q=60

q=60

Erik Lund (2005)

missing intelligence1

Bb Clarinet

Violin

Percussion

Piano

Double Bass

Recorded Sounds

troubling, with nervous energy

p

faint, as a ghost tone

mf

hard yarn mallets

p

cymbal choke

fff

+timbre rack

ff

w/handle

f

rubber malletscrotales

p mf

mf

35

strike interior posts with plastic or wood hammer

(low post)

mp

l.v.

(med. post)

mf

(high post)

ff

fff

all clusters are chromatic

ff

mf

p

3

sost. pedal down until m.32, clear pedal occasionally, when indicated (m.10) and otherwise as necessary.

f

(low post)

mf

una corda

arco

sfff

port.arco ord.

p

p

pizz.arcosul pont.

mfmp

pizz. arco ord.

p

erratic sawtooth wave

camera shutter releases

x

rich white noise

x xx x xx x xx

flash

cont. periodically cont. periodically

processed string trem.

0:001

hash marks always represent beatsclick-track runs throughout, even when hash marks are not present in score

2 3 4 0:20 0:40

13

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

sul Dfaint, as a ghost tone

p

( )

through m.30ad lib periodic/erratic trem.interact with recorded sounds

swells with trem.

port.port.

sul Eport.

-alternate rolls of g, a-flat, and both, with overlappings-fluctuate speed of roll, interacting with recorded sounds

p ad lib. swells mf mp

w/handles

rubber malletssim. to m.14

f

mp

mp

p

pp

3

3

mpuna corda

( )ad lib periodic/erratic trem., interacting with recorded sounds

swells with trem.

pizz. arco( )

ad lib periodic/erratic trem.

percussive roll

thinned texture

searing ringing

1:00

knockx

knockx

1:20

knockx

1:40

knockx

2

27 q=116

q=116

33

33

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

p

fluid

phrase according to the patterns. breathe as needed.

port.no trem.

n

f

hard yarn mallets

p mf

vibraphone

ppedal as needed for balance between clarity and presence

phrase according to the patterns

p

mp

p

stay below clarinet and vibraphone

pedal as needed

mp

pizz. arco ord.

p

stablenon vibrato

continuation of numerous processed sounds

percussive roll

percussive roll

percussive roll

2:001 2 3 4 1 2 3 4 2:08

3

36

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

continuation of numerous processed sounds

percussive roll

2:18

alternating g#/a continues...

4

41 44

44

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

mp

sharp and articulatepizz.

sf

mp

sharp and articulate

sf

with gradually increasing presence

sf mp

sharp and articulatepizz.

sf

arco

mp

texture of recorded materials thins, but remains rhythmically active 2:28

5

46

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

mf

sharp and articulate

sf

arco

sf

f mf f mf6 6

f sharp and articulate

fsf sf

sharp and articulatepizz.

sf

arco

mf

sim. 2:39

6

51

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

sf

emerge through solo passagescon forza

sf mf f

3 3

mf

f

sim.

7

55

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

fsf mf f

mf fmf

3

36

2:49sim.

8

59

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

f

sf

mf

sim. 3:00

9

63 65

65

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

interlude

mf f

3

33 3

ff mf f33

3

ff

solo

mff

f ff5 3

ff

ffff f ff

pizz.

sff

arco

mp

pizz.solo

4:3

ff

sim. 3:10

rich white noise

10

68

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

port. port.

port. port.

mf f

mf

arcosul A

f fff

pizz.con forza

3

sf sf sf

arco

sf

sim.

rich white noise

xcamera shutter releases

xflash bursts

x xx

x

3:20 3:31 3:41

11

81 86

86

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

sf p mf

resume

33

5

6 6

sf p mf

33

6

6 6

fsf p p

sharp and articulate

sf mf

sharp and articulate

sf mf

mp

sul pont. sharp and articulate

sf

pizz.

mf

p 3:51 mp

graudally building chord - through m.122

12

88

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

f

f

4:02

13

93 96

96

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

mf grad.cresc.

mfgrad.cresc.

grad.cresc.

grad.cresc.

grad.cresc.

4:12

14

98

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

f f

f f

f

f

f

f

grad. cresc. to m.122 4:22

15

102

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

mf f mf fmf6

mff

mff mf

6

mf f mf f mf f mf6 3 3 3 6 6

4:33

16

106

108

108

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

f ff

6

36

66

f ff

6

5

56

mf f mf f ff

6 33

ff

ff

4:43

17

111

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

( )

3 3 3

4:53

18

119 123

123

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

brutal

fff

fff

fff

ff

fff

ff

arco al tallone

fff

fff

5:04 fff low tremelo

low tremelo

5:14 low tremelo

19

127 131

131

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

low tremelo

5:24 low tremelo

low tremelo

20

135

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

5:35 low tremelo

low tremelo

5:45low tremelo

21

143

143

143

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

3

5

3

5

3 5

5:55 low tremelo

6:06 low tremelo

22

151

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

3

3

5 5

3

3

5 5

3

5 5

3

3 5 5

low tremelo

6:16

23

158 160 164

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

sotto voce

ppno, or very little pedal

5

sotto voce5

una corda to m.169 pp5

bel cantopizz.

mf

5

speaking whispering

6:26

Subito pp

low tremelo

6:37

24

166

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

25

170 172

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

swell

f

subito - active but veiled

pp pedal for phrasing

3

swell subito - active but veiled

p3 3

grad. release una corda

fp

3 3 3

ff

subito - active but veiled

p

6:47

26

175

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

grow in intensity to m.180

grad. cresc. mp

mf f5

3 5 3 5 3

grow in intensity to m.180

65 6 5 6 5 6

grad. cresc. mp mf f

6 5 6 5 6 5 6

grow in intensity to m.180

grad. cresc.mp mf f

6:57

27

179 180

180

Cl.

Vln.

Perc.

Perc.

Pno.

Db.

Rec.

mf

seccolight, precise and mechanical

mf

seccolight, precise and mechanical

ff ffff

solid

3 3

note: this timbre rack part is optional. vibe part is essential

timbre rackw/mallets sha5s

mf

seccolight, precise and mechanical

solid

6 6

ff ffff

6 6

ff fff f

solid

film projector (shi5s from L to R at shutter releases)

7:08

camera shutter releasesx

28

185

Cl.

Vln.

Perc.

Perc.

Pno.

Db.

Rec.

( ) ( )

projector continued

7:18

x xxflash burst

x

7:28

x

29

191

Cl.

Vln.

Perc.

Perc.

Pno.

Db.

Rec.

projector continued

x

x7:39 7:49

30

201

203

203

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

f

burst

ff

6

f

burst

ff

6

ff

con forza

3

con forza3

3

ff5

ff

con forza 3

projector continued

machine sound w/heavy reverb

8:00

31

206 207

207

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

ff

con forza

mp

f mp3

ff

con forza

mp

f mp3

fff ffmp f mf

56 6

6

fff

ff

mp

mf

33 3

3

fff ff

3 3

machine sound cont.

searing, gas-like sound

numerous additional, rhythmically active sounds in-and-out through m. 239

32

210

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

fp f

3

mp f36

mf ff mf mpf

6

6 6

f

ffmp5 3

3

ff5 3

5 6

f

ff

5

3

mp

arco

f

3

ff

pizz.

searing, gas-like sound

8:10

sim.

33

214

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

4:3

mp

4:3

mp

ff mp ff mp mp ff mf mpff

3 3

ff mp ff mp ff mfff

36 3

ff mp ffmp ff mp ff

3 3

mf

sim.

8:20

34

218

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

p

fmf f mf ff3

66

p f mf f mf ff37

mp mf fff5

6

f

mp f mf ff ff ff5

3 6 7

mp mf ff f

ff

fmp mf mf f

ff f

searing, gas-like sound

sim.

8:31

35

222

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

f mf mf6

f mf mf 7

mf6

ff ffmf

7

f fmf

searing, gas-like sound

sim. sim.

8:41

36

226

226

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

ff f

ff f

fff

ffff ff ff ff f 3

ff f

ff

f f

ff f

sim.

8:51

37

231

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

mfmf

fff

6

66

mfmf

fff

5

6

7

mf fff f5

6

mf ffff5

6 7

mffff f

mf fff f

3

searing, gas-like sound

sim.

38

235

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

37

6

3 7

rich white noise

9:02

sim.

39

239

239

q=58

q=58

239

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

pensive - unsettled, but accurate to the end...

ff p

sul pont.delicato

p

(with nervous irregularities in trem.)

pedal to end as needed for sustains and phrasingfff

to med. so5 yarn med. so5 yarn

f mp p

f p

ffff mp p

una corda

fff f mp

delicatoarco sul pont.

p

(with nervous irregularities in trem.)

xflash bursts

x x x

9:14

rich white noise

9:35 wood burning

match strikex

40

250 258

258

q=116

q=116

q=58

q=58

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

pp

3

mp

arco ord.pure

pp

p pp

scurrying

pp

scurrying

pp

p3

senza una cordapp una corda p

pizz.

p

arco sul pont.( )

ad lib. tremelo

port. pp

pizz.

p

pp

arco ord.

p

9:35 10:16

rich white noise

xknockrich white noise

faint, high processed string sound

10:35

41

261 265

265

q=116

q=116

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

33

delicatosul pont.

(with nervous irregularities in trem.)

mp

pp

sim.

p f3

pp

sim.

f

53

ppsenza una corda

sul pont.delicato (with nervous irregularities in trem.)

pp p

pizz.

knockx

10:55

42

q=58

q=58

268

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

pp gliss.

purearco ord.

pp

port.

p pp

p

una corda p

pp

arco

p

( )ad lib periodic/erratic trem.

port. port.

11:10

knockx

faint, high processed string sound

11:31

43

279 280

280

q=116

q=116

q=58

q=58

Cl.

Vln.

Perc.

Pno.

Db.

Rec.

mf

ascent - a niente

chromatic gliss. of “toneless” notes

n

sul pont., 1/2 hair - chromatic

mf

ascent - a niente

n

pp

sim.

mp pp

p

stick handles

3 3

pp

sim.

senza una corda

arco ord.

pp

pizz.

11:51

multiple sounds

n12:16

44