McAninch Arts Centerat College of DuPage

presents

Moscow Festival Ballet:CinderellaFull-Length Ballet in Two Acts

Sergei Radchenko, Artistic Director

Music: Sergei ProkofievLibretto: Nicolai Volkov

Choreography by Rostislav ZakharovStage version by Elena Radchenko

Sets and Costumes: Elizaveta DvorkinaLighting: Marina Borodina

Sunday, Jan. 14, 2018Belushi Performance Hall, 2 and 6 p.m.

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PROGRAM NOTESACT 1

Scene 1: Cinderella’s HouseIn Cinderella’s father’s house, Cinderella is sitting by the fire and then cleans the dishes. Her stepmother instructs her daughters to sew her a scarf and then leaves. Sisters begin to fray and tear the fabric for a scarf. They blame the incident on Cinderella. The stepmother has a fit, and it stops with the appearance of the royal dancing-master. He presents an invitation to the ball and tries to teach ballroom dancing to the nasty sisters. Cinderella’s stepmother fights over the scarf and then they all depart for the ball without Cinderella. Cinderella is left alone and has sad dreams of the royal ball. Suddenly the room is filled with light, and in front of Cinderella, a Fairy appears—her godmother, surrounded by the Fairies of the four seasons. She will fulfill the desire of Cinderella to go to the ball and gives her a beautiful dress and shoes. She warns Cinderella that she must return by midnight. When the clock strikes midnight, her dress will turn into pitiful rags. Happy Cinderella, not believing her luck, goes to the ball surrounded by the entourage of the Fairies of the four seasons.

Scene 2: Ball in the Royal PalaceThe royal palace is filled with guests and ladies and gentlemen dancing. The young prince also dances and talks with guests. Then appears the stepmother, who wants to marry off her stepdaughters to the prince. The prince and guests wonder, watching their ridiculous behavior. Suddenly the room is radiant with Cinderella and her beautiful dress. The enchanted prince cannot take his eyes off her. He invites the beautiful stranger to dance and Cinderella and the prince dance oblivious to anyone around them. But suddenly we hear the chimes of midnight! Cinderella has forgotten about it! She runs away and loses her slipper. The prince runs after her, but only finds her slipper.

INTERMISSION

ACT 2

Scene 3: The Royal PalaceThe prince is desperate. He wants to find the beautiful girl that ran off leaving her slipper. Many beautiful women from different countries and parts of the world come to claim they left the slipper behind, but no one who tries fits the slipper. The prince then goes in search of the beautiful stranger.

Scene 4: Cinderella’s HouseCinderella recalls how she and the prince were dancing at the palace. The sisters brag in front of her with impressions of the ball. The silly sisters again grapple, figuring out which of them is better than the other. They try to calm their stepmother. Then suddenly there are sounds of a fanfare. The prince and his entourage enter the house. Sadly, he has to try the slipper on all the sisters. Of course it is too small and does not fit them. The prince goes to leave, but the stepmother takes the slipper and tries to put it on Cinderella, who can no longer look at the frenzy the stepmother and her sisters are causing and drops the second slipper. All the people are surprised to look at the dirty and poorly dressed girl. Then the Fairy godmother appears and tells everyone to leave the room. The prince immediately recognizes her as the beautiful stranger in a shining dress. They dance together.

Scene 5: The Royal PalaceThe Fairy godmother appears again and returns Cinderella’s beautiful costume. The lovers find each other and holding hands, they go forward in happiness and love.

PROFILESThe Moscow Festival Ballet was founded in 1989 when legendary principal dancer of the Bolshoi Ballet, Sergei Radchenko, sought to realize his vision of a company that would bring together the highest classical elements of the great Bolshoi and Kirov Ballet companies in an independent new company within the framework of Russian classic ballet. Leading dancers from across Russia have forged under Radchenko’s direction an exciting new company staging new productions of timeless classics such as Giselle, Don Quixote, Paquita and Carmen. Since its inception, the Moscow Festival Ballet has completed two tours of Europe, with extraordinary receptions in Italy, France, Spain, Germany and The Netherlands. Two tours of the United Kingdom, including capacity audiences at London’s famed Coliseum, have resulted in reengagements during the 1995–96, 1996–97, 1997–98, 1998–99 and 1999–2000 seasons. The company has also performed with great success in Turkey at the Istanbul Festival and in Greece at the Athens Festival, and recently completed a two-month tour of Japan, Korea, Singapore and Hong Kong.

Under the direction of Radchenko, the Moscow Festival Ballet continues to expand its repertoire. In addition to commissioning new works from within Russia and abroad, the company specializes in 20th century full-length ballets such as Cinderella, Romeo and Juliet, Legend of Love, Stone Flower and The Golden Age. Radchenko has researched the original choreography and stage productions of several of Marius Petipa’s classic ballets, including new productions in the year 2000 of Don Quixote and Paquita, and a recreation of Jules Perrot’s and Jean Coralli’s Giselle. The Moscow Festival Ballet has toured extensively throughout the United States, beginning with a coast-to-coast tour in the winter/spring of 1997 and returning in 2001, 2004, 2007 and 2010.

Sergei Radchenko (Artistic Director) was born in 1944, graduated from the Moscow School of Dance in 1964 and joined the Bolshoi Ballet, where he worked for 25 years. He danced the entire repertoire at the Bolshoi, but enjoyed a special reputation for Spanish dance, particularly the role of the bullfighter in the Bizet-Schedrin Carmen Suite. He is the founder and artistic director of the Moscow Festival Ballet and has achieved a remarkable feat in the establishment and development of this young-but-great Russian ballet company. Radchenko presents a large number of master-classes, inviting leading teachers from the Bolshoi and Mariinsky theatres to ensure the continuation of the rich traditions of the Russian classical school.

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WHERECULTURE ANDCOMMUNITY CONNECT

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AUG. 24 - SEPT. 29, 2017Leslie BaumOpening Reception: Aug. 27, 1-3p

OCT. 12 - NOV. 18, 2017Luftwerk: Color CodeOpening Reception: Oct.21, 6-8p

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MAC Administrative StaffDirector of the McAninch Arts Center ....................................................................................... Diana MartinezMarketing and Donor Relations Coordinator ................................................................................Roland RaffelBusiness Manager ...................................................................................................................Ellen McGowanCleve Carney Art Gallery Curator ................................................................................................... Justin WitteEducation and Community Engagement Coordinator ..................................................................Janey SartherDirector of Development for Cultural Arts ................................................................................... Janie OldfieldGroup and Rental Sales Coordinator ...................................................................................... Melissa MercadoAdministrative Assistant ............................................................................................................ Mandy RakowAssistant to the Business Manager ........................................................................................... Molly JunokasClerical Assistants ...................................................................................................Tony Eyer, Karen Robinson

MAC Box Office and Front of House StaffBox Office Manager ........................................................................................................................Julie ElgesAssistant Box Office Manager ............................................................................................... Jennifer BerosekBox Office Assistants .................................................. Rachel Krusec, Mary Ellen Schaefer, Gretchen WoodleyPatron Service Manager ................................................................................................................Tom MurrayFront of House Manager ................................................................................................................ Rob NardiniFront of House Assistant ........................................................................................................ James Holbrook

MAC Resident Professional EnsembleBuffalo Theatre Ensemble, Artistic Director .................................................................Connie Canaday HowardBuffalo Theatre Ensemble, Associate Artistic Director ................................................................ Amelia BarrettBuffalo Theatre Ensemble, Business Manager .............................................................................. Bryan BurkeNew Philharmonic, Conductor and Music Director ...................................................................... Kirk MusprattNew Philharmonic Manager ........................................................................................................ Paula Cebula

MAC Design and Technical StaffTechnical Production Coordinator ......................................................................................................Jon GanttTechnical Director ................................................................................................................. Michael W. MoonCostume and Make-up Design Coordinator .........................................................................Kimberly G. MorrisProduction Manager...................................................................................................................... Joe HopperAssistant Production Managers ................................................... Ben Johnson, Elias Morales, Sabrina ZeidlerSound and Equipment Manager ....................................................................................................... Bob Murr Stage Hand ................................................................................................................................. Bobby Bryan

HOUSE NOTES• Mailing List: If this is your first visit to the McAninch

Arts Center, please stop by our Box Office to add your name to our mailing list or register your email at www.AtTheMAC.org.

• Cameras and recording devices are not allowed in the theater and are prohibited by our contracts with the artists.

• Smoking is not permitted in the theater or on campus.• For your comfort and security, all backpacks and

large bags must be checked.• Electronic pagers and patrons’ seat locations should

be given to the House Manager, who will notify you in the event of a call. Patrons wearing wristwatch alarms or carrying cellular phones are respectfully requested to turn them off while in the theater.

• Emergency phone number at College of DuPage Police Department for after-hour calls is (630) 942-2000.

• Latecomers seated at discretion of the House Manager.

• Groups of 10 or more may contact Melissa Mercado at (630) 942-3026 or meisch-mercadom@cod.edu to arrange for group discounts.

• If you notice a spill in the theater, please notify an usher.• McAninch Arts Center volunteers are people

who assist the house staff in areas of ticket taking, ushering and general management during performances. To get involved, call (630) 942-4000.

• For Americans With Disabilities Act accommodations, call (630) 942-2141 (voice) or (630) 858-9692 (TDD).

• Infrared Assistive Listening Devices: For audience members who desire audio amplification of performances, headsets with individual volume controls are now available. You may check out the headsets at the Ticket Office with a credit card or driver’s license. Underwritten by a generous gift from The Knowles Foundation.