp mf

q = 9566

67

f

68

69

70

71

72

73

1.74a

2.74b

&bb

&bb

&bb

&bbtabane . .> . .> . . .

.> . .> . .> .

&bb. . ~~~ . . . . . .

&bb. . . . . . . . .

3

&bb . . . . . . . . . . . . ..

3

&bb. . . . . . . . . . . . . . . . .

&bb. . . . . .

&bb~~~~~~~~~~~~~

&bb~~~~~~~~~~~~~

n

J

J

J

J

J J R J n j J R

b

R R R R R

J R

J J R R

R

R

16


18/21

75

76

77

78

79

mp

q = 7580

81

82

sfz ff f

83

p f p f p f

84

f f

85

&bbU

&bb

~~~~~~~~~~~~~~~~~~~~~ . . . . . .

&bb.> .> .> .> 2atari> > > . . . . . .>

&bb . .. . .

&bb . .~~~~~ . . . .

.U

&bb

&bb > >

&bbo

furi-kiri

korokoro

&bbU

&bb

&bb

J j

R

R R

# j

nR R

R R

j j # j R R

j J

j J J j j j j

j j r r j

J J J R J

J

R

J

Bb Rr R

Rr

#

17


19/21

86

87

88

89

90

91

92

93

p f p f p f

94

f f

95

96

&bb

&bb

&bb~~~~~~~~~~~~~~~~~~~~

&bbkorokoro

&bbkara-kara

~~~~~~~~~~~

~~~~~~

~~~~~~~~~~

~~~~~~~~~~

~~~~~~~~~~~

&bb~~~~~~~~ koro

korotamane

&bbkomi-buki

U

&bbprogressively fast trill~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ natural U

&bb

&bb

&bb bb

n

J n R bR

J

J R

j J J J

J b J J J

b R R

J

b J

R

R

J

J

R

w

w

Bb R

r

R

R

r

#

n

18


20/21

f ff

q = 9097

f ff

98

mf

99

100

f f ff

101

mp f mp

102

f mp

103

f p mf sfz

104

mf

105

106

mp

107

&bbn (1.6)%

&bb

&bb

&bb

&bb

&bb

&bb

&bb~~~~~~~~~

&bb

&bb

&bb(arhythmic)U komi-bukiU

korokoroU To Coda

J

J

J

J

n jJ J

n jJ J

J J

# j j j j j

j j n J J J j j j

J J J

J J

J

J

n jJ J

19


21/21

q = 75108

mf

109

f

110

111

112

113

114

115

116

q = 54117

&bbtamane

&bbprog. faster

~~~~~

U

&bb U3

&bb >U

&bb

&bbkorokoro tabaneo

>

>3

3

&bb

&bb

&bb. . . . . .D.S. al Coda

&bb

b j j j # j

j n # j n n # j r # j j

n j j #

j

j

r

# j

J

n J J

J

J r j # j j j

J j

J J R R # j r

nR R

R J R R

w r

20

mt fuji serenades for shakuhachi

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