morocco bound to hindi cinema

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    Finished with those gaudy and strange movies in India

    named the masala films (1) ,New Indian cinema lightens

    the world with its beautiful stars and show-business

    and even locally Moroccan bollyphiles are continuously

    becoming more Hindi fans than ever, writes ALLAL

    EL ALAOUI .

    Arrived at the Golden hotel which faces a rising millinum town of Morocco

    called Sal(2), Bina Paul a south Indian woman of Kerala, which is a magical

    place in Asia said to me why Sal film festival has not chosen an Indian film

    for competition this year 2006. Bina Paul is an artistic director and member of

    Kerala International film festival in the south of india . She came to Sal to

    become a member of jury of the international women film festival .

    Sal was famous of her cinema theatres such as Collis, El Malaki and opera .

    Although some of them were used as cinclubs in the seventies especially the

    Opera theatre for cultural reasons and also for the promotion of cinema and

    cinemagoers ,animated by Nour Eddine Sail himself (3) , other cinemas just

    could not resist to project Indian movies just like Dosti and Mother India By

    Mahoob . Just after independence named proudly, the goden age,Hindi films

    were dubbed into Moroccan slang(Arabic) by local pioneer artists namely

    Ibrahim Essaih (4) , Hamidoo ; Said Bachir and others.

    Ibrahim Essaih was right to dubb indian movies that time, because the

    majority of the Moroccans were analphabets . Local Rabat intellectuals keep

    making pressure on Moroccan governement to increase the budget for cultural

    purpuses.Yet,movies were nationally done in a shy manner, 2 films per year

    until the recent fund policy,which CCM, the national center of cinema has

    made ;14 to 30 fims per year.

    Hindi cinema has been a major point of reference for

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    Indian culture in this century. It has shaped and

    expressed the changing scenarios of modern India to an

    extent that no preceding art form could ever achieve.

    Hindi cinema has influenced the way in which peopleperceive various aspects of their own lives. With one

    mighty leap, Bollywood has gone from melodrama to

    youthful reality, reports Kevin Maher,The Times

    journalist In England.It is true that filmmakers in India

    have been plagiaristic to the extent that even Hollywood

    would remake Munnabhai MBBS and becomes GangstaMD ;an American movie by Chris Tucker. The seven

    Samurai by Akira kurasawa became Sholay in 1975 by

    Bollywood legend Ramesh Sippy .

    Thanks to Ismail Noormohamed Abdul-Rehman , known

    as Ismail Merchant, indian cinema becomes worldwildand because of his great talent as a producer and

    director , every good actor in the west would love to

    work with him . This man sells dreams of elegance and

    beauty, of dignity and propriety, of literate splendour

    and intellectual stature and above all, of traditional

    reverence and venerable taste,Lubna aziz writes on AlAhram weekly.This seems contrary to the thoughts of

    Moulay Driss Jaiidi ,a local cinema critic who states that

    Hindi movies have bad taste on Moroccan cinemagoers .

    Unlike CIFF , Cairo International film festival and

    carthage film festival , FIFM,the International film

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    festival in Marrakesh, focuses only on European and

    American cinema and badly to Asiatic films , It is time

    that Grand Maghreb mainly Morocco, because of its

    arising bollyphiles who watch nearly 80 new indian filmsper year out of 350 imported films , confirmed to me by

    Kamal Mghazli, an employee of CCM, Moroccan national

    center of cinema based in Rabat spearheaded by Nour

    eddine Sail. India now is one of the largest film

    producing nations in the world, with 1,013 films in 2001

    and some 4.5 billion rupees in revenues in 2000 throughexports, films are subject to various taxes

    (entertainment tax, new taxation release tax, show tax

    and property tax).

    Interviewed with a house of film distribution , Amal

    films, a distributing house based in casablanca has

    stated that although the prevailing of CDs and DVDs ,Bollywood cinema remains poweful in consuming and

    still welcomed in Morocco and especially now television

    holding SNRT and 2M are interested to diffuse films

    such as DEVDAS , LAGAAN and VEER-ZAARA highly

    praised by international critics around the world. I dont

    know what Moulay Driss Jaiidi says about recentstatistics of Bollywood Box office made by CCM that in

    2003 Morocco imported 378 Hindi films , the number of

    fans were 3 783602 and ticket revenues were

    36101026. Although CCM confirms that these stastics

    are not fully complete , but in 2006 up to june we had

    264 Hindi films and ticket revenues were 581800.

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    Moulay Dris Jaiidi would love to see these numbers

    increasing in other cinema importations just like US

    hollywood and french cinema , but at least we could behonest and realistic to the Moroccan Bollyphiles.

    Sometimes ships dont head for the direction it wants ,

    even in America and very often, Oscar nominees and

    winners are selected on the basis of considerations

    other than strictly artistic merit. This means, goodcinema suffers, writes Gataman Bhaskaran. Prabably we

    wont see any Hindu film being selected on competition

    this year in Marrakech 2006 just because there are still

    some constipated mentalities that favor American and

    Eureopean films than any good indian films . FIFM,

    bureau de la fondation (5) should think this matterseriously about Bollywood cinema because apparently

    the cinemagoers and producers already think of

    Morocco as a magical place to shoot future films instead

    of making them in Swisland .This European country

    makes heavy taxes on commecials films favored by the

    legendary producer Mukesh Bhatt (6) . Besides, Moroccois still open to all Indian producers to work by showing

    easy policy to show-business .CCM has now two

    recorded clips ,one is NAACH produced by Varma

    corporation limited,shot around Tangiers,

    Marrakesh,Agadir ,Essaouira and the second is HALKI

    NEEND/SARU produced by Corner pocket films ,shot in

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    Marrakesh ans Essaouira .

    Quentin taratino and Micheal moore , famous and

    respected filmmakers in America ,encourage to piratetheir films, unlike Amitabh Bachchan, a mega-star and

    ambassador of IIFA ; international indian film academy ,

    disagrees about hacking films and resumes that this

    matter becomes a major problem and it is difficult to

    solve . thanks to Free market and Internet, cinephiles

    now enjoy to have millions of good films with goodquality at home including the Indian ones.However, CCM

    locally keeps an eye on outlaw CD and DVD dealers

    Derb Rallef (7) in casablanca and swika(8) in Rabat ,and

    recently CCM Have ceised 400,000 CDS and DVDS

    containing all new hacked genres of International

    cinema including Bollywood films. CCM intends to fightagainst films hackers and hopefully cinema theatres will

    be open again.

    Sal itself suffers a lot of cinema theatres being closed

    including Dawliz complexes (9) owned by a Moroccan

    filmmaker,Souhail Ben Barka. Now, in Sal there is onlyone cinema open , found in a popular ghetto called EL

    WAD (10) . This cinema theatre is called Hollywwod and

    ironically accepts only bollywood movies.

    Sal women festival was unlucky this year to have an

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    indian film in competition but it could have thought only

    one of those three womenish films that deal with

    modern feminism in India traditions namely Mohra

    1994, Mother India, made in 1957 by Mehboob and MirchMasala, made in 1989 by Ketan Mehta. Unlike Amitath

    Bachan who works on commercial films Jaya Bachchan,

    his wife ,participates only in serious films ; starring in

    Satyajit Ray's Mahanagar (The Big City 1963), who is

    influenced by Neo-realism cinema Pather Panchali

    .This type of cinema is called art films in India which ismore stylish treating human conditions, and is similar

    to the cinema dauteur in Europe. No doubt that Nair

    Mair a filmmaker installed in America , famous of her ,

    Salaam Mumbay and now with her latest film

    Namesake wakes up America and Europe to recognize

    the potential of Indian cinema.

    Indian Cinema has always been loved by Moroccan

    cinemagoers and bollyphiles and even since its early

    start with legendary Dhundiraj Govind Phalke (1870 -

    1944) affectionately called Dadasaheb Phalke is

    considered as the 'father of Indian Cinema'. Central inPhalke's career as a filmmaker was his fervent belief in

    the nationalistic philosophy of swadeshi, which

    advocated that Indians should take charge of their own

    economy in the perspective of future Independence.This

    was confirmed to me by the most respected filmmaker

    Yash Shopra who was in Marrakech in 2005 with his

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    wife, Pamela Chopra . Going around Marrakeshi souks

    and suburbs especially the Jamaa el Fna (11) square,

    Yash shopra said how amazed and astonished he was by

    the Moroccan people and its traditions that really has

    great affinity with the ones in India. Both India and

    Pakistan Should be grateful for the symbolic union that

    gathers these two countries through VEERZAARA By

    Yash Shopra.It is an outstanding drama which tries to

    break the barriers separating two lovers, Veer Patra

    Sing (Shahrukh kan) and a Pakistani woman , ZarraHayaat Khan (Preity Zinta). When he projected his film

    at Berlin film festival, Yash Shopra was scared that the

    people would not understand the story , However ,at the

    end of the film, he saw people crying. The presence of

    Aishwarya Rai in Marrakesh , a former Miss World and

    Bollywoods first genuine cross-over icon, , lightenedMarrakech with her beauty and let all Marrakeshi young

    men eyes wild open. These artists are well honored by

    the Moroccan people and FIFM,the international film

    festival in Marrakesh. Morrocco now became known in

    Mumbay and the majority of Bollywood stars would love

    to come to this country.

    Not far from Agadir, Las Palmas , a spanish litttle

    island, is overcrowded with indians and enjoyed the

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    double culture there. Indians have immigrated to every

    corner of the globe with contingencies in South Africa,

    the Gulf countries, Singapore, Australia, New Zealand,

    US, Canada apart from the UK. Wherever the Indians go,their films and their food go with them. With curry and

    chutney now international favourite foods, it was

    inevitable that their exotic films, their melodies, the

    romantic strains of their sitar, the striking beauty of

    their leading ladies and the dark and daring magnetism

    of their dashing heroes would eventually reach thehearts of the West despite all of Rudyard Kipling's

    poetic protests, reports Lubna Abdel Aziz, from Cairo Al

    Ahram weekly . Of course, he did not know then the

    strength and might of the Seventh Art, which proved to

    be the best meeting ground for East, West, North and

    South.

    Many critics in Morocco would immeditaly judged Indian

    cinema as an emotional cinema which only seeks

    imposssible love, and therefore damages the taste with

    its chosen six songs and pharonic scenes and yet

    praised and admired by others just like Razak, a Hindufan and film critic who is illuminated by its new wave ,

    indepentent anti-studio cinema , pioneered by Madhur

    Bhandarkar .Razak continiously makes local cinephiles

    more aware about Indian cinema using his power as a

    wonderful plume .He writes how exquisite , beautiful

    and magnificanctly arising and yet glorifying world wild

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    Hindi cinema is.He also predicted in his RABAT EXPRESS

    newspaper that BLACK of Sanjay Leela Bhansali with

    Amitabh Bachchan and Rani Mukherjee as best actor and

    actresse ,would win an Oscar in Dubai during IIFA filmfestival this year 2006.His prophecy became true in the

    United Arab of Emirates last june during IIFA ceremony

    in Dubai. By the way, the Arab world is also fascinated

    by this genre of Cinema .Whenever you go, Bollywood

    movies prevail in popular theatres, for example

    ,Cairo,casablanca and Dubai cinemas are full withbollywood fans, and you can hardly find your ticket. Now

    resoursefully, people in Mumbay listen carefully to

    European cinephiles who admire latest of Sanjay Leela

    Bhansali BLACK because simply of its new style

    without using songs and exotic scenes.

    Ideas like creating an agency that deals only with

    Bollywood films and Wizcraft artistic communications

    becomes a wish not only for Razak , Ahmed

    Sijilmassi but also for Abdelillah Al Jawhari and Allal El

    Alaoui (12) . Those tink-tanks see that it is time to sit

    down, and dicuss continuous meeetings where filmdistributers, producers and fimmakers tackle

    mechanism and the future of Indian cinema.

    Since the The first film in Southern India was made in

    1916 by R Nataraja Mudaliar- Keechaka Vadham, the

    hindu wish to impose their style of making cinema .

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    Now thanks to wizcraft agency, Indias first and premier

    event management and entertainment agency,

    pioneered by Wiz Andre Timmins , Wiz Viraf Sarkari ,

    Wiz Sabbas Joseph . These men are giving power to IIFAto become more world class ceremony.

    - 2000 : London,United Kingdom.

    - 2001 : Sun City,South Africa.

    - 2002 :Genting Highlands, Malaysia.

    - 2003 :Johannsbourg,South Africa.- 2004 :Songapore.

    - 2005 :Amsterdam,The Netherlands.

    - 2006 :Dubai,UAE.

    -

    Morocco has,alas, missed this year 2006 appointement,

    but rumours say that 2008 IIFA awards will be onehundred per cent Moroccan . This pushes Yorkshire to

    swiftly call for IIFA festival to be held in its land.So,

    Lata Mangeshkar, a Guiness record holder, Mukesh,

    Mahmood Rafi and Kishore, will sing Godlike lyrics to

    beautify British souls . Yorkshire lads and birds

    including five millions Asians would enjoy beautifulmovies when they would put the kettle on.

    Yorkshire then hosts IIFA , the international Indian film

    academy awards , oscar-style and is backed by brillant

    staff of Yorkshire tourist Board whose chairman is Judith

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    Donovan including members of YTB such as Sir Thomas

    Ingilby , Colin Brown , Zulfi Karim, Cllr. Carl Les and

    others .They already mise-en scene the platform of

    the seventh edition festival already called Love atfirst sight.

    Surely the seventh edition of the IIFA festival will shake

    cinema lovers and bollyphiles around the globe

    especially Yorkshire plays the leading cultural link

    between the fiveth continent. Stratford -upon - evenwhere William shakespeare is born ; a few kilometres

    from quintessential Yorkshire towns where the festival

    will be held , Richmond Old theatre eighteen century

    and the glittering town Leeds ,these local cultual

    treasures of Yorkshire will be seen and honored.

    Famous personality & Celebrities will invade British

    Islands mainly Amitah Bachan,Karishma Kapoor, Aamir

    Khan, Kajol, Madhuri Dixit and Shah Ruhk Khan who

    reports on himself I have created a myth. Sometimes I

    think of myself in the third person Im the Shah Rukh

    Khan now. Hes a brand of his own. Its not me anymore. Now a myth is created. This is what my films have

    created. That myth can be called King Khan. Yorkshire

    expects millions and millions of tourists from around

    the world. The event is expected to boost tourism

    income across the region by nearly 10 million pounds.

    The inaugural IIFA awards event was held at London's

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    Millennium Dome in 2000. The summer of 2007 is also

    expected to attract nearly 30,000 people from Europe,

    India, southeast Asia and the US, and signifies the

    exalted status the Indian film industry has attained inBritain.

    FIFM bureau de la fondation, CCM (13) and house

    distibution in Morocco should consider and give

    importance and value to Hindi cinema and especially

    the taste of passionate Moroccan people who just lovethis cinema. In academic circles here, LA Times (14)

    reports that Indian films are no longer seen as quaint,

    gaudy and oriental items, but a resilient cultural

    powerhouse in the subcontinent that challenges the

    near-global domination of Hollywood films.

    Muqtedar Khan (15) writes that India is already well

    situated to become a major economic and cultural power

    worldwide. Indian culture, through the popularity of

    Indian cinema, is already giving India the kind of "soft

    power" that only America enjoys worldwide.

    Bina paul will never forget Sal and its traditions . With

    her digital camera , she took pitures of women tatooing

    their hands with El Hana, a spiritual herb also used in

    India for the same purpose.She carefully took notes of

    those women making their spiritual journeys to

    Marabouts (16) . This reminds Bina of her people doing

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    the same pilgrimage not of course to Marabouts, but to

    cinema theatres where they expect good endings

    eternel heroes , widows and homeless children.

    Coming out from El Madrassa al Bouanania (17), bina paul

    amazed by its marvellous Islamic frisks , remembered

    her colleague filmmaker Adoor Gopalakrishnan from

    Kerala saying that India has always been an immence

    bazar of images .

    ALLAL EL ALAOUI

    Zhor idrissi : secretariat.

    International women cinema in sal.

    Centre national de la cinematographie.

    www.CCM.ma.

    Noureddine sail ( CCM ).

    Kamal Mghazli ( CCM ).

    Ahmed Araib ( CCM ).

    Razak ,( rabat express).

    Al ahram weekly .

    Lubna aziz from al ahram weekly.

    Le monde diplomatique.

    The times, UK.

    LA TIMES.

    1- the masala films : The 1970s saw the advent of the

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    multi-generic entertainment extravaganza replete

    with dramatic dialogue and spectacular song and

    dance sequences.

    2- SAL : A millinuim town in Morocco .3- Nour Eddine Sail is a Moroccan thinker and cinema critic and head

    of the main cinema institution of cinema called CCM.

    4- Ibrahim Essaih is a Moroccan Indian film dubber . He was the

    pioneer of dubbing Hindi films after the independence.

    5- FIFM bureau de la fondation is an institution in

    Morocco that organizes International film festival.6- Mukesh Bhatt is film producer in India.

    7- Derb Rallef is a popular market in casablanca where

    one can find any goods.

    8- Swika is a popular market in Rabat .

    9- Dawliz complexe is a Place of entertainement,

    restaurants and luxuary cinemas in Sal .

    10- EL Wad : a dangerous Ghetto in the north of Sal .

    11- Jamaa el Fna square : one of the most famous

    entertainemnt souk in Marrakesh ( see UNESCO) .

    12- Razak, Ahmed Sijilmassi, Al Jawhari and Allal El

    Alaoui; Cinphiles and intellectuals ,on line free-writers

    and especially Indian movie fans and critics .

    13- CCM is a national institution of cinema that is

    strictly administratif dealing with distribution ,

    Film visas , festivals and co-ordinations

    14- LA Times : Los Angels Journal in America .

    15- Dr.Muqtedar Khan is an Assistant Professor

    in the Department of Political Science and

    International Relations at the University of

    http://www.udel.edu/poscir/index.htmlhttp://www.udel.edu/poscir/index.htmlhttp://www.udel.edu/http://www.udel.edu/http://www.udel.edu/poscir/index.htmlhttp://www.udel.edu/poscir/index.html
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    Delaware.

    16- Marabout is a spiritual leader or saint in

    Morocco.

    17- El Madrassa al Bouanania is an old medieval

    univeristy in Sal famous of its superb arabisque

    frisks and mosaique.

    http://www.udel.edu/http://www.udel.edu/