monumental ambivalence: the politics of heritage by lisa breglia
TRANSCRIPT
on the use of cacao in ceremonial contexts.
Simon Martin’s contribution plus that of
Terrence Kaufman and John Justeson
(chapter 6) reveal how important the de-
cipherment of ancient texts has become in
understanding the ancient Maya and their
neighbors. David Stuart’s excellent ‘‘The
Language of Chocolate: References to Ca-
cao on Classic Maya Drinking Vessels,’’
puts the history of decipherment into his-
torical context while demonstrating what
it has done to help decode cultural behav-
iors from the archaeological evidence. Also
important in Stuart’s paper is the infor-
mation on regional differences in the ways
that writing are used in the Maya area, and
what it reveals about varieties of use for
Theobroma.
The standard of editorial work in this
volume is quite high, but not all papers are
equally well written. A few elements, such as
the ‘‘Note on Orthography’’ (27), might
have been better handled and located more
strategically. In a few cases, such as in Stuart’s
paper, the excellent illustrations need further
clarification for the nonlinguist. Stuart’s
brief listing of labels found on Maya ceram-
ics (p. 193: table 9.1) would benefit from the
addition of a column noting where these in-
dividual items are found. Perhaps a more
complete listing is forthcoming, but no ref-
erence is provided to any planned manu-
script. In short, this reviewer wants to know
more about this topic, as well as almost every
other area covered in this collection that is
not covered in excruciatingly fine detail else-
where. Almost unavoidable in a 21-paper
collection focusing on a single subject is the
repetition of some basic information
from paper to paper. Certainly, the average
reader will appreciate having each paper
placed in context. And readers will no doubt
savor each entry in this compendium, with or
without a cup of the eponymous beverage.
Readers also will note that a paperback edi-
tion of Allen M. Young’s 1994 The Chocolate
Tree: A Natural History of Chocolate has just
been issued (2007), also by The University
Press of Florida. This joins Basil D. G. Bart-
ley’s (2005) The Genetic Diversity of Cacao
and Its Utilization. A second edition of The
True History of Chocolate (S. D. and M. D.
Coe, 1996) has just emerged (2007). While
The True History offers a long and enjoyable
‘‘drink’’ of my favorite beverage, the wonder-
ful collection of papers in McNeil’s extraor-
dinary volume reminds me of the classic
14th edition of the Encyclopedia Britannica.
McNeil’s Chocolate provides satisfyingly
all-inclusive texts written by the foremost
scholars in the field. She has generated a
comprehensive overview with chapters that
will stand as the last word far into the future.
This volume’s integrative elegance makes it
required reading for anyone interested in any
aspect of Mesoamerica, and a must for every
scholar’s library and every college and uni-
versity collection.
Monumental Ambivalence: The Politics
of Heritage. Lisa Breglia. Austin: Univer-
sity of Texas Press, 2006. 242 pp.
Peter Benson
Washington University in St. Louis
Monumental Ambivalence is an insightful,
well-crafted ethnography of the politics
of heritage and cultural patrimony in
contemporary Mexico. Its readerly prose
and engagement with power and history
makes it of interest to scholars working
on cultural property, indigenous identity,
and historical preservation in other parts
of the world. The book is appropriate
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for classes of all levels in anthropology, ar-
chaeology, and Latin American studies.
But given its rich analysis of the manage-
ment, construction, and marketization
of national pasts, this work will also be in-
dispensable to advanced scholars working
on heritage preservation, nationalism, and
neoliberalism.
The setting is the Yucatan Peninsula,
and more specifically, the well-known ar-
chaeological site of Chichen Itza, the les-
ser-known site of Chunchucmil, and the
communities surrounding each. Such
places are usually approached as objects
of scientific inquiry, properties of nation-
states, or tourist stomping grounds. Yet
Breglia is interested in how archaeological
sites and scientific or historical knowledge
unearthed through excavation and/or
preservation are saturated with power re-
lations and linked to nationalist ideolo-
gies. Drawing on multisited ethnography
and a careful analysis of how heritage
is constructed and contested on various
levels, Breglia tracks interactions among
international organizations, national
agencies in Mexico, academic and profes-
sional researchers (e.g., archaeologists),
and populations residing within the land-
scape of ruins.
Breglia came to realize during field-
work that ‘‘workaday definitions of ‘heri-
tage’ or ‘patrimony’ simply cannot
account for the variety and contradiction
evident in how local residents, state offi-
cials, archaeologists, and others used (and
abused) heritage on the ground’’ (8). She
thus documents how ‘‘ambivalence’’ about
heritage’s meanings and values is evident
in competing claims about who the land
belongs to and what ought to be done with
ruins. Breglia examines the micropolitics
of site workers’ and community residents’
engagements with tourism, science, and
the state. These local people are often
ambivalent as to whether ruins represent
national patrimony or communities’ us-
ufruct-based land inheritance. This illus-
trates how tourism development meets
with mixed responses. Yet Breglia compli-
cates the notion that communities simply
reject univocal state ideologies of heritage.
She finds residents and workers fashioning
patrimonial claims based on ideas already
present within what is, in fact, a multiva-
lent sphere of heritage objects, practices,
and procedures. Various actors, from
bureaucrats to site custodians to Maya
farmers, register claims to suit particular
purposes. Such ambivalence does not ad-
here in ruins themselves ‘‘but rather in the
historical interplay between the territorial
assertions of the nation over its patrimo-
nial resources and the interventions of pri-
vate interests seeking to benefit from those
same resources’’ (7). Importantly, this
work challenges a romantic idea that
Mayas identify with the past in a facile
way. It portrays instead agentive commu-
nities interacting in sophisticated ways
with science and state projects.
This book adds to a growing literature
on the webs of power in which archaeo-
logical institutions and practices are
imbricated, as well as the ways popular
education and entertainment may be
informed by archeological science (e.g.,
Nadia Abu el-Haj’s Facts on the Ground:
Archeological Practice and Territorial
Self-Fashioning in Israeli Society and
especially, given the overlapping ethno-
graphic focus, Quetzil Castaneda’s In the
Museum of Maya Culture: Touring Chichen
Itza). These push anthropological knowl-
edge farther than Breglia’s effort on a num-
ber of fronts, including more rigorous
Book Reviews 455
theorizations of archaeology’s epistemo-
logical and practical complicities with na-
tionalism, racialization, and modernity’s
master tropes. But what sets Breglia’s book
apart and defines its contribution is its fo-
cus on political–economic aspects of her-
itage, namely the question of how
neoliberal privatization affects cultural
properties.
Breglia focuses on a 1999 privatization
proposal for the reallocation of responsi-
bility for the custodianship of Mexico’s
cultural properties via the fomentation of
nongovernmental participation in their
preservation and promotion. Corpora-
tions, NGOs, and indigenous communi-
ties have increasingly entered the business
of excavation, conservation, and develop-
ment. States have decided they can no
longer afford to maintain sites. Breglia ar-
gues that patrimony’s privatization in
Mexico is symptomatic of ambivalence at
the heart of modern nationalism. In fol-
lowing a global trend to privatize cultural
properties, Breglia writes, ‘‘Mexico dem-
onstrates ambivalence toward its own mo-
dernity’’ in that the state seems to want to
maintain an older, liberal form of exclusive
possession over its resources while em-
bracing a market-logic and courting pri-
vate corporate interests (10).
One of Breglia’s important claims is
that privatization in the realm of cultural
property is not new, at least in the Yu-
catan. She traces centuries of scientific,
including anthropological, interventions
and dynamic relationships between scien-
tific research, colonial and postcolonial
states, and systems of agricultural produc-
tion. She documents multiple kinds of
privatizationFthe recent push to estab-
lish private economic enterprises and
tourism development, but also changing
patterns of property ownership and land
use evident in the historical archive. ‘‘All
these forms that privatization takes,’’ she
argues, ‘‘illustrate the competing interests
in archeological zones and at the same time
speak to the competing meanings pro-
duced by different social actors regarding
archaeological heritage’’ (15). This work
thus historicizes neoliberalism and pro-
vides a useful counterpoint to scholarship
that portrays privatization as an entirely
novel and unidirectional phenomenon.
This ambitious book charts a course
for studying contemporary transforma-
tions in the political economy of heritage
preservation. Its theoretical interventions
might have focused more specifically on
the broadscale dimensions of neoliberal-
ism rather than on the micropolitics of
labor and land use in and around archae-
ological sites. Breglia’s emphasis on dis-
cursive and strategic dimensions of the
‘‘heritage assemblage’’ often comes at
the expense of a thorough consideration
of the economic value of ancient ruins to
the Mexican government and corpora-
tions, whereas her focus on the usufruct-
based claims of local communities might
have been complimented by a fuller ac-
count of cultural meanings of heritage and
place for local populations. Nevertheless,
these are minor shortcomings, and
Breglia at times does examine the serious
social and elegiac value of ruins in local
communities. Monumental Ambivalence
is thus an excellent ethnographic investi-
gation of how ‘‘culture’’ is unearthed
and excavated by archaeologists, packaged
and sold to tourists, and secured as a
kind of private property by the state and
communities.
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