MONDAY MARCH 13

Sweelinckzaal

09:00-09:30 Adam Hanna. WWW.AUDITIONSTATS.COM: A One-Stop Resource for In-Depth Audition Statistics. Lecture.

10:00-10:30 Rui Qing Leow. MANAGING PERFORMANCE ANXIETY: Balance in the Mind and Body. Thesis presentation with lecture.

11:00-11:30 Fiona Robertson. SYNAESTHESIA AND ITS CREATIVE USES: Michael Torke’s Use of Synaesthesia for The Yellow Pages. Thesis presentation with lecture.

12:00-12:30 Sebastiaan Molenaar. THE AUDITIONING PERCUSSIONIST: A Research into the Mental and Practical Aspects that are Key to a Successful Audition. Thesis presentation with lecture.

14:15-15:00 Alejeandro García Sánchez. EXTENDED TECHNIQUES FOR TROMBONE: Analytic Case Study of Basta, by Folke Rabe. Lecture- recital.

15:30-16:15 Luis García-Escribano Tajuelo. MENDELSSOHN, ORGAN SONATA II, OP. 65: Music for Brass Quintet. Lecture-recital.

16:45-17:15 Eva Jansen. MUSIC BETWEEN HEAVEN AND HELL: Contrasts in the Depiction of Music by Hieronymus Bosch and his Contemporaries. Thesis presentation with lecture.

18:00-18:45 Julián Stiven Cárdenas Veloza. … A LA COLOMBIANA: Method for Harp Based on Colombian Folklore. Lecture-recital.

19:15-20:00 Lara Albesano. SANDRO FUGA: First Critical Edition of the String Quartet No. 7. Lecture-recital.

20:30-21:00 Ariadna Boiso Reinoso. WHEN THE SOLOIST BECOMES EDITOR: Bela Bartók’s Concerto for Viola and Orchestra. Thesis presentation with lecture.

Amsterdam Blue Note

09:15-10:00 Laura Nygren. THE GLOVELET: A New Controller for Double Bassists. Lecture-recital.

10:30-11:15 Leo Grimaudo. G. S. V.: Gesture, Sound and Visualization. Lecture- recital

11:45-12:15 José Aragón Verdugo. SUITE IBERIA: An Analysis of the Fundamental Aspects. Thesis presentation with lecture.

13:00-13:45 Josse van der Schaft. BRIDGING TRADITIONAL AND MODERN JAZZ: How Contemporary Players Improvise over Standards While Keeping the Tradition in Mind. Lecture-recital.

14:15-15:00 Augustas Baronas. ACOUSTIC DRUMS AND ELECTRONIC MUSIC: Improvisation with Live Electronics and Acoustic Drums. Lecture-recital.

15:30-16:15 Alexis Kasinos. APPLICATION OF TWO-LINE IMPROVISATION FOR JAZZ GUITAR. Lecture-recital.

16:45-17:30 Elliot Muusses. CHACARERA, ZAMBA: How to Make Jazz Based on the Rhythms of Argentine Folklore. Lecture-recital.

18:00-18:30 Jannis Wolff. FLEXIBILITY IN MUSIC: Composition in the Field of Improvised Music. Thesis presentation with lecture.

19:00-19:45 Bernhard Hollinger. THE DARK SIDE OF BASS: Tradition and Technological Development in the Work of Thundercat, Mike Bendy and Mono Neon. Lecture-recital.

Room 7.38

10:00-10:30 Vicente Beltrán Plumed. FRENCH BASSOON IN NINETEENTH- CENTURY ARAGÓN. Thesis presentation with lecture.

TUESDAY MARCH 14

Sweelinckzaal

09:15-10:00 Nelson Ogliastri Larea. FANTASTIC MUSIC: Danny Elfman’s Work for The Nightmare Before Christmas. Lecture and video presentation. 10:30-11:00 Sherezade Jurado Navarro. BUILDING A MUSICAL PERFORMANCE: From Psychological to Physical Aspects. Thesis presentation with lecture.

11:30-12:00 Veerle Schutjens. CELLO STUDENTS WITH INJURIES: A Research on Causes, Prevention, Treatment and Awareness. Thesis presentation with lecture.

12:30-13:15 Francisco Espinoza. MANUEL GARCIA AND THE MESSA DI VOCE: An Exercise to Find a Lighter Vocal Production. Lecture-recital.

13:45-14:30 María Domínguez Ramos. WHAT ABOUT CLAUDE DEBUSSY, ALEXANDER GLAZUNOV AND THE SAXOPHONE? Lecture-recital.

15:00-15:30 Léo Genet. THE MENTAL DIMENSION OF THE INSTRUMENTAL WORK: Complement or Necessity? Thesis presentation with lecture.

16:00-16:45 Noortje Vredeveld. THE LIEDER OHNE WORTE AND THE BARDEN-KLÄNGE. Lecture-recital .18:15-19:00 Tess van der Velde. INTUITIVE KNOWLEDGE: A Comparison through the Works of Thomas Newman and Alexandre Desplat. Thesis presentation with lecture.

Amsterdam Blue Note

09:15-10:00 Brodie Jarvie. MASTER OF SIMPLICITY: A Study into the Improvisations and Accompaniment of Charlie Haden. Lecture-recital.

10:30-11:15 Grace Chi. CHINESE WUXIA FILM MUSIC: Analysis of a Composition by Tan Dun. Thesis presentation with lecture.

12:00-12:30 Carlos Andrés Áñez Gómez. A DIFFERENT WAY OF PLAYING THE FLUTE THROUGH BASIC ACOUSTICS. Thesis presentation with lecture.

13:00-13:45 Daan Demeyer. THE APPLICATION OF OLIVIER MESSIAEN MODES IN IMPROVISATION: Focusing on Bo van der Werf and Jozef Dumoulin. Lecture-recital.

14:15-15:00 Giovanni Cigui. GUIDELINES TO A MELODIC APPROACH IN JAZZ IMPROVISATION: Analysis, Description and Decodification of Lee Konitz’s Solos in Relation to His ‘10 Steps Approach’. Lecture-recital.

15:30-16:15 Nicolò Ricci. FOUR TUNES FOR CIRCULAR BREATHING: New Ways to Perceive the Saxophone. Lecture-recital.

17:00-17:45 Maryna Boiko. THE INFLUENCE OF MINIMALISM AND POST MINIMALISM ON FILM MUSIC. Thesis presentation with lecture.

18:30-19:15 Vítor Castro. MULTIMEDIA PERCUSSION: Joining Percussion and Technology with Only One Performer on Stage. Lecture-recital.

19:45-20:30 João Miguel Braga Simões. APPROACHING NEW MUSIC: Commissioning, Studying and Performing. Lecture-recital.

Ensemblezaal

09:30-10:00 Tatjana Zimre. THE BENEFITS OF MEDITATION FOR MUSICIANS. Thesis presentation with lecture.

10:30-11:15 Vincent Arp. TECHNIQUE, TIMBRE, TEXTURE AND IMPROVISATION: The Application of Non-Conventional Bass Techniques in Jazz and Improvised Music. Lecture-recital.

Room 5.35

16:00-16:45 Adeline Salles. CAPTURING EIGHTEENTH-CENTURY FLUTE ARTICULATION: As explained in Contemporary French Flute Methods. Lecture-recital.

17:15-18:00 Aysha Wills. AN AGREEABLE HARMONY: Harmony and Rhetoric in Bach’s Solo pour La Flûte Traversière. Lecture-recital.

Room 8.04

10:00-10:30 Olga Minkina. THE WESTPHALIAN SCHOOL OF ORGAN BUILDING UNTIL J.P. MÖLLER: Based on Some of the Best- Preserved Examples. Thesis presentation with lecture.

11:00-11:45 Hyoju Ahn. THE ORIENTAL ORGAN: When Organ Meets Korean Culture. Lecture-recital.

WEDNESDAY MARCH 15

Sweelinckzaal

09:15-10:00 Felix Schönherr. A TEMPO DEL’AFETTO DEL ANIMO: Tempo Modifications in Seventeenth-Century Vocal Music. Lecture-recital.

10:30-11:15 Miron Andres. NEW MUSIC FOR HISTORICAL INSTRUMENTS: An Excursion through Mauricio Kagel’s Musik für Renaissance- Instrumente. Lecture-recital.

11:45-12:15 Juan Diaz Fernandez. PLACING THE BASSES: The Double Bass in the Eighteenth-Century Orchestra Pit. Thesis presentation with lecture..13:15-13:45 Valeria Sanchez Santana. THE MUSICAL KALEIDOSCOPE OF COLONIAL MEXICO: The Musical and Cultural Syncretism between the Old and New World. Indigenous, African, and European Cultures in Colonial Mexico. Thesis presentation with lecture.

14:15-15:00 Jesse Solway. ACCORDATURA: Tuning and Transcriptions of Classical Viennese Double Bass Repertoire. Lecture-recital.

15:30-16:15 Yotam Haran. UNCOVERING A CELLO SONATA: Sonata G1 for Cello and Basso by Luigi Boccherini. Lecture-recital.

16:45-17:30 Leire Ruiz Garcia. PUTTING THE SPANISH CLOCK ON TIME: Basque Influences in the Late Works of Carmelo Bernaola and Luis de Pablo. Lecture-recital.

Amsterdam Blue Note

09:30-10:00 Elena Torres Montoya. THE MUSIC OF THE BAROQUE SPANISH COMPOSER JOSÉ MARÍA REYNOSO: A Critical Edition of an Unpublished Recitativo and Aria with Obbligato Clarino. Thesis presentation with lecture.

10:30-11:00 Yi-Ru Huang. THE CREATIVE AND JOYFUL MUSICIAN: Implementing Kodaly’s Method in Horn Education. Lecture- demonstration.

11:45-12:30 Seon Mi Hong. THE DRUMMER’S MUSICAL APPROACH IN A PIANO TRIO: A Comparison between Paul Motian, Jack Dejohnette, and Jorge Rossy. Lecture-recital.

14:15-15:00 Pedro Da Silva Pereira. THE ORIGINS OF ARNO BABADJANIAN’S WORKS: An Analysis of the Six Polyphonic Pictures. Lecture-recital 15:30-16:15 Nadav Katan. PHRASING THE SCHENKERIAN LEVELS: The Contribution of Schenker Analysis to Phrasing in Music Performance. Lecture-recital.

16:45-17:30 Irene Reig i Romero. SAXOPHONE TRIO: Music of Kenny Garrett, Dick Oatts and Branford Marsalis. Lecture-recital.

20:00-20:45 Tom Ridderbeekx. USING EWE DRUM PRINCIPLES IN IMPROVISATION IN A TRADITIONAL SWING CONTEXT: In Search for Rhythmical Tension in Jazz Improvisation. Lecture-recital.

Room 8.03

13:30-14:00 Anneke Romeijn. ADHD IN HET MUZIEKONDERWIJS. Thesis presentation with lecture.

THURSDAY MARCH 16

Sweelinckzaal

09:30-10:15 Jonatan Alvarado. LE PARLER ET LE SILENCE: Self‐Accompanied Singing in Early-Seventeenth-Century France. Lecture-recital.

10:45-11:15 Matthea De Muynck. PLAYING AROUND WITH BUILDING BLOCKS: Learning from Sixteenth- and Seventeenth-Century Sources on Ornamentation. Thesis presentation with lecture.

11:45-12:30 Dineke Nauta. IN THE MISTS: An Arrangement of Janácek’s Piano Piece for Saxophone Quartet. Lecture-recital.

13:45-14:15 Vitaly Vatulya. MUSIC AS A PEACEMAKER: A Research Based on the ‘Music for Peace’ Project Experience. Thesis presentation with interview.

14:45-15:30 Edoardo Di Cicco. TONE VS INTONATION: Balancing Intonation and Sound Quality in Playing Clarinet. Workshop.

16:00-16:30 Jelrik Beerkens. IMPROVISING ON A PROPER SCALE: A Classical Musician’s Path to Jazz Improvisation. Thesis presentation with lecture.

Amsterdam Blue Note

09:30-10:15 Tatiana Nunes Rosa. SPOKEN FLUTE: Analysing the Use of Voice in Flute Playing. Lecture-recital

10:45-11:15 Igor Costa e Silva. SYNCHRONIZATION AS A COMPOSITIONAL AND PERFORMANCE TOOL IN MIXED MUSIC. Thesis presentation with lecture.

11:45-12:30 Matthias Van den Brande. THE STATE OF THE TENOR: An Analysis of Joe Henderson’s Playing. Lecture-recital.

13:00-13:45 Jelle Willems. USING THE MODES OF LIMITE TRANSPOSITION IN JAZZ GUITAR. Lecture-recital.

15:30-16:15 Juan Manuel González Díaz. THE INTRODUCTION OF THE REED QUINTET IN SAXOPHONE EDUCATION. Lecture-recital.

16:45-17:15 Antonio Sola Corpas. MAKING A MUSICAL PROJECT: La bocca, i piedi, il suono (Utrecht, 27th of November, 2016). Thesis presentation with lecture.

Theaterzaal

11:45-12:30 Sari-Anna Ikonen. CONTACT MICROPHONE SYSTEM FOR SAXOPHONE: Gating and Side-Chaining for Live Electronic Extensions. Lecture-recital.

16:00-16:45 Paolo Gorini. DO YOU FEEL THE COLOR OF THE PERCUSSION INSTRUMENTS? An Arrangement for Piano and Percussion of Bartók’s Night Music and Chase. Lecture-recital.

Room 7.38

09:15-10:00 Naruhiko Kawaguchi. FANTASIA A CUATRO MANOS SOBRE MOTIVOS DEL NABUCCO … POR PEDRO ALBÉNIZ: An Edition from the Manuscript in ‘S.A.R.’ Preserved in the Biblioteca Insular de Gran Canaria. Lecture-recital.

10:30-11:15 Yana Borisova. RETHINKING EARLY MUSIC: Historic Recordings as a Source for Early Music Performance. Lecture-demonstration.

Room 8.03

16:00-16:45 Boris Bezemer. BLOCK COMPOSITION. Linking Ungraspable Blocks of Music to Create New Meaning. Thesis presentation.

17:15-18:00 Gísli Magnússon. INSPIRED BY ICELAND: Depiction of Natural Phenomena in Icelandic Music. Thesis presentation.

FRIDAY MARCH 17

Sweelinckzaal

10:30-11:15 Sofia Gelsomini. THE TWO FACES OF THE TRIO OPUS 8 BY JOHANNES BRAHMS: First and Second Version. Lecture-recital.

11:45-12:15 Carla Regio. WHAT IS TANGO …. REALLY? Thesis presentation with lecture.

15:00-15:30 Sofia Livotov. IN THE CENTRE OF ATTENTION: Challenges for Female Singers in the First Half of the Nineteenth Century. Thesis presentation with lecture.

16:30-17:15 Alfonso Manzanera Rojo. VIBRATO ON THE CLARINET: How to Control and Use It. Lecture-recital.

17:45-18:30 Giorgos Kotsiolis. THE CELLO THROUGH THE LENS OF ITS CONTEMPORARY REPERTOIRE: A Brief Analysis from a Performer’s Point of View. Lecture-recital.

Amsterdam Blue Note

13:00-13:45 Nuria Canales Rubio. MEI AND NO: Kazuo Fukushima’s Solo Flute Music and Traditional Japanese Theatre. Lecture-recital.

14:15-15:00 Odey Al’-Magut. CONTEMPORARY JAZZ TROMBONE PLAYING: The Musical Language and Improvisational Concept of Elliot Mason. Lecture-recital

15:30-16:15 Yaoping Li. THE INFLUENCE OF LANGUAGE ON ARTICULATION IN BRASS PLAYING. Lecture-recital.

Ensemblezaal

12:00-12:30 Lorenzo Russo. PUCCINI’S MADAMA BUTTERFLY: ‘A JAPANESE TRAGEDY’: Simple Exotic Fashion or Real Interest? Thesis presentation.

15:30-16:00 Francisco José Espinosa Ruiz. THE ALEXANDER TECHNIQUE I EUROPEAN CONSERVATORIES: A Comparative Education Approach. Thesis presentation with lecture.