SUMMER 2014

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MARYLAND IN

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COLLEGE OF ART

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SUMMER 2014

COURSE OFFERINGSSummer is a great time to take advantage of the wide array of courses

at MICA! The School for Professional and Continuing Studies offers a rich

and varied schedule of classes accessible to anyone interested in pursuing

the study of art and design at the Maryland Institute College of Art.

The range of courses available to adult students includes classes and

workshops in drawing, painting, photography, graphic design, and web

design. Additionally, MICA also offers year-round courses for children

and teens through Young Peoples Studios (YPS). In the summer, students

entering grades 1-8 can participate in the YPS Summer Art Camp. High

school students can take Portfolio Prep classes. Rising junior and senior

high school students can apply to participate in MICAs Pre-College Studio

Residency Program in Baltimore or in Tuscany, Italy. Students in these

programs enjoy a rigorous art-making experience while earning college credit.

In the summer, MICA offers undergraduate courses in fine arts, design,

art history, and humanities as an opportunity for students to earn credits

toward their degree. Undergraduates, graduates, and lifelong learners can

participate in Summer Travel Intensive programs to earn college credit

while studying with MICA faculty in inspiring locations around the world

and in New York City.

Theres so much to do at MICA in the summer we hope youll join us!

3-D FINE ART

PERSONAL DIRECTIONS IN CLAY CSCE 250ASarah Barnes | Mon/Wed | 6:00-9:15pm | June 9-July 16 | 12 sessions | 1.5 credits | $615

For beginner and advanced artists, students will create a cohesive body of work, learn new

techniques or expand on familiar ones, photograph their artwork, enter national exhibitions,

and build a portfolio for graduate school (depending on each students goals as a ceramic

artist). Note: Class size is limited to 16 students.

DRAWING AND PAINTING

FOCUS ON THE FIGURE CSDR 202AEric Rutledge | Wed | 6:30-10:00pm | May 28-July 30 | 10 sessions | 1.5 credits | $615

This course, geared for both beginning and intermediate students, covers concepts such as

anatomy, proportion, gesture, contour, and modeling in light and dark. Working from a live

model with varied poses, lighting, and settings, students will progress from quick studies that

capture the essence of line and form to extended poses and more finished compositions. A va-

riety of drawing media and techniques will be introduced. Slide discussions, critiques, demon-

strations, and out of class drawings round out the experience. Note: Bring an 18x24 newsprint

pad (rough), very soft to soft vine charcoal, and a large kneaded eraser to the first class.

FINE ARTSBuild skills and develop confidence in your

drawing and painting abilities through the

guidance of our excellent faculty. Introductory

courses provide the foundation for learning

techniques and concepts while more focused

courses allow for creative exploration.

For more information, please visit

www.mica.edu/summer14

To register online, please visit: WWW.M

ICA.EDU/SUMMER14

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THE FACE AND FIGURE IN PASTELS CSDR 239ADavid Little | Tue/Thu | 6:30-9:40pm | May 27-June 19 | 8 sessions | 1 credit | $410

Combining the rich color of paint with the spontaneity of drawing, pastels are a versatile

and expressive medium. This course introduces basic materials and methods with a review

of anatomy. Students will use a monochromatic approach to capture tonal structure then

progress to the use of full color. Color options and pastel techniques will broaden to encom-

pass a range of expressive effects, from subtle realism to bold invention. Lectures with slide

presentations will trace various artists use of the medium from its beginnings in the 16th

century. Note: Bring a pad with assorted colors of 18 x24 pastel paper, a box of soft vine

charcoal, a kneaded eraser, and a spray can of workable fixative to the first class.

WATERCOLOR: A SURVEY IN TECHNIQUES CSPT 105A TBA | Mon/Wed | 6:30-9:40pm | June 2-25 | 8 sessions | 1 credit | $410

Through demonstration and experimentation, students explore a range of approaches to

watercolor and learn the fundamentals of manipulating the medium. Watercolor techniques,

properties of transparent pigments, color mixing, basic brush strokes, paper and palettes

are covered. In addition, students learn how to observe the interaction of color in nature

and establish successful color relationships in their compositions. Painting both indoors and

out on MICAs campus and its surroundings, students explore a range of subjects, from the

still life, figure and portrait to simple landscapes and cityscapes, with increasing degrees of

complexity. Emphasis is placed on building self-confidence with the medium and collecting a

vocabulary of techniques to encourage advancement.

PAINTING: BEYOND THE BASICS CSPT 160A Dorothy Valakos | Tue/Thu | 6:15-10:00pm | May 27-June 26 | 10 sessions 1.5 credits | $615

This course is geared to intermediate painters who have some comfort with the medium

and seek a more personal direction for their work. Beginning with in-class exercises and

directed assignments, students work toward their goals with the aid of ongoing, customized

projects supplemented by regular group and individual critiques, slide lectures, and discussions.

Participants will explore painting in a series, with consideration given to issues of size, theme,

media, technique, and other criteria necessary to produce an integrated body of work that

develops more meaningful subject matter. There are no restrictions on medium, form, subject

or style. Prerequisite: CSPT 102A Learning to Paint or equivalent. Note: Participants should

bring at least three examples of their work and all painting supplies to the first class meeting.

THE SUMMER LANDSCAPE EN PLEIN AIR NCPT 206W. David Simmons | Sat |9:00am 2:00pm | May 30, June 7, 14 and 21 | 4 sessions non-credit | $375

Designed for both beginner and intermediate painters, this workshop explores the rewards and

challenges of painting outdoors (en plein air). Students will hone their skills in draftsmanship,

composition, and perspective while learning to swiftly capture the shifting quality of natural light.

From the grounds of the MICA campus to setting of natural beauty, students will be instructed in

a variety of urban and rural subject matter. Informative demonstrations, constructive feedback,

and group critiques will take place every session to support individual progress.

PRINTMAKING

MONOPRINT/MONOTYPE PR 230Ursula Minervini | Tue/Thu | 6:00-9:45pm | May 27-June 26 | 10 sessions | 1.5 credits | $615

Students create one-of-a-kind prints that may be painterly or graphic, colorful or monochromatic.

Drawing inspiration from artists including William Blake, Paul Gauguin, and Edgar Degas, students

explore a variety of techniques. The direct nature of the process lends itself to exploration and

experimentation. Students work independently, with regular group and individual critiques, to

produce a thematic body of work.

OPEN STUDIO MODEL SESSIONS NCDR 110A/B

SECTION A: Tuesday | 7-10pm | June 3July 15 7 sessions | non-credit | $75

SECTION B: Sunday | 2-5pm | June 1July 13 7 sessions | non-credit | $75

Offered for those who want to draw or paint from the live

figure, each section includes two modelsone for sketching

quick poses and one for sustained drawing or painting. A class

coordinator will ensure the quality of each session. No formal

instruction is offered, and there are no prerequisites. Open to

undergraduate and graduate students, alumni, and continuing

studies students. Note: At least 25 students must enroll in

each section for it to run.

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SUMMER WEEKEND SEMINARS

INTRODUCTION TO INDESIGN NCGD 105ATrish Moore | Sat/Sun | 10am-5pm | June 21 and 22 | 2 sessions | non-credit | $310

Students will learn the basic tools and features of InDesign to create and navigate a

document, work with type and images, use the pen tool, and manipulate color and objects.

In-class assignments will be given and critiqued. No InDesign experience is needed to attend

this class. Students are required to bring a USB or Flash drive to class. Prerequisite: basic

computer experience.

WORDPRESS WEEKEND INTENSIVE NCGD 181AJim Doran | Sat/Sun | 10am-5pm | June 28 and 29 | 2 sessions | non-credit | $310

This seminar will cover a basic introduction to Wordpress. Students will learn how to set up

a basic website or blog using this easily accessed and popular software. Subjects covered

will be the basics of the Dashboard, getting hosting, WordPress.com vs. WordPress.org,

troubleshooting issues, Themes, Plugins, and creating your own installation of a WordPress

assignment over the weekend.

INTRODUCTION TO PHOTOSHOP NCGD 311ARandy Morgan | Sat/Sun | 10am-5pm | July 12 and 13 | 2 sessions | non-credit | $310

This seminar covers the basic skills needed for using Photoshop and its versatile toolbox.

Hands-on assignments will be given in class. No Photoshop experience needed. Students are

required to bring a USB or Flash drive to class. Prerequisite: basic computer experience.

INTRODUCTION TO ILLUSTRATOR NCGD 208ARandy Morgan | Sat/Sun | 10am-5pm | July 26 and 27 | 2 sessions | non-credit | $310

This seminar covers the basic tools and functions of Illustrator. Students will learn how

to set up a document and create images using lines and points, how to trace and edit

images, and how to handle text paths. In-class assignments will be given and critiqued.

No Illustrator experience is needed. Students are required to bring a USB or Flash drive to

class. Prerequisite: basic computer experience.

TYPOGRAPHY FOR PHOTOGRAPHERS NCGD 196Jane Rubini | Sat/Sun | 10am-5pm | July 26 and 27 | 2 sessions | non-credit | $310

Photographers will learn to understand and manipulate type with nuance that will enhance, not

distract from, their work. Learn which typefaces work for simple communication and the

best choices for font styles when creating specific mood and tone. Basic layout and typography

dos and donts will be covered and assignments will be completed in class. Students are

required to bring a USB or Flash drive to class. Prerequisite: basic InDesign experience.

CREDIT SUMMER CLASSES

HTML FOR DESIGNERS CSGD 231Jim Doran | Mon/Wed | 6pm-9:30 pm | July 2-23 | 7 sessions | one credit | $410

For those who need the skills to create modern web sites, this class will examine the elements

of HTML5 mark-up, designing with Cascading Style Sheets (CSS), and some of the new

JavaScript features used with HTML5. Subjects such as using audio, video, and geolocation/

drawing in the browser/offline storage will be covered, as well as the JavaScript jQuery

library and current trends in web design. Students are required to bring a USB or Flash drive

to class. Prerequisite: Working knowledge of computers and basic typing skills.

LIGHTROOM AND PHOTOSHOP:

DIGITAL PHOTOGRAPHERS WORKFLOW CSGD 248Randy Morgan | Mon/Wed | 6pm-9:30pm | July 2-23 | 7 sessions | one credit | $410

This course is about working with Photoshop and Lightroom to edit, manage, and organize

your digital photos. Learn how to perfect your shots with easy-to-use adjustment tools. Tips

and techniques covered include camera settings and shooting best practices, nondestructive

workflows, color correction, retouching, adding image metadata (copyright), back-up

strategies, and more. Note: Students should bring a USB Flash drive to class. Prerequisite:

basic experience with computers and digital cameras.

INDESIGN FROM PRINT TO INTERACTIVE CSGD 309Trish Moore | Mon/Wed | 6pm-9:30 pm | July 2-23 | 7 sessions | one credit | $410

This introductory course will examine the capabilities of InDesign, the most popular design

program on the market. Students will explore how to create brochures, business cards, and

promotional materials for both print and web through mini-assignments with critique and

homework. Students are required to bring a USB or Flash drive to class. Prerequisite:

Working knowledge of computers and basic typing skills.

PROFESSIONAL DEVELOPMENTDesign professionals can advance their

knowledge through MICAs professional

development courses in the areas of graphic

design and web design, advertising, and

creative entrepreneurship. Real world issues

are discussed and innovative projects are

assigned to provide well-rounded, meaningful

experiences aimed at preparing students for

challenges that graphic artists and designers

face. For more information, please visit

www.mica.edu/summer14

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To register online, please visit: WWW.M

ICA.EDU/SUMMER14

PRE-COLLEGE PROGRAMS: BALTIMORE & TUSCANYBALTIMORE: JUNE 28-JULY 26 | TUSCANY: JUNE 28-JULY 19

MICA offers rising high school juniors and seniors two distinct pre-college

opportunities. The program on our main campus in Baltimore is one of the most

intensely creative and rigorous pre-college programs in the nation. It offers

an unparalleled opportunity to experience the challenges and excitement of

college-level art study in an array of classes from figure painting to gaming and

animation. In this four-week program, students earn three college credits while

enhancing their portfolios and living on MICAs campus. The program in Tuscany

gives students an opportunity to experience a curriculum focused on drawing

and painting the Tuscan landscape while enjoying the splendor of the birthplace

of the Renaissance. Students earn two college credits upon completion of the

three-week program. For more information on both of these programs,

please visit www.mica.edu/precollege.

YOUNG PEOPLES STUDIOSEARLY ONE WEEK SESSION: June 16-20

SESSION 1: June 23-July 3

SESSION 2: July 7-18

SESSION 3: July 21-August 1

YPS SUMMER ART CAMP allows children entering

grades 1-8 to immerse themselves in intensive art

studio experiences and recreational activities. To

view the complete summer camp schedule, please

visit www.mica.edu/yps.

Courses are offered at MICAs Mount Royal campus

and at the Ward Center for the Arts at the St.

Pauls School. Each class is developed to suit the

educational needs of specific grade levels. Families

can select from a range of classes and additional

services to assemble a program of activities that fit

their schedule and their childrens interests.

COURSES FOR HIGH SCHOOL STUDENTSStudents in grades 9-12 can bolster their portfolios while learning new

media or gaining more experience in a familiar medium in Portfolio Prep

classes. For more information, please visit www.mica.edu/yps.

The non-credit courses allow students to investigate areas such as drawing and

painting, graphic design, and video. Exceptional students age 16 and older are also

permitted to enroll in introductory level Continuing Studies credit-bearing classes

with the approval of the School for Professional and Continuing Studies. Students

making such requests must submit a letter from their legal guardian acknowledg-

ing the course may contain adult themes, and a recommendation letter from the

students teacher attesting to the maturity and ability of the student.

PRE-COLLEGE STUDIO RESIDENCY PROGRAMS IN 7

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ANIMATION

STOP MOTION ANIMATION AN 225 Sarah McNeil | MonFri | 9am-4pm | May 21-June 9 | 13 sessions | 3 credits | $1,560

In this hands-on animation class, students explore a number of animation techniques such

as painting on glass, sand animation, cut-out animation, and clay animation. Students learn

how to develop a sense of motion and timing through direct manipulation under the camera

and simple assignments. Experimentation is encouraged in order to develop a personal style.

Prerequisite: FF 210. Please Note: No class on May 26.

INTRODUCTION TO 2D ANIMATION AN 202Matthew Smith | Tues/Wed/Thurs | 5:30-10pm | May 22-June 26 | 16 sessions 3 credits | $1,560

Students will learn the principles of animation and how to create strong, believable

animations by developing a sense of observation, timing, and motion. A good understanding

of how to represent movement through drawing and physical approach is an important

foundation for using computers and technology to their fullest potential. This class

emphasizes artistic and aesthetic creativity, intending to push the boundaries of the

imagination, to get familiar with storytelling. A brief history of animation, and the influence

of new technologies and trends, will be introduced as well.

ART HISTORY

TOPICS WORLD ART/ARCH: GARDENS AH 490AMohammad Gharipour | Mon/Tues/Wed | 9am-12pm | May 21-June 23 | 14 sessions 3 credits | $1,560

This course surveys the history of garden and landscape design from prehistory to contem-

porary America. Putting equal emphasis on eastern and western traditions, it discusses inter-

actions among different civilizations and their impact on the design of gardens and pavilions.

This course also examines contemporary approaches in studying gardens through landscape,

architectural, and artistic lenses. It examines the cultural, political, social, metaphysical, and

materialistic context of gardens. Prerequisite: AH 201. Note: No Class on May 26.

MODERNISM AND AFTER AH 201AJonathan Mann |Tues/Wed/Thurs | 5-8pm | May 21-June 19 | 14 sessions 3 credits | $1,560

This course surveys avant-garde European and American art from the mid-19th century to

the present. Some of the many artistic movements covered include Realism, Impressionism,

post-Impressionism, German Expressionism, Cubism, Dada, Surrealism, de Stijl, early

American Modernism, Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and

post-Modernism. Prerequisite: AH 100.

HISTORY OF WORLD TEXTILES AH 324Julie Geschwind| Mon/Wed/Fri | 1-4pm | May 21-June 23 | 14 sessions | 3 credits $1,560

This course will provide students with a general overview of the development of textile

forms and practices in various geographies and cultures, including Africa, Asia, the early

Americas, India, Pacific Islands, Southeast Asia, and Islamic cultures. Prerequisite: AH 201

Note: No Class on May 26.

HISTORY OF GRAPHIC DESIGN AH 240A Brockett Horne | Tues/Wed/Thu | 6-9pm | May 21-June 19 | 14 sessions | $1,560

Focusing on 20th-century design in Europe and the United States, this course provides

designers with an understanding of the history of their discipline, and helps them appreciate

the connections between design and a broader history of objects and ideas. Students are

exposed to a wide array of images as well as a range of reading materials, including primary

texts by designers and cultural critics. Prerequisites: AH 100 and AH 201.

WOMEN AS CREATORS AH 367AKim Anderson | Tues/Wed/Thu | 1:30-4:30pm | May 21June 19 | 14 sessions 3 credits | $1,560

This course explores the contributions of women to the world of art as creators of both

traditional fine arts and crafts. This is a broad chronological study that surveys the artistic

creations of women from a global perspective. Prerequisite: AH 100 and AH 201.

UNDERGRADUATE CLASSESEach summer, MICA offers undergraduates

the opportunity to take courses in various areas

of study including fine arts, design, art history,

and humanities. Undergraduate courses are

designated as three-credit classes and are open

to MICA undergraduates and all serious-minded

students. For more information, please visit

www.mica.edu/summer14

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To register online, please visit: WWW.M

ICA.EDU/SUMMER14

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DRAWING/GENERAL FINE ARTS

LIFE DRAWING DR 252A TBA | Mon/Tues/Wed | 9am-4pm | May 27-June 24 | 13 sessions | 3 credits | $1,560

This intensive study of the nude explores issues of form, structure, volume, movement,

composition, and expressive possibilities. Prerequisites: FF 198 and FF 199. Recommended

sophomore course. Note: No Class on May 26.

WATERCOLOR DRAWING DR 392A TBA | Mon/Wed/Fri | 9am-4pm | May 23-June 24 | 13 sessions | 3 credits | $1,560

This course examines varied approaches to watercolor as drawing medium with an emphasis

on handling of wash areas and brush strokes, use of color, representation of volumes and

spaces, and techniques unique to watercolor. Prerequisite: DR 252 (Life Drawing) and DR

298 (Studio Drawing). Note: No Class on May 26.

ENVIRONMENTAL DESIGN

FURNITURE DESIGN: SEATING ENV 231A Malcolm Majer | Mon/Wed/Fri | 9am-4pm | May 21-June 20 | 13 sessions | $1,560

This course explores the possibilities of providing accommodation for the human body in

a seated posture. It consists of research and development portions that cover the history

of seating with an emphasis on some notable developments of the last fifty years. An

accelerated design phase follows consisting of 2D design and model-making, mocking up of

components or entire pieces, and constructing a working prototype. Advanced woodworking

techniques as well as outsourcing parts of the process will be covered. Basic woodworking

experience is required. Note: No class on May 26.

FILM AND VIDEO

SPECIAL EFFECTS FILM 320Jon Bevers | Mon/Wed/Thurs | 5:30-10pm

May 21-June 26 | 16 sessions | 3 credits

$1,560

Special Effects historically started with advanced

set design, make-up, and props, and continued

on to miniatures, mechanics, and puppets. Today,

computer generated graphics and compositing are

popular. The class is a studio class that relies on

Adobe After Effects, but balanced with lighting

and camera demos, set building, and a mask-

making workshop. Note: No Class on May 26.

VIDEO AND PERFORMANCE ART FILM 306 Stephanie Barber |Tues/Wed/Thurs | 9am-4pm | May 22-June 19 | 13 sessions 3 credits| $1,560

In the 1960s, the nascent Video Art and Performance Art movements began to mature into

one of the most prevalent and institutionally represented art forms today. How have these

art forms influenced and shaped one another? What artists and movements preceded its ex-

plosion in the 1960s and 70s? Why and how is performance art reliant on and collaborative

with video? How has the digital age affected this art movement? This class explores these

questions as students become familiar with the history and main subcategories of these

movements. Students will develop individual and collaborative video performance pieces.

FOUNDATION

PAINTING I FF 150AKim Parr Roenigk | MonFri | 9am-4pm | May 22-June 11 | 14 sessions | 3 credits | $1,560

Through a wide range of problems, students learn about preparation of various supports, use

of painting tools, color mixing, and analyzing surface qualities. Integration of drawing and

design concepts are emphasized as students investigate color-value connections, articulation

of form, composition, and spatial relationships. Students explore subjects ranging from still

life and landscapes to self-portraits and the figure. (Runs with PAINTING II PT200). Note:

No Class on May 26.

GRAPHIC DESIGN

HISTORY OF GRAPHIC DESIGN AH 240A Brockett Horne | Tues/Wed/Thu | 6-9pm | May 21-June 19 | 14 sessions | $1,560

Focusing on 20th-century design in Europe and the United States, this course provides

designers with an understanding of the history of their discipline, and helps them appreciate

the connections between design and a broader history of objects and ideas. Students are

exposed to a wide array of images as well as a range of reading materials, including primary

texts by designers and cultural critics. Prerequisites: AH 100 and AH 201.

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TYPOGRAPHY INTENSIVE GD 221ABrockett Horne | Tues/Wed/Fri | 9am4pm | May 24-June 21 | 13 sessions 3 credits | $1,560

Building on the fundamentals of typographic form and function introduced in

Typography I, this course extends and applies basic vocabulary and understanding to

more complex problems that address typographic hierarchy, context, sequence, and gestalt.

Increasingly complex typographic systems are implemented in three-dimensional,

sequential page, or time-based projects. Note: Students can receive credit for Typography I

or Typography II with instructor permission.

WEB DESIGN GD 430Ben Kutil | Mon/Wed/Thu | 5:30-10:00pm | May 21-June 26 | 16 sessions 3 credits | $1,560

This class explores the role of artists and designers in the environment of the World Wide

Web. Students create animated web pages; learn about HTML, the coding language of the

Web; delve into the problems and properties of web site design; and explore the unique

characteristics of hypermedia in information design. Note: Students can receive credit for

GD220 with instructor permission. No class May 26.

HUMANISTIC STUDIES

MYTHOLOGY IHST 238-IH1AEglute Trinkauskaite | Mon/Wed/Fri | 1-4pm | May 21-June 23 | 14 sessions 3 credits | $1,560

Greek and Roman myths are the foundations of Western civilization, the means by which

people made sense of incomprehensible and powerful forces in the world (the elements,

the heavens, and human destiny). From their origins as oral and communal stories, versions

of these myths entered the literary and in philosophical work of Homer, Hesiod, Aeschylus,

Sophocles, Euripedes, Herodotus, Plato, Pindar, and the lyric poets Ovid and Virgil.

This course examines Greek, Roman, and Norse mythology, and later the founding myths

of Mayan, Native American, and Celtic cultures, along with their enduring influence on

literature, art, music, dance, and film. Prerequisite: LA 101 Note: No Class on May 26.

ILLUSTRATION

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INTERDISCIPLINARY SCULPTURE

INTRODUCTION TO RHINO CAD IS 320Rachel Timmins | Mon/Tues/Thu 9am-4pm | May 22-June 23 | 13 sessions 3 credits | $1,560

Rhino CAD For 3D Printing is an introductory

level course that will cover basic modeling in

Rhino CAD (Computer Aided Design). Students

will learn multiple ways to create an object in

digital space through techniques like extrusion,

Booleon functions, joining, bending, lofting, and

checking for naked edges. Each student will

be equipped with enough basic knowledge to

continue using Rhino CAD as both a design tool

and as a method of creating three-dimensional

objects. Prerequisite: FF 101 (Sculptural Forms).

Note: No Class on May 26.

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PAINTING

PAINTING II PT 200AKim Parr Roenigk | MonFri | 9am-4pm | May 22-June 11 | 14 sessions 3 credits | $1,560

Consolidates concepts and methods from Painting I and leads students to expanded percep-

tual awareness. Projects may include still life, landscape, and the figure, as well as abstract

and conceptual concerns to enhance each students formal and personal development.

There is ongoing concern with painting materials and techniques. Prerequisite: FF 150.

May not be repeated for credit. (Runs with PAINTING I FF 150). Note: No Class on May 26.

PAINTING: PERSONAL DIRECTIONS PT 300ATBA | Mon/Wed/Fri | 8:30am-4:30pm | May 21-June 20 | 13 sessions 3 credits | $1,560

This course, geared to intermediate/advanced-level students, focuses on developing each

students artistic identity. It has no in-class studio experiences; rather, it focuses on group

and individual critiques. Work is done outside of class. There are no restrictions on medium,

form, or subject (abstract or representational). Prerequisite: PT 200 (Painting II). Class size

is limited. Note: No Class on May 26.

PHOTOGRAPHY

MYTHS, MEMORIES, AND ALLEGORY:

CONSTRUCTING WORLDS IN PHOTOGRAPHS CSPH 243Jennifer Wright | Mon/Wed/Fri | 8:30am-4:30pm | May 21-June 20 | 13 sessions 3 credits | $1,560

This studio course explores allegorical imagery found throughout art history and

contemporary, cinematic photographs. Emphasis is placed on creating photographic

narratives based on myths, memories, and stories from media and cinema. Students are

challenged to create visually compelling images through assignments, readings, film

screenings, and discussions. Students may work digitally and/or in the darkroom.

Prerequisites: Basic Black and White Film Photography and Digital Photography.

Note: No class on May 26.

THREADING IMAGES: PHOTOGRAPHY AND THE BOOK CSPH 220 Christopher Saah | Mon/Wed/Fri | 8:30am-4:30pm | May 21-June 20 | 13 sessions 3 credits | $1,560

This course is designed for students interested in using the book as a platform for stretching

photographic images across time and space. Throughout the semester we will explore linear

strategies and techniques for developing a variety of book structures, while considering ways in

which these structures influence the development of a photographic series. Assignments will focus

on book structures, book binding, image sequencing, and page layout. Note: No class on May 26.

THE BUSINESS OF PHOTOGRAPHY CSPH 218Howard Ehrenfeld | Mon-Thu | 10am-1:30pm | July 7-24 | 12 sessions | 1.5 credits | $615

This course will explore the various aspects of pursuing photography as a business from both

the creative side of the work to the necessary business tasks. Copyright, releases, accounting

and billing, client management, and equipment will all be discussed. Students will create a

portfolio of the type of work they want to create and then explore how to promote it.

TYPOGRAPHY FOR PHOTOGRAPHERS NCGD 196Jane Rubini | Sat/Sun | 10am-5pm | July 26 and 27 | 2 sessions | non-credit | $310

Photographers will learn to understand and manipulate type with nuance that will enhance, not

distract from, their work. Learn which typefaces work for simple communication and the best

choices for font styles when creating specific mood and tone. Basic layout and typography dos

and donts will be covered and assignments will be completed in class. Students are required to

bring a USB or Flash drive to class. Prerequisite: basic InDesign experience.

PRINTMAKING

SCREENPRINTING PR 218A Robert Tillman | MonFri | 9am-4:30pm | May 22-June 10 | 13 sessions | 3 credits | $1,560

This course explores water-based screen-printing in a professional print shop atmosphere

where students employ both traditional and contemporary methods of stencil making, film

preparation, printing methods on various papers, and alternative surfaces and materials.

Students learn techniques such as digital film outputting, mixing gradations with ink, multi-

color registration, and four-color process printing. Students are encouraged to create a

cohesive body of work and utilize the medium for their own individual artistic needs.

Prerequisites: FF 100 and FF 198. Suggested for all printmaking majors in their sophomore

or junior year. May not be repeated for credit. Note: No Class on May 26.

To register online, please visit: WWW.M

ICA.EDU/SUMMER14

1615

SCHOOL FOR PROFESSIONAL AND CONTINUING STUDIESRegistration Form

PLEASE FILL OUT COMPLETELY AND RETURN TO:School for Professional and Continuing StudiesMaryland Institute College of Art | 1300 W. Mount Royal Avenue | Baltimore, Maryland 21217-4191

Register early! Use one form per person to register; photocopy form if necessary.

PAYMENT INFORMATION:

n I WOULD LIKE TO PURCHASE A PARKING PERMIT FOR $30 (OPTIONAL).

n ATTACHED CHECK/MONEY ORDER PAYABLE TO MICA, DATED_______ IS CHECK IN YOUR NAME? n YES n NO

IF NOT, GIVE NAME AND ADDRESS OF PERSON/COMPANY PAYING WITH THE CHECK

PLEASE CHARGE MY: n VISA n MASTERCARD n AMERICAN EXPRESS

NUMBER EXP. DATE SECURITY CODE

CARD HOLDER NAME (PLEASE PRINT)

SIGNATURE

DATE

FULL NAME (PLEASE PRINT) DATE OF BIRTH

PARENT/GUARDIAN (IF UNDER 18) RELATIONSHIP TO STUDENT

CURRENT STREET ADDRESS

CITY STATE ZIP CODE

EMAIL ADDRESS

HOME PHONE WORK PHONE

MALE/FEMALE* RACE* SOCIAL SECURITY #

EMERGENCY PHONE

HAS YOUR ADDRESS RECENTLY CHANGED? n YES n NO

MICA ALUMNI? n YES n NO ARE YOU A U.S. CITIZEN? n YES n NO IF NO, TYPE OF VISA____________

HOW DID YOU HEAR ABOUT THE MICA SCHOOL FOR PROFESSIONAL & CONTINUING STUDIES?

n WEBSITE n PRINT AD n RADIO AD n EVENT n PAST PARTICIPATION n REPUTATION

COURSE # COURSE NAME # CREDITS TUITION TOTAL (AU IF AUDITING) CHARGES

Scholarships

Optional $30 Parking Permit

TOTAL AMOUNT DUE

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+

Via: n Phone n Fax n Walk-In n Mail

* Requested in compliance with Civil Rights Act Section 402 of PL 88.352. MICA is in compliance with all federal regulations & statutes concerning civil rights.

MICAS RIGHT TO REPRODUCE POLICY: MICA reserves the right to reproduce without notification any photographs of students or artwork produced by students while attending MICAs degree and continuing studies programs; this reproduction will be for non-commercial purposes only, and may include print publications, institutional websites, e-communications, multimedia presentations, and documents about the College for admission recruitment, fundraising, or institutional informational purposes.

FOR OFFICE USE ONLY

ID#:____________________

Add/Drop & Credit-to-Audit Deadline

Credit courses before third classNon-credit courses before first class

Refund Policy For Credit Classes

100% refund if dropped before the first class

80% refund if dropped before the third class

No Refund after third class

Refund Policy For Non-Credit Classes

100% refund if dropped before the first class

No Refund after first class

Withdrawal Deadline

6 sessions or fewer before third class7 sessions before fourth class810 sessions before fifth classMore than 10 sessions before sixth class

Contact Information

School for Professional and Continuing StudiesMaryland Institute College of Art1300 W. Mount Royal Avenue Baltimore, Maryland 21217-4191

TEL: 410.225.2219

FAX: 410.225.2229

EMAIL: spcs@mica.edu

To register online, please visit: www.mica.edu/summer14