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  • Mirror

    Landscapes of the Self

    Whenever an artist in some way dissolves himself into a work of art and when afterwards he himself

    disappears without a trace, then it's amazing poetry.

    Who are you?

    I do not know. I think it is for each of us exactly what is most difficult to know. A.Tarkovski

    A walk through the world of self-discovery, wandering cycles, how to capture the baroque light of

    the dusk, I find it in the Byzantine icons, like the flame of prayer, and it is in Chopin nocturne alike.

    It's like watching the shore of the Danube and teach the magic of the area. Is the scene disturbed if

    only a tree is crooked, if it disturbs or completes a baroque landscape?

    The specific ratio of two sizes, the large Danube that runs invisibly and a tree captured in the fall, the

    brilliance of the half-golden background celestial infinity.

    Rembrandt Paysage avec un Pont de Pierre. Date de cration: 1636 to 1638. Period: Baroque

    The mirror of the eye inverts landscape, how to reveal the evenigless day?

    The coming of the kingdom of God is not something that can be observed, nor will people say, Here

    it is, or There it is, because the kingdom of God is in your midst" (Luke. 17, 20, 21).

    The days of the Son of Man have been called the that time, that will precede His coming, and which

    will end His arrival - early eveningless. On the end of time and of all times. Time will end with the

    completion of those phenomena which are marked: the time will be no more, when day and night

    and morning and evening and weeks and months and years of life and be replaced by the date of the

    Eternal.

    I'm picking up a sketch of the eveningless days behind the eye brushes and paints of the soul,

    "Fearful what to fathom." Modesty vision indulging in self eveningless pleasures of anticipation, a

  • foretaste of the more difficult, to freeze, headband, show and share in an Agape with beloved souls

    on the threshold of eternity.

    Paint-testify, paint-mimesis, paint and loving soul, a reflection of the soul and the meaning of the

    color can be paint and mud. Mud is the early essence, the beginning of matter, the essence of the

    crown of creation.

    Two Nocturnes

    1. The sea speaks a language polite people never repeat. It is a colossal scavenger slang and has no respect. Is it a terrible thing to be lonely? 2. The prairie tells us nothing unless the rain is willing. It is a woman with thoughts of her own. Is it a terrible thing to love too much?

    He threw up ectoplasm on canvas and the painted spirit manifested absurdity to its contemporary

    art. Today abstraction is no longer a map, a copy of the mirror or the concept. Not simulated over a

    territory, a referential being or a substance. The simulation is based on the model which creates a

    new world that has no real origin. In reality: hyperreality. The territory no longer precedes the map,

    nor survives. Today the map precedes the territory - the business cycle - it creates the illusion of

    territory. That would mean, if it were transferred to a story that slowly rotting remains of territory

    by area map. Now here and there we discern remnants of reality, not the remnants of the map, and

    not more in the deserts of the Empire, but our own.

    Desolation of reality itself.

    I walk the wasteland of reality and I bite the apple of eveningless days. I'm looking for pigments,

    media, materials to describe what I know, because art, painting is like alchemy and creating an

    encyclopaedia, the intermediate attempt to describe the indescribable. Absurd artists become

    prophets in order to divide the apple [...]

    "Art of alternatives not only comes from a single, precisely given the media because her own

    intermediability gives more options for stepping out of all bounds."

  • I saw a star in the sky and not knowing that she was already dead.

    I used to collect the gold dust in her desire to paint her epitaph.

    So if you're coming from the sky! What planet are you?

    A ray of light as it illuminates the mystery of his presence, and asked him suddenly:

    - You, therefore, come from another planet? .

    Light-writing, writing with light, golden and white, is reflected in gold, like the gold surface creates a

    peaceful calm mystical utopian expression, he perished Narcissus?

    "Narcissus" I'm talking seriously. It is not our task in this to get closer to one another, as they do not

    meet even the sun and moon, of sea and land. The two of us, my dear friend, the sun and the moon,

    we are sea and land. Our goal is not to be left with each other, but to know one another and to one

    in the second, we learn to see and respect what the other is: our opposite and complement. "

    I am striving to it that someone should mirrored in me, find oneself just like me , that we are One in

    that eveningless landscape.

    Agape Dinner of Love

    It was dusk, gold is quietly pervading our silhouettes, we shared the eveningles days, although time

    split, I watched it with them and shared in love through the mirror that I painted before its death;

    Nocturnes were only our sense, Nocturnes were guarded by eveningless days.

    Nocturne

    I'm afraid of dead leaves.

    I'm afraid grove

    Solid rose.

    I'm going to sleep

    If you do not wake me up,

    I leave to you

    My cold heart.

    What's that ringing

    far away?

    Wind in the windowpanes,

    my love!

  • I offered you an adorned necklace

    morning diamonds

    Why are you leaving me

    in this way?

    If you go away,

    My birds will cry

    and green vines

    will give the wine.

    What's that ringing

    far away?

    Wind in the windowpanes,

    my love?

    You'll never know,

    Sphinx of snow

    how much I loved you

    At dawn

    when it is raining

    and when the dry branches

    fall nest.

    Aleksej Daniel ermanovi

  • Literature

    1. Andrei Tarkovsky, Sculpting in time

    2. Scripture, the translation Djuro Danii and Vuk Karadi

    3. Karl Sandberg, Two Nocturnes, in 1904.

    4. Simulacres et simulation / Jean. Baudrillard. ISBN 86-7047-112-4. Jean Baudrillard. SIMULATIONS

    AND SIMULATION

    5. Antoine de Saint-Exupery. The Little Prince ISBN 978-0-8129-6717-3.

    6 Herman Hesse, Narcissus and Goldmund, BIGZ - Belgrade 1985

    7. Milena Dragicevic - ei, borders and maps - reply artists spirit of the times, Federico Garcia

    Lorca, Nocturne, Gypsy Romansero, BIGZ. Belgrade in 1977.

    New Banovci, June of 2014.