MEMBER MAGAZINE SPONSORED BYCURRENT + UPCOMING EXHIBITS

Experiencenter: I See the RhythmOpening May 4

Storm: Paintings by April GornikWatershed: 100 Years of Photography Along the Great Miami RiverRiverbank: Exploring Our River-Centered DevelopmentThrough May 5

Andy Warhol: AthletesThe Art of Sport: Highlights from the Collection of The Dayton Art Institute June 22 through September 1

PRIME TIME PARTY RENTAL SERIES

Studio 54 Andy Warhol Disco Party, July 19

Renaissance Ball, November 15

ARTS NIGHT OUT

Joe Castillo: Sandstory, October 24

Robert Whittman - Art Detective!, November 21Spontaneous Fantasia, December 5

SUMMER 2013

We are confident that most everyone is aware we have galleries full of paintings, sculptures and decorative objects inside The Dayton Art Institute – 50 galleries to be exact, as we counted for the new gallery map we just published. But we sometimes wonder how many of our guests realize what those galleries hold. When was the last time you perused the permanent collection, just for the fun of it?

It’s human nature … we are drawn to the new. We seek out the latest movie, the video that is going viral on YouTube, the restaurant that just opened and exhibitions that are only on view for a limited time. There’s nothing wrong with that, but one of the joys of our first year at The DAI has been spending a lot more time in the Berry Wing of European Art, The Dicke Wing of American Art and the Patterson-Kettering Wing of Asian Art.

And so we were wondering … how much do you know about our permanent collection? We’ve learned some great stories about how our treasures came to us, as well as how meaningful they are to curators from all over the world who have visited or requested them for exhibitions and scholarship they are pursuing. And of course, there are fantastic new interpretations and explorations of 50 of the most revered works in our collection in the recently unveiled project, What Is A Masterpiece?.

We are having great conversations about how to shake things up to help you see familiar works in new contexts. And you are in for a real treat this summer, when The Art of Sport: Highlights from the Collection of The Dayton Art Institute opens. We have been watching as new Curator of Collec-tions and Exhibitions, Aimee Marcereau DeGalan, delves into our storage areas to ferret out interesting and unusual pieces that speak to something as ingrained in us as our love of the new – our desire to compete and to excel. Sports – the great American obsession, when we are compelled to pit ourselves against an opponent, a set of rules and a scoring system.

In looking at thumbnail images of artworks Aimee has selected, we have been exclaiming, “I didn’t know we had anything like that!” And, we have been remembering some of the paintings that were on view long ago, pieces we had nearly forgotten since they have been in storage. Ah, but that is the fate of objects in museums – like most of our sister institutions, only about three percent of our collection is on view. What fun to see some

of the rest, especially when it is part of a story … a tale we can all relate to, whether our tastes run to baseball, archery, chess or ... well, what’s your favorite?

We are truly excited that our next turn in the special exhibition wing will focus on pieces from our own collection. But, in the meanwhile, next time you have a little time – especially now that we are open in the evenings until 8 p.m., Tuesday through Friday – come in and spend some time in the galleries. You never know what story you might find.

Best regards,

Michael R. Roediger Jane A. BlackExecutive Director Associate Director

FROM THE DIRECTORS

OFFICERS

Linda Lombard, ChairmanCommunity Volunteer

Bear Monita, Vice ChairmanPartner,LWC Incorporated

Richard “Rip” Hale, TreasurerManaging Director, Wealth ManagementSmith Barney

Katherine M. Thornburg, SecretaryCommunity Volunteer

James F. Dicke, II *Chairman EmeritusChairman/CEO,Crown Equipment Corp.*Denotes Ex-officio

TRUSTEES

Tracy BieserCommunity Volunteer

Edward J. BlakeCEO, MV Commercial Group, CFO, Miller-Valentine Group

Thomas A. ComptonChairman,Precision Strip, Inc.

Robert ConnellyPresident,Henny Penny Corporation

Dawn M. ConwaySenior VP, Global Content Licensing,Cision US, Inc.

Deborah FeldmanCEO/President,Dayton Children’s Medical Center

Neil FreundSenior Partner,Freund, Freeze & Arnold

Alan C. GreenwellPartner,Ernst & Young

Phil HerringtonPresident & CEODPL, Inc.

Pamela P. HoukCommunity Volunteer

Sharon Howard Ohio Arts Council Board Representative

Julie Liss-Katz Director, Public Affairs,Premier Health Partners

Bill LukensChairman & CEO,Stillwater Technologies, Inc.

Fred ManchurCEO,Kettering Health Network

Amos L. Otis President & CEO,SoBran, Inc.

Erin Paulson Director of Strategic Marketing,TriComB2B

Sally A. Struthers, Ph.D.Interim Chair, Academic FoundationsProfessor, Art Department,Sinclair Community College

EX-OFFICIO

Judy DodgeMontgomery County Commissioner

Marjie HolcombDocent Chairman,Community Volunteer

The Honorable Gary LeitzellMayor,City of Dayton

Derek MaddoxAssociate Board President,Deputy Director for OperationsSAIC

Robert Nevin Endowment Committee Chairman,Retired President,Reynolds & Reynolds, Automotive Group

Michael T. Schneider, CWSLeadership DaytonSenior Vice President,Key Private Bank

BOARD OF TRUSTEES

Art Changes Lives Live it

Directors’ Message

SpecialExhibition

Member Magazine is printed on Anthem®, 100 lb. gloss text and 70 lb. matte text, from NewPage. Manufactured in North America.

ADMISSIONMuseum Members: FreeAdults: $12Seniors (60+): $9Students (18+ w/ID): $9Active Military: $9Groups (10 or more): $9Youth (ages 7-17): $6Children (6 & under): Free

Prices include admission to the exhibition and the museum’s permanent collection. A $1 per transaction Historic Preservation Fee will be added to all ticket sales. For related programs or more information, visitdaytonartinstitute.org/sports.

On view this summer is a group of 10 canvases by Andy Warhol, entitled the Athletes Series, commissioned in 1977 by Richard Weisman, a banker and friend of Warhol’s.

Weisman was a fan of both the arts and sports and had often noted that although both were popular leisure-time activities, they rarely crossed paths in any way. Weisman and Warhol agreed that Weisman would select the athletes himself, because, as he noted, Andy “didn’t know the differ-ence between a football and a golf ball.” The process began with Warhol photographing his subjects. In some cases, he traveled to photograph them in their homes. In other cases, they met him in his New York studio, usually with Weisman.

Some of the athletes, such as pitcher Tom Seaver and hockey player Rod Gilbert, were honored to be immortal-ized by Warhol, while others were puzzled by his eccen-tricities. Wiesman recalled, for example, that Jack Nicklaus became frustrated by Warhol referring to his golf club as a “stick.” In fact, this subject matter was a departure from those that Warhol naturally gravitated to, as well as from the social circles from which most of his commissions came. Christopher Makos, a photographer and close friend of Warhol’s, remarked of the series, “The Richard project was more macho (than most). Andy thought the sports stars were cute, so handsome – he just hoped they would have lunch with him the next day.”

The series features some of the most famous athletes of the day, including, in addition to those mentioned above, boxer Muhammad Ali, football’s O.J. Simpson, ice skater Dorothy Hamill, basketball’s Kareem Abdul-Jabbar, tennis player Chris Evert, jockey Willie Shoemaker, and soccer star Pelé. While not among Warhol’s best-known work, this series presents a fascinating digression from his usual society portraits. At the same time, it marks the period in which top athletes first became viewed as sports stars, and began to inhabit the world of celebrity.

EXHIBITIONSPONSORSBenefactor SponsorPremier Health Partners

Patron SponsorMacy’sThe James A. and Mary Miller Philanthropic Fund

Supporting SponsorsMiller-Valentine GroupDr. Stephen Levitt

EXHIBITION PREVIEWS

Jefferson Patterson Society Reception & PreviewWednesday, June 196:00 – 8:00 p.m.

Member Preview DaysThursday, June 20 and Friday, June 21

Directors’ Message

THE ART OF SPORT: HIGHLIGHTS FROM THE COLLECTION OF THE DAYTON ART INSTITUTEJUNE 22 – SEPTEMBER 1

The theme of sports is ubiquitous in art and has occupied artists from cultures all over the world from ancient times to the present. This exhibition, presented in conjunction with Andy Warhol: Athletes, features more than 80 examples of how that theme is manifest in some of The Dayton Art Institute’s finest treasures. Arranged thematically in four cat-egories outlined below, the objects on display will represent a wide-range of media, including painting, sculpture, photogra-phy and mixed media. The exhibition is sure to delight sports and art lovers of all ages.

Games of Physical Prowess contains many examples in which agility, strength, and physical skill are required for the contest. For example, the Mesoamerican ballgame was a sport with ritual associations played since 1400 BCE by the pre-Columbian peoples of Ancient Mexico and Central America. The rules and manner in which the Mesoamerican ballgame was played varied among contemporary sites and evolved through time. The DAI houses several outstanding examples representing both the players and some of their equipment, including a ballgame yoke worn around the play-ers’ waist to protect them from the hard, solid rubber ball used in play.

Games of Skill and Chance represents competitions in which mental dexterity is the key component of victory. This category includes chess, billiards, and cards. The earliest refer-ence to card games dates from 9th century China, from a documented game between the daughter of Emperor Yizong of Tang with members of the family of the princess’ husband. As card games exist in many forms in multiple countries, the cards themselves are equally diverse and their designs run from the ordinary to the exquisite.

Man and Beast will include, among other subjects, hunting, a theme that appears across multiple media and time periods within the museum’s collection. Hunting appears on ancient reliefs and is represented by deities, including the Greek God Adonis, who was known for his hunting skills. As hunting moved from a subsistence activity to a social one, two trends emerged; one was that of the specialist hunter with special training and equipment, the other was the emergence of hunting as ‘sport’ for those of an upper social class. These trends are reflected in the objects on view in this category.

Man versus Nature includes many pastimes, such as fishing, sailing, and mountain climbing, in which the common factor that unites these activities is a direct encounter with nature. The pursuit, capture and release, or capture for food, of fish is not commonly categorized as a form of hunting, and is dependent on the characteristics of the body of water the fish inhabits. Similarly, wind and the earth’s terrain impact the activities of sailing and mountain climbing.

ANDY WARHOL: ATHLETESJUNE 22 – SEPTEMBER 1

SPECIAL MEMBERS ONLY PREVIEW EVENT!My Time with Andy Warhol: Commissioning Warhol’s Athlete Series, Moderated discussion withcollector Richard Weisman and Aimee MarcereauDeGalan, Curator of Collections and Exhibitions

THURSDAY, JUNE 20, FREE TO MEMBERS5:00 – 6:00 p.m.: Book signing and meet & greet with the collector. Cash bar and snacks available for purchase. 6:00 – 7:00 p.m.: Moderated Lecture in the NCR Renaissance Auditorium

Art collector Richard Weisman pictured with Andy Warhol and a detail of his Muhammad Ali canvas.

What do a portrait of a flower by contemporary American photogra-pher Robert Mapplethorpe (1946-1989) and a drawing of bathers by early 20th century painter Reginald Marsh (1898-1954) have in common? Similarly, what connects works by color-field painters Kenneth Noland (1924-2010) and Gene Davis (1920-1985), other than their affiliation with that group? By contrast, what makes them unique? This inaugural installa-tion in a planned series of exhibitions drawn from the permanent collection, in which two works are presented side by side, endeavors to answer these questions with the aim of devel-oping a deeper understanding of the works in question and fostering new points of connection in which to see the works in the future.

Both Robert Mapplethorpe and Regi-nald Marsh are indelibly associated with New York City. Their respective lives and careers are redolent of the history of that city at critical moments in its art and cultural history, and yet their subject matter, at least on the surface, does not appear to intersect. As a tastemaker and provocateur, Mapplethorpe produced a bevy of im-ages that simultaneously challenge and

adhere to classical aesthetic standards, including the delicate flower still life series which includes The Dayton Art Institute’s photograph, Calla Lily. Following Mapplethorpe’s highly stylized studies of gender, race and sexuality that he explored in earlier photographic series, his floral still lifes similarly encouraged sexual interpreta-tions with their provocative shapes and undulating forms. These innuendos surface more readily in the fleshy drawing of New York City Bathers by Reginald Marsh, a subject the artist returned to numerous times through-out his career.

Washington, D.C., is known for many things, but launching an art movement is not one of them. However, the federal city was a cradle for a group of artists who produced colorful, abstract works of geometric forms. Kenneth Noland and Gene Davis were active members of this group, which one art critic dubbed “color field” painters. Noland’s geometric forms, which in-cluded circles, stripes, chevrons and di-amonds, held vibrant washes of color stained into the canvas. Similarly, Gene Davis’ canvases of vertical stripes were equally vibrant and created with tradition-breaking techniques. Along

with Morris Louis and Helen Fran-kenthaler, these artists invented a new kind of American abstraction based on the primacy of color, and what it could express, without necessarily represent-ing anything.

A second series of 2x2 pairings will open July 20 and be on view through October 6. Watch our website for further updates.

Live it atthe M

useum

Art Changes Lives Live it

Calla Lily, 1984Robert Mapplethorpe (American, 1946 – 1989)Gelatin silver print20 x 16 inches (50.8 x 40.6 cm)Museum purchase with funds provided bythe James F. Dicke Family, 2002.23

2X2 EXHIBITIONMAY 18 – JULY 14

NORTH & SOUTH GALLERIES, LOWER LEVEL

Shown in conjunction with the exhibition Andy Warhol: Athletes, this print series, featuring the likeness of the actress Marilyn Monroe, highlights Warhol’s penchant for producing work in serial editions. It also connects loosely to the theme of sports, considering Monroe’s relationship with famed baseball player Joe DiMaggio.

Like other paintings by Warhol that feature Monroe’s likeness, this print series is based on a 1953 public-ity still for the movie Niagara. By duplicating a photograph known to millions, Warhol undermined the uniqueness and authenticity char-

acteristic of traditional portraiture. Instead he presented Monroe as an infinitely reproducible image.

Rather than deriving his work from subjective personal feelings or ideal-ist visions for abstraction, Warhol embraced popular culture and commercial processes. He set up his own print-publishing company called Factory Additions, issuing portfolios of his signature themes. For Marilyn, he created 10 highly variable portraits. The Dayton Art Institute owns six of these prints, exploiting the possibilities in screenprinting for shifting colors and off-register effects. By celebrating the seemingly impervious veneer of glamour and fame, but acknowledging its darker inner complexity, these prints reveal Warhol’s subtle grasp of American culture.

ANDY WARHOL: MARILYN SERIESJUNE 18 – SEPTEMBER 1

NORTH GALLERY, LOWER LEVEL

Andy Warhol (American, 1928 – 1987)MARILYN (From the portfolio: Marilyn), 1967Screenprint in colors on paper, edition 109/25036 x 36 inches (91.4 x 91.4 cm)Museum purchase, 1968.60.5

Dale Chihuly, American, born 1941, OLIVE MACCHIA WITH CADMIUM YELLOW LIP WRAP, 1992Blown glass and gold leaf19 x 31 x 29 inches (48.3 x 78.7 x 73.7 cm). Museum purchase with funds provided by the James F. Dicke Family, 1992.2

ATTENTION AREA GLASS COLLECTORS

Do you collect museum-quality glass? The Dayton Art Institute would like to know, as we are looking for glass submis-sions for an exhibition next summer featuring work from Dayton area collectors. Of particu-lar interest are pieces from the Studio Glass Movement, including work by Harvey Little-ton, Dominick Labino, Harvey Leafgreen, Dale Chihuly, Marvin Lipofsky and Fritz Dreisbach, among others. For con-sideration, please submit photographs to Aimee Marcereau DeGalan, Curator of Collections and Exhibitions, at amdegalan@daytonart.org, or call 937-223-5277.

DVAC AT DAI: MUSEUM PARTNERS WITH DAYTON VISUAL ARTS CENTER FOR THREE EXHIBITIONS

The Dayton Art Institute is continuing its col-laboration with the Dayton Visual Arts Center (DVAC) to present the work of regional artists at the museum. This spring and summer, two exhibi-tions will be featured in our new Leo Bistro, with a third one in Gallery 209, just off the museum’s Great Hall.

MAURY WYCKOFF: MAJESTY REVEALEDThrough May 30 in Leo Bistro

Water has been a recurring theme in Maury Wy-coff ’s life and work. As Chief Building Official for Montgomery County, he has spent a good por-tion of his life observing and assessing the built environment. As he methodically documents our surroundings, he has become attuned to visual rhythms and nuances. He has often returned to his work sites with a different camera to capture

the scene with his artist’s eye. As one of 10 Ohio inspectors working with FEMA as a Flood Plain Administrator, he visited Mississippi six weeks after Hurricane Katrina.

REINVENTION PORTRAITSPhotographs and moving images by Julia Reichert & Steven Bognar and the Reinvention CollaborativeOn view this summer in Gallery 209

The faces of Dayton come in every hue and texture. From porches and sidewalks, these photographs capture one summer in our city. This exhibition is part of “Reinvention Stories,” a trans-media collaboration between Dayton filmmakers Julia Reichert & Steven Bognar and WYSO 91.3, the Miami Valley’s public radio station.

MY TATTERED JERSEY-COVERED HEARTSports Heroes by Brent NaughtonOn view this summer in Leo Bistro

Brent Naughton’s childhood goal was to play for the Reds at Riverfront Stadium, but when, he says, his talent peaked in high school, harsh reality set in. He took to capturing players’ likenesses artistically instead. Naughton cap-tures the nostal-gia for players like Mickey Mantle, Jim Brown or Roberto Clem-ente. Playing-card sized to life sized, his acrylic and colored pencil renderings ap-peal to those who can recite the starting lineup of their favorite team, as well as to fans of pop portraiture.

These three exhibitions are curated by Eva But-tacavoli, executive director of the Dayton Visual Arts Center, an organization that supports artists in the community. For more about DVAC, go to www.daytonvisualarts.org.

Art Changes Lives Live it

Maury Wycoff, ENGLEWOOD DAM IN THE MIST,Digital Print Kyle Wilkinson, BARBARA GAVIDA AND FAMILY, 2012,

Digital Print

Brent Naughton, BABE RUTH, 2011Acrylic and Pencil

UPCOMING ART TREK TRIPS!

Our Art Trek travel program has a number of exciting trips planned for the remainder of 2013. All of the details aren’t finalized yet, but here’s a sneak peek at what we have in the works:

A trip to Frank Lloyd Wright’s Fallingwater, Washington, D.C. and Richmond, VirginiaJune 27–July 1

A midwestern trip to Kansas City and the Crystal Bridges Museum in Bentonville, ArkansasSeptember 6–8

A trip to Indianapolis and ChicagoDecember 6–8

Day trips to Cincinnati and Columbus

Visit www.daytonartinstitute.org/arttrek, for updates and more information. While you’re there, be sure to sign up for email updates about Art Trek and other programs at The DAI. To join the Art Trek mailing list, please contact the Art Trek office at 937-223-5277 ext. 237 or email arttrek@daytonart.org.

2013 YECK WINNERS ANNOUNCED

Congratulations to the 2013 award recipients for our annual Yeck College Fellowship: Aaryn Combs, Wright State University; James Kidd, Wright State University; Chloe McEldowney, University of Dayton; Abigail Maurer, University of Dayton. Museum guests are able to view the work of these four college students in our Lower Level Galleries through August.

Working in conjunction with the Yeck College Fellowship, the Yeck High School Scholarship

program allows 12 high school art students to be taught and mentored by the Yeck College Fellows. Congratulations to our 2013 Yeck High School Scholarship recipients:

Kristen Brady, Dayton Christian High SchoolAlexa Counts, Russia Local High SchoolAlissa Deal, Dayton Christian High SchoolJuan Erazo, Wayne High SchoolChelsea Everson, Waynesville High SchoolSamantha Gray, Waynesville High SchoolKatie Loch, Kettering Fairmont High School Hailey Maruca, Dayton Christian High School

Monika Schilling, Dayton Christian High SchoolEdward Steffani, Dayton Christian High SchoolAshleigh Stewart, Archbishop Alter High SchoolStephanie Yao, Beavercreek High School

Applications for the 2014 Yeck College Fellowship will be accepted through June 30, 2013. Call Mary Beth Whitley at 937-223-5277, ext. 335 or email mwhitley@daytonart.org for more information. To learn more about these programs and the Doro-thy and Bill Yeck Education Endowment, visit www.daytonartinstitute.org/yeck.

Frank Lloyd Wright’s masterpiece, Fallingwater

FEATURING : Valet Parking, Hors d’oeuvres, Seated Dinner in the Galleries, Specialty Martini Bar, Cigars & Liqueurs, Expanded Raffle, Music,

Dancing and more. NEW FOR 2013: VIP COCKTAIL HOUR WITH EARLY ENTRY!The most elegant night of the year is right

around the corner. Mark your calendar for this year’s Art Ball at The Dayton Art Institute!

To request a formal invitation visit : www.daytonar tinstitute .org/ar tball-invitation

CHAIRS: Mr. & Mrs. Michael & Lisa SandnerCO-CHAIRS: Mr. Thomas Roehrig & Ms. Tamera GeeslingPRESENTING SPONSOR:

Photos: Ken Miller/Baskerville Photography

Art is in the Air

Art Ba 2013THE DAYTON ART INSTITUTE

- SAVE THE DATE _ JUNE 8 -

ART BALL 2013: ART IS IN THE AIR AT THE DAYTON ART INSTITUTE

The annual Art Ball, presented by PNC, is just weeks away, but there’s still time to be part of it! Art is in the Air at The Dayton Art Institute’s Art Ball on Saturday, June 8, from 7:00 p.m. – 1:00 a.m.

Art Ball Chairs Lisa and Michael Sand-ner have selected John Safer’s sculpture Pathway as the centerpiece for the elegant evening.

“We felt that the sculpture suggests con-nections and possibilities, as well as having the reference to the Wright Brothers,” shares Lisa. “We are excited to highlight this amazing piece of the collection, as well as honor the past, present and future of Dayton.”

Art Ball kicks off at 7:00 p.m. with cocktails and hors d’oeuvres, followed by an elegant seated dinner in the museum galleries. Fol-lowing dinner, guests enjoy live music, open bars, specialty martinis, and much more.

New for 2013 is the VIP Lounge, with early entry to the event for a private cock-tail reception with high-end wine and hors d’oeuvres. In addition, guests of the VIP lounge will be treated to a one-night-only viewing of After the Bath, a pastel work by Edgar Degas that is part of The DAI’s col-lection but is not currently on display.

An expanded Raffle will take place this year, with a limited number of $100 tickets to be sold for 80-100 items valued at a minimum of $100. Highlights include a trip valued at more than $5,000, three pieces of jewelry valued at $1,500 each, provided by the DAI’s exclusive jeweler, James Free Jewelers, and other luxury prizes.

If you haven’t made your Art Ball reserva-tions yet, call 937-512-0153 or visit www.daytonartinstitute.org/artball. Tickets are $275 each, VIP upgrade is an additional $50 per person. VIP spots are limited, so order now!

Live it at the Museum

Art Changes Lives Live it

ART BALL SPONSORSPresenting SponsorPNC

Benefactor SponsorsHeidelberg Distributing CompanyThe Cornell/Nicholson Team at UBS Financial Services

Patron SponsorsFurst Florist and GreenhousesOregon PrintingPickrel, Schaeffer & Ebeling Co. LPAPrime Time Party Rental

Supporting SponsorsBonbright Distributors, Inc.Cirrus ConsultingLWC, Inc.

We are Celebrating TheDayton Art Institute’s 2013 Exhibitions

1-877-FFA-1LAW • www.ffalaw.com

Dayton, Cincinnati, Columbus & Northern Kentucky

Three exhibitions commemorating the 100th anniversary of the 1913 flood in and around Dayton, Ohio:Storm: Paintings by April Gornik

Watershed: 100 Years of Photography Along the Great Miami RiverRiverbank: Exploring Our River-Centered Development

February 23 – May 5, 2013

Andy Warhol: AthletesThe Art of Sport: Highlights from the Collection of The Dayton Art Institute

June 22 – September 1, 2013

Object of Devotion: Medieval English Alabaster Sculpture from the Victoria and Albert MuseumOctober 26, 2013 – January 5, 2014

C

M

Y

CM

MY

CY

CMY

K

Beco

me

a m

embe

r tod

ay a

nd g

et10

% o

ff on

you

r Mus

eum

Sto

re a

nd

Leo

Bist

ro p

urch

ases

for a

n en

tire

year

!

THE

ART

OF

SAVI

NG

www.daytona

rtinstitu

te.org/m

embe

rship

Non

-Pro

fit O

rg.

U.S

. Pos

tage

PAID

Perm

it N

o. 3

26D

ayto

n, O

H

GA

LLER

Y H

OU

RS:

Tues

day

- Frid

ay11

:00

a.m

. - 8

:00

p.m

.Sa

turd

ay 1

0:00

a.m

. - 5

:00

p.m

.Su

nday

Noo

n - 5

:00

p.m

.C

lose

d M

onda

ys a

nd m

ajor

hol

iday

s

GA

LLER

Y A

DM

ISSI

ON

: Sug

gest

ed a

dmiss

ion

of

$8 a

dults

, $5

seni

ors,

activ

e m

ilitar

y an

d gr

oups

; yo

uth

(17

and

unde

r), co

llege

stu

dent

s (1

8+ w

/ID) a

nd

Mem

bers

free

. Spe

cial

exh

ibiti

ons,

prog

ram

s an

d ev

ents

may

ca

rry

an a

dditi

onal

cha

rge.

Sin

ce 1

994,

adm

issio

n su

ppor

t has

bee

n ge

nero

usly

pro

vide

d by

the

Cha

se E

ndow

men

t Fun

d.

LEO

BIS

TRO

— w

ww

.day

tona

rtin

stitu

te.o

rg/le

obist

roO

pen

for

lunc

h an

d di

nner

dur

ing

mus

eum

hou

rs!

MU

SEU

M W

EBSI

TE: d

ayto

nart

inst

itute

.org

face

book

.com

/day

tona

rtin

stitu

tetw

itter

.com

/day

tona

rtPh

one:

937-

223-

4(A

RT)

M m

embe

rmag

azin

e 20

12: V

olum

e X

XI, I

ssue

IIIS

SN 1

523-

2522

. Ed

itor, E

ric B

rock

man

; Des

ign,

Ale

xis

Lars

en &

Ale

xis

Brow

n

Ope

ratio

nal f

undi

ng p

rovi

ded

in p

art b

y

Gen

eral

Info

rmat

ion

456

Belm

onte

Par

k N

orth

, Day

ton,

OH

454

05