mise-en-scene - sunyowfilm · mise-en-scene “staging and action” the director’s control over...
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Mise-en-Scene
“Staging and Action”
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The Director’s Control over What Appears in the Frame
SettingCostumeLightingBehavior of the Figures
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RealismViewers judge mise-en-secene by standards of realism?
Why is this problematic?
Still from “The Bicycle Thief” Example of Italian Neo Realism
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Behavior of the Figures
Stylized- over exaggerated performance to evoke a certain fantasy
Realistic- performance aimed at recreating reality
Stereotyped- performance based on preconceived notions of c ulture.
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Setting- What Information do we get from Setting
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Costume- What information can we gain from costume?
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Lighting- What is the function of lighting in cinema?
Shadows- Attached and CastQualityDirectionSource Color
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Attached Shadows- formed by the contours of an object or person
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Cast Shadows- Shadows formed an object blocking out the light.
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Quality-the intensity of the illumination- Harsh and Soft Light
Harsh light- bold and crisp shadows/ Soft light - diffuse illumination
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Direction-the path from its sources to the object it illuminates
Frontal Lighting- Eliminates Shadows and Flattens image
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Backlighting- comes from behind the subject. Used with no other light sources it can create silhouettes
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Top Lighting- the light source is above its object.
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Underlighting- the light source comes from bellow the objectLighting Source- the light source is obvious within the frame
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Key Light- primary source, dominant illumination and casting the strongest shadowsFill Light- less intense illumination, softens the shadows,Backlight- behind object, illuminates behind the object and creates a halo around the object.