modernism, the international style and late modernism

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Modernism, The international Style and Late Modernism Form follows function Truth to materials Less is more Golden mean Clean lines Sculptural

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Page 1: Modernism, the international style and late modernism

Modernism, The international Style and Late Modernism

Form follows functionTruth to materials

Less is moreGolden mean

Clean linesSculptural

Page 2: Modernism, the international style and late modernism

Frank Lloyd Wright 1867 –1959Robie House Chicago 1906

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Fallingwater Pennsylvania 1937

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Guggenheim Museum New York City 1943–1959

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Le Corbusier 1887 –1965

• Support of ground-level pilotis, elevating the building from the earth and allowed an extended continuity of the garden beneath.

• Functional roof, serving as a garden and terrace, reclaiming for nature the land occupied by the building.

• Free floor plan, relieved of load-bearing walls, allowing walls to be placed freely and only where aesthetically needed.

• Long horizontal windows, providing illumination and ventilation.

• Freely-designed facades, serving as only as a skin of the wall and windows and unconstrained by load-bearing considerations.

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Villa Savoye Paris 1931

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Unité d'Habitation Marseille 1947-1952

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Chapelle Notre Dame du Haut Ronchamp, France 1950–1954

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Ludwig Mies van der Rohe 1886 –1969German Pavilion

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Farnsworth House Chicago 1951

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860–880 Lake Shore Drive Chicago 1951

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Seagram building New York 1958

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Oscar Niemeyer 1907Brasilia 1951

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Ero Saarinen TWA Flight Center JFK International Airport New York 1956-1962

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Minoru Yamsaki World Trade Centre New York 1973

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Pompidou Centre Paris 1977

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BP Centre Cape Town 1972

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ABSA Centre Cape Town 1970