ms band grades 6-8 learning in place may 18 - june 5 name€¦ · ms band grades 6-8. learning in...

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MS Band Grades 6-8 Learning in Place May 18 th - June 5 th Name _________________________________________ Monday 5/18/2020 Tuesday 5/19/2020 Wednesday 5/20/2020 Thursday 5/21/2020 Friday 5/22/2020 Practice Log * Practice Log Practice Log Practice Log Practice Log Dizzy Gillespie Read Dizzy Gillespie Answer Q's Monday 5/25/2020 Tuesday 5/26/2020 Wednesday 5/27/2020 Thursday 5/28/2020 Friday 5/29/2020 Practice Log Practice Log Practice Log Practice Log Music Crossword Bass Puzzle Monday 6/1/2020 Tuesday 6/2/2020 Wednesday 6/3/2020 Thursday 6/4/2020 Friday 6/5//2020 Practice Log Practice Log Practice Log Practice Log Practice Log Notation Worksheet Music Word Search 1 Music Alphabet Work Sheet Treble Puzzle Instrument Word Search Please email your BAND TEACHER for any questions. Complete VIRTUAL FIELD TRIP PAGES Listening 1 Listening 2 * If you do not have your instrument at home, please use the MAY LISTENING Guide on days when you can't practice and/or for suggested listening to complete Listening 1 and 2. HOLIDAY

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  • MS Band Grades 6-8Learning in Place May 18th- June 5th

    Name _________________________________________

    Monday 5/18/2020 Tuesday 5/19/2020 Wednesday

    5/20/2020

    Thursday

    5/21/2020

    Friday 5/22/2020

    Practice Log-* Practice Log Practice Log Practice Log Practice Log Dizzy Gillespie-

    Read Dizzy Gillespie-

    Answer Q's

    Monday 5/25/2020 Tuesday 5/26/2020 Wednesday

    5/27/2020

    Thursday

    5/28/2020

    Friday 5/29/2020

    Practice Log Practice Log Practice Log Practice Log

    Music Crossword

    • Bass Puzzle

    Monday 6/1/2020 Tuesday 6/2/2020 Wednesday

    6/3/2020

    Thursday 6/4/2020 Friday 6/5//2020

    Practice Log Practice Log Practice Log Practice Log Practice Log

    NotationWorksheet

    Music Word

    Search #1 Music Alphabet

    Work Sheet

    Treble Puzzle

    • Instrument WordSearch

    Please email your BAND TEACHER for any questions. Complete VIRTUAL FIELD TRIP PAGES

    • Listening #1 Listening #2

    * If you do not have your instrument at home, please use the MAY LISTENING Guide on days when you can'tpractice and/or for suggested listening to complete Listening 1 and 2.

    HOLIDAY

  • May Listening Calendar 2020

    Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2

    G. F. Handel Music for the Royal Fireworks YouTube

    J. P. Sousa The Thunderer YouTube

    3 4 5 6 7 8 9 Giovanni Gabrielli Canzone per sonare II YouTube

    John Williams Cantina Band YouTube

    Bernard Hermann Psycho Suite YouTube

    Benny Goodman and his Orchestra Sing, Sing, Sing YouTube

    J. P. Sousa El Capitan YouTube

    Richard Wagner Ride of the Valkyries YouTube

    Billie Holliday God Bless the Child (BS&T) YouTube

    10 11 12 13 14 15 16 Happy Mother’s Day! Special Treat - YouTube

    J. S. Bach Fugue in G Minor “Little” (CBQ) YouTube

    Charles Mingus Goodbye Pork Pie Hat YouTube

    Gustav Holst Second Suite in F YouTube

    Ides of March Vehicle YouTube

    Guiseppe Verdi Triumphal March from “Aida” YouTube

    Count Basie and his Orchestra One O’Clock Jump YouTube

    17 18 19 20 21 22 23 W. A. Mozart Serenade No. 10 “Gran Partita” YouTube

    Charlie Parker and Dizzie Gillespie Groovin’ High YouTube

    Mendelssohn Overture in C for Winds YouTube

    Dizzy Gillespie Manteca YouTube

    Ralph Vaughn Williams English Folksong Suite YouTube

    Anton Dvorak Serenade for Winds,Op. 44 YouTube

    Dizzy Gillespie/Charlie Parker Hot House YouTube

    24 25 26 27 28 29 30 William Schuman Chester Overture YouTube

    Memorial Day John Williams Hymn to the Fallen YouTube

    G. Rossini William Tell Overture YouTube

    Dizzy Gillespie A Night in Tunisia YouTube

    Anton Dvorak Symphony #9 “New World” YouTube

    John Philip Sousa The Stars and Stripes Forever YouTube

    Maynard Ferguson MacArthur Park YouTube

    31 Spike Jones Tchaikovsky Medley YouTube

    Directions: Each day of the month, listen to the song of the day in a comfortable, quiet environment. Then listen to it one more time, and start to write about the song. Use the attached listening guide as a suggestion of what to listen for!

    https://youtu.be/EXjY6w1KQMohttps://youtu.be/YRmRrKB6yXEhttps://youtu.be/qBGNrhoKGnAhttps://youtu.be/YekgtQmamfYhttps://youtu.be/fQwzJ6VvUD0https://youtu.be/POEyQjdw7uUhttps://youtu.be/uPtjcZvdNLQhttps://youtu.be/UrZRHGwjIVshttps://youtu.be/04rClGsbWp4https://youtu.be/uRu3CZfteyYhttps://youtu.be/E2p7I3zmcfchttps://youtu.be/xPWvA1EiezIhttps://youtu.be/oTySRbCofgchttps://youtu.be/fiLaNEFyCiMhttps://youtu.be/l3w4I-KElxQhttps://youtu.be/i3zSIe-1CNUhttps://youtu.be/trM2nXK342Mhttps://youtu.be/oslMFOeFoLIhttps://youtu.be/hURGyjz3juwhttps://youtu.be/_nxthSkRT6ghttps://youtu.be/Nnaa0K9ktLghttps://youtu.be/bS5Sg-sDi9Qhttps://youtu.be/tJYO6_t4d08https://youtu.be/rYNOS1KNbJ4https://youtu.be/m6m4C-JrYushttps://youtu.be/c7O91GDWGPUhttps://youtu.be/BQYXn1DP38shttps://youtu.be/vHqtJH2f1Ykhttps://youtu.be/TvWWXv59apYhttps://youtu.be/ova0NyHbGKAhttps://youtu.be/Be7O9g2sphw

  • © 2005 Natalie Wickham . available at www.musicmattersblog.com

    Music Listening Sheet

    Name Date

    TitleMovementComposerArtist(s)

    What tempo marking would you give this piece? Largo Adagio Andante Allegro Prestissimo

    What kind of a key is this piece in? Major Minor Both Other

    What different dynamics did you hear in this piece? (pp, p, mp, mf, f, ff, crescendo, diminuendo, etc.)

    What different articulations did you hear in this piece? (staccato, legato, accents)

    What kind of instruments do you hear in this piece?

    How would you describe the form of this piece?

    Use two of your own words to describe how this piece sounds to you: 1. 2.Did you like the piece? Additional observations:

    Music Listening Sheet

    Name Date

    TitleMovementComposerArtist(s)

    What tempo marking would you give this piece? Largo Adagio Andante Allegro Prestissimo

    What kind of a key is this piece in? Major Minor Both Other

    What different dynamics did you hear in this piece? (pp, p, mp, mf, f, ff, crescendo, diminuendo, etc.)

    What different articulations did you hear in this piece? (staccato, legato, accents)

    What kind of instruments do you hear in this piece?

    How would you describe the form of this piece?

    Use two of your own words to describe how this piece sounds to you: 1. 2.Did you like the piece? Additional observations:

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    IMPORTANT FACTS TO KNOW ABOUT JOHN “DIZZY” GILLESPIE

    Born: October 21, 1917, Cheraw, South Carolina

    Died: January 6, 1993, Englewood, New Jersey

    Period/Style of Jazz: Bebop, Afro-Cuban Jazz

    Instrument: Trumpet, bandleader and composer

    Major Compositions: A Night in Tunisia, Con Alma, Groovin’ High, Manteca

    Interesting Facts: Dizzy Gillespie invented the modern approach to jazz trumpet

    playing, which included extending the range of the instrument,

    improvising in a more linear fashion and playing with dramatic bursts

    with large interval leaps. He was among the first to use Afro-Cuban

    music in jazz.

    A Night in Tunisia

    gillespiedizzy

    Google or find on Youtube....

    APRIL IS JAZZ APPRECIATION MONTH!

    ■ The Story of Dizzy Gillespie(1917–1993)

    John Birks “Dizzy” Gillespie was one of the most important and influential jazz trumpeters, after Louis Armstrong. Dizzy Gillespie, along with his colleagues Charlie Parker and Thelonious Monk, are considered to be the “fathers” of the fast-and-furious style

    Gillespie began playing a “new” kind of music that would later be known as bebop. Unfortunately his bandleader, Cab Calloway, hated it. Gillespie was eventually fired from Cab Calloway’s group which really proved to be a blessing in disguise. For the next three years Gillespie did great work with some of the most popular jazz musicians of the time, such as Duke Ellington, Ella Fitzgerald and tenor saxophonist Coleman Hawkins. From the performances with those musicians, Dizzy also met alto saxophonist Charlie Parker and pianist Thelonious Monk. Gillespie and Monk became partners in jazz, and they worked on jazz theory for hours, which led to the bebop era.th

    Late in 1942, pianist Earl Hines brought Dizzy into his band along with Charlie Parker. “A Night in Tunisia” was their first bebop hit. Later, Dizzy teamed with Charlie Parker and the recordings that resulted from this band became extremely popular, such as “Salt Peanuts,” “Shaw Nuff,” “Groovin’ High,” and “I Can’t Get Started.”

  • Roy Eldridge, trumpet player extraordinaire, was a mentor to Dizzy Gillespie.

    After his trumpet bell was bumped and tilted during a concert, Dizzy decided he liked it and had his trumpets custom-made in that fashion.

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    In 1946 Gillespie put together a jazz orchestra that included Milt Jackson (vibes), John Lewis (piano), Ray Brown (bass), Kenny Clarke (drums), James Moody (saxophone), J. J. Johnson (trombone) and Chano Pozo (percussion), who shared Gillespie’s growing love of Afro-Cuban/Latin jazz. Gillespie continued to play innovative music throughout the 1950s and 1960s, recording with a wide assortment of jazz greats.

    Dizzy Gillespie had a love for teaching and sharing his knowledge of jazz with younger musicians. He formed a big band for overseas tours and inspired countless young musicians around the world.

    Throughout the 1970s and 1980s, Gillespie toured and performed with the great contributors of jazz. He was invited to the White House by President Jimmy Carter after returning from a tour in Cuba where he celebrated his love for Afro-Cuban music in 1977. In the late 1980s, Gillespie was diagnosed with pancreatic cancer which ultimately led to his death on January 6, 1993 in Englewood, New Jersey.

    Minton’s Playhouse: The House of Bebop

    Minton’s Playhouse is regarded as the sanctuary where bebop had its beginning. Minton’s Playhouse was located in Harlem and opened its doors in 1940. The owner and visionary of the club was Henry Minton, an accomplished musician on the clarinet. The club was special because the jam session policies were set up to allow many musicians to participate, leading to much experimentation.

    Henry Minton hired Teddy Hill to manage the club. Hill was also a successful bandleader who was very personable and well-liked by musicians. Minton’s Playhouse provided fertile ground for creativity, expanding a positive environment to share and nurture ideas. It was operated like an “after hours joint.”” This was good because many of the musicians would visit the club around 3 a.m., after their gigs (jobs), and would generally play music until 9 a.m. Charlie Parker, Thelonious Monk, Kenny Clarke, and Dizzy Gillespie were among the many regulars at the club.

  • Thelonious Monk, Howard McGhee, Roy Eldridge and Teddy Hill at Minton’s Playhouse

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    gillespie scrambleUnscramble the letters to spell the words that will complete each sentence.

    1. Dizzy Gillespie, along with Charlie Parker and Thelonious Monk, helped to create a jazz style known as_________________________ (BPEBO).

    2. Gillespie learned to play the trumpet as the age of 12. His trumpet mentor was_________________________ (ERELODIGRYD).

    3. A popular composition written by Gillespie was ________________________ (STSPAUATLEN).

    4. When Gillespie returned from Cuba, he was invited to perform at the White House for President_____________________ (ETRARC).

    5. Gillespie collaborated with several musicians during his musical career. His major collaborator with theAfro-Cuban style was ___________________________ (ZCAHONPOO).

    6. Gillespie’s nickname:______________________ (ZIDYZ).

    7. In 1917, Gillespie was born in _________________________(RHCEWA), South Carolina.

  • Find the following musical words in theword search. Word directions

    SemitoneToneIntervalChordTriadTripletTime SignatureScale Pitch RhythmOctaveRestMetronomeArpeggioCrescendoDiminuendoTrill StaffLegatoMusic

    Double FlatFlatNaturalSharpDouble SharpPianoMezzo-pianoMezzo-forteForteCommon TimeTreble ClefBass ClefFermataBarlineKey SignatureStaccatoTieSlurTempo Note

    Music Word SearchD O U B L E F L A T E YO A S T F Y C U T L N R

    D I S M Z X N A P D UM B R L U A C A Y I RT A P T H S T I Y A LL R A A A T I O A T UC O I M N A I C E A UA D A L A T R E A D LP I T C H A E P B A IO A I P T E F E L PS O A F F A H K L A G E

    N

    H T F S A A A R A F A G

    O I GC R S T F C U T U R RT D V S Z M N L A DA X B L O A P H Y IV A P I H C S O Y AE A S A A O E O A T

    A W T A O M R A A OA D A A A T M A F DI X A F S A O E E NM A F Y G N U R ES I A F F E T K M C E

    V

    H A N S A L I R A S DM E Z Z O P I A N O R YS E M I T O N E T R N RI D V S M Z X N L T R IN M E T R O N O M E I RT I M E S I G N A T U RE W A A A A L E O A T UR A W S A A A R A A A UV D A L R Y B A R L I NA X A U S A A E A E A OL T R Y T E U N W L PS A A F F A I O L A W E

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    N A F S A E T R O F O Z

    I I G U E T M Y T E RO O S T E Y E U A R OP L E T M N X N L C HM X B P L O D O A I CE A O P I H P O I A LL W A A A A M H T Y H R

    E D A L A Y T A E A T LI X A U S A A E A F S OP A R Y T E U F L E PS S H A R P

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    © REMIFA Music Education FREE TO PRINT AND SHARE www.remifamusic.com

    Music Word SearchMusic Search #1

  • Virtual End of the Year Trip Destination: Busch Gardens

    Student Name: _________________________

    We’re going on a virtual end of the year trip, the good news is that you get to help plan it since we’re doing it from home.

    1. Choose your group of two to three friends you would choose to ride the bus with and ride rideswith in the park.

    2. What movie are you watching on the bus? ___________________3. If you aren’t into watching movies on the bus what music are you listening to on your phone

    while you sit next to your friend for the ride? _________________4. What kind of snacks are you having? __________________5. What does your t-shirt look like that you and all of your music friends are wearing so we can

    keep track of each other? You can draw a design OR you can go to customink.com and designone to share with your teacher on google classroom or email.

    We have arrived to the park, you have your ticket in hand and your meal voucher, it’s time to have fun and ride some rides: Where will you begin? What countries will you travel through to get to your first ride? Will you walk? Ride the train? Ride the skyline? It is up to you to decide how you will spend your virtual day. Have fun!!! You can use your memory of the park OR you can go to the Busch Gardens website and look around, YouTube has some great videos of the roller-coasters and rides at Busch Gardens.

    Ride # 1 _______________________

    Ride # 2________________________

    Ride # 3________________________

    Ride # 4________________________

    6. How are you getting around the park? _____________________________________

    7. Have you had a snack yet? Where did you eat? What did you eat?

    a. _________________

    b. _________________c. _________________

    Ride #5 _____________________

    Ride #6 _____________________

    Ride # 7______________________

    Ride #8 ______________________

    Ride #9 ______________________

  • 8. Have you played any games? ___________________________________________

    9. Did you win anything? _____________________________________

    10. Have you seen any shows? __________________________________

    11. Did you buy souvenirs? __________________________________________

    12. Did you ride water rides? _________________________________________

    13. What was your favorite virtual ride? ________________________________

    14. What did you have for lunch? ___________________________________

    15. While you were in the park what type of music did you hear?

    ______________________________________________________

    16. Did you recognize any instruments that we play in the band room?

    _________________________________________________________

    17. What do you think Busch Gardens would be like if there were no music (Would it be less

    exciting? Less adventurous?)

    __________________________________________________________

    18. How do you think music contributes to the environment at an amusement park?

    Thank you for helping the music department create new memories, I hope you enjoyed this assignment.

    Table of ContentsLesson 1: Louis ArmstrongThe Story of Louis ArmstrongNew Orleans: The Birthplace of JazzArmstrong Word Search

    Lesson 2: James P. JohnsonThe Story of James P. JohnsonStride Piano: The Harlem Stride SchoolJohnson Puzzler

    Lesson 3: Duke EllingtonThe Story of Duke EllingtonThe Cotton Club: A Great Spot in HarlemEllington Scramble

    Lesson 4: Count BasieThe Story of Count BasieKansas City Jazz Style: Riffs and Rough Livin'Basie Crossword

    Lesson 5: Benny GoodmanThe Story of Benny GoodmanThe Swing Era: Singing, Dancing, EscapingGoodman Crossword

    Lesson 6: Ella FitzgeraldThe Story of Ella FitzgeraldThe Apollo Theater: Pride and PromiseFitzgerald Scramble

    Lesson 7: Billie HolidayThe Story of Billie HolidayJazz Ballads: Deeply Personal InterpretationsHoliday True or False

    Lesson 8: Charlie ParkerThe Story of Charlie ParkerThe Bebop Era: Pushing the EnvelopeParker Word Search

    Lesson 9: Dizzy GillespieThe Story of Dizzy GillespieMinton’s Playhouse: The House of BebopGillespie Scramble

    Lesson 10: Thelonius MonkThe Story of Thelonius MonkThe Civil Rights Movement: Its Effect on Music in the United StatesMonk Scramble

    Lesson 11: Miles DavisThe Story of Miles DavisCool Jazz: Subdued ExplorationDavis Scramble

    Lesson 12: Dave BrubeckThe Story of Dave BrubeckOdd and Mixed Meters: Jazz ExpansionBrubeck Word Search

    Lesson 13: Clifford BrownThe Story of Clifford BrownThe Hard Bop Era: Searching in New DirectionsBrown Scramble

    Lesson 14: John ColtraneThe Story of John ColtraneModal Jazz: Expansive ExpressionColtrane Crossword

    Lesson 15: Bill EvansThe Story of Bill EvansKind of Blue: A Modal Jazz ClassicEvans Crossword

    Lesson 16: Charles MingusThe Story of Charles MingusThe Avant-Garde Era: Free JazzMingus Scramble

    Lesson 17: Herbie HancockThe Story of Herbie HancockJazz Fusion: Blending Jazz and RockHancock Word Search

    Characteristics of the Jazz ErasGlossary of Jazz Terms