movement psychology in dance/movement therapy

24
MOVEMENT PSYCHOLOGY AND BODY KNOWLEDGE/ BODY PREJUDICE IN DANCE/MOVEMENT THERAPY Sara R. van Koningsveld MA, BC-DMT, PCCI, GL-CMA, RYT200

Upload: sara-r-van-koningsveld

Post on 14-Apr-2017

198 views

Category:

Presentations & Public Speaking


8 download

TRANSCRIPT

Movement Psychology and Body Knowledge/ Body Prejudice in Dance/Movement Therapy

Movement Psychology and Body Knowledge/ Body Prejudice in Dance/Movement TherapySara R. van KoningsveldMA, BC-DMT, PCCI, GL-CMA, RYT200

ObjectivesBy participating in this workshop, individuals will identify their preferred movement patterns through movement experiential(s) and discussion.

Participants will understand the potential implications of their preferred movement patterns when working with clients and their impact on positive rapport building and present moment experiences.

Attendees will synthesize their past knowledge of Laban Movement Analysis components with the lesser known (and unpublished) materials of Rudolf von Laban and apply this integration to dance/movement therapy practice and assessment Sara R. van Koningsveld, 2016

rudolf von laban andlaban movement AnalysisDuring the 1950s, Laban collaborated with William M. CarpenterResearch focused on Effort and PersonalityWrote multiple manuscripts and developed extensive chart systems to correlate States/Drives with Characteristics of PersonalityConflict and Harmony of Man and WomanMovement PsychologyApplied many theories and principles of C.G. Jung.Sara R. van Koningsveld, 2016

Body knowledgeKinesthetic Sense/ Kinesthetic Awareness information is relayed to the brain about the state of the body and its ongoing relationship with the outside world (Newlove, 1993, p. 63)Felt/sensory experience allows the mind to assess and interpret a situation, take action, and respond accordingly (movement which is interpreted by others).Moore and Yamamoto (1988): knowledge we have regarding movement meaning based upon generalizations drawn from our own embodied experiences (p. 88). Sara R. van Koningsveld, 2016

Body knowledge relates to insight, awareness, and consciousness of movement and patterns in the self. provide the opportunity for more diverse internal and external awareness and experiences helps us make sense of the present moment/experiences4

body prejudicePositive/negative interpretation of movement, drawn from generalizations of our movement experience.projects meanings onto all other similar movements regardless of context and an inappropriate and prejudicial reaction may result (Moore & Yamamoto, 1988, p. 89). Movement events observed and experienced similarly will be labeled with the same meaning and illicit the same automatic response.Sara R. van Koningsveld, 2016

could, but not always, result in an inappropriate and prejudicial reaction (Moore & Yamamoto, 1988, p. 89). therapists need to be conscious of how their own nonverbal behavior may be interpreted by a patient. Therapists might also consider that a patients behavior may, in part, be a reaction to nonverbal communication conveyed by the therapist (p. 12-13).In counseling (and dance/movement therapy), attending to a clients movement behaviors holds great significance in relating to and meeting the client in their current state (Ivey & Ivey, 2003).Dance/movement therapists are capable of this on a body-based level.5

body knowledge/ body prejudiceResults in:greater movement repertoireincreased objectivity in movement observation, dance/movement therapy practice, and personality research increased consciousness greater tolerance and empathy

Bodies are an extension and symbolic communicationNew and more experiences creates shiftsSara R. van Koningsveld, 2016

Expanding our BK reduces the impact of BP.

Frank (2003) also argues the dance/movement therapists role as facilitator requires a heightened understanding of body knowledge/body prejudice, in order to best facilitate and meet client needs. As observers of movement, dance/movement therapists have their own perceptions and existing prejudices, based on their body experiences (Meekums, 2007). 6

humane effortHumane effort provides the opportunity for humans to execute movement with conscious choice or unconscious automatic response.enables us to learn, grow, and change in movement, building awareness of the relationship between mind and body Sara R. van Koningsveld, 2016

effort/ effort system

Motion FactorsEffort Elements/ QualitiesFighting Indulging

Warren Lamb developed more contemporary terminology: -ingAllow dance/movement therapists to identify and explore the nuances of the continuums within each motion factor.Sara R. van Koningsveld, 2016

Eukinetics/ effort and LMA theory is helpful for dance/movement therapists to interpret the emotions, impulses, and patterns in movement. Effort, [the study of] how movement is performed, can be defined as: the visible and audible, dynamic qualities of movement, as expressed by the body in motion. Dance/movement therapy benefits from the application of specific effort analysis on multiple levels. -Not only is the therapist able to notate and assess the movement occurring, but they also develop insight into the inner experience of self and mover (Goodill, 2005). 8

Effort combinationsState(2) Effort Qualities(4) possible combinations, on continuums Inner attitude, sub-conscious mind

Sara R. van Koningsveld, 2016

effort combinations

Drive(3) Effort Elements(8) possible combinations, on continuums

Sara R. van Koningsveld, 2016

Shadow MovesLaban: difference between conscious, functional, objective movement and unconscious, expressive, subjective movement

Shadow MovesMeaning of movement is subject to the correlation of shadow moves and the inner attitude of a personFusion of 2-Effort Qualities (state)Self-observation of our own shadow-moves is therefore difficult, but the observation of shadow-moves of other people is relatively easy (Laban, n.d. a, p. 74). Sara R. van Koningsveld, 2016

movement experienceWhat is my effort-life?

reflectionHow do I experience myself (and effort) in movement?

Movement Psychology

Carpenter (n.d. b.)Sara R. van Koningsveld, 2016

Movement Psychology

Carpenter & Laban [ca. 1953]

Sara R. van Koningsveld, 2016

connecting states & drivesin movement psychology

Sara R. van Koningsveld, 2016

movement psychologyStateCharacteristicsAWAKEAwareness certain or uncertain acute or doubting; forming part of the Drives of Doing and Vision.ADREAM [Dream]Un-awareness sombre or irradiant over-powering or diffused; forming part of the Drives of Passion and Influencing.NEAR [Rhythm]Relating human or materialistic warm or cool; forming part of the Drives of Doing and Passion.REMOTESolitude sociable or unsociable exalted of egocentric; forming part of the Drives of Influencing and Vision.

Carpenter (n.d. b.)Sara R. van Koningsveld, 2016

movement psychologyStateCharacteristicsSTABLEUnadaptive receptive or commanding self-contained or practical; forming part of the Drives of Doing and Influencing.MOBILEAdaptive revealed or concealed acknowledged or unacknowledged; forming part of the Drives of Passion and Vision.

Carpenter (n.d. b.)Sara R. van Koningsveld, 2016

DMT and LMAUsing movement to understand the shadow moves of others.Mirroring : Marian ChaceMime: Rudolf Laban [and William Carpenter]Increasing awareness of shadow movesIncreasing body knowledgeReducing body prejudice

Given the opportunity to expand movement skills, William Carpenter (1953, October 21) agrees by stating, a wider experience of Movement, through Movement Therapy, provides for many people such a satisfying relief and lasting benefit. (p.2). Sara R. van Koningsveld, 2016

integration and well-beingMovement psychology research indicates a connection between: thought, feeling, body sensations, and kinesthetic/physical response, in mentally healthy individuals. Authenticity and coherence is, therefore, conveyed through integrated movement and accessibility to various effort expressions (Moore, 2005).

How is your body knowledge [and body prejudice] influenced by cultural determinants?

How will you take todays movement and reflection with you into your work?

Final thoughts and comments.Sara R. van Koningsveld, 2016

resourcesAdrian, B. (2008). Actor training the Laban way: An integrated approach to voice, speech, and movement. New York, NY: Allworth Press.Bartenieff, I., Davis, M., & Paulay, F. (1970). Four adaptations of Effort Theory in research and teaching. New York, NY: Dance Notation Bureau.Bartenieff, I. & Lewis, D. (2002). Body movement: Coping with the environment. New York, NY: Routledge.Bergin, C. (2000). Jungian personality types and inner attitudes: A pilot comparative study (Masters thesis). Retrieved from http://hdl.handle.net/1860/1084 (Drexel University).Bernstein, P. L. (Ed.). (1984). Theoretical approaches in dance-movement therapy: Volume II. Dubuque, IA: Kendall Hunt Publishing Company.

resourcesCarpenter, W. M. (n.d. b). Conflict and harmony of man and woman [Draft 3]. Unpublished manuscript, Rudolf Laban Papers (Box 37, Folder 20 & 21). National Resource Centre for Dance, University of Surrey, Guildford, UK.Carpenter, W. M. (1953) Correspondence with A. P. Burnam [Typed notes and letter]. Rudolf Laban Papers (Box 36, Folder 29). National Resource Centre for Dance, University of Surrey, Guildford, UK.Carpenter, W. M. & Laban, R. [ca. 1953]. Conflict and harmony of man and woman [Draft 1]. Unpublished manuscript, Rudolf Laban Papers (Box 36, Folder 41 & 45). National Resource Centre for Dance, University of Surrey, Guildford, UK.Goodill, S. W. (2005). An introduction to medical dance/movement therapy. Philadelphia, PA: Jessica Kingsley Publishers.Hodgson, J. (2001). Mastering movement: The life and work of Rudolf Laban. New York, NY: Routledge.

resourcesLaban, R. (1988). The mastery of movement (4th ed., rev.). Plymouth, England: Northcote House Publishers Ltd.Laban, R. (n.d. a). Expression of emotions and moods analysed in terms of space-melody cum rhythm (effort) [Typed manuscript and notes]. Rudolf Laban Papers (Box 28, Folder 21). National Resource Centre for Dance, University of Surrey, Guildford, UK.Laban, R. (n.d. b). The psychology of action [Typed manuscript]. Rudolf Laban Papers (Box 41, Folder 20). National Resource Centre for Dance, University of Surrey, Guildford, UK.Laban, R. & Lawrence, F. C. (1974). Effort: Economy in body movement (2nd ed.). Boston, MA: PLAYS, Inc.Maletic, V. (2005). Dance dynamics: Effort & phrasing. Columbus, OH: Grade A Notes.

ResourcesMeekums, B. (2007). Spontaneous symbolism in clinical supervision: Moving beyond logic. Body, Movement, and Dance in Psychotherapy, 2(2), 95-107. doi:10.1080/17432970701374494Moore, C.-L. (2009). The harmonic structure of movement, music, and dance according to Rudolf Laban: An examination of his unpublished writings and drawings. Lewiston, NY: The Edwin Mellen Press.Moore, C.-L. & Yamamoto, K. (1988). Beyond words: Movement observation and analysis. New York, NY: Routledge.North, M. (1975). Personality assessment through movement. London, England: Plays, Inc.

Characteristics DrivesDRIVEAction-SpellSpell-ActionPassion-VisionVision-PassionAction-PassionPassion-ActionSpell-VisionVision-SpellAction-VisionVision-ActionPassion-SpellSpell-Passion

Conscious & UnconsciousPractical &Spell-likeSpell-like & PracticalPassionate and VisionaryVisionary and PassionatePractical & PassionatePassionate & PracticalSpell-like & VisionaryVisionary & Spell-likeSpace & Time; Thought & IntuitionTime & Space; Intuition & ThoughtFlow & Weight; Feeling & SensationWeight & Flow; Sensation & Feeling

PRIMARYControlledCharacteristicsSpace & Weight;Thought & SensationWeight & Space; Sensation & ThoughtFlow & Time; Feeling & IntuitionTime & Flow; Intuition & FeelingWeight & Time; Sensation & IntuitionTime & Weight; Intuition & SensationSpace & Flow; Thought & FeelingFlow & Space; Feeling & ThoughtWeight & Flow; Sensation and FeelingFlow & Weight; Feeling & SensationTime & Space; Intuition & ThoughtSpace & Time; Thought & Intuition

SECONDARYLess ControlledCharacteristicsTime & Flow;Intuition & FeelingFlow & Time; Feeling & IntuitionWeight & Space; Sensation & ThoughtSpace & Weight; Thought & SensationSpace & Flow; Thought & FeelingFlow & Space; Feeling & ThoughtWeight & Time; Sensation & IntuitionTime & Weight; Intuition & SensationWeight & Flow;Sensation & FeelingFlow & Weight;Feeling & SensationTime & Space;Intuition & ThoughtSpace & Time;Thought & Intuition

Effort Graph

TYPESExecutivesManagersOrganizersOperativesTeachersNursesTechniciansDomestic helpInstrumentalistsProphetsEducatorsInventorsResearchers(intuitive)DiscoverersLawyersBrokersPeasantsAgriculturalWarriorsGamblersPoliticiansEconomistsIdealistsReformers

DoctorsArbitratorsScientists (thinking)PriestsMediatorsExplorersRulers of PeopleActorsArtistsComposers

ASSETSReliableRealisticPractical workersInspiredDiffusedAltruisticFeelingWideOriginalCreativenessReliable -coldWarm Consent or DislikeRejectionWarm strong solidarityAltruisticWide solidarityImaginativeEnthusiasticOrganizedExact thoughtIndependentReconciliationRadiant Influence--OverpoweringResolveSensitiveSympathetic

FRUSTRATIONSLack of loyalty to feeling of solidarity in relationshipsDiffusion of feelingsExaggerated independence matyrdomCentered exaggerated receptivenessEgocentricCold Narrow? MaterialisticBrutality ruthlessnessEcocentric.Remote.Hesitant.Lack of humanity & UnderstandingLack of RadiancyBlindDreamingImpracticalFrustrated business capacity.InexactLack of Reality.

CONFLICTS IN CHARACTERExerting domination or reacting with surrenderDominating with exertion or relaxing in re-actionSpreading a positive idea or ignoring and unsolved problemPositively constructive or negatively destructiveExerting constructively or re-acting destructivelyConstructive exertions or destructive reactionsDominating with a positive idea or surrendering before an unsolved problemDominated by a positive idea or Defeated by an unsolved problem.Driving forward a positive idea or Retreating before an unsolved problemDriven forward by a positive idea o Backward by an unsolved problemConstructivelyDominatingOrDestructively SurrenderingDominating Constructions orSurrendering Destructions

PrevailingInner AttitudeSTABLECenteredMOBILEDiffused conscious or sub-conscious feelingNEAR warm solidarityREMOTECold egocentricity or altruismBRIGHTExactnessDREAMOscillation between Darkness & Radiancy

Rudolf Laban & W.M.C [William M. Carpenter]Oct. 1953.