modern european art 1900-1920 part i courtesy of erin mcdevitt

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Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

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Page 1: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Modern European Art 1900-1920

Part I

Courtesy of Erin McDevitt

Page 2: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Color Expressionism: Emotions/Psychology/Spirituality Structure: Cubism/Industrial Design

Conceptual Art: Dada, Pop Non-Objective

Page 3: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Early 20th Century Modernism

Salon d’Automne, 1905FauvesGertrude and Leo Stein

Page 4: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
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Matisse, The Joy of Life, 1905 Barnes Foundation, PA

Page 6: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
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Extra Credit?????

Page 8: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
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The Swimming PoolHenri Matisse (French, 1869-1954)

Page 10: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
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Erich HECKEL, gravure pour l'affiche de la première exposition Die Brücke à la galerie Arnold, Dresde, 1910, 16,7 X 10,9

Die Brucke

From Nietzsche’sThus Spake Zarathustra (1883)

German Expressionism

Page 12: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Karl Schmidt-Rottluff, Two Women, 1912, oil on canvas, 76.5 x 84.5 cm, Tate Gallery, London.

Emil Nolde, Masks, 1911

Page 13: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Kirchner, Street, Berlin 1919

Page 14: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
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Kathe Kollwitz, "Death Seizing a Woman." 1934. Lithograph

Kathe KollwitzOutbreak1903etching and drypoint

Page 17: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Franz MarcTHE LARGE BLUE HORSES (DIE GROSSEN BLAUEN PFERDE)1911 oil on canvas41-5/8 x 71-5/16 in.Gift of the T. B. Walker Foundation, Gilbert M. Walker Fund, 1942

Kandinsky, Blue Rider, 1903

German Expressionism: The Blue Rider Group

Page 19: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Kandinsky, Winter, 1909

Page 20: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Improvisation 28

Page 21: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul. (1912/13)

Page 22: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
Page 23: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt

Hammamet with Its Mosque, 1914Paul Klee (German, born Switzerland, 1879–1940)Watercolor and pencil on paper

Page 24: Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
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Baule Mask

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Georges Braque, Man with Guitar

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