Meicidy . ~?Maker

. ' ,

He says: investigate pop-P.5

BLUES FANS­HURRY!

Something' s happening First ever shots of

the stars at work

T ICl<"ETS are selling like wildfire for MM's

Blu,;s ScenE: '69 tour Al­ready more than a quarter of he tickets for the open­ing concert at London's Royat Festival Hall have been snapped up The s.how begins at 9 pm on Saturday, February 8

The tour continues at the Cr,htc,o Hall Bristol (9). Tow Hall B,rm,ngham ( 11 . Cuddhall, Port~outh 121 Fa1rf1eld Hall, Croy-

0 ______ Ls) and Free Trade Ha Manchester (15) There will be one cor,cert ,,ach evening

On thE: bill are Amertcan u1tartst singer John Lee

Hook<'r - who will be bad·ed by Brota1n's Ground­hogs - and New Orleans p an,st Champion Jack Dupre"

The Bnt1sh artists. aside f, he Groundhogs who also play their own spot, are smg,.r Jo-Ann Kelly and the Avn ey Dunbar Retaliation

FOR FULL DETAILS SEE

PACE 6 §OMETHING INJ'• llap­

,e•"'I for, ...... ,._._.._ .. ,... Its•,...._......_ . , .... , ..... ........ .... A. ,_, ....... . ..,, ... i., ,_ -~---....... .,.....10._.~ .... ....... ,_. .............. •--- ..._ U.S. dtl•• • le , ................... ... attM--"-•Laa v..- IP"'lll"'I-

N.wa4a •&ottatioa• -

to A O E-HOUR docum entary film ol

the Beatles In the rocording studios Is currently being 5hot al London's Twi~ Studios, wbett the Beatles are rehearsing the songs for their projected live concerts.

Dennis O'Dell, former head of Apple Films, is producing the film for Apple. He Is shooting film of the Beatles writing songs, rehears­ing them, and recording them, as well as usual ~logue and action in the studjos.

64 It's never been LENNON ~t ...,,

done before," said press officer Derek Taylor. " There's ne er oeen a film of the Beatles actuail)' at work. It'll all he there - the "ork, the breaks, ev-,,'thlng. When the shooting is finished and the thintt 's been edited it will be off~ for sale to world TV companies."

The Beatles have comple ted work on eight new songs for their ~ T\ concert/' said Taylor.

Perhaps Abroad He also said that the concerts

would definitely not take place on Saturday (18) as originally planned. " The only thing I can say now is that it will take place, perhaps abroad.~

A recent rumour was that the con­certs would take place at a Roman amphitheatre lo North Africa. Thi was den.ied at the time, but this week Taylor said: " There may no..-.. be some truth in this. It's an ide-a around at the moment, to do the shows abroad and take the faru along.

" It would certainly be expen Ive, but an Idea Is to run some form ol competition and take the "inm,n: ·

He said that Apple's Idea v.a to create an album, and a documffl.ta() film ou1 of the Un a~arances.

He also said that they had sheh ed plans to release an EP or the Beatles• Yellow Submarine music.

Be nice to the entertainers, say Marmalade. CENTRE

PAGES

I (1) 2 (5 )

OB -LA -DI OB -LA-DA ..... ALBATROSS ... . . LILY THE PINK BUILD ME UP BUTTERCUP

. . . . . . . . Marma lade . CBS Fleetwocd Ma c , Bl ue Horizon

Sca ffold. Parlophone 3 (2 ) 4 {3) 5 {6) 6 (9) 7 ( 13) 8 (4)

SABRE DANCE ............. . .... . . . . . . . . . . . . Founda tmns, Pye

. Love Sculpture , Parlophone Herman 's Hermits . Columbia

Stevie Wonder . Tamla Motown SOMETHING'S HAPPENING . . FOR ONCE IN MY LIFE .. ... . l'M THE URBAN SPACEMAN

Bonzo Dog Doo Dah Band . Liberty 9 111) PRIVATE NUMBER ... ....... . Judy Clay and William Bell , Stax

10 171 I AIN'T GOT NO-I GOT LIFE ............. .. Nina Simone, RCA 11 (10) SON OF A PREACHER MAN . . ...... . Dusty Springfield, Philips 12 (8) ONE, TWO, THREE O'LEARY ......... Des O'Connor, Columbia 13 (25) FOX ON THE RUN .................... Manfred Mann, Fontana 14 ( 18) LOVE CHILD ......... Diana Ross and Supremes, Tamla Motown 15 (16) A MINUTE OF YOUR TIME ............... . .. Tom Jones Decca 16 (12) RACE WITH THE DEVIL ....................... The Cu~. CBS 17 ( 14) l 'M A TIGER .............. ... .. . ........ . .......... Lulu , Columbia 18 ( I 4) GOOD. THE BAD AND THE UCL Y ... Hugo Monteoegro, RCA 19 (22) STOP HER ON SIGHT (SOS) ...... ......... Edwin Starr. Polydor 20 (17) MAY I HAVfTHE NEXT DREAM WITH YOU .

21 I 19) OB-LA-DI OB- LA-DA ... . 22 {-) BLACKBERRY WAY ..... . 23 (28) PLEASE DON 'T CO ........ .

Malcolm Roberts, Major Minor . . . . . Bedrocks, Columbia

Move, Rega I Zonophone . .. Donald Peers, Columbia

ME ..... Cliff Richard. Columbia Johnny Nash , Major Minor

24 121) DON 'T FORGET TO CATCH 25 1-) YOU GOT SOUL ... . .... . U 126) QUICK JOEY SMALL

Kasenatz Katz Singing Orchestral Circus. Budd3h 27 120) BREAKIN' DOWN THE WALLS OF HEARTACHE

28 (24) HARPER VALLEY P.T.A . . 29 1-) HEY JUDE .............. .. 30 123) THIS OLD HEART OF MINE

Bandwagon. Direction Jeannie C. Riley. Polydor

Wilson Pickett Atlantic Isley Brothers, Tam/a Motown

POP 30 PUBLISHERS I N, I ,ci 'IQ Frcot ... ,>Qd, lmmed1ale', 3 N<l'I'• Go1 ,mcd,olc Wtlheck1Schrocdcr. 5 l..-c,1 6 Ctfll "'°"°'· 7 J~le Co,L,n, 8 J Bron,

fo,t ·0 Un,11:'d Arf•~I l Lo,,don Tree, 11 Pn1, ·,c, H Monn M, 1-4 Jobcf,t/(od,n; IS

top twenty albums TH[ IBEATUS IDouN~ Album>

Bffllln. Appl,­• IUT OJ TH[ SUKlRS Sttk.er1o. CO:umb-o

,;, IIGGAltS IANQUIT Roll,ng 51.....,_ Ocrcco 1.,, TH[ WOILD OF VAL DOONICAN

Vol Doon,<:on De<,o 6) TH[ G• ADUATl 5ol.l'"ldhock CBS

f-4) TH( SOUND Of MUSIC ~ 1s1ndlro(I<. RCA 18! HOLUES GRIATUT HITS

Hulhrs, PotlophOl"M> I I HILP YOURSlU T«m J~. O.C.:o 9 1111 THI WOUD OF MANTOYANI

Montn-.-on Dc-c,o 10 •~ THl GOOD. THI IAD AND THI UGLY

\ ,ndt•O<k Un•te.:I Arh1,h

Volll"v 16 l(~n Pc,p·Gun. 17 Yollcv. 18 Un<tc:-d A,t,i.ti, 19 hw,;, 20 Ped,o; 21 Northern Sano~.

i~ Et!fd,;,o~~ ~Sc,:e~ sa~t~ol~b;~peis Ke1lh Pu,-,.1,r: 29 NOJlhPrn ~ng,, 30 Johe-Tc, 8MI

I J ! 10) VAL Vol Ooon,con, Py1: 12 1 111 I PHTfND 0e-s O'Connor. Col~bio ll t20) flLICIAHO J- Fef•<-•onci RCA 14 4151 HST OF NAT ICING COU

Not k,ng C<>IP. (op,to' 15 1-) HAI• Londc,n Co~!. Polydof 16 ,1 •1 l(ST Of THf HACH BOYS Yot. 3

B~h 8oyi C°',,lol 11 tw, TOM JONlS LIVE AT THE TALK Of

THI TOWN T o<T1 Jor'lh Oecco 18 4-J JUNGLI IOOK So..ndtroc:k. Onnc-,,lond 19 , 161 lLlCTIIC LADYLAND 4Do.,b1e ,'11t,,.,ml

J,m, H..,.,,.,. f,.01'"...C.e Trod,; f181 LIYl AT THI TALk Of THI TOWN

S--ken C, lumb•o , • ., 1,11.-~ '"111!-d" to• 1qth po"''°"

u.s. top ten "' , l«I t,, "El•/lt,,:..,ird'

I (I I I HU.ID IT THROUGH THI GIAl'IYIHl Morvu't Goye Tomlo

l 111 l'M GONNA MAKI TOU LOVE Ml D,onu Rona. ond thl' ~,.,.,.,..,m,., end Templol,oru

Motci•n I c• 1 SOULFUL STltUT

Yo""1'Q Holt Uni n1<l«I, Bn.,n,w,ck. 4 ~. CRIMSON C, CLOVllt

r,,.. ,,..,, JoTT>.-\ onci fhr v .. .ndc,lh Ro..i•~He

S C51 HOOICIO ON A fllLIHG B I Thomo,. Scepler

6 13) WICHITA LINIMAN Gli:-n CompbeU Cop,tol

l 171 fOI. ONCI IN MY LIFI 5,..,,., Wooder, Tomlo

I 1-1 TOUCH Ml Ooou. Elektra 9 •-I WORST THAT COULD NA,rrH

Br~hn Budge, B<.lddoh 10 1-1 SON 01 A PHACHIR MAH

Ou,., ... 5pr,ngf,eld, Allonll(

LEAD GUITARIST HANK MARVIN GOES SOLO

AFTER TEN YEARS SHADOWS TO SPLIT THE SHADOWS have broken up after JO years as a lop international group. Lead guitarist Hank Marvin is going soJo and the two remain• ing Shadows - drummer Brian Bennett and guitarist John Rost1ll-are to pursue separate careers.

The decision w a ~ annol.!nced on Mondav. Bruer- Welch lefl the g roup to con• centrau on busint>ss inlt-re~b in the music industn. 1n November

,,.. A sno kes•n3n for Hank !Old

MM at presstime ' Hank w11; pursur- a !lnlo c:areN a,; a i:ullari .!l t and 'l1n1,:tr HI!' l'a.!1 alre•d} recnrdf"d two tr11c:k<11 which he think, art' potential A Aide. He will be recording som«- more tracks In the near future and hope1 In make at lea!lt lhret" alhum!'I this year.•·

Brian Jones appeal

No titles havt' bttn dC'cirled fo r tht' tracks, nne of which i,; a Marvin ori&mal and lhP other a number by RnKer Greenaway, Ro~er Cooke ond Jerry Lorrh1n, who wn1te " Apacht- •· an d " Wonderful World."

R OL~~:e~I ~;~~s~ co~U:it:i~s~ ::•••" J~~0u~~;

charge wH dismissed o n Monday The three judf:t'S In the Appeal Courl 'l& 1d

there were no grounds for inlerft'ring wnh the verdict

ca~~~~fs ~=:in h~n hi:nn:, ~;o th~1 Kl~!!Jt!J~~n!.

( helse~ last May He was described by Lord Ch ief Jus11ct"

Parkt-r a.,; o "verv inlt"lh~t·nl vnun,: man··

Hank will releast• one ,,t 1he '-----------------

dismissed

t~i~~: '::ut•nn~ d1::n:~~1hr:1~:!! ~01!!ei~c~r:ks which mo ,---------------------date- hu hr ·n decided R•y•~ brother Davl' _ Davies

YOUNG JN LONDON ~~inp~, 1~~;~ "1n!1 1

~·11,;15 0~~

AMFR ICAN SONGWRl1EH: Kenn} Youni, whn hu writ ten • Rrt:al numht"r of h1t1 lnch,dinJt tht:. Driflt'r.!I •· Under 1he Boardwalk," tl1"rman'.!I "Ju,;t A L,ttle R,t lfrllt'r .. and Rt:.patra and th~ Delrom "Caplain Of Your Ship.'' t now Jiving in I ondnn

Ht ha!I 51,:nt-d •n t'Jlt lus,ve cont ract with April Mw,k. thl' ·_'BS ,;uh~idiary comru•n>· He will ht' p,oduc1nj: m.11er1al for Unitt-d Art1~l<i, RLA and Atlantic es well &<i "'"rltinl( a 11usic11I comedy

CBS BARGAIN LPS BIG RROTHfR and the Hold Ing Comp11n)· . Taj Mahal and Grat:e Shck arc amoni those featured t•n a b,ar11-11n prK.11 "Rock Machint'" LP rt'lnnd !>y CBS nt'Xl m<inth (Fi:h 21)

This will he 1he second 15· track LP in the " Rock Mach mt'·• !t'ries. Other undt"t· itround rock LP•, 1cM"dulNJ for releHt' nt'lll m('lnlh include ·• Tht' Natural Bluo.. from TaJ Mahal, an EleClr1t Flaa LP reatur1n1 8uddy Miles and an album of t'lecln>nlc Bach which created a Int of mtue11 In !ht' Stales

RAY DAVIES THEMES RA'r DAVIF.S, ol the Kinks. who d1d lht' tht:ml' mu,1c for the Him, 'T,11 Dealh U" Do Part, has h~n Hkrd to wrile the litll' sona for another ma1or movie. Thr Vrr11n Sold1t'rs

Ray ls • 110 currrntly wr1l•

~ :~~ ~~~ 1 h1rEl:a~,:~n~~:.

Hand." reJeased tomorro¥> (Friday)_ He ~ou to GPrman~ at the end of thi.s month for two TV shows and then movt on to Holland for a forth<"r <11how

ARETHA FRAN Kl I~ h.t het'n awar<kd lht MIOEM lrophy for hav1n1 sr, ld !hf' ,treatut numht'r (If rt'cr,rds 1hrouahout !ht' world 1n the lasl )·ear

An•th~ won·t ht:" ahlc to attt:nd hul tht". trophy will bt'! accepted on her hehalt h~ either ~eshui ErtcJt.un or Jt'rr) Wcw.kr, AtlantH Record-. tXN"LlliVH

AMFIIICAN at Champ100 Jack Dup,e,, and Bobhy Parkn- ht'ad a blutt hill at th• London School of Econom,c<1 on Januat) ~

RookNI fnr this Saturda) (11) al lhe LSE ITT' lhl' SavO) 8t11wn Blurs Band, Third Ear Rand •nd lirviathan

SINATRA TRIP OFF FRANK SINATRA haa can crllf'd h•• trip In tundon lo rerord an album of Tony Hall'h-Jack1e Trrnl sonp Hr WH duf' lo llatl wrn-k on Saturd1:, (IN)

Ttt. reasnn for the canr•lla­t1on wu "1n unavoidabW comrnltmrnl an America •·

It 11 nnw plannrd to ritl"Of'd thr album in lh• Slates whh1n the nnt htm months and Tony Ht.lch and Jackir Trtnl will t'ly thfoN' In prndu('t' 11

Fred McDowell due next T ~ • • ; I ..

.E~··--1 1

I , / \ , ·,1 '. I L=::=.--===-:-~

• .. . .. .... I ' .;; ij ( ·' \,

' "":L

'- j -- ! •

The original ...

"THE HOUSE THAT JACK BUILT"

THELMA JONES SOUL CITY SC 110 OUT NOW!

111 FINl St. London EC4 Tel9J)hone 01 ·3S3 5011 tDITOII

Jadl Hutton ASSISTANT EDITOR

Bob Haus.ton FEATURES EOITOIII

Bob Oo1wbarn ... EWS EOITOfl

Alan W.iilsh STAFFMEN

MaJC Jones Ulwte H.mNW

Chris Hayn Ctwis Welch Bill W•••

Tony W ilson Roys ton El dr,d1e

ADVERl ISEME.Nl MANAGER

Pete, w,a...oson •'ROVINCIAL Nt.W!:t EDITOR

Jeoy O•v11~n 2·4 Ollfo,d Road

M~nchn1e, 1 T tlephooe Central 3232

APPf_ARANCES by AmerlCJn crnd other foreign musicians on BBC TV show s could end following a meeting bv the Musician~· Union t'xtcut 1ve Committee :it the end of next month _

Shov.1 lzkt- ' Top Of Tht> i'flf)1'" and · Jau At Th M,1,lt1n,;1. '' could h~ thr.-at­OT>rd

~u hu JI.I I fr.r .... ard~d a dlrl!'Clll't' '" prflm<,IUI and AJfl'nr th r ..i~h•P\lt Br11a1n •d •1~1n1: ,h.,m nu1 t o f'nftr into an l urthl!'r N1f"lmllmtnt1 for IP~IURrt5 lri lhf' lf"lf'Vl'llr,n t,ro«ramnn nf th~ 88( h., any torr11n mu,u 11n, ;y11u may ht t1nntin¥ into linta1n ·•

It add I', 1'Atvu. - th11 de-• c:i.1on -.,II n• I etr~ l fulurt· 1V apporar,cn b fnrt1an mu1i­t 11n for 'Ahlf.h appr1,va l .--,r 1br- \11 hH alrUd)· btt,n 1,v .. n.

\'1\1 1.1r,dtr I.and lhat l h ~L U)(k. tXC'tplton Ill ... Ga la r....rformanu:" b) 88(-TV ,,n Otrembt"r 23 wh1C'h includ ed F-ran~t•a Jarqut"t Louss it r Tri,,. and ~h•t t h1 1 1parked off thf' dm•c t, .,.e. \l,h 1c:h reaffi rm s a lona-1>1a nd1 n11: "-'t U po1 itlon r,n thf' employment on TV and radlO of fMt1gn mu11nana

Hurt Fra ncis, au i.stant

M.U. ban threatens BBC-TV pop shows th e f11m Ve nu, In Furt • Lyn Dob1mn a nd Hughi e F lin t pl1y nn ll bu t 1t'a JUI( • hlllt" croup of m ut icians wt've uu d IM JtnglM

~r,Jh,.f,,~:1:

111't-1~~f' ~ ~:::di~:

Hirm1nrham •nd fr>r I wet~

r~(;m C.~v':~;,.~.6' s~~a:1r ... ,:; Monk Br,.ttr,n <;ot,al < ,.n,r• , Harn11 l""Y BIG BALLAD

NEXT FOR BARRY

5tcff'llry 11f t he ~ u to ld thf' MM on Mt}nd ay " 1( the ue. (U ll Ye d id decide l fJ pre vent

~;:"~t~ eBr1c;~~~ o•:ir~~:!,~ mf-r<.1a l TV woul d be able to lutu re the m."

BBt wou ld not comment at r,resst1me

BARBRA IN LONDON

" Lyn used to play horn With UI and Hu1hll' was with John Mayall For some x enff we're Ju st blow1na a1 the scenes are shown and th1l'1 why W t ml end In Ult l hesf'

:~;•-,,;,e tt~o j~~l t~I' 1:i!~:J:~ mu1lci1 n1 •-

IKE & TINA TOUR IKE AND Tina Turner may make a March tour or Hrita1n

Monkee Davy Jones and Nancy ooo GUEST Wilson here for Tom Jones show AT TO Y'S

" UJ\I( I~ Lnve,"' an•>l ht-r Mi: 90\l ndin a hallad , ,...,u hr

~:r:, ::::::~<!;'i'i: ~~~li~n!!." The n"' • 11,na.. a l o "'ritter,

hy Pa ul Ryan . II t f' lf"awd "" F hruary 7

Barry returned on Mt,n day fr im a Jl.lr<'t"l~ful trip tn <ierrn.-nJ and c_ <'Pf'nha1en

~~ .:tv. o!a:~~:t!~/ •\ .. ,:7:k~ L ndr,n•~ R yal, T nttt"nh_.m wuh the MaJOfl l),

N e- x. t M 1 nda) he Yl.61 Gf'n.,.va f• •r TV retu rn 1n ,: t •1 Britain • n Wedn .. sd•"· O.ie, fL.r B.11rry thf"n t<, ll r,w a l I ,,c_;ar no Wit.k e l'i t"ld (Janua rv .:q., and t~t! Too Rank 11 1 Hanl ey ('l7J. S urd• rland (2)(.J, and D,mcas ler !2"f)

BA R MRA STREISAND new intra London 1h11 week to attend the premiere of • Funny Girl · at the Le,ces• ler Sq ua rf' Odenn tomorrow (Friday)

Th• " Funny Girl " sound ­t:atk has been re leased by CBS It hH already been awa rded a ,:nld d b1c for p. le1 m Amt' n ca

MANFRED RUMOURS ~ AN FRED MANN 'S Mikt" Huu denied rum oura th11 wee-k tha t he and Manfred have formed a aroup t,, re.cord • Ju:1 1lbum

· The only album we' re do in1 11 lhe 1oundlrack for

St.eve O'Ro urke , nf the Bryan Morri S(.ln offi ce , to ld the MM " They have 11gned for Blue Thumb Record,, who relea" Capt.a,n Oeefhearl and Ayn•• ley Dunbar in Amf'nr-a. and Wt have been offe red them for a tour ."

SCAFFOLD CABARET SCAFFOLD, currently at Ronni• Scott 's Club, have bun b<.10ked for a se rir• nf cabaret appear• nl.et.

They douhl e Wake Ile Id Theatre Uuh and Briahou,e Ritz for a week from Febru­ary 16, follow.-d by a wef'k at Mane.heater's Gold1:n Garter fr L'lm February 23_ On March

MONKff- DAVY Jr,nt-1 • nd Amtrk an a init-r Nanr:, W1l1on nr w 1ntq Lond1.1n th•• week tr, CUftll r,n TtlfT, Jonl-f. TV serlN Th11 l.1 Tc,m J ,,na, currently m produc t1r,n al El1trte SludJO•

They will apptar 1n th e t hl)w tr, he 1crte ntd in Un i.am un February 1r, with M1tf' 1lle Ma thieu 1nd HPrman·, He r-mil l

The t f'ri N l ll r ta c,n Frbru ary 9 and u ch ~n1r,n will bf' , .. en On American ne twr,rk TV two days earJ1tr

Other RUttlt ftxt-d for tht-: thQW • r~ Mary Hopkin, Pf'ltr Stller1 and the Moody Ulues

~~~,~•~en:~, 1::d i~:,1f!~;:

Lyn Hedarne and ponihfy Tnmnl} Stft-1• 123) Lulu 11 alto un lhis lhfl'W hul ht-Cl\&k 1,f contrach with euc •TV may t>f' 11ern r,nly in thr:

Amf'ncan • how I Jlher JUHll a re-: Jul1t

Un,c.oll, Bn11n Au,er and lh•

ililllllll!lll,,.,_U ............ _,j ................ L ... ..I..I .... .J._ .... L,-4• I !;~711y ~:~ti:,l~,k~d ~!~~ BiJNew from CBS New Singles

3961 Tammy Wynette Stand By Your Man 3931 Barbra Streisand My Man 3956 Grand Union Slowly But Surely 3958 Bob Monkhouse I Remember Natalie 58-3924 Elmer Gantry's Velvet Opera Volcano~ 55-3957 Sue Wilshaw Empty Sunday!lill 57-3148 Duster Bennett Raining In My Heart •

- -~------------ --Rush Release -Available Now

55-3965 Clive Sands Lo Mucho Que Te Ouiero ti'il'II : (The_More lj_<!~eY_<!'!}_ .......... ~ .

. ~ ...

New Albums

! S 18 f, iiO Johnny Johnson & The BAndwagon :C:, Jri11rr,'r .kf-i:\\fJI' h Tin• 8;1nr1 .. q1:11 -- ,i -'1,

tS)l)34)i Al Stewart l,1.•· 1,1•,,11111 I,, iS634/2. Grace Slick A11d The Great Socret C11wp1:

SprinJ,:hf' ld, tht· F11undal 11 ,n11 and Lb.a Min1:lh (~)

Tht:rf' ha , a lrudy httn lrt:rnt:nd11u5 rt:11,p1mM: to lhe 1cretnin,t Jul \Otttkt:nd of !he fir , t ~h,,w in Amrnca An 11 t.id1enu readlon t urvey ,ho w.,d Iha! 100 milti,,n pc•ipk luned ml" the. , ho w And th1: c rillCI Wf' tt" alsn unanimou" in their prai t f(•r lht" t ho""

TEX JOINS CHRIS JOI:. Tl::..X will hf' wurkmg wllh lh~ C'hn1 Shak~•ptart' Glhbc Show during h11 thrt"t'· <bys ul apptarann·• hNf' 1hlt wccke-n d

Work permits wNe rerund for h11 musicians hut ht: will be appea ring with his vocal-1a111 and cl ance r1 Add1llon1I

LULU

EUROVISION SONG CHOICE URll AIN·s ENlkY for the Hib!l Furovl"t'•n Son,: t nlt:!il will t.t c hu,t'n h om • •• son as In hf• ,unR, hy lu lu on hu wctkly TV' show

Thf' imng, ,ire· "Art You R1 adv J 1,r Lc,v,· •· (Ray Urn~ l' rnn rrnd Alan ll1wbhaw)· " H1 ,.,m Rang-a-Ha n,: · (Pr-le; Warn!:' and Alan \'loorht')use-} ·• Come ~"Pftmtu r " (Do~ lil11(k. •~d M11rk Lnndon) " '-iafl h · (Ken lln...,a rd o1 nci Al;,11 hlaiklty); "I tan·t Co 011 L1vlhJ: W1 1h r'l41t Y11u •· (IJl'Jn lt f•up1n ;1nd f ltr n luhn) and '' Ut"l Y1 r · t,y Juan ~h•kt f'Urt and l)tre li: W11rn

l hr•c- •i• ...,.,.,., < husi:n Jr t)rn • rr11,rd tntry lit" 20f, a,r,p

t-l11:h1 nmre than l.ul )Ur I ulu will ,1nir: fh,- winn1nJ on,: m M11dr1J 011 M,,, h 1. '-t

l.l.ll u w,n , mx r • r h 11,,.,,tt nn h•r TV ah '"' Uht" fir t ~• lt•at""'d I• t .,., Ii) a1uJ 1,n" w•II t t, JJ,. r, t _., lh t nl t

datea 1ndude Uw Ra,huy HQtel , Wealdltc.1r1~ and r u,t fi'ir P1dd 1nctr111 Qf\ S1.1nd1y

ERIC1STEVIE LP? f.RI'. '. l' P'TON and Ste-n t W1n....- ,,od ma y jutn fours with

e 11MV~ ,, ,:

~--.r-'i.!'.l..! ... s.rta t

H.aU - feb,va,y 14. f art ti fr-. 'lku-11 l.i \..._,_,. llail,. rtl f1d1.

t.rttt.. I.Awdo.n,. f.(...4.

WEDDI G e T , e _.,. a ... Pal , ~ r T J C,c,,,,ez o,p • t w,tt. rile f<,<.n<bt,o,,• m.,.,rted 1'?. ye.a , ~old Y•oo"e S w i Lo clan on Mo~, -To"J • pet pyl !ut;.u I • l••Y' Dk• h1ffl wit+. m e wM,c" ••et I co ·• u.d Tony after t e c.ttemo"y .e t Ksas«nctcw, let•~•,, Off,cc. Tony mw,t Y.-o,u·,t: ,n Plr"'O t+. 15 "'°"I •co

Rosetti Ori!an Firsts!

FIRST v.ith a 1-,oi.._c electronic orgorn in the

touri'-1 da"•· FIRST "ith lo" -pri1..cd

j-\'oicc port.thk ;;,ind , con<,ok n11,Jel-.. -

FIR",,T Yoith 4 11t .. 1aH·,.

1-,oicl'"· mixer, dra..,. -har, ,.rnd amp ull huih

into one model .rnd it',

TH_\ r~ ROSE fTI brin,,:in,,: 1bc l<"..adcr'l-h.ip thn ha\" · ,ho•n ._-.i1h olhcr in,rruml'nl., to tht boomin~ or-i:.;an m .. nktl

Big 1hin2, lik.c Jou!,!~ Jra"' -h.-.r ,.:,,ntr•_•I c,f \0tcc for h.omc: or puhli.,_ u,e-.

J iul.: thin,:-. lik(' tht' ont-..:a.,1-· J'(Jtt~hilin, ~the le,.:, ht rnlo the:

orican ..:a."'-C'. l.c.1Jcr,hip'. ~ .... c tht hil;! nc'-' r.ln1Zc. Send th,,: ~1•upon.

-------7 I I

~ ,.,.... I I =~ I '- _ _:.._____ M It I f _________ .,,

1 , I M tll1l 1, MA H I( Juu1ar~ l h J•t1:.,

MARY RETURNS TO WALES ON ENGELBERT PACKAGE TOUR tAA J.IY HOFK IN

MA.It\ ' l llll'KIN t11,1k1·1 h1•1 flrat t11'11,1·aranr1• 1n W fl lf's a inc~ \ li11 1 W1 r, I hi 1)11 \.'I' tw, am,, " hn whrn t he pla va the

I 11 p111,1 I 1tdtlf 1,n M.1(1 h 12 Th1 , 11 00(" tJ( th ~ date, o n

1 t,,· 11 ~:~"11~:~~~I },:.~~:1r,<;;,'.1t~ ~;,~•l~Y •111o~~!fnf~c~:~P ,.tgfr i nd ,1,.11 • r, ,, rtu ,r111~m1111 • I& ..,.., .. k , lour are r,l!1n" ftn1l1 •rd lh, 1,,.11 1111111\t ,,.. ,. , ,' 1101 l1 v•• a i,iw-•ra n<r• 11- in<f' f hr 1 i~ n1·d

v, 1th ~1•111, le ,- , •11'1 A'" "' i hft·ll ,NI llu11,r1·rt11"1k .. ,,, ,t" will ..... n•l--a ud ~• rl y

n, ,,- 1 m1,n1h T1tle1 a nd t i!· lr11 ,. d•tf' wrrf' n c, 1 ava ll ablt­

Dave Mason song for Joe Cocker? IL 11 I I It ~ I k'• 11· ,it 1111..;I

111 ,, t" • l 1n ·, ,,. "" IL111r h, 111 1d ol Ill ,-\111(11 I 111 An,, Ill ii

I , I \flll t 11• ,J ' I .. , 1'1111 All '411 t,1' ""1rh 1,.-, J. 11111, t.y l(.t I h•rlt1 l',,d , 1 Mui lhr111!11 J l,,l!t•~11y

Wh i. l rull,1 ,rl1atM"tJ 1hr 11,11• (u,~rl 1h·111 ln l In t1•r1,rt.l

\1, 111, A l tll l, llrl r• lri.m

\h I ""'"I • In l t"IU I , whl, t, h\ am.- hi l•tit h n

lh p, ,l l•tllH •I J·,rlln.:" 1111 11111 I V'• I ulu ir,hn"" 1111

,,t u 1, l11y ,1lld I l,rn <I rr• ,,rtl Mi r lll•W ,l rl ,11111., whrl h t• r II h,, ul,1 lot' 1hr l 11 U,,w H jl

I 111 '\.1.u1 h If• h1 ' ' I" n• In ll• l• lh I .. , ~1 •"'1, )(1 1,1, . r I la r lul , ,1111 <1 ,, n I, l,ru a ry J7 ht·

1,JI In ., 41,t1 f II II\ J,c,n,j1, 11' t All r rl 111111 .-1111 \1,, ,,,\,\ f o ,,1h , 1hr lh,r,i,;, JJ.,M lloc., 11 h l~111J •11<1 Ir•·

\1\111 , l1tlllH cfolttt lnr Ii.ult" S11llu,,1 11111\'n t ll)' (J,u,u1.u \ I 1 I h 11 I 111,,v,·1 11\o llll). M lqU• r I :I) I )'1..t'Urtl, rr1nd ! I, ( l'l'lf 11"11. N 111,.._t,h IJ5),

~/~1 l~•.:r1~1h:\ :)' 'lJr~:!'r~l/1'' ! 1·1,rual\ I 1

il l pr•·ullml', 111,J prt> IS r, ff1 rl!r f hm1 H111ch1n ,

Motr v lh,pk1n II lo l ll t nd l,<.olh M1dl"fh and th,. s,n kt"m{) <,,,n, 1-i· •lltVII thl\ r1,0111h

NO DONOVAN TV IXlNIJYA~ I~ 111 make ru , l'rll 1<,h lV a1,pe1r1nr~ fnr !hi' '1ra.t 1h r,-,. m,,nth a of l 'lli~

Tht 1,n ly 1 V s h,,w hf' 111 10 KU'"11I 0n 1'1 1n l alif<,rn1a - a !lp111 un fhf' nf' t wr;rkf'd And} Williams Shr,w A,:t-nl V1<" I 1 "1 fl1r•• 1,ut with !Jf',nqvar-11, ( 11llf•Jrnl1o1 ••n fthru11t) lk 11, rf'c1,rd th t· ~h,,w

AMEN CORNER NEXT A~H N ( ORN ER S nf'W 11nale, ' If Yarad1,;e Was Hatlf A. NJr,·," 1.1 r,-ltt, 1u•d t tJ'J'l<.rrow fr rl tfo yJ on tht l tn mf"d iatl! la b,· I

Thi· J.! r<IUP, who'lt' dt'>CS w.,., ,. pr1• v10u~ly n: l~av•d o n Ut- rra'a Drram lahel , have

ljm,·d it c 1,ntru, w it h lmmt:"" ,fu:u,· a nd an l ltf-nc.-v dc111I with !ht- lfarr,\d D•v1d , 11n office

Amc·n r 1,rnrr air 1n !hi' tau al11rd1:1 y (_ lub nn Saturdl)

( I 1:11 and thr Di.vld Symund• Shll""' (2<1)

1 hry vJ1,H Holland f,,r TV i,ncl a ,.,nr-••rl d.il• fin Januar~ 2~ .1nrJ 2\.1

MOVE'S U.S. TOUR riff \.1(JVf. whc, 1hi 1.0,t'k f'nl, n•,I th,· J•r,r, JO ,nt Z'l with ' Hl.iu khf'rr)' W.w "' OPf:n tht'lr Anuncan lour llf F1llmor~ f-A, I, N,-..., Ynrk on lanu:;u-v ,,,

lh• t,,u, lak•t tht·m lhr,,,,ah unr1I ,..ebruary 2• and 1rtd11d0!'• I ("httaxn dall!' llfl St Valr111P1.,· D1o1y lfl"liruary )41

1 hr ,,,, ,up a:unn r,n ( r•• krr1:,, ~ fJanu11r\ 23)

AMERICAN VISIT FOR MARMALADE MARMALADE. STILL chart - topping w i t h "Ob-La-Di, Ob-La-Da," may visit the States this spring if their best-seller single tal<es off here,

It has )Ust beln released in Amenca , but races hea"} advanc t: competition from the Arthur Co nle)· "·ersion, which ha ~ already been rid• 1nJt thl! US charts for sf:-\ • l"ral weeki

Bui "i1armaladt''1 "Oto-La• Oi .' ' th11ugh iH Ul!d onl) $IX. 1,1,,•eks aa,,, 1" alrt'ad) o ver tht' 400,000 mark . ·· w f' npt'ct 1t LO rl'ath half-a.m illion, " a (BS 11pokt·1.man lrold tht' M\1 ,n M11ndl)

.• II 1, already a ~!,l•kllt'r on thr (.nnunent "

Marmalade':; Pal Fa irley ,;aid <,n Mnnday that tht group·s

~~~t it:l~~~e .::r~~i:t:~b!~~ 'Wt don·t v.anl to be nut of

the- c;ountr) l hf'n." he said . .. as you want to be around fo r n· p, ,,mnuon ·•

Ma rmalade' s wur with Gene Pllnry and Jo• Cocke r a ls1 includei, L ucas, the Milt e Cot· ton Sound, the he~ and com• J)t' r t' Mike Quinn

It opens on Frida>, Fe bruar) 7, a t the Odcon , Birmingham Oth er datt:s hooked at pre5s• ume: Od~ n . Lewi~h•m (6). Gaumont, So ulhampt.on (9), Gaumr,nt, Wolvt'rhampto n (JI),

~ec;~e~ltJ~:~!~~r (.[~j)~0~ol~~~~

MARMALA DE: com peti t ion from Arthur Con ley

HOLLIES' DECISION THE. HOt l.lE!\ ,p, ;1 t1 announce thf' namt- -11 lhl rt::placemenl for Graham ;,,;•c;h tr.day (Thu r«'•~ L

Tht>\ ""er t' h 'dinit t,,,111 , 1udit1ons l h l!l wet'k •nd the

~!:uu~~"~h:'~~!~.-1~~ ~ ~:,~ bi li tre, to lhree and 11 leut onl! ..,. ou ld have tn sort ( u t ~• ·ntran ua l prohlf'm!I t • 1n lhe grou p

STONES TV ALBUM ROLLIN G STONES ru<k a nd roll r.:ircu , te lev1smn spcc-11cu Jar may bt> rec1,rded and an LP fealurin,t the SUPl!'f·JHIUP (If \1,ck JaJ1t•r. Keith R1c-h

•rd J11hn Lennon, Er1r Clap • 10n' and \1 11C h M 1tch e\l •m id for charil)

A !lnokes:i,an for the S rnn te-. al Lt:" Pt<rr in·s office s;ud: •· It ic; hop N:l tha t an a lbum c-an he made a nd so ld for charit) but nothin~ ha!- bee n fina]l,;~d ..

Funhe-r d1scus..c;1o ns arc: • -'-· rlCt!'d Ill take pl•~ wht'n \ 11rk J .J.JJ,t'r rrtum. fr,.., S, u l h Africa

MELOUNEY'S FIRST FIRST Sl~GLE by Ashwn, Gardner and Dyke. thf' nt'>A JlrOup formed b:, t:t·Set' Gf'f' Vin~ Mf'loun~y. ,1.111 ht' rt-lf'IISt<d on Polydor on January 24 It's ·• "1a1den Voyage," wr11t,n h:, nrian1st Tonv Ashton.

Thr J rc>ur·!i n c; 11lt t'- • S ,·t Th<- Sun In M~ F,,,' i-. , \'mrt." '\1r- lf').Unt"\ , tht" lod Jl:Uillril y,1 th ,:n1up {, ,1n· rlt'tm ,: thr lm,t,-up u,· Kan , Gardnr r (h:is,) 1nd R,,, O vit.• (dnl

rromc>t1nn,11 da lf'S a n · hr in Jil

:~Id ~t. h;n~ugp~~I ti~,1;11:l~~~~l11~

du, Hit H'I n1id- Fthrua f\

LOVE AFFAIR DISC THE I O\'f Atfn1r·,. n o:> Y. ~mile . ,1. Phihf' G,,,,dh:ind •,T :t.1 1 comp11S lti1•n •• f)nt- Rf'\dd , 1'­Stl flit r r lra se l> fl f ehrudl')' 7

Tht" Jl: rn up th1 w..-l!k ,w1t r t', ('d .t~t nti. , !rum tht' . H.,rnld O.w1 ,;un Offirf' l O hl'nnt•d) S1ree t Fnt t'rpn~s ..,. h..-rr 1h,,y "ill ht undtr the p,•r,;c•n•I duTC"l1nn .1f Uann, Bl!te11h

Th, ,: n ur, 1!1e. .. w 11.rl\· [nr tw t~ di v" at the \1.-onlt'd Sah111n (luh Milan, m ~l,rc-h !'i and fl

WINWOOD SCORE !'ITE\ 11'.. WIS\VIM.>0 t"- to v,ntt' the full s<·.,rt' kr 3 ·-n•\\ film "R.1inbo..,.;· Thi- rilm u. 111 b.11.,• n:-- d11l11,:,u.- .,nd is r, l,1s1 ninrt~ mrnuh'l'I

To .... rite the SCtlrt· \\ in wood .... 111 havt' 11, tempt1rn r1):,, ._top ..... ,.1rk on h1!1 first .. n lo alt,um, "n ..,.h,ch he plan:- l\1 pro ,·1d! all h1, ,1wn t,a< km,i: mcludmg drurt1s It 1s ~1 111 h,!pl'd 1h ,tt Win1.1,ood and Em; U.1ptr>I' ..,_ 111 JI'! l1:'1~1•lht·r for an 11\~um du nn 1t l h t> ,rar

Hall. Bru.tol {I•), Capitol, Car­diff 05) . Cc.,ve ntry Theatre, ( n vrntt)' (16), Astnria, Fin, • bury Park (21 ). Empire. Lil.'er· ponl (23), ABC, Cambnd~ (26), A BC. Lim oln (271 and Gaumont, Hanh-y (28).

JAZZ NEWS compiled by Bob Dawbarn

March datt"~: C1tv Hall . Miles refused entry into Japa• Sheffield I I J. De :\1i"tntfort Hall, Lt"keuer (2J. Odeun , Glasgow (4), ABC, (,arfi51e CSJ ABC

~~h/\;~. '~~-v ~!~ch:~;;; T"~ a;,i:~u~\-~nc~~l:~~ ,~~~~~1~ow;t. •:~n''<,:i ~~ '")i>!~i ~1~' p,;!1~~~;m'!~t- Japan for their scheduled ::e~~1~n~~:,~•~ C~';_b·~:~= P-•·nt J<>• c:,,d · ~ will n(•\ l...- ~~urr!:on: C:~~ A~~:~~~! featuring Chick Corea a nd ( ~ruar thi1 I inf' In dau• on a result, drummer Jack De- Herbie Ha ncock on t-lttlrlc ::----,=======--,-=====,,.,:~~':and Joe Za\\lnul on

HAMI SH IMLAC"I

lmlach fined -tour doubt H Mt SH 1:\11.ACll 'S pro.

po'il'd ont'-m o nth tour o l l'..a~I ·\me rlcn n \ c.nu..., mD),' b, c~ n('c-lled Ha mi, h it (IC'r • dmttflni,.: -w ~ re-tenth- fined £70 after adml tttna thrr" d ru i: cha r~C'~ in Gla , ~oy, . TI,e-.t> c h araies m a} prir­vrn t him from ob1 ;.1 inln6f 1 \I-... C omnwn h'd th(' 28-~ea r-old ~lojtt'r • bout lhl!' (,fft-cf th l,. m•l haH on hi, futu n?. '' I h a v e n'I Jot • ~;~~:~i_r:.n a~ an anKC"I.

,\ Mc;\\ Sll'I, I• 1.r.ffll1\ 1rc ,m \,\, idh " 'h}tnn r m t r,·w Cfr1tt,.,) 1,; I ,-,v lt-i A f)ov.tr.' ,n lh f,-nuA 13 twl I t' • tone wrll!r-n Walt, and ha tJrrn rrt• r~ f,,lll >4 inf \\.';t l l\ ... ~1ncln I it rC'<~nlh , n ( 1unlf\ M 1 fr-lk, !hr 1:nh,, Jh<1'1. •flich h ht l f)t r d h..- W1 ' a "'a huHll•II •rV a&o1 lnl md1 ... ,r1rna1~ dn1ru11,, n r N,Uurt' 1n lhf' n1m , 1 o, irl' s. ·• Requ f t1' ur('(f 10

w3ntmg '" know 1r Wal had re("Ohl t-·l Lh• 50 amt•ni th itm le ll c-r l r,,m th "'-alt •nal Tr ll t thr R ,aJ 50C 1Cl;O' ,,f Br 1t1 s h Arc hllt<'l& 11. nd lht' Na t itlnail (.On H'f"V• t11,n ~oc id ) So thl' • •" I ll' l!l titi na r r lt"nPd B-Sldl' It. · W1ch1t a I Inf Man.' lhf'

1.-.t .. ~1 !Jlr'!~le- t, Glt-11 Ca mpbell .

The Spinnen au In Ha11 I t'\' ro ni~hr t1 hurtd.l\:) arid ,1p p,> ar t d 1n ,o•u er nn•Tt 1, morr, ,w t l-rida,) 11 N •· ia .. 11 ( II \ Ha ll and M11n o ..,.C'ek 's • t'Vt•n d o uhhn a at \11m st'! n ' and 111 • d vN

1n l 1\'l r UtW'I on ·und k1c-k 1n j!! off J; I Ju ndl ttnw 1l ll,J.1,\in• · "' lh f' r I n , ert al Ha rrnaa1~ n sau,r ,lay n11h t Tlle -. • furlh r 90ka ,:INN a t l"ana

Ju.z •rilrr Charll's Fo, •ill be a mona the k.tlurt'rt on a Jazz eoune bl'ini run at "'•"§.. fell Colleae, The)don Bnt!o, E.pplns.. E.,;su., hom Jun• 13 Thi- eo,t is £4 lls for the resldenllal th~e--da) couru. Anyone lntrrHINI ~houkll contact 1hr Warde" at W•n,. frll Coll•ar. (lpl), Garnl' tt Bro"'n (lmb), r::::::::~-----­

Jo, Hf'ndf"non (l"r) and Ron Adolphr .. Tals" Alf'111ndrr

""ho pla)·ed clarln•l, H'- and baritone horn wllh such ~e ... Orleans band1 as Sklney DH• vl1ne, Papa CiPIHlln and the Eurf'ka 8taH lland, h11 dlt-d in New Orllf.t.nc, q•d 79 . .\I hi~ funual on Januaf')' 4, lht-

~~=t'\!':~: ,::~ • .!~!"' Trum~ter Sonn) Morrl~

has ,..formed th• l•&•nclary Cranf' Rh••r Jazz • and with hlrnselt and Mo 8"n (tpll). Klfft Blalllfnt0tt (lmb). BIii Panlo• kit. sax), Syd S.nnttl (hjo). Bi1 Ron Ward (bau) and

~a>r!::!: c=:~:!~ -:S = Whllf' ... r, kin111IIP} lload, Houn1low.

Sallisl Evan Parker Is IIIIICtt: In London after IWO IIIDGdts tourtna th• eo.,Mnt wtt• tlle Pk-rre •n~ QNrtet. wttll whomlt•neonled •• all,v•la ~==-. .. =."~~ ~;r•toa Hoa.I • .. ...._,.

Cartt-r (bau)

,1:;.~c:,•~: -~J:::.~~~~ ~:~: 1,ion1, to lhl' Thunda) . Finl Sunda) •t-ulon b on Fl"bruary 2 •Ith thl" Brtan Smith Quar­tf'I .. Blrmln1ham'a .\lu.a n­dra Thnltlf U1Mrlmf'a1s wllh j,a.u lor 1h• ftnt llm• an Ft-b• ruart 2J whH ,\nni.. 1t01,, ~!'rt .. ~Uh thr Tubb} HatH

Alan El.ton dl'pp,td ror Kffln) a.11 whh lblP a.n Juz­fflf'ft to rff'Ord ror th• Da•e Ca1h Show la1,1 Sund&) . Kennr ••• do"n wllh Au . Th• :;..wa~'•3.;h .. ,,:.1~:baa,:~ ~- Chrh, latlMr Band-ako lu vltllftls. Anothl'r nu wktlm '"• .... ••• K•n ColJl'r.

Dn11111aer GMft Down• haa WI llM Moal Sunahlne hncl .,,., t•r ,-n., to )ojn •m NI .. ,, 0.lla Janhnd and lhlP ~= Nk:!'i,:-:_ - ..,._. 111'1 Keith Tlpptll - 11 1M IN Cob..,., ....... ~ -.... ..,., =..-=...-i= ~ =i:....~ -- -

t {111

3 <•)

. , .. I (-1

... , , 17)

MR. ROBERTS, M.P., WANTS POP INVESTIGATED

CW I L YM ROR[RTS JS TH£ 40 YEAR OLD MP FOR SOUTH BED f ORDSHIR ( W ELSH BORN, HE HAS BEEN IN PARLIAMENT SINCE 19GCi A ND IS A FORMER LECTURER ON STAT ISTICS AND MAR l(lT REHAR CH CONSULT ANT HE LI VES IN A SOLI DLY M IDDLE· CL A SS HOU!.£ ON A N EW ESTATE AT LEACRA V E, BEDS, A N D HIS MU SIC TASTES RAN CE FROM LI CHT MUSIC TO HYM N SIN GING , C.RAC\t Fl(LOS ANO BINC CROSBY

MR. ROBERTS say1-

\ 1 IIIIH I II,,. hl'\ I r,,11 1!,ulo11h """'''"UH,1 "' m,11ln11 l"-'1) IIIU\lt Mr C,wtly111 M~ t 11 11 ' I •• •• I 11. 1111• 1,1 ho111 11 1h, M,1111\,·r f111 'm,1lh' llrd(1,r1hhirfll

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lrlt \ l1•t ••f "' ' 1 l•t•t111u· 1,1, 1,,111111 ltl'lf a r (\ l'IU' workt'r11 on th t1 nlght1hlh. All I I • I\ ll•h 11 l,1 1~ N1hlh1 1h1ro ltltn• '• rw • llrtn11t1v, , 1 would bf' h1J1111v Ir tht'rtl .... , ., 1 f au •lhl\\111\1• t1Ul'th1,r 01 1111 hUtll ,,r ,.,.,,.,allHlll'" ' Nnund lht' llurnr'

~ 71~ ,~\.~:;1 ~:;:,~:i.· ·~ ~~1,1:·1111!:1 ~~r h~~~I :;",~1~;(' ,:.,':,·:_ .. don't 11~ .. po11. With Chi • I~

,i, ''"''"' °'I•••, l1m"·1r1, 1111 fhlllllf11I &rNmtl•, u1•1wrt t'r('r ron1111rrth1I radio.

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1h It-II~ h, flh l, \ 11r l11I ,,,,n, llUl '11 1111 IJOI h•tn•ri I)( 11(11) to rC'!IUf'!l!l for mor1' +i•h h, lh 1•r.•1li'A"1111, "· Uu, ,.nu1lnln1t HI Jl t:r r1·11t Wl'rt lndl([nlnt thitt lh~lr

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1 ~1~'i~~r~1,h,tr~ll~IIJ1 ,'i

11~~tl~~~:i:~~

flh I,\'"' ""'''' \ .1 .. ,,11.1 ,,111nl11I ,lutllt• h1r Vl.'110 tu 1u:rtn1 hill llll t" nt, b111 dott n't '" ,1,1,h I 11, 11 1 '" flllldt .. II IIQll .. ,.r wllh \'N\ little> aclual 11111'111 , Or II IOp

,-un n h1• 111,,, • l.11 II" lhau ..-otnf' ul lhf' ,01111t1 01.'olPk In pnn i;i:roup111 I"'' "''' .-11,,1 fl'\\At1I, f\•r l'ffort llul f en, 141!11'1" l"(('('U t('Wllf'II• (or the

ho11lm11m Kmh II 111111.l I•, 1111,.t lh al 1,ttti 11lt1"\·r, e re> fulnlllnw. a nubllr IH.'NI Dul I I\ I., !• ,11c1r,I It, lh,• nr .. , pll\t'I' .''

THE MELODY MAKER says-

M ll 1~/!:~:,~!.~;,:~~=~ ~!,n;~~~1~01:;:j~~~lns:~~• ~~5 ::n"t : ::tnu;! n~~:•~1~!~;!'.n,g

.,.,:~: ~it1~~r n~~~~:l~~:i~~;~ ~:on~~~,~~': r::,~l~h•: •~:c~ J~sl~r~:l~oo ~: t: :~~rc~~e~~~! m\ltlol tute . l'or lht1 motl ,,arl ll rlocsn'I do this: It eaten for a wide .sl!lcetlon or popular mu11lt 1111tr and thc>rc onlv 1c>l'm1 to be • surrelt or _ooo beca use of the 1rh1!1v,-1y fr.w 11roar111mm" cholcl'1 avllll• hle to the llstener.

1 hi" 11 llll' r•ult of thr sue and the Government. It Is NOT the fault of pop nm•lc or th ('c Pf011lt1 who mekl' It.

Ir lhNt' wa• 11 ra r wltlrr 1ervlc~ nfforln111 11,lcnlng entertainment or a ll kinds - trom l t lk1 •nd l'urrl'nt 1ff111r1 to romrd>'1,classk11I music, pop, variety, ja7Z and mlnnrll y 1111te1, on a ru llr rc~lonnl b11 1l1 (I 111y arc moving towards this wit h local :;~,~~-.h~l :,'g;~Y ,.•d~Y,h:!~!;'~iy;-a '!~~k,would be the a lternatives Mr Roberts

1 hen the J>Crf<"c lly t N 1•onable 1t1tlement that "you can always switch off" r l'11 lly would be lruc.

lll'K11rdln1t lht1 ('Omolalnl 11bnu1 " tno much ooo after mldnlRht," there Is In fact

:~~~ ~ii~,:~r :1~i~ nm~~l::i:.n•~tvg, d~rJdi°e-~~r:~.:::d m~~~:~;~~f.1:e • ~e!~tr:~i:

f:1~t;h~~!c~~11~~'o~n1i0c~~~• r!~e•l~l~

111~an;~. ~~tn'C:c0

:,~. a;i~h~ IJ:!'i~hb~;: j,~•~I~~ mort Hoterlt popl while llumphrty lylltlton Introduces an hour of Jaz.z, followed by an hour or n,lodle-of-lht'-road 1ound1.

So check. your f• clJ Mr Robert!. Flnd out wha t Is and what Is not pop before you crltklH It.

There can bt llttle objection to an Investigation Into the health risks of excessive nol•e In clubs. Bui whf aren't motor•cycle tracks and football 1U1nds Investigated

~utl~ ~iuem~•~~c!1'!!u:ea11~~~~!~~~r.~;o1:~"fl~!f :~vi:!;.: n:'u\:u,~elX0:J~P music. Mr Roht!rlJ •ho objrcl1 to pop s tars earning l~rge amounts or money for

what he presumably consldu1 HIiie t11lent . Rut whac about fllm • tars' ularles? What about the immense profit property

devclopl'rJ make? What ebout 1h, • lockbroker who can make a fortune In an hour wlch a few phone t'all1?

lie say1, too, Ch•1 the demand for pop Is crl!ated. He mu.st also, as a market rT•eerch e-c()('rt, bt aware that the demand for almost any commercial product Is Also 11tlmulnttd by odvertlslns and oromotlonal campali;i:ns,, It's nol limited to pop. 11•, tallrd cupltall• m.

A~ a Mtmbcr or Perllamtnt, Mr Rohtrls Is In a powerru1 position to lobby t11>lnlon nnd prc,;surc those In power.

He could do h1rm to lhe acceptance that pop music has achieved since the plrott' &tallons Wl.'re forced off tht' nlr. Ir you disagree whh him and would Jikc 1n let lhe Po•tmuter Gcneml know you do, here's his address: The Postmaster­GHll'ral, GPO, St. Martln. lc•Grand, London, E.CI .

Remember- Write to the Postmaster-General, GPO, St. Martin-le-Grand, London, E.C.I.

K,·nny Ball is now an ,·xdu,in· Fontana artist Iii, tir,t l>i~ ,mash with us \Hitt~n l>y :\irvana

DONALD Pl!ERS , pln •up boy •f 1h1 Mum 5 • nd D•df b•ck in U1• Fert1,, •nd F1rt1u, hH ,ath•e.,td. at SI, th t Sttmlng ly lmptulblt • f comptttng on l•vtl tum, with cha,tridt" a lhird of hts •ft

And h1 '1 dont it wilh a r o m a n I I c ballad c•lh:d

,,,a,. Don 't Go," nearly two d1cad1, ,1 nu l'llr had •

hit .. with ·· • 11bbllng Brook ' though Donald modutly avows II • •t never a bn r•cord 1n the acctptiid s,n,,

Tht naw c hart 1ntry m ight .uem lo call for 1,ome ctltbr•• lion on Dona ld's part " I h av1 had many phont call!i of congratulation," h e HY••

Nt¥trtht len, he 1, playlng II cool " I'm ¥try caut ious .about this r.cord, '' H ,y, Do n11ld c1nd1dl)' . " I w•n l t o wait a n d Ht which way It 100_ It may SUI)' a r ownd: on the other h a n d, i t m.ay st.ut slidi n g down again.

" • ut, of cou"'• I'm vory churt,d .1bou1 having a hl l But I've been In 1how butl• nu, so long - I've be•n rec•rd1n9 lor 32 year1 - I' ve learned to be caullou1. We II JUU h11'<1e to ,.. wh11t hllppll'IS

' I ofte n th ink th a t hi t si ngle, are th e r1sult or the cllm ue of th 1 mom ent . If you ge t th e r ight i.ong at th e r igh t moment w ith th e r igh t a tmos• pher•, thin', • good ch11 nu of having a h it . Pr9v lded, of COUl"H , you do • good profH• sio na l job

•• I've a lways dorie my best to bo • good 1nte rtal ner And If you ca n b1 th lll then I don 't think It 's nec fcu11ry to have reco rds In th e ch art lo

'BABBLING BROOK' MAN SCORES 20 YEARS AFTER 1arn • good livi ng In show busl nen

" As a m atter of fact. I hrst hea rd th is Ming before I we nt to Austra lia In Ma rch or las t yea r. It w H written by J acki!! Ra e and Les Reed .

" I hear d this r1cord in Les' office and Hid It was a great song a nd that I wo uld llk e to recor-d it .

" But I was told It was earma rked for another artist .

" I came back from Austra-

THE " MELODY MAKER" in association with

HAROLD DAVISON present

"BLUES SCENE 69" FEATURING

JOHN LEE HOOKER CHAMPION JACK DUPREE

A YNSLEY DUNBAR RETALIATION

JO-ANN KELLY THE GROUNDHOGS --------------SATURDAY, 8th FEBRUARY, al 9 p.m.

LONDON • ROY Al FESTIVAL HALL TICKETS 8/-. 10/ 6, 13/ 6. 16/6, 21 /-

..,,...,i.bi• lrom Ha,old Davison L1m1t.cl. Regent Houte. 23S.241 R•get11 S1r1e1 Londor1. W 1 Tel REG 7961 and from Royal Fnt1val Hall Bo• Ofhce jWAT J 191) --------------SUNDAY, 9th FEBRUARY, al 7 .3 0 p.m.

BRISTOL • COLSTON HALL TICKETS. 5/-. 6 /6, 8/6. 10/ 6. 12 / 6, 15 /-

Av..tabie from Cotn,n Hall (Tel 21718). t-1 s Travel BurN!.t. 9'actbo,, Aecordl •nd lrigh• lmvtM y,-..,., 8uteau

TUESDAY, 11th FEBRUARY, al 8 p.m. BIRMINGHAM • TOWN HAU

TICKETS. 5/-. 7/6, 10/6, l2/6and 15/­Ava11ab1t hom Town Hell b Olftc,e (021-231 2312) .._. from uaual .. ---------------WEDNESDAY, 12th FEUIJARY, at I p.m.

PORTSMOUTH • GUILDHALL TICKETS: 5/-, 6 / 6 , 8 / 6. 10/6, 12/6, 15/­

AN_,......,...,....__ .. ~ ... Oflat.~cr.i:

~~4~,.,::.: ':!.~:O:t..~ __ a..o-, __ ,_ ... (T_.-:

::::..n::..~~~===:=~ ~ w!:" u!:'._.";:11 o W. LN rsa,_.., Reaonla. U.,... -------------~ 1HUISDAY, 131h FEIIUAIY,11tlp.a

CROYDON • FAIRFIID HAU. TICKETS. 5/-,7/9, 10/9, 12/l,1,I/

~-::- ::-::.. -::.,:::-- ._ ,coo 1111) 0,.0 10..,. a =-- to --~..::.-.:.: .:...~

-Ila orid djd my summer season at C.reat Y11rmouth when I 5uddenly thou9hl • 'What hap- , pened to U\at son9""

., I WH told 1t was being put eut on an LP by Vince

~l~IJn~:e hr!! :~:;e,1"t.1:~t~d d~: not like It itnough H a single.

' l 'v1 never heard Vince's ven ,on or it. b11t I liked Ult Mng 10 much I went lihea,d and made the ncord. and 1t cam, 01.11 at the end or November lut year.

The previous r1c1rd I had n,rung with the ch~rl was • C.am11 That Lov ers Play.' which came out about two year, ago .

How's 'that pop group' going down at Scott's?

" Now this new song hH crept jnto the chart. Rus.on for its sucuu? I think I sing It very well, and Les Reed took great pain, at thit

;;:•r:~~t,!~::fonn ~:d w;:!~ ducted

" I s uppose , looking back on the '49 to '54 p1rlod , you could Hy I WH thl leading pop singer of that d1y.

•· 81.11 the you n; kid, of today don't want to relid abo ut 11mething thlit hap• pen•d in 1..,9 They're not a bit intereited In th at."

Don ald 's r ecord ing , uc• CIUll Include .. Fa r Away Pl ace, " 1,nd " Powder Your Face With S1.1n .1h lne."

Bu t It is hit " • 1i bbll n9 Brook " slgn a t1.1re t une tha t p1rhaps bri nes U\1 biggest gl- or nD1tal11 la to t he. ho&.1 H wlves who still d ema nd

It ::d .. :::.:'l ~h~it~fi"°"11euin9

r:r,•ltrw! ~~: .; :!/:rd 0~1~~ ' ~

LAURIE HENSHAW.

JAZZ FANS have aJ'-"&lS pleaded thal their hip quotient is the highest in the land, so it's been inter• esting to see ho" the regu­lars at the Ronnie Scolt Club have been reacting to the Scaffold's humour in the firSt Week or their m onth in jazz's holy or holies.

Discount one staunch free• thinker whom we know swore never to set foot in the place on principle, Stan Getz or n()(, while •· that pop group's on," it seems the Liverpool lads are wmn1ng

Apart from a grouo cf celebrators who ga\·e every• body • hard time on Tue.sd.a}

~~r:1. ~e ~':'°~thtisi::t~~~ Says Ronnie: " Plenty cf people have come U!J and said 'what"s all this, etc· be•

Caught in the act THE RONNIE Scott Band Is, without doubt. the most exciting unit currently playing the Lon· don Jazz scene.

That wa~ proved >Y their magnifi­:ent performance 1t lhe la'tt'St "Jazz Is Alive And Well," present~ by the London Jan Centre Society and lhe Arts Council, at the Conway HaJI Inst Friday nlghL

THE MOST With Peter King

dcpping on alto for R•l' Warlelah, rur• rently In Australia, the llnlMlp was Kfttny Wheeler

He~~ i~:•'tt~bt Kina (alto), Scou (tnr), John Surman (barl, sop), Gordon Beck (pno), Ron Manhewson (basaJ

EXCITING SOUND GOING

and Tony Oxley (drs). The solo strenglh is so uni­

form)) &ood that It would ht"

~:~r.:rous n!:,fc1,~ oua~ry !ft'b Ronnie ln charae, nobody ls allowed to OVWTIITI their In­spiration.

The ensembles h• vt! t~· rnet'ldous flre and Ronnie has ehoHn hi, arnnaers n.rerulll - Joe Hender.on., Kenn)' Whttler, John C• fflft'On and Gordon Beek were among those represented on Friday.

And lhe musicians actually look as thou"h thev are en• Jo,tna every moment of It. Even the non Jazz fan asutt =~• s~=::~: :=c,::~ bobbin.a around like a 11th eatwy ,okel ,-Ina out or ... ,.tack.

The first •et, bv tbe Dan Gelly Quarul - Gelly (IOT), Frank IUcottJ C•lbn). Chris

~:.!"C:n~:/,J"! :'l: :::: ~~ =:-.:.:rt.~ loa1 llllle. I wu putlealnty ::r: with ........... ,

Tn~o=a."'

Fusiliers •· and •• WUd Rover " betwee.n bits of poetry aad bits of pp. The aap, Uke the bard sluff, were refined. - JOHN GIBSON.

MORTIMER AN WIICheduled performu.re by Afflfflcu trio, Mortimer, cau.sed a minor senptlon amon1 lhree LIii. llr•ulen at London's Speakeasy on Tlaun­da)' Jail week. Unknown lG most ol I.he lale dlnen, they rttelvea applause of a kJnd unbeard hi IIINt ...._.,.,tea dlffolMqUN, ud Md to plar .......... Alkc:o•Ue _..,. are ........ lhelr ......... Nellon 11 a pab' or •1KWW10U1 conp dnua1, Ye< dffplte the low .., "' lllelr perl­compand to Ute A'.ftNP eledrle dtmoJIUon balMI, they lfMftte far IIIOl'II na1 ex­d-..L C-_, Guy MulOII feedl la pltan a =~nd .:.w1.;:-1., -=: boa~ uel .......... ht ,_ •

~ ":. '7:.II~""-;_= -;.:-:=-~_,v. ~=-~ -- _11......, .... -··--~ ... t:"'!1-C:.t;-wm'b.,--

~

The RAUER·s weeklv tanil

fore they've heard the Scaf­fold Afterwards, they've i;on: away pleased, of"ten raVJng.

Lyon.s (bass) and Alan Jack• son (drs) and a lthough there is a lot or the " frtt " quallly in their music, ii is Mingus of the boiling turbulent en­sembles bulh on m.Jn.inul ha.rmonlc structures who s prings immediately to mind on first listening.

Tip~tt sounds to me u if he has a lot of music in him, for apart from his piano playing. full of percussive clusters of notes, he hu a rich gift for melody, which was nowhere In stronger evidence than In the .. First Generation •• mo,ccement of his .. Portis He.ad Suite." -€HRJSTOP.H£R BLRD.

TYRANNOSAURUS REX A r~~~H 0f.ro':::1~ to the air at London's Quffn E.llzabeth Hall on '.\'londa) 1 which baffled some and choked others.

Tynnnosauru5 Re• .-ilh John Peel at the wand, con• dueled us on a lour of a land of rattles, pllllks. ploab ud poetry, and the applaaase WH rapturous. Some youn1 mods In the audlfflce wne not quile i.ure how to take John re• -1• in& poelr) to prove lht> Hbl· e nce of the ••~. but r~ malned politely silent.

Marc Bolan squatted on the lloor In a black VH1 and san1 wltb fervour strummln1 a competent if not naetJy ad· .anc.d pltar. Steve Pue• 1rlna. Toolc Juuled with a ran ~e:..~n ;! .. Afr~~ntalk~:J --Tbere WU ...... of Noddy ---­SteTt stopped ntdl.. poll uc1 beaan roualllJ 1111111 a

g:-:.. ~~~·= of die eweaf•a oa ., Th• Wlunl"-.lrukoatdeo ....... IO make tlle moet mlNl'Ule IIDIII-• Jtn ID doe -.

By far die .,_, ••• of dw ............... _...,..,.,Yyt•• __ •• A•lnllu od,ly _,,._

- 111!11• ·-~.t Ii.'::--::. -::..;: _., __ .._ ..... , =--..=•.""'l~ = .:;":=•::. ~ :nu:~ -• Udy .... - CHRIS

J~fr Ellito•. r t' ~ doc:.-nsar. ·, .!J.a-1,_ l!C'

~~rft ~~', <{'W!•rr., -~~i~e~ the'1r way tw. ~. re-pc rts

~~> s1;;~d 1::c 3?,•~

~~~b ~~1: ~r~ a~~ - .- rd

~:~~Or{)ua~ :or .. ~-~ '"Get H.a:,py ••

to~:~ J:f u:;'::1~ a.:S ~~ U'lat it was the tnOK ml'ff1l'll expr-rience in J'li-s Ue • H71' hip can )OU ~.,

About time Tetra11.a.maton found a Bnti..-h ovtlct fer un• dergrQ.Und cc,mcd1an·• Murray Roman•• vU) funny aU:».n=i • Atlantia P.K:(,!"ds ha-tt surted l.h.,r awn rmmtnfY ~n-

~~~:~. rr:b~:tt;\~~-: arc aiman1 at ~nde,V?tJnd and collqe r-ad,o stauc·r.s {'lewspapn-s and magaZJne:s..

Lion el Bart Pl"'JVrd hr was on,r ol the- great non.~1n,:eo on Lulu's ~how c n Saturda,

Son and l.ol'e-n &ood en Colour Me Pop :-,.;e'IA,' mC'nthly ma1azint' Rec- rd Buyer claunina to hst 1,000 i..,p :ungle-s1

Jud) Collins '5ir.~ two st>nU en soundtnt;ck d the MG~ film, The Sub1ect W as Rose-s • It' s r .:porled that Br ita in has 30,000 les3 p ubs than before the war-th~·• c nlv 75.()l)O now. .... r l r~-r evt"r}' 733 people W c know at lea st 733 of them • Cana­di an Prime Minis ter PieJTe Trudeau and Jud) Garla:nd amon,: th. fac1:., a.t Rrvt:. lt.i· u, n Alo..,, ~n there Prince Faisal. .ltmmy Tarbuck, t -uhr a:mt Mauria- GtM, • , ~ Soundlrek.ker~ workin,t up a storm 1n swinging Walt~m-1tn"" la1t week

Ex-Btue Flamtt trumpeter.

:'!"'bonn;m~=:.tti,,..~ ....... ~oii,ij;;;;i.,ij;::;ij coming a S~• k"sy regular" ..• Blllie Daris 1tnod on Top Of Tbe Pops Int week .• No Philip Goodbud•Tall sin.ales RDl i,.ck-yct

Which rttOl'd company PR told MM su.fl'man .. I"•• 1ot s? much rubbiah hrtt' )'OU wt;uldn"t belle-va= 1t '"?

BIHM Dnla, f PII for • Mered bat-oon at London Zoo -"' hat's wron1 with Guy then,

Blue Hnnzon fTCCltd9 chuffed with a Numbft 2 at1cr one )'ear·• e:xlatfflC,e,,-. ""'h1ch they celtbra1e 'oday nhursday)

Esther and Abi Ofulm re ce1vNt lhru1enlng Dhonr calls durina their cur~nt German

;~~~ ~~be,~~1:;s~ gi;: :_a::; ~ '-~ ~ -~f,--~~ le-S:n~~':' ~:; Gny m• tured hl" face and hands for ~~~000 ,~.~.!,. trio to ~,=•--=-('!.~~-~ :=.::JiinA.--.. alMm .. s ~r• lrtt Febr'-1- ..:::.• - fo,

nu, lnnoo,uJ '""".as o1 .,,~ n · lalii dr ff7 u. was

cit.a) os and ft"S.d. .. .JJ EJ.

na An ~u·

Portrait of a

-a.~ corner ol 1art --.p.

...,.b.-ds laaiaJ­lri.. jestJl'd •it.b -· -for miAk, at

.... __ 01•e• men

......... KJ"a"llllf - ..... ................. .11 -,~, na.e,p On.-· •--• leW Llai eul --.talMtf..,.up.

p~,asc.W..e •~&.ir• ................ """ 11••••araph~r ._.. 'W•auc-1 ••

man pondering the prospect of being an international

~.,,...... .... _,... superstar ... ----­........... fN,ip.t ..... ....,. a wait• • UIIII' Vp to l~IT) and ....,... .. -'n,..1>orm, ur

On, .. tJN- stlldio hM-lt, ....... 0, waltPd ..... , ... ,.

,\ ....... ~ Jo._n, .,.niNI .......,. - fffl!W • •Pf'•lt

,. 'lttF> .. ,a,-.-?·,.._... _,_, ~t)IPd rod.eh naadt>

-4 Pirnp~"• d..-1"'11 ,rom cblll .. ~•Htal,..•or•

to -haatt .._. .spac:('-ftiaht -11 ... alld al oaf' point thit ~)' .._.,.. t,ttme,d ,. dan1u ., ....,._.., ta. tlamn.

Y111GoalH· '\1ofl. ,\T\""'s ,,Utr.C•

I • ~ P• O. .-,a:1 hann1 - aJU"••-- •1th <1 photo-

~ tJ:-~':~,:·•,n'";::: ,.,...u..a,, ·· lir 11a,d.

Tite-l>P'ff'O"kttJMftlh1• ~ WU tlw man \11.llh •

UM... pnn ton ••• ht>ad .,... ~ .... J... IUl's tJH• Sltftl; Mt11a

.,.., .,._ f'ath onr of lhl' """ JIIIM h Tom Jn.ws rrod11c:• ,... • .\1Ntw1 tf'n urnn thf' ..... afllOllfll for • sp«t.atU• Jar•• ...W 'rYO,,M'.

A...t, afdaou&h Y•e11n<r , .. __. ,11Uat °" n.t,on1nc a..Mn.,.._1, .. ~h Tot11 •a.t ......... of runftlol UUI of

::--::-.· =a::-:· :°"J.:.,~; ...... •I) 100 happ) to l•li• .._.._.....-.orT\ ....,_., .,_. .,. ttrt.ua to tlUlb him oac -, , .. Mttnt th(l'II'· bud• ..... ,w.,..relt's in t.fM" •holf'

~,... utuaill,- lah (1110

!~ : =~~,:a~~~:,

BY LAURIE HENSHAW tlntt or four daya o• iwtear­'* nd di'" d~ o• the utual moot ....

,,.. And 14·t'ni- lhootina "'tt)'­thfn« tl'iC&-olM for Britain and OOt' Im "lllf'rka. It'• .,_.._ of lh• dltr ...... 1 lfnt' !.)-St,... We do one touy and anotlMr tOIIIOITOW.

• d th~ sho'll's att a suc­tNs, It ~uld l..-.d to ftJn; -.ark In Amffka. So tar, 1·,·e bten soma i.a and out 1htt1: on pt,r­~ nal appeanncrs. But lhnf' sbc,w.·, will do for m• In ,\mttka ,.hat l'\lt' aJrrady dOM- Mrr.

.. RN:Onlwi°'l", l"H• had rlrnt)" of suc-ct'st in .\mt"rfca. Hut i:1'1 ooe thina: to bf' a pop smpr-.and another l1' hr I NNrtpi~• *"!lt"t-talner

.. u·, like Andy WUIJ.ams, c;am"'' Davi§ Jnr. and Frank S1natri. Thty can h.11.H u m•nt hit ttcord• as lJJ"> like. Jkt1 th~ stJJI look lo T\. and film1, 1·0 npand thf'Jr ac­tu-itiei..

.. Som, peoplt" think ~OU can 10 into films whffl )·ou'n ~mt • SUCC'HS In ahow b,.n.ineu. But a TV .MrN's ran build }OU up for ftlm,.

"'"It", like 1 \lrlttr who de• olop,1o hi• n.n1e. I 1un1M to do lhi• urt.. bef0tt I con­sl<kT ftlms

"I th.ink that Frank Sinatra, for ln•IH<"t. ,.., ROI II a ll but­tonf'd down. SG man, sinsrn "'hn hau· bt'<"Omt' IUCCt"Hful h•~*' 1ont fnto ftlrm. But whtn )Ou U't lhHI, vou 11111 lhlnk o( lhf'm as sln1rt'I who have

h•~?~~I a~.;:.- )'OU ... frank

RctJng, he'• so ron,·lnclng, you fo,xet he's a sln&tr.''

Despite the fact lhat thb: new stfies Is the bl&&esl and most upensl"t t\ltr produced In Britain, Tom appeued ,e­markably relaxed.

Tttmendously assw-td, ht stood calmly amid all the

~t~!,io wi:.1!"1!f;e :i:~:ntav! made Slr Lew Gn.de think twlct.

.. I've lumed to ttlu mott on lV," .. Id Tom. "On:CIP upon a time, I 101 all keyed up. 1 felt I mus t pul on a terrific ptrlormantt - move around a kit.

" But now I've learned to play It down on TV. Jt'• better not to So mad like In a theatre.

" I Whit In for all those frilly s hJrts at ftnt. But then I foun4 later I could a.~r for the adult audlenu. as we.II as the younpten.

.. Thal the c lub ICtnt WU

::-'.!:ff~:;~« .'orr::'!~h-; could war a tuxedo. play more theatre. and aet the famtlr aladlftlca.

... And tJ1ls I• what we're aimml, fer wl&b tltne TV showa. I• Amulc•• pardcular­t,-, tbere'• a hla PP to ft'• plolt. Sbows there art- tllher

~~Wl-r..::-s.:. Jill~ aimed al ad,alta.

"Bui ours wlll be aolna OUI

!'::ina11 _7·:,1:' ~II F!~1 the youna-sten. They'll be shown bn-e the: followlng Sunday."

en:~ers~1C.':,st:T!:'!~1 h;!

(o Aualr• lla-on AprU 28-­fo, two-and-a-half Wttlu.

<.:~.~h~:11:n~~n~°fl: flamlnao, Las Vqu. " I should havr bttn lhere at prffen t--but this serle:1 came up," sald Tom.

From Amtrlca, 1w aoes IO Canada, then back &o Britain.

;:'~.I ,:-Je: h:::u=~:! says ... But I'll take two weeka OUI ftnl."

Po.ulbly to spend aome tlm• In Ma new houM In lite 11111-llonalra' belt or Wc,brtcl1e,

:d<::-~~:---= :. t:: about p 1t1n1 ttralaht."' ,aid Torn.

You•~ ntvff kllow Tom's IUPff tax 1tah11 front his mannrr. EYt-n a CIN,IOO TV thow hasn't lumf'd hi• heed.

Whkh 11 • ,..,relhlna bet in that day1 of aattln hat, and freakout bellavlour.

Brasil '66 bring a taste of Latin rock

WHERE TRENDS BEGIN

BertJansch Birthday Blues

A NEW LP FROM BERT JANSCH IS A MAJOR EVENT. EVERY LP BY BERT JANSCH MARKS A STEP FORWARD. THE LEADING NAMES IN

THE MUSIC WORLD ARE LISTENING.

TRA 179

Transatlantic

I • ,

o-~~lli•~-~ I

lrl\

(.01\1 1Nt, t

~ind n f c,,., 111d Op1111l ,,, ()11

Tubby H Jy,·, 1t "· I ... u ppt,.,l', , ~1thl' r 1m

portJ nt to clc•f111e wh ,ll m y 1deJ o f

e ve rybod y', fir s t

o p1n1 on 1s With c 1uc1Jlly important mu~1c 1an, like Col tram•. Parke r , Arm­s trong, Ell ing ton. C'IC , this p resen t s no prob le m , b ut 1n the case o f Edwa rd Bri an H ayes. a n d "mult i ins trume nt a l1 s t . infant p rod ­igy, son o f BBC , t a f f v1 o l1n ~t " phr.:i,c, be loved o f both s le~ve no te wri ters Jnd 1o urn a l 1,t 1c we a rp

fercn t ge t hc r

in terv iew e rs into a d1f area a lto

VICTIM Ont.•·._ 1mn1t• d1.11t~

thou gh! 1 ... tll.tl ·rubby ,s t ht"' , u lnn of hoth ht·" prophc ls with ·

out honuur .'' .rncJ ·· f~unlli,u1t\ hrl'l'tb tont t•mpt ,; du; hcs. In th, ._ o f c: nun-,t· ht• 1s nol dlClOt ' ,lmt.ing nnti ... h 1.t l /llH.' 11 of h is gt.' lll'l'il ·

!SECOND ., OPINION TUBBY HAYES

t1on, ,ind !'hlXO - ---~---phont' plJyt~rs m part1culiu. like D1Lk Mor rasc;;ry , Pl'ter King. Bob1>y \Vellins and Stan Hnb111son , sPt' ll l, in J way, to h,1vt.~ su ffered .1 ,lmi l.1r f~1h•

lo he sur,, this was not tht• .1111t1u.le of tht- public who ra id to !i,l.'t" lht nwl(h·rn1~1~ ur lh ,· F1ft 1c1 11nd t>-l'H h S1~ 11t-s, wlwn. hv Br ,11-.h standArd '> r uhh) Y.J:- " h1g hl) lion 1it-li and rt• la l p,ch sue,

TEISCO-

BY CHRISTOPHER BIRD ct· .. ~fu l t1~u rt.· lndt:f"d, . hL· dt>~e rved to h1• fo r bc1nn lhe fi rst of t ht.' local, to c.:nptu rt: t he imnjil,ina t1on wit h his btJrs tl n2 en , thus1a'-n\ a nd profcMuonal sta ndard~ or prt>11en tat1on

But benf"nt h the puh li< acclaim then.: a lwnys tll"l'mcl.l to hl' a n uru lt- r · ru rrt· nt of a rn ther

~,: (f ~~t.·~\~ 1t: i ~hdt: O~~ml~~n11:~

~~~n~ m~'tt~1~11~t t~;<:~~~,i;s~

!iionll l A, though there

ir~~JC.t ll/o:,.~~tfn be1~~ ah le to play the ass off your in1trum1: nt and to gc:t in a nd mnkf. things happen wi th bored a nd apathctk a ud,encu r3ther thu n lo 1uccumb to the ~rnt' rttl pnnul

'Thu1, from tht' know]-

edgeahlc on,!s ont• btcamc awa rr. of a ct rtal n mutter• mg ahout "facilP tP.Ch · nique," " repetitive eclt't· L1 c11im," etc , etc, al) lhe " when ,n doubt-knock .. ph rases which entitle the use r Lo somr kind of m , 1ta nt c ri llca l one-upne11,

Tha t th<: rc: i1 sub!irance­to these accuss t1 on1 tht-re 111 no doubt, hut how much 1s our awa rr·nus of

PUNCH , .. '· t

WATHIIS ElfCTRIC ffiUSIC llffilTED 66 OFFLEY ROAD, LONDON, S.W.9. RELiance 6568/9/0

,ho rtcr,ming.s due U Ole fact tha t Ha)es has been

~i:1~. :;,ts t)Zn~I~ .. r: w r uupect u:,n terr oYer • df!cade and a half'!' Not fc,r him lht- rtlatr\ely ea,y 1tt p or retiring into ti;e an(Jnym1ty of s.tudlO life He is fa r H>O much of I 1azzman to contemplat~ that for long although with hi5 ab1littn H a writt-r a nd arr-angt-r the r-e it httle doubt that thnt ts a place for him t~re ;any t ime hie chooses to ret,re from more acti,.,•e combat

No r. unh l<e many of h15 predeceuors does he war­rant a place in the 10:1con of 1a1.2 icons on the st rength of a handful of I ~t-~7.,::·~~ ::i:: ,..h ,ch mask a .frugaht>· of

~ne~ent~1c~nd ar~tth:fe,~ t-mbeddt'd on innumerable t:a rl )I jaZ7 ·· c lau,cs" of the late Twt·noe-s and ea rly Thirties

Jt al ways d id ~

er2;~~~g ;~p~~trc!!t1:aro t>t:- con'>lantly encountt-r· ing bated br-eath rder­ences m the monthh ma~atmes to dista nt med1ocnt1es hke Frankie Trumbauer, frank Tes• chemacher. Miff Mole, Happy Cauldwe-11 -- 10 nam{' but a few who 1mmcd.atel)' spring to mmd - while all around lh e-rc seemed to be a danhng array of talent undtr our nosn In such bands u those or Oank­worth, Scott, Jack Par­ne-11, Tommy Sampson and Kenn)' Baktr

It was m this Liner. of course. that J fim heard Haye!, who se-emed to emrrKe, the complet~ JAU-:':~11~1:ut~~:~r or, •hat

Not that one 11 na1\it enough to think that ·1 ubb~ ""ould tart' tup• ~nn for the 1oe-a, Qf the opn1vn maktr, at lhiJ t1mr N,.vrrthf'lrst. ht,, and m11n~ oth"ra or hts per­tuasn,n , had thtt double m1dortunt!, ln tPrm1 of

cnt.ta1 appr°"al to

=~~ ~ l!°j; ~ the wrei,az nat.:e,oa )' to --8"' the dlr.:ble """Y IS this: I.I t'ae foar OT five yeau a o,:w type ol jazz journals=> has t:mtrged ac tt..e r,o! f wt,,n the old modernism was on b last legs. and in a etinous k1r.d ol ••v the ~ geaeral,OQ ho• been lefi .,,_, m the cold onct- apLD. So mmdf han we been to ba- i ou­p1Wul little dru~ n an a:.!empt to d~,.. aUent.tOn ,n a lunauc :nas.1cal wcr\d to the deM.r'lin~ ta\t-nts of I.hose such as M·k~ Wnt-bt'ook. John Surma.r. Graham Colltff. au-.. McGregor & Co. t.Nt wr

~1~ -r:~~ f~Tt .. ~ thnp.

That s"ianer n,: modi­cadenza m Yr ! should haYII! been • ctuc 11·1 as ,r Ha) had at tut l,ecorne- awar4= o! Ille perils of 1ndulglng h s : ncrechb1e ha~~ &ense--1n fantastic J\I ng eta and had deed<: tr prune out scrn .. of t nee<.~ m a search for gr tat"' r

m~~hfrur~fue was bis choic~ or c.o mpan ons m his last nw. or grOt.ip Both Mike P)ne and Ron M.ath· ewson .,.,tre musiaans of a rather dJfftrll!nt stance to tho.e wuh whom hf-

~o~ed.'W:~ ~~~i probably hod a oharp fthct in help"'4 him alODg d1t!ttenl fflUSICal paths rrom the- uea wtlh ,.hith hf' wu alread) fam1har

But e-vftl to look al

a1 m tbit way ii part to ohu~ lowardl •

-man " lroedom goOd, cho"I.. bad kind of stance which subtly bell 11 l•s llM mn's achtn~t.t to ct.le. and ludterOldly o~er-11mphftM 1 ht> Jau tanaue, hi the Pl'O<.<N

It ,. ddllcult l4 -~

::. ~"'e '!:\i.~~

~ . . , -. . ...... -

• - • • b .• •

..... ' .. . . ·- . -

r ner.al y to !.~ u art,s• s ~id.st. lft 1• A

a ~~h~n ~ he nr: • cor.t ,m,e to weti,h •• bea 11> an Tub Ha l•od otl>rrs ol h s "'°" ar ::m , .s much as OIi thr young u pe-"1mtn1.e,-.

l 3 11'1 at,so Ult.I C'Oft-Ylnt.ed that 1f th ffll)OC' psycbolc,g1c,il hurdlo can be- QV~tt.umt Tubby who ts • ft~r ab still a YOUIII man "'1lf ffilllt.lf'e COl9-plt>trl) and acoe d1tionalty tnl ..... of t» I Nly &real ,az, ntutKlaM - DOI jual a worid P., __ n 11M ofttft --od.but ..... ,_ .. ~ tushat doa

THE WINE WILL BE FLOWING AT MIDEM 1·0 tht> "-'"t~llh· rt"ad"r,

tht• name '\1101 '1 pn,h hi\ lh~'-n't m('.tn \ f"q much

Rnt ii ,h<•uld, for :\UDt- \l J.., lht- a n nu.al Jt( l · lve,,·t her Cir pe-0plt! on a ll " id , ol the mu, ic bu ~i­n,... and it could affect )"ur h .. t~ini lor 1969

Thi~ , l'a r·, \11D1 "\t -lht F~n<'h in it ia l'i lor lnt~rn,H iuna l Rt'Cord A nd \lu ,ic' Pubhsh ln J,? \l arkt t

t a k1.·, plac:• from Janu.t r\- 18 to 24 in Ca nn~ a nd musl<' puh-1 i ~ h e r , , Impresar io-., 'i,UhR\\ rH ~r,,,., record com­P<111n) e1t e-c.-utl\ e-~, radio :tind T\ produc l.' r~, a rCists and jou rn:a lis ts from ft II o,tt the- v.orld \\ill b«­me-eting there to buy and ~II. diS<'U!)S mutual problem~ and hear neY. la lent.

Lu,t year, for t!).ample. thert. \Hrt> 3,512 par­hclp•nts representing 34 C"()Unlrie'i. It was wvered b) radio ~talions in 14 countrle:,. Artists who :appeared "ere seen by 150 mil lion T\ v le,-.ers and reached 130 milllon radio lisrenerh..

Appearinx at the thrtt major gala sho"s this )ear are man) top nam.~, mcluding Gene Pitney, ~lar) Hopkin. John Rowlh, FHlh Dimension, S e r g i o Mendes and Brasil 66, Joe

r... OWLE$ D IMENSIQt..i

Tu, ,11nd hi!, Orch«-Stra, Aphrod1te' 1, Child, Ldn Jergrn,;, (.i,1lhert Beuiud .-nd C htco Baroque.

In •dditi<•n then.• "'ill be it -.ht•n to pre ent promi~inJ( and a"i ) d 11tt)'I!' kt10"-n artht,

.\notht•r m.alor '\.IIOL:\1 ~ .. •nt Is the troph) a\lard~ lh e jW h• tht' ~lnJrn. 1roup Ind ,,rc.-h~slra who h,a,. ~ ,old mc»I reeord, Jn their own countr,e,

Thi~ )~r. for tht" hnt t1m•, thrre "ill al~o be •"•rd, to the cnmpos~r"i. l)rlcbt and publisher-. of the- llve mO\t lnlcr­nauonall)- broad ca~ t tflflls or the pa,t )far.

nothrr Important upttt of \1l~J \I is tht: .er-Wt of ~m1nar, ~ htt«­u.JM'f''4 frll'lm Mil fi Id or pOPUl&r mu.•lic will di -C"U n·tt) •~Ct or thf'lr •ork and •ttt·mpt to toh«- ~1mrnc,n probl•mt..

Thne "ru bf!' t~n audrtarrunu NJUlpV\'d 11tUh hi•fi ulpm nl .. twr• rttord and t.ape1 , •n M Mmon Ir 1NI u,d I o prol ction room'\ tfl-. w tum

"'S •lit .,_. wld. r~Lltt n: Ill '.:.bl h~ and t.t'ln.-.n arU t

l I l I «hatW; I kn• f• th P4JOP'-' tu

U lt'I lb.- "° rld or ,tlun

th,,

BLUES BOOM: Yes Nothing much

\ <' LI ran sa\ abo ut It rt'a ll\ It 's a boom for 1;eoplt- \\ ho can 't reall~ pla~ blut>; , It's \'our nc\,. rock and roll s(enP.

JOHN MAYA LL : A friend HL··s ont" of the fJther, ot the British hlut> ... ~cene hut A lexis Korner was be fore hnn . Nict> guy \\-hen you dor.'t have to work for him He's the boss when you do. He never rea ll y goE>s out of h1~ ov.-n scope. He Ju st p lays his O\\-n \ \..J Y

ONE NIGHT STANDS. Tht'y· rc you r l 1v in p:. you r b read and butte r I hkt.' domg t hE'm I just en joy th ~ travell ing You' re a lways pla:- mg to new and fresh dud1cnce.s. J couldn·r play to lht' same aud1mces night m and night out That wou ld h~ a d rap:

FEEL BUDDY RICH: I ute him

fo r what he d oes. I think he·s got more technique t han reeling For drumme rs wit h fet-l mg I'd sa)- Max Roach or Elvin Jones for exa mple Most Ne~roes pla~ Wl(h more _ feeling than w h it es White drummer~ plact more value on tech ­nique than reeling I think It "s hard to compare him t o

I somebod) else unless the\' art a Rich copyist ·

ITENYBOPPERS:- I don ·t seem to meet them As far as pop groups go, they are the people who are needed to drown out the noise . I wu a te~nybopper knocker but I've reform<"d now Teenyboppers ma;, make up the blues audienres in the luturf' hut no! nov.

COUNTRY AND WEST­ERN: Nut Yer) keen. I can't ,;;:tand tYt angy sound I don·t thmk 1t will hec-ome all that popular

ver)- soul­I like the

\1f-l1H l 'r \1 ..\ K t- H: l.ir , ,1.11 \ 1,- 1'111'1 - J•a~ ' '

POP . THIN:K~IN~

AYNSLEY. DUNBAR

AYNSLEY DUNBAR, drummer­leader of the Retaliation , is the

subject of this week's Pop Think-In. Ex-Mayall sideman Aynsley takes

his group-Victor Brox (organ, cnt, vocals) , Alex Dmochowski (bass

gtr) and John Moorshead (gtr) -on tour as part of the MM Blues

Scene '69 package featuring John Lee Hooker, Jo-Ann Kelly,

Champion Jack Dupree a nd the Groundhogs, which opens at the

Royal Festival Hall on February 8

instrument, I played 1t for three years. I still get knocked out by various violin thmgs One of them

:nd te~~e~ \hi~~in~ ~~~

in turn influenced other people. Broonzy, Muddy Waters and Howlin' Wair were all influenced by other people as well ~ like everyone for the different things they do.

bad ones - mostly bad ones But when your hungry, any baked sausage, rubber egg and solid chips will do.

RECORDING: Enjoyable 1r you've got something good coming out. I enjoy

third album. Brass and reeds? 1 like to record with anything

P~;~~lh5: theyVe1~ke :i~~~ rr°uth~~ t~~~-{~ ~~/i~~~ebu~ hard time The greatest

,,.;. - . • _-,.r~ . ~·

GREATEST

CRITIC

OF THE

AYNSLEY

DUNBAR

GROUP IS

ME •• more time to prac tice. You're not spending all your time wondering what

~fub~0~veL~~~ig\~i~~u·~~\r!~

or trying to find someone to brmg home It 's a good thing.

were called The,.· do a lat or funny things· but one thmg wa~ a blues with el~ctnc violin GREASE critic or the Aynsley

Dunbar group is me! ~le~~~i;:-g:!a!1'~u~"fi~~si~i~., JOHN Pl:EL: He·s sup-BIG BILL BROONZY: I TRANSPORT CAFES: 1t can bt' boring. H you've posed to be a hlut-s follow-

thmk, he, and quite a few That's where you get you r got to do a simple number MARRIAGE: It hasn't e r . He is Ont: of the- few olht-rs. have been 1gnorf'd grease swill. It keeps the ten times over it becomes affeded me as a musician making any comment on b) blues pec,ple. Fverybody spots glowing on your race boring We start a new In fact ii has helped me, m the pop scene within the had an important part and _ ,_·v_e_r_o_u_nd___;~_oo_d_ o_n_•_s _•_n_d __ •_tb_u_m_,oo_n_. _T_h_a1_·1_1 _b_e_o_u_, __ ,h_•_ Io_n_g_r_u_n_. _11_g_;,_·•_• _Y_o_u __ "_·h_o_1e_p_o_w_e_, _o_r_1_h•_ B_e_c_

FLEETWOOD MAC-WHY WERE THEY WAITING ?

A Great New Single ,~ ,~ J F o';, t:e~~t v;:~o:~ ~t~::~ b" fle1:1...,-ood Mac·s "Alha• lr0~S ·• It flt"'" UD lhl chart desp llt'" grt1in1 thr thumbs dn...,n from tht> poo pundll.9>

It 's a brral,,throu3h for lht' '\he a fter having hH1 albums hit tht charts, but no luck v.itn tv.n pr.vlou, Blut- Hor• 110n sinJle<, .. Blad, \1atek Woman •· and .. Setd Your Lov" So Bad."' ·• Albatron •· v. u rtcorded u an album trark but the poup \Hre so lrnnt'ktd out with it thry du·ldt"d tn rf<ll:"a'it' h a'i a 1inglt .

No-w tht) an bt1tinnmi to rup tht bt-nt-flls a, • n} ,roup ...,, Ith • cha rt ncord dc>e!i. Radin and tt'lt'vlir.lon 1ll1rt rolling and e\'l'r')" promott'r v.ho p•nl'd thPm u ano lht-r b-luN ~roun now v.a1rt~ them

Hut wh) hai. II takf"n Uue aroop who an vfrlually Brl -

~•,,,n;!1nt~o b!~~\•::1:t~\ !::~r. lion'.' Ct'rta1nl) u ra, u dra,., io on tht' dub 1c1:ne,, Flett~nnd Mac art' unc- or 1he b'l&t't,l

Curtf'ntly th,- \'1;1 ( .art' on thtlr u•«nnd tour or 1hr S"fatf"I wht're 1moni other thine•, tht) ha"'l' pul doy,,n 1hlrly lrark. , all in Ont '""'Ion, jam min,: 't\ ilh bluumtn r. dd Gu,. \.-\-1111• (l1'C0O and 1'halr;;> Hortbn. and hnc­rttor,h•d • poHlblr """' in1J• Ira .... \'nrlo

fhrlr nun.11rr, C.llff Dui1,. , on• pitnon •ho (N"l1 thl' M•c h"•U had a ruu,~ dl'•l In Hrluln ud la,1 ""'ff\. a1r'--d ha f tlina. 10 "lh,IQd) ~hk.-r about lh ,r;

"' 1 h.- P')(l t,.usln•n ~ a jOl't' ht tl.at.-d \1 fhl' Ill~ mt'III ct>.-n J n't a11Jlh1n1 r.--,11 ft4",. at •htn tonm • 1h1nc dn• a..p~ lik•

I •trMI If .. h•H' dlflku11} tn fN I Oil: 11 1• , ... poMn

I w- ,..,_ u •llh • aronr

GREEN

v.ho slarll'd pulling big_ c:rov.d, from lht beginning )f'I v.e c:ouldn't Jtt'l exposure F\:en with two Top Tt"n alhum,, p~plt didn'c w1n1 to I-no...,, but now t h l' rl't'ord's blK, t'\ol'rybod) Wlnl'i tn knov..

,. Mo'il bll( lgtnlY hRVf' b~t'n cau~ht v.lth lhtir lrou,trs down. Nont or them h.6\oe ROt hardl) an) thing 11kt t- lttl· ~ood Mic and 11•., onr> tht' sm•ll aa•nh llkf' mt, and Chris Wri~ht and Tern Ellis, who m•naRt Tf'n Yean Arter 1nd Jtlhro Tull, whn ha"• bffn ilitntr.ltd.''

Ont' of cmrr. complaint'! Is aa•in1t radio ind lt'lhition. " Wt''Yt nt'-'l'.r hnd Ont' ttle­vlsinn dalt unlll th• r,inxlt t:nlertd lhl' c:hart-., ...,hkh I, ulterl) rldlculou"I

" And Radi o Ont l"ln't much bt!ll'r. All tht> dt-riay,, "':ith ptrh•p:1 a ftw tXCt'Pllons, a rt-n"t inh-rt'Sltd In what pf'Oph• 11kt' ThPy arf' pushing 1hrm.,eh·f''I. Tht'\< w11n, to hf' ,tlorlfltd p0p starr., makinl( r•c:ord,

"Tt f' nds havt c:hangPd !>0 much bu1 pl'Oplc, In tht buslnPss • rt' un•••n 14-hat•~ happt.•nina. rhf' onl) Ont'~ Whb """"' ar• tht' kuts. 1 ~on'I thin" lht older ,ttner•• lion v.,ho cuntrol th• E>DO bu,1-nu.,.....rull) know what I~ ha['p~nina.

" Wh) do Wt' han 10 "Wait for I htl n cord'.' \hrnad, In \~Andlna\l• for ln\l.int-1'. lh• 1trn1.1p r•1 b1.11: prrH omd 1•lo·lt1un cr,~c,r•k" In fnr• l•nd II a VI."!'")' ,1~,:n1n1 Thf' 011h "W•} it. hA-vC' t,.p,,r.urr

uu ~•~:f' J:;~ ~;;1~i:;ul~11f~,~=lnt,.

.. r• to,al •"d lh•)' ro·turn 1h11 bJ pl•)'lnjJ, a,- n111n,- rhlb., 11 f'DH1bl , '"f lt• l""uud '\lat

~~~'·-! ~~ ~!~;· !::t :11 '!~: (lut>s b.C'•UII:" 1t,q ""O""' that lhUot' re' "Jlff' CUI.I lh•rn •ht-rr 1h",. arr, o tht,- «'Ontlni.,I' '"' an btit .. and r, •l' lh• 1 luh•

l '<1n I ll \.1 1 1 111)\ MAK I~. l.i11 U,1r\ I "' l(H, 'I

]@~~&C~ffi\~ Getz is back, with a new toy WHENEVER I meet Stan Getz nowa-

days I notice he looks more prosperous and sun-tanned than jazz players are supposed to - no doubt be­cause he has the time and cash to indulge in what he fancies, which includes vacations.

Last time, in November of '67, he'd picked up a tan in Bangkok. Last week, at a Verve/ MGM press shindig at Ronnie Scott's, he told me he 'd just come in from Nassau, where his wife, Monica, is still on holiday.

He -.ct'rned a,; -.unned ;ind succe;s ful as ever but n,; , un :d mt: t her e \\as n· t much s hining in Nassau just no,, He hlid n' t worked ~ -----'-----­IIH: re bul had played a cuuplL· or 1inu•,; - once a t a lop French hote l a nd OIH.l' al a s mall c lub, Ja mmin g "ith th e local la lt"n l

l hcn: \\:t<; '!tOmcthlng a litlh: di ff t- rt nt nho ut hh app<•a r,,n<.t·, th ou~h . It IUrn l'd out to bl' contact k11<,t.> \ , -.1ill g1vin1,,t him a bit ol trouhlt-, he C:'l·

plalnc-d. "I've only had them

threo: "c..'Ck,, but I prcrcr them tu 1.tlas<,e,. No, it ·s nnt \anlty . When you ,n'ar ~lac;scs your ,,Jsion ls , e r}' restricted, don't \-'OU think? But w ith con­iact lcn,;;c<; you see with your o\,n eyes.

" or eoun11e I'm not

" Any more films? I needed a medal and a hospital after trying to do Mickey through the music ."

quite used to them yet. One night whl'n I wu-. pla) mg. one of them jumped out and fell on the floo r . I "-lopped at onef' and <;. huut ed: • Nobod) move! These things CO!)t me 140 dolla rs o.nd one•s missinR.' Eventuall)• I round it .''

Another thin g is new about Get,. He's Joined the ranks of the soprano blowers and, from what I hea rd one night last week,

Is producing a softly pcr1-u3slve tone on it somewhat similar to b is tenor sound

But he is self-dcni~r1tt• ing on the subject.

" Playing soprano? " he ('choes. " Well, I'm hold­ing lt. The saxophone company sent it to me, this little toy. That's a Bo!iton Ins trument if ever

I heard one. A cross between a tin whistle and a flute."

I couldn't heJp wonder­ing wlu,t Sidney Bechel would have made of that description, and I said only that Jt was none too easy to make a good sound on. Stan agreed that it was .. hard to play in each oclave."

SCREEN GEMS - COLUMBIA MUSIC ROOSEVE LT MUSIC COLGEMS RECORDS

and

SGC RECORDS welcome y OU t 0

and cordially invite you to

Suite No. 429/430/431

His quartet, too, i'i newly organi'>ed. It fea• ture,; 1\Tiroslav Vitous, a Czechoslovakian bH~UII w ho was persuaded by Geti. to leave the USA Stan says that he is a completely studied musi­cian who, a t 21, plays th e instrument like a master

The pianist Stanley Cowell, came here with Max Rooch. Since then he has worked with Mil~

?;;is, ,;:.;!~~~.f ~~dgs i:_~ played alongside bassist Dave Holland in Montreal.

SPECIAL Drummer Alan

Schwanburg, like Cowell, had never before worked with Getz. He was a last­minute replacement for Jack DcJohnettc, who had promised to go to Japan with Miles at this period. No\.\, the Da,·is \'Jsil ha ,; misfired. So Jaek OcJoh• nette is behind the drums at Ronnie's .

In the way of special e,•ents, Geu said he wa!l

:~o;.~';f.a-~~lf ho'::iur 00

T~ prQKramme In colour. In it he plays t""o mo,·emenh or an Alex WUder four mo\.'ement work, and is also heard in a short piece by Teo Macero.

•• Also I'm attf'mpting 10 ad-lib over Ravel's String Qwartet In F. What could you add lo somethin1 lhal perfect? Well, you If)' to add something, ltut I uk

~~~riet. ·s1:::er.~ F~~:l

pcopk- lhtn k I can ad-lib ( ( 1 a n)' lh inJ: ...

Did th~ pLc:u,r ~ ha"• • doc:umt ;'l lary cont r nt" Getz. !i,1,i(I it did

.. 1 hey 1.ntroduce lh~ homt- thine. you kncM­l'm wa lking ahol.il t.hP c.-.tatt- v..ith ont: of m_,. daughte rs a nd son. 11 'i

supposed to dr.~Y.. a tear here and I.he re.

Another e.,,.en t has .not )'Cl got be),ond tht> \A. 1t;,h­lng stage. Stan wa nts l o make- a record ovt'r he re during his presmt sU}. lie says he w ould a ug• ment up to an)--thing from 15 to 50 mus kians b~ ca use he has a lo~ or diffe rent sort s of mus ic to play,

GUESS On the matter of

records, and what his next releac.e would be, Getz "'-as far from certain

•• Let's 'iee,'" tie said, '' the last you had mer here was ' \Vhat The World Needs Now: th~ Burt Bacharach alhum No\.\ what's next?

•• Well. we ha"e quitl" a few. There"s t\,\:O v.ith Bill f.va n.,, fl,·in Jones and rither Ron C-,.te,- or Richard Davis on bass, but wt: ha" en't yet decided v. helh e-r to rele-ase them. So I guess the ne:,i;t ma.) be the one I'm aUemphng tu make o,·er here•·

CONTROL He agreed that ht:

t:xercised control twer what came out in his name. "Some 01 then things may M iUued. after I'm drad, or ,;,om.Chins

::•t1~\n~\~~&n~t~ti without u.king me."

AlmO'lit fl,-e years hu:e passed .;Ince Stan Getz "'as solo 1.·oice on the soundtrack mu~ic: for the film, '\>1icke) One, v.hich was subsequenlly sho"rn here but neYer gene-rail) released .

The music was is§Ued in Britain by MGM some three years back bul was not available for very long. Stan said he liked one side or It. anyw• l-

.. It didn't sell at all," he added, " so ~OU ma~ 001 have heard ll This Micke} wa, a pretty mb,ed-up character and I " ·as sup­posed to repres~nl on sa"ophone ho\.\ ht wa-. feelln~:·

BLEAK When I a~ked if h.- ·d

done any lilm mu"-lt since '.' Mickel," th~ s.a,iophon­t'>t shool< hi,; head and \aid No.

"You're kidding, "ttu .. :'\.ny more film,1 I needed a medal and a h~pilal after l')lng lo do Mkke~ thr.:'ro':e t~e l~s:h~-club I a,;ked " .h~ther Get, ""oukt be playing \oprano again 1h11 nifhl . ,

"Lets i.a ) · I' ll M ex­perlmtnting with 11, .. he \• Id with rathl!r a blnk smil•.

STARTIIIC IN IIIT IEEl1 ..

I( D S,H("

Sketching the greats of New Orleans

5th Dimension­looking forward to a British tour I .. ~~,".:~ -~"·.•. -,:~. ~:

.Pllfl•f>."' Udd t0•tHu, 1-4'11

., .. MlC- .r !i. l h Ot,.,l'ntlon

b t1u

111~~. 'i! t;:',.0 •7t\.:t,..~".,:

;::. · ::::, -~-~·:·.~· ~: :~'"1~ <•" b t .H." ft'J . S U'! Du .. on,10" tlropptd In to

Lo11de" l,nt • ••II u1 • wh1d ..,u,4 1'- h o 1.n lfl\1 1 lon9 • " • " t h on ly le 1,p • • n fl PP•&r o o'(·t h u o J1.tli1 F tlla telo u r TV J h OW T hty Wt' r O h • 1 dtd , . .. TV d• t n '" G t r "'•"1 •"d tt,, ., o" ~ 11410.M lt•t UUt rn .a U• ft al lflullc lnd\l t• t r y r,u uw•I h t ld • 1tnu,11 y In Con tto1 on th e Frt nc h •nut r-a

MM cau9M up ••I" th o 9'"•11 P •t '"' • at ·• 5h t p hordt • 11th 1hld101 for • br11, chu bol•t •n r t h o,ir,ali ,.,. lht 5ho""

Sth 01m,n,1on .., , • hl9hly - rUtd Affl1rrl<•" 1ro<1p who "·"'· ...... . .. , lmpr,nMtn w I t h lhf'tr ttyh1h •nlll Pu·-n•h••d lr•ll­'"•nt of Jim W•bb c.e'"po1u1on,. like ' Up Up And

A'llllolf, •· bul Marilyn told m,i O,,• c:olla-borat,on bo l'llllt l n Wtbb llnd the gr•up had d1m1n 11hul of lllt• .

' l llln , n ot .. , hAd II l) t " ll t l lO~e l)' werllod •1.1 1 >Id 1<1 g1J lh tr W O d idn 't wll ll wnlU Wt h,11t ll h it Wt h 11d th tt a(I lot<'l h •r An ll w• r to wo ,1111, g WA ltl ng lo , •h • hit

.tn d lt ' 1 \C1 r t.l11 nl 1 ll••n h i t rul r d• tha t hAv• t n 11b l td w, I• mave Int• lh t hlQger t l1,1b1 a n d TV , how1 •

l ac:k ,n l h• ~t,tt r,. th ,., ar• tn d t m a nd fo r bo th lho m a te, , ~~,.:~.:: •~~d t:~~~11.11 •::p.~~I a n lH Ma r ily n '• pr•f•1• •H • I, re , th , t OIIPI • Uf'n f'

Pl11)' ln 9 a u,ldtnc,· h n,c.. b t (&M II 'f l \,/ a, , In • n • plac:o and lhor ,•, n• tHUng :r • .,:,a ~!V 11nd rush,nt ror

th:I~• -~~:.,,,::w~.:~!:, --=~= llll t the ir ,ec•M t,tllHn In

1.a, "'"-•• w,th ting., ,rank Slnaha

'Thotre hnt b .. n 5th DIMENSION c:o,t1r•c:tual d1fflcul \1,tt, JIUI lately • .,. ... ha,.,n•t '"'" d•int a, much of J1m'1 materi,il a1 WI WOMld h.a•a 1111,11 . allh1u1h Wot ha•• had al heatl on• •I hl'I •-q• en tad1 of •ur atbu..,1. " 1h• Sllld •· • ut w• th1nll th.at Jun Is one of tt1• greatt-'11 ••er 1on1 wrlltn

- And •• hopt that In lhit rutl,lrt th, dlnu:ulUts wit! lH! 1Grt,ed out .and "'' c.an it.art do1n9 mor e of hh, 1naltf'IAI "

•t• · ~:,:~~ .. ;::a::,. ,: ~=~~ pl1ylnt opposite Slnat,1 Jo11 f•lltl.ano wa1 111,0 an lht b ill ond It wa1 a rt:1lly nlc1 ,how r;,..n, 1her1t •• w1nt lo Miami o nd oYor Chrlllmll playtd the Otawvllle Htltl

The 1roup don't pll)' to lll l te•n)'boppc-n In Am1rlc11 I• •ny t•ttnl. bMI M1rll)'n nol"•d th.al lfl Mlllml. ,a lot ot very )'IM"I tnd• c•m• to tll• 1how1

ll'1 fur le uy that Wtbb', Qog, brou11hl lho tr• up l"to prom,ntnc, . a1 l•a,t In • ,I t.ain 8ut th•J wtr• conlidtnl bt:rart thur rtr1t b ' t thl\ lhty ,how. which t••• on aro1.1nd had Utt Laltnl to ~,come I maJOr ~ct

0' W• hod ~oan working lhl

1malltr clubs for a.Nut • y r • r ba--.r, . Up Up Afl. Away " •nd Ge Where You W.anna Co" h1ppened ror w1 In ""'

n1n, In lht tVl'ftlng with thl'lr Plrtnl1. In f.act. that ahow was 1 ln1•11 all yo1.1na lr1d1, - Jame youngc-r lh.an U .,,." Tl -.H ;,tu lhtrl bcc11u .. lll thfl llltr •"-• •• 5101 the ohltt, mort '"•tMrtl aud1Pn(,t.l .. Aw

~ SCAFFOLD ARE -, PREPARED FOR

A SPLIT IN / · '

SCAFFOl.l ) n•ntn· - 111.111

Mike Mr Gt'ur looked dcrukly hnppy for ,1

mun who's ju~t bl'l' II

knock,•d from tlw top of tlw Pop 30. " Munnu­lnde's done it to us -fuir l'nough," hl· said . sipping u pint of druught Gn innrss in u pnb 1wnr thr BBC's Golcl~rs Grren TV theatre .

Proud fa1h,•r (10 d,1ys .ig<l ,rntl ht.• wns pn•sent ,H the birlh) of ,1 b ,1hy u,111µht,•r, Mikt.• ~Hid John Gorman and Rogt•r McGough ,ire finall y s1.,1rtin~ to feel thal tlwir distinrtivt• pot -pourri of rnus1c, cnmt•dy ,\11d poetry 1s finally starting to brt'.'ak throu~h - not the puhlic, thcv h,we been confid<.'nl ol ihcrn for some timr, hut to thr mJn1put1tors.

l'hl•~C" Mt thl· l&rt'll's~ pl'O('II~ Ill t(lmnutnd of today 'll m/4. ,; nu.•d1.1 who h•\·l' ,te,,t1(11s1ly rdU~<'J for ~tar, to Iii! tht'1r lwadc: out of tht• ,and und tak~ n tool, ~rrra1slmt lol'.•k nl whnt thl" Sn11TolJ hA\'t' tn ofkr

"11'1- strant;f' thnl 11 tak, s snnw Ihm;! h s,mplt• and ('ph('tnt-ral ;.1s • htt poi) tt'tord, a snh son..:

h1"f1,rt t h1, IH'Ul' lt' "ho lun r ht•1• 11 lurn m•~ 11" du\\11 ft1r 'l how, 1111 \t'l\ l 'i 111 rt•1ll,.1• th11 1 pt•rh11pa our t l11111,t rnn ht• prr'lt•11l t•d 1111 I V itnd m llll', ll1t·1r1"

It 'i11 rpril 1'\I t•v ,•n nu• (11 ~1u 11n1 h .St n !fo hl fun ) w h1•n M1k, 11nl d 1h 0 1 ti lt') h1w1• h t• t•ll hill lt•ri nw_ tht"1r lw.,d :-; 11rnfn111 1tw ll uon u ( llw shr1nkm11 v ,oll' t ,, r I V fu r !t iX ,,•nt ll' Apnrl fro tll II lt'Ml t11 111 l !l(•ru•s on lht• now d l'lnn t I /\HC' IV , lh ry luul m1 nfll 1111,11 l t•xpotturl· · unUJ l\1, 1 vr111 wlwn " l"hnnk ll Vt• n Much " hnp pt•nt·tl nnd inn.J1•n1 nll y nn• rowly 11, t•rll' d lh<" i,;rnu1,·• hrt 11k u~

Now tht'\ ntt' hl•Ul~ ofl t' r<·tl T V M·r11· 11 (1nr ludln~ one· h·11 turm ~ lht·m ,n rur1•l~ v111ual c:onwdv wh1th IOll'lk ll l'!I M1kt•) h v !ht• v('ry pl'c1plt' who. In p rc" Illy" ~~~-\.~l~'?,Uldn 't • <"1' llfm Wl' can

M, ... ,. fr('l ll thlll 111lhoui,;h lht'V t'llJOV the1r pop work . 1t'ii. o nl )· cim lnrl or 1tu-1r r npnhll11i1• fht' 1r !,;1•,uun :ll I 1mdon'!I Honnt t': Si:utt U11h wh1eh l•Jwn r d la • t wrd, 11 .uuirht•r Ami <110 11 th<'it l111t m,-:hl l'Xl)("rlllll'lllal (Cl mnrh ltlr th~·m n for lhl• th1·1t1r1•) ,_ huw1 nt tlw Oprn Spatt• Tht'llltt:'

'' Wt• fountJ 11 10 d1llkult lh,1t If \q• tlld do • ,writ•, or OUT' (\\\, I\.

wr'd Ilk(' In WH' Pl'UPlt" Wt' ktlll\\ llfl' gnt1<l hut ,.,.hu, ht·t ,Hist• tht•y

j \1~,. ,, '\ I . \

- I. -- ~'

h avt n ' I N,U I llw lr nunw 111 th , 1.: hurt1, don ' t )Cl" I r111al d n1·d fnr IV I lkt• lht• l·ourim1" I llwy 1n 11

11 111 tJr,1 11 1,: w1• II ill 111hnrt• I hul 0 1'\'f'r P,f' I 8 1\\' \ V h n,lll li l th1· H rN· t1rd1 tJ11n ' t lmp1w n llul tllf' y' rn i,: r r,11 lhc•\' dtttl'n t· t 11 ht• .11 rt 11 •·

M!k, ._ ,rn.J !ht· .«rnup Wlt 'I v r, V lll\lC h prr p11n d to 11111 11 1011)' w,d1 whnl t' Vt' r h11J11wn, 1M J!lb'J ·1 lw y h11v1• n u ron rr r k 11 11: P tl pln11 11 for lOUl' fll or Anw rl1 •I, 11lt huuv.h I Ill' ,/• huvr h1•1·11 11motl'll " Wr- hitv•· hi~ 0Hrt1 lu·fwt• I .-1 lh1·111 h,1ppl'n, tht'h \\.T'II ll C" lit•Vt' lh r 111"

But !lwy Mt· pt1•n.ir, ·d In Llw ru111rr lhftl thc-1r dl\'l'r .11 \' 1.111·11! 11 n,111d lf'~d lht'rn in uppu 111 i11· thrrct111n 11

\.

• ..... '

" W r, h ,, 1;1 to 11 111'1 wll h th• l.o11ifl t11" f•H 1111v., lu t liu w 11111• ~• ll111 , 1•r 11 , 11111 w• 11 ,, Pl l' l'IIHII fftr II lllflill ln lh• f11f 11r, wr'v •· ~tl w,, v• lrt ltl an, u 11!11111 Ii I t1 111i't Il k• t'Yf II I 111-m )l. 1l ,01tl llw ,,, , , 111 ·1!' '

Wh111 I, ,. d,11 a Ill< l 11 lk111 M_ 1/ ,n11t , 1hnu~h . I• h i, 11 1 W h 11111" I hlll• hnll'• 111 C hi 11 1111 • . fp,.,, 1111 11 11 h fro111 h111 1111111 •1 11111 M• ( url h_.V

Mll<• hov.rd 1111 ,1 11111111• ,,r lh nr 11 cl,•1 ,, ht d h11111r Wllh w .. l, Vil ' W• JH ru I 111 W.111 I ti Utt"

h11rk " 11·. ll 11,y 111111., ' r i:1ll v ' h• , ... 1t1 "/\ r,11,v 1"1 h1111 " f.,, /\t1p.11 und 1111 "

Pall:t' l :!-Ml:L ()J)Y M A K~ R. Jnnuan I ~ 1%'~

THE.BLUES PAGE THE MELOOY MAKER COVERS THE INIDE WDRLD OF THE BLUES

Going backwards into blues with the John Dummer Band "W E think

the city b I u es bands have los t a lot of the rhyth­mic thing ol the early coun­try b I u es/' says John Dummer who has been lead­ing his Blues Band in Bri­tain for the past five years.

JOHN DUM ME R: back to t he early country th ings

"We are tryi ng to get back to the real early country thi ngs. We want t o take the ea rly vocal stuff and retain t he rhythmic fee l and full melody of it while doing it as a band. Canned Heat have done this to a certain ex1ent, but nobody e lse seems to try."

Steve Rye on harp and Tony McPhee eventua lly joined us so we had two guitars.

How does blues d rumm­ing differ from jazz or pop drumming?

In his pre-b lues days, John Jed a Geor~ie Fame type group in Germa ny under the unlikely name of Les te r Squa re and GTs.

" I fo rmed the blues band about five yea rs ago," he reca lls . " I was s inging then, but not playing drums. Our drummer was Dave Bidwell, now with Chicken Shack, and we had Bob Hall on piano. I used to be interested In country blues when I was about 12 or 13, bu t I was more Interested in modern Jazz - Gerry Mulligan, Stan Kenton and that sort of thing. It was Bob Hall who really got me Interested in the blues and got me going back from Coltrane to country blues.

"Until rece ntly I had been working In the Press Office a t CBS records and I hadn' t Intended that the band should get as big as Jt dJd. I fou nd I didn't have time t o do both and decicled to go back to being a pro with the band. John O'Leary, who had taken over from Steve on harp, couJdn' t go full time be­cause he is married with a kid and Tony McPhee wanted t o leave to start the Groundhogs up again.

" I s uppose t here is a difference," agreed John. " 1 like the sort of blues drum.ming that you hea r from Willie Steel with the Howlin ' Wolf band. But then I llke Elvin Jooes, Dannie Richmond and the guy with the John Handy Quintet. I suppose tho essentials of blues drumm­ing are simplicity and a heavy off-bea t."

John finds blues apprecia­tion spreading throughout the country and Is particu­larly Interested in the Bristol area.

THE MEN WHO MAKE THE BLUES BY MAX JONES

"The band broke up for a time and then, six months later about two years ago I decided to re-form. I gave Bob Hall a ring and he said Dave Kelly wouJd play guitar and s uggested that I might play drums. We had

The New

" So now there are only four of us and the band has changed a Jot. On guitars we have Dave Kelly and a bloke from Bristol called Putty who Is only 19 and the nearest thing to a bluesman In Brit.a.in -blues is all he cares or thinks about. On bass guitar is lain Thomson.

" Dave is w riting a lot of stuff for us now and the band is golng backwards into the blues instead of forwards. Dave•s main Influences are probably Charlie Patton, Muddy Waters, early John Lee Hooker and Robert John­son."

RALPH HcTELL

M,n l r u1111<tt N"I R • lph 'lrl f'll' .. ••c-1,nd l .P piral "'I •n•11•i":• •t1abl•• him In pn1, f' ha. •ort.h at a """ftll mU'll('•fflakrr. rr•rhm,: out •orr«• fully to " 'I'"'..., h, ... and our, rmutmn• in a hauntira,: hlfttd

nf ra11t1mc-, •m1lrt .anrf R"illfflion...

TR.A In

" Bristol is a strange place.,'' he says. 0 They have had folk blues clubs there for years and there are a lot of great guitarists who have their own lhJng going - unlike the London guJ-=~n ~w th~lc t31a~t:~ Influence and reaUy got into the early blues."

John's album. "Cabal," ls released by Mercury this month and he told me: " It was made with the old band when we had McPhee and O'Leary. It's not realty representative of what we are doing now." - BOB DAWBARN.

The

BROWNIE McCHEE mu!ol have one of the be-st -known names 1n the bl ues busi­ness. He 1s certainly among the mos t wi dely recorded o f a ll blues arti s ts , To fans in Europe he 1s .a famll1.ar fig­ure as half of t he Terry­McGhee duo, but he is an agreeable singer and gui t ­aris t in his own right who has been making records since 1940. On his earl1!'!st Okeh s ides he was occom­pomed by Jordan Webb's harmom ca or by wa-,nboard or both . Tht!n he reamed up w ith Sonny Terry and the two of them h.ave worked together on records , m clubs and on concerts 1n many parts of the world, thouJrt from time to time one will record without !he other

First HU!IBLEBUMS

T"'o brillianl t.la-.o" m11.inaui., BRI~ ConM.11) • nd Tommy 1Janf'y.att1'hll Humblelmms. Tht"U' debut LP. "Finl f.ollec1.io11 Of .. ffl'y M•lodW.. .. .,,. fu biPynnd Srotland in 1111 warm rornbin•tion

el lo"•I) lou ~ and hih,rinu• rarudir•.

TR.A 116

Transatlantic

Brownie, one o f four ch ild­ren, was born Wolt er Brown McO,ee m Knoxville, Ten­nessee m November, 1 9 14 . His father pl ayed guitar and song, and Brownie was brought up close to music oh hough the Eas te rn Ten ­nessee terr, tory was hardly deep blues count ry. H is father and one of his uncles, John Evans, playPd all kinds. o f country dance mu-,,c, and this type o f mu src- making

4 referred to by McChee as Jookin' hos no doubt remained an mfluence on Brownre's tas tr and style . His father song blues, too, .and Brownie recalled " Most of our blues were originals. They came from hollers. I very seldom heard my lather s ing blues of someone else. " At the age of fwr . Brown re suffered an att.ick of pol io Though he recovered , 1t le ft hrm with a hmpmg right leg He first learned to play on a home-made banjo given him by his uncle When he was eight. he w,h already picking guitar .and learning

a lr ttle p iano ,n church where he also played organ As the family travelled he gain ed v aned experience in sc hool choirs, gospel quor­te h and playrng at summer camps. He left school ond s tarted wandering w ith his guitar , working m tOll'erns and a t part1n and also f0t m1n '!. tre l and carnival ~howr. Some hme m the late Th1rhe'!. he met Sonny Terry ond Blind Boy Fuller 1n N0tth Carolina , al so the WO'!.hboard player, Oh Red , who rec0tded wtth him m '41 . At first , McOiee was presented on rec0td'> a'!. " Blind Boy Fuller No 2," ond he recorded a tribute to 1he older !.1nger ( after his death m '40) rnled " Death Of Blind Boy Ful­ler _., But soon Brownie wa.., away on his own account , rhoush uwolly m partner­ship w ith Terry. He recorded several !oess1on-, 1n Chicago, the n a great many more in New York . Some were duets, some tn~. some quartet-, or lo,ger groups with i.uz

BLUES ON RECORD

musicians included Brownre $howt: d cons iderabl e odap­tabd1ty , in working with dif ­ferent accompan1st 5 and . for a blues man, a wide range of matenol, and 1r1 recon­c1ltng the folk and urban blu~ opproache• He has relot1vely !i,oph1st1cated vocal and guitar tec:hn1qun. •nd yet the old traditional styles can ~ heard m his mus,c .S.nc. he and Terry bl!gon tour1nc the 1nternati0t'lal foll.. c1rcu1r the,, ~ '!.howmansh1p to their per­fOfmance and broadened ,h ClPfM'•I Bu1 lhe mu\1caf !ofrengrh and rapporl a,, ~II as the bounce, humour and charm of 1he1r act , rem,11n 1mpr~1w Hear the-m on ,. Blun. Vol' 2 " I Re.aim I, "' Brownie McO,ee and Sonny Terry " f T op,c I , " Back Country Blue\ •· (Realm) . · • Brownie Mc-Oiee. Sonny Terry. L11ht nm• Hopkm5, .and Btl Joe Wilham_-,'' (Soc1etv), '· C...utor Highw.ay " I Verve-) and " L1v1ng With The Blues" /Font;ana)

Enjoying the hard­swing Hooker blues

Hits-the Manfreds' only goal1 ·· Jr!-, not • i roup an)-

moN", 1t'~ tu~t fh«­pe-opl~ "'ho come to geth,r to makt' hit sin~IN,'' St') Sl;,"S Tom Mc-Guinness, on4" of the f'i\ie v..·ho form ManrrNJ Mann a ~roup y. ho have ~n makin2 h11 !tingl~ for '-IX )Nr!t

Thf, .\1anfrNis' •· Fox On The Run " t'ntered the MM c.-ha rt last wrtk ... Thac·., th~ only aim of the- Jroup at the moment - t,1 m;,kt hit smi,1les - 1t'~ the ontv reason the iroup ex1scs· • ·• Commercial success es Vf'T)· im portant to t he g roup. It g1v~ us t he flna nua t f reedom to d o the lhmi:s we wa nt.''

A nd Y. hat are t hose th snJ.: . ., "\\.'e ll , M ichael'5 m Gul li ve r at the Mer­maid and he's w ntten lh ing~ Wtth Tony Mac­a uley. Manfred a nd Mike ar~ Just aboul to fmi !th off the ~ound track for t heir second fi lm and t hey're continua lly do ing Jing les a nd p roduc ing ...,anou '\ g rou ps

" 1 d o n't kn0Y. Wha l Klaus 1s do ing I expec t he 1s just s itt•n~ about at . hom e playing hts g uitar. pa mt mi:; a nd en ­toYin~ h imself " (Actualh Mr Voorma n 1s workm~ on ca r toon'.', and 1llustra ­tlo ns for a BBC-2 o.;e ries)

T o m ha,: ~one into the fi lm world on the pro­ductio n side I spoke t o him nt the Bnl1s h Film lnstltute m London

her e he w.:u, edi l in• h1i. third film

TOM McCUINNESS

·• l don't m~s pla ying g11's at a ll, no t even re­motely. I've got no ro­man Uc allusions a bout tha t . I might cha nge my mind m a few ye.trs time but J ca n't imag in e U!io

ever rraw: llm~ round togt>lh(• r 3RAIO

•· 1herr a re M> man} poss1hh• han ~- up'- when you 'r«- rn11 vr-llln1t on g ig.Ji Whm Wf" w1·nt to Swe den w~ sr t>nl lO hour .. tra\iellmg. f' ight hours ~leer,mg and 40 minutt"S on ~tagl" The re.t of Lhc t uhe 1!t filled 'fl- ith eat 1ng .ond dr1nk.1np Thf-re ar~ s o many possibl t hang-uJ>" You havr. to uc:nfice a lot of youn<"lf m a ,l!roup

·• We are mudi hap­pi r w1lh eat:h oth"r now, w e 1ee each othn ahoul Oflr'<" 10 f"\i"f't)' lWO v.r-eks or ao"

• Fox On Thf' Run •· ha. takm 11..: Wt'r'k1 to ,:.~t into l_he- chart~ and l nm adnullt-d that th4" JtTOUP wf'r(' ""orne-d about 11

.. Wr. ttad all given 1t up Normally our record• arU ver) -quKkly tll• one is 'rPfY ahffl to aur e,i:pt-rwnn" f.Vff)' · thmc eln has sold Yt:ry .,..ldr.ty lrom IM dat• ol -WtM-IM1" u • taken a lallc ttme or not •• fox OIi T1w Run• haa aot i111o the rbart.a 'Whtch .. j110t u W<ll We don't - 'llffJ IIIU<h o1 the ....,,_ now and a• Ten - "The- cal), nalOII w,: ni-' • ao -1<,hk1111&lm" TM ft• _,_ - ...

~~

" J make hit records for the govern­

ment. Five hits for them and one fo r me.''

So says Mr Instan t Hit - record producer Mickie Most who has three singles in the MM Pop 30 at the moment and hasn't been out of the w orld's s ingles charts since he made the Animals' hit " House or The Rising Sun" fi ve years ago.

Currently, Micki e is en-joying success with Herman's " Something's Happening '' which he's tippmg for number one (•• The • Ob-La-Di • th.ing's finished now "), Lulu's ·• I'm A Tiger'' and Donovan's mysterious a nd under-promoted " At­lantis"

MAGIC Mickie's made h.im.sel£ a

millionaire with an innate ability lo capture a com­mercial sound - selling_ warmth and magic, he calls h - but doesn~t en}oy the mechanics of recording. Not for hJm, the eternal knob-fiddlin&, multi-tnck obsessions of some of recording's whiukids .

'"'l believe that the song ls the most imp()rtant com­modity - more Impor­tant even in the initbl reaction stage than the artist,~• said Mickie 1n his penthouse office six floors abo\•e London's busy Oxford Street. 0 By that I mean that the public first ot all is attracted to a song - secondly to the artist. It's particularly true or new artists. It's only after three or four hits they say • I must gel Lulu's latest.'

.. ~e I s~t,off c!~!:~~~, song. I don't go near a studio unless 1 have a son& which 1 feel is a potential number one. rm fm-tunate because O\ier the past five years I've been lucky enough to have had hit after h.it. So the best songwriters and the best publishers send me their materlaJ for consideration."

DEMOS He, like most record pro­

ducers, receives hundreds of demos Out or every 1,000, he might get two he can rave over and consider as a potenlial

!~~};\~. fo~e or;fste~ ht~ demos all the time - but In short bursb of six or 5n-en. .. Jr I sat a.nd played demoo all day, Yd ao mad. Arter a tJme, they all sound the same. But I can usually tell in the first 10 seconds if It's for me or not."'

One thal he flipped OYer while I was 1n his offlre was a 50ft1 called .. Btc Ship ., wrltte,, and per­tor.- on the domo by Raymond Frogall, the man who wrote DaYe Oarte'1 hff " Rod BaO-,. The - WU utchy, with a ,ttpt country feel and very •olldly In the H...,..n mould. " 1t•1 a number one reeonl," Nid Mlclde, " Not JUS1 he« but all ovH the wodd. H's •trona!Y ID lln• ror • ii:.':' .. 1-:!..':r, "=~ decldeclyet."

Havln& found what ... INllnft 11 a hit IIOIII, Mickle lhen take1 ff Into the -o ..,cl can t,II In a ve,y .. ort time If k will .._.... "The ... rte ... lolle-•ln""

Mf t (JDY MAK l·R Januar,t IX, 1% !1- JJ.i~c n

ALAN WALSH TALKS TO . MiCKIE 'MOST, THE MAN .. BEHiND THE 'till MAKERS ,_.,. .. '~.-

Making hit records for the Government

HERMAN ' LULU DONOVAN

" I make hit record, for the gow-ernment. Fiw-e hits for them

and one for me ."

about Vietnam • but they energy that wlll get don't know the back- records made for the I 16 ground. They are countries who release our

wrapped up in their own product." careers a nd it's up to me Yet he tries to stay aloof to see. they don' t go down rrom t.'le business as

first hour or so. If it goes responsibility to others: ir J can. much as possiblt. •• I wrong or doesn't Jlappen to the artists, for ex- "They come up from no- make a record for next for any reason. at a three ample. and the record where, from a factory month not next year If 1 hour session, I scrap iL" companies, and the dis- floor. They mustn't go know l have to m:1ke a He often means to 10 lributors, retailers and back. That's the worst single with Lulu, 1 go back lo the son& later but everyone else. If I'm thing that can happen. out and get the best rarely does. •• You never ma.kin& records, I'm keep- •• So you see, there are material I can for her, 10 back, do you? lt's the UII Utose people in work, reasons why 1 can't say make the record and then same with women." and that's ifflJ)Ortant, too • okay, sorry mate, J've forget untll It's time to

•• I know the sort of thing .. In the case of the a.rtlsts, made my bit, I'm off to make the nexL Otherwise I'm looking foe- in a song. too, I have a big respon- my yacht In Cannes.' I you get too Involved and I won't record a song I sibUJty. These people eat, have to keep myself inevitably stale. Thls Is a ha,·en't any faith In. sleep, breathe, their • hot • so I can go on changing business and Some producers go in career. They may think making records that seU, few ideas or records hold

But what happens when he Is able to get away from

~ st~~o~ -::0

tt~: ino~ t; jet to Cannes for a few days on his yacht, moored in the French port's harbour. He has had a love affair with boats for five year, now and is currently thinking of buyln1 a 79 fl Italian craft capable or salllng 600 rniles without refuel Ung.

That's his relaxation: scrubbing decks, \'ami,i;;h. ing bu1kheads, oilina ene,ines. Without a demo dist. ht sight.

with a paor song and do vacuely • isn't It a shame so I can generate a lot of over for a Jong time.''

:;::~1m.e

1

: a~ee I~ r,:========================================:... add all kinds of effects. It doesn't work. The song has to be a winner or it's no good.''

A song Is like a house, said Mickle. "If you build on a good foundation, then there's a good chance you can make a fine house. If you start with • 1ood :°hft .rou mighl Just have

Mickie frttly admits he is in the business to make records which sell. He

~~\~ef:t m~~~iv:.7ue:, in the case of artists ttke Lulu and Herman, M­cause he feels lhal the public hue their image or artJsts Ille these. He pnwktes what the publk wants.

But he ha5 made other albums which have 1ood musical and lyrical con­tent - albutns like Dono­van's •• Sunalune- Super­man ., which have dJrec­tlon and meanlna.

Yet he admitted: •• I don't know whether I llkt­maktnc records u much •• I used to." So, l ukf'!d,

.. :'Ji. 'di!:~, the money • tr you Hrn £180 a week you spend ""· II you earn £I ,OIi, you spend that. You always have to 10 • earntn1, especi• II)' hen - the ... situ• • tlan. Thffl thert-'• my

1,0 ... \. ER

R ECOllOS First ReleaH : 24th January

CAN I TAKE IT WITH ME

MAITIN UNfOID .,.......on,U-11.D

Pa,t 14-\1£1.0DY \IAl<ER .J.aw.r)· I" 19C9

the NEW blind date 'JOHN SURMAN? IT'S

LIKE MUSIC WHILE

YOU WORK!' Paul Curtis J OH D U:ltM ER

BL UE S BA N D •• Hound Dog • from the LP ~ Cabal " ~1..-cur,· S;IICL 201 36).

Sounds hke Mick Jag­i ~r tn the loo. Jt could be anybody. It's like a jam ~Slvn in a club -anyone can play this t)'pe of thmf!. e\·e.n the Rus­sian~

h's "Hound Dog" of course and at t he time nothing could beat the on gina.1 Eh-is Pres1e)' ~ersion. This is aka;-- for Jammmg on stage.. but n ·s no t really albwn ma­terial.

Just ano ther 12-bar With E.l\" is Presley lyrics. I hke blues, but rm not that gone oo them. The re are a couple of English bands th.at are okay like Aynsley Dun­bar iilnd the Fleetwood Mac.

But l don' t see much in these blues bands unless they are really good musicians... Thev can"t sttm 10 be able· to write any original tunes and they·,e got notmn,: like the soul or the origmals Jikt> Muddy Waters.

V"'k~~OR, .?::,,;! You Wn~ Going To" (Poly­dor).

I can·1 think o( anything to sa)· about this They·n sort of -.r,tmg about eve:ry• da)- thtntts - IS it a Dew group" The t!nd.ng was an

of the Gun

B°X TOPS, • Samlman" (Bdl).

Grut sound as If they wt-n slo"Q. t:ng dO\llo-n lM l3pe on thr gu11.ar. That '1--:U a quick fade out. I hlce: the use o( SUings, and l liJte

~:ct!t~~ ~ ~~~ tunes'"' Oh. the Box Top& -well t<. worft be a ~L It's not as strong as their others

J OHN SLR.\tA.'\c • Oboah Woddlng" rrom the

LP " Jolla Sunn.In " (Denm

S"\fi. ·-~ Ob yeah! - EdmUDdo ROI! \\,"ell. that ·s what tl saucds like to me. Actually 1t sounds worse than E.dm..ndo R05... esptt.iaUy ah.er stting Stan Getz the othtr night

That could be Just any• one. couldn't it., Tb~ is a dance band. defi.nwely not a jazz group. bt-c:au.se you can hear the drummtt t.s too

cantri\!cd. Ther~·s oo jl.u reehng

u ·s like l,1'1:5.ic V...lule You \nirk or the son or music they play ,1,.bffi }'OU're wa.it­mg tor l.ransmJ.Ssloo to start on BBC-TV \\-'ho is it? Realh·.,

He~s- with Ronnie's band

TWO, COUNT 'EM, TWO NEW LPs FROM

THE JOHNSTONS

(' . Joni Mitchell, Jacques Brei, Leonard Cohen,

The Strawbo.

- a lan.Lutic player, 1 thutk he's absolutely great. and I've seen bJm thou• sands of times \VeU, I shouldn't have said al) that

maybe it's JU.St ttus first track. I pre-fer him pLaying some of Gordon Beck "s things..

Cor Blimey - Kenny Whttler's on rt as well, and he"s from Ronnit's band. No, I Just didn't hke t.ha.l track - I like John! Yeah - poor old John.

Loote .. (Oirectloo). t,;,, - dOn t play H ~n)·

ffltJrf' Mt th• wholt- btl, I Just can·t ,1and ths I hh· good ,oul. Diana R065 or the Impr~ons. _But thtS sou nds hke the Bn xton Kit Ka t tm band It shou ld nner ba..-e g~ on tht record p layer.

TROGGS: .. Evil Woman ... (Page One).

Trogg.s! You can u.ke tlus off for a rurt. l just wouldn' t JlStm to. it - J know the record too w~II Give Lh.at song to the­Spooky Tooth - they play it on stag~. J can't beheve th~.

JR ALfM.J!:s, &. H!: Cookin' • (Tami.a Miltown).

J don't kllQW who It lS -Sam and 0.1,e? The rhylhm ,ection 1s very toget.he:r and great for discotht"quei. Tbt're- goe-,: thfl sa.xophcinr solo - ve-ry good for Uk Bag O'Nails club. But _ I dc:,n"l hk~ th is t)pe of ffl USlt.., in fact, 1 hate 1t. I sup polt' it's all ngln to drink 10 a nd end up getting s.ma~hed

SAK£11' "Hey Joe• (Par­lophone).

Huh? Oh1 Sorry' You haven' t picked all t~ records especially for mt have you~ I thought at first this was goin~ to ~ a Marlanne FaithfuU recc;rd. because that is a beautiful backmg. __

But this 1s an aggressi\'t sang, H sung by J1m i Hen • dJix and Tim Rose - how e:lse can you ~n,:: " \lf'hr-rt'

~"y:~ ~,~•th that gun

y~!1~! •~toghf lt:r !i~~ Joe - but who'>-t" mumA won·t let them hslen to J1m1 Hendnx

£Y~a T~i!.0:!""~ the LP " Roots " (Warner Brothers W 1752>-

Great, I like their voice verv much l',..c alwa\·l be-e!'l a fan CJf lhe Evt!r.Jy Brothers, but you don't hear much of tht:m an) more­Thea r vo1~s and lh..- back• ing is great_ Thi5 lhould s~n qu1te a lot The bcK record you've played tod~y

SORRY TONY, WE TONY PALMER, BBC PRODUCER ANO THE OBSERVER'S POP REVIEWER. SEEMS TO HA VE BECO,\fE THE WHIPPING BOY OF THE POP WORW FOR HIS BELIEF THAT TODAY'S POP MUSIC IS ART WITH A CAPITAL A THE LA TEST TO CROSS SWORDS \\'ITH PALMER AFTER HIS MM ARTICLE IS JOHN CAMFRO.,. THE ARRANGER. COMPOSER AND PIAN· /ST WHO HAS BEEN MUSICAL DIRECTOR FOR DONOVAN, LEO HIS OIV'I JAZZ GROUP AND RECORDING ORCHESTRA CA \fER0.'1 WRITES

• So now Tony Palmer is trying to promote the work of Eric Clapton, Pete Townshend, Lennon and Mc­Cartney and Jimi Hendrix into an art form,, purely because It reflects the soclo/ psyc:holoalcal attitudes of the 1960s.

Surely the one criterion of musi­cal arUst.ic status is the music•s ablllty to stand up as an aesthetic entity when superficial qualities suc.h as emotion, social forces, etc are ignored.

POLITICAL UNREST One doesn't have to know how

~!,. ~~--:.,"":..::n di~ boven's mother died to appreciat,. the beauty or his 4th Plano Con­certo, or that Weber was living In a sta.te or poUtlcal unrest lo kaow tbat his music I• - or the finest writtea In lbe 29th century.

of years that the non-0 6traight .. and non-jazz world has discovered the Major 71h.

Rock mu.sic has a 101 of ne-w ideas 85 yet, but hall-ronnec1, and a,ay turn from belca an intrinsically rolk rorm rellectlng current f-._ -emoUoas, lalo an accepted art ronn, but to try and make It nu, before It can barely stagn ta its rttt I• suicidal lo lbe rorm itself.

--- ..... ........... TRA 114 TRA 115

Once Mr Palmer's ..........,.lntel­leet..i IIINftderiap .... -~ away r.- the roell ..,...., of 11,e IINa we tlnd U..1 maalcally 1M whole - la ......, upon a ._ • -ie. ........... rhy1Jlmlc -­eep(loa ---- -ay lly dauleal ....... the~ Ilda -IUl'J' ... ..,...oy .................... ........ _,,_

Jazz muelc, perhaps the futea& developing art form la hlatary has lakea N years to leav• beJund its rolk arJalu - lalce OD .. artistic Identity dttrorcecl r.-- Its --1 polltlcal/~ -.. E.,._

.... ..ie., ....... ...ild untDalllMlllack...._~ ... .,_ ........... ...,. ..... ,. .. _.,.,.......llyfuo­--...te-1L Transatlantic

--· .... ..., .... IMt couple

.... ~_ .. 'WIIIO ......... =--.. ~...,_.,...,. ... ............. ~-:;:

.. .. .. ...

--IT could well bn·e been _the f~est and indeed the most hideous s,ght

known to science (without sufficient data it is difficult to prove) the day th" ,tarmalad donned full highland regalia and the Bonzo Dog Doo Dab Band assumt,d full drag in a BBC Top Of The Pops dressing room.

Pa 111g technicians and tea ladies. stopped_ stared. crit"d out and ran as they sa\\. Bwtzo Neil Innes in a crinoline and vast wig.

Benice Otber,- skidded in lheir tracks at the

si~ht of Dean Ford in a rat.her chic min1-lull, while- his drummer Alan Whitehead. resplendent and quite nonnal in a British Redcoat uruform allowed h1m..,;elr a se lf­:5-alisfied sm.irk.

lt -Y.·as a shanw telev1ewers couldn't h~"Vt: seen the ~ucy dance performed by t~ 1annaladc for the Bonzos. demonstrat­ing bow the) \\ould have hked t o end" Ob­La-D1 Ob-1...a-Da •· revealing whal Scotsmen wear ·neath the tartan. n -performance that reduced Viv Stanshall, himself tastefully aturect tn running shorts, to fits of mirth.

tothe The merry lads of lhe Mann:ilade -

D.-an, ."'-lan, Graham Knight, Pat Fairley and Junior Campbell - ,vere in high Anglo-&ots humour at getting their first number one with lhe Beatie tune.

•· 1ne excitement is only just beginning to hit us:· said Junior. the guitar p layer wilh a talent for rolling his eyes and pull-1ng fearful faces.

MORTAL DRUNK ·• 1 thtnk 1t came ·when we saw a huge

blow up picture of us on the set of T op or The Pops . rm going to get myself m or­tal drunk and J"ll have to be carried h ome tonight-

say •. Getting a number one has ahvays been

the ultimate v-i.lh this group. But I ·w as surprised '1. hen 1 looked in the mirro r -Lhere ·weren•t any stars on my teeth.

" We've had about 50 congratulatory telt!grams. but nothing from the B eatles, as far as 1 know. Ala n met Paul McCartn e y in the Revolution and he dictn•t know ,,·e were number one. l don't think h e can care much about the pop scene. b ut h e did say he preferred our version .

Be0

:t~~t;r: 1b':i~ tiat ~~rd ~ ~~rs. B°un~~ lo" Bill · cou ld be a smash for somebody "

·• I sat a nd li stened to the whole LP a~ain last night, a nd the Beatles are the on ly g roup w h o e v e r make me feel like packin g i t a u in."

The group ·s m anager Pe te r \.Va Js h , w as in Ame r ica when they r ecord e d · · Ob .. '"·1thout his k n o wle d g'!

H is congratulatory t e Jegram r ead · " l s till say you should n ' t h ave done it! ··

·· The n e x t ulltmat~ w ill be to get a num-~ •• . ;Gh (iUt',....-ftf, Ch'i~vruur v\Or su11~~.-~

Junior . "Dean and I do a lot of writing and

exclusive by Chris Welch

DON'T NEED YOU! dos me-tre bllt tnn tht-n the music bad Ion& tin<, abandoned the Idea that rhytbnlk impulse deponds on .. on t,e,all .. illd 1

• off beats " (as -. tJw mPc of t,·ery rock band toclllY) .,cl mli,od that eventually rhvtlulllc reeling d•poods on certain sroupl- or not,,, harmonic notes, barnionk .-,., and ace.nu. tur~ to make a compari•

..,. wldl a P•rtl<ular work or StrnblOkY• .. u..i rrom his neo­,la,lical, .-..1 rttroaratk, por lod of - .,... ye• rs aao and by Inf-- -Plre rock mul• to JIiii ~don .. ~••·

~~-~-MlhlmffmAY lie llllt 1111i lllbn11y to ~• the .,.;.. ~ bttw- a roclt _, ...... - ., 4/ 4 and ~ t, plala crlmluL ~ Palmer, ..,.'t fnree·

fN4 -- .... ,Mi,, dlild of yows • 1191! #lft I.ill It wldl a pledlora

~··· but ....., ......

'lllt ... "'-=:.=' :::..~ ::.... ~ ... ...,..,11 111 ... 11!1" ... . ... .._. .. ~ - . n hd,Wc - •lea! ......... - """""" ...,,-_ .. ... ...-i ... ,.., _ lf#l'1I!" IIIION, - CllilM, ...,

we very much . like Bob Dylan We en1oy everyLhing we ~o. other­wise we wouldn t be here, but there are a lot more musical things we'd like lo do.

.. We recorded ' I Shall Be Released ' over a year .ago and it would have been 3 single , ir _we hadn' t released Lov1np Things• instead. 1-J!e pushed the Trem~loe~ I~· to doing it but It d1dn l work _ sOrry lads! We didn 't do it ourselves be­cause with a slow _num• be.r you au_tomat1cally lose a lot or airplays.

,. I think the people who follow pop are slowly becoming more educated 1n their tas.tes ond certain groups hke the Marmalade, Herd and Love Affmr will have to do something muc-h more mu~ical.

.. The proor of this lies in the . popularity of groups hke the Crum and Jethro Tull . There are a lot or bad groups in both secls and both can malte good records In their own way. The . heavy • groups always say they are disgusted with our IDl't or group, but you've 101 to be broadminded-

• We're all lrlendl with the Jethro Tull group, and altbouah Des O'Con­nor Isn't exactly my bag i em, apprec:1• te what .... dal111 and lbat he' Nlllln U.bull-.lor

years and deserves his success. Good luck to him.

" It would be great to see coming from the Cream, some nice state­ment about . . . well, Leapy Lee for example. Not that l could imagine Leapy Lee's farewell con• cert al the Albert Hall!

" But it wouJd be nice to hear Cream. or a group like them, say to Leapy Lee: ' Fair enough and good luck.' You've got to be broadminded, especi­ally when you've got people like MPs knocking ALL pop music, and not knowing anything about it ,

" You get people who say: ' Oh look al those Stroup members with lonJ hair - they're so effemi­nate.' Yet when we went to buy these kilts for the TV show, we saw some old prints from Cullod•n umes and the Scots then had longer hair than we've got. And nobody would say: ' Ooh ducky ' to a 14 stone Highlander, waving a claymore and charging down the glen.'

CHANGE •· Yet when w, go In

th• Blue Boar on the M 1 you 1hould hear what we have to go through.''

Have Marmalade chanaed II all durln& the put ourcessful y,ar'I"

" I don't think Graham and Pat have changed really. G r a h a m has a flashy car, which is a novelty to him, but Pal is still just a f reat big hai ry boy. He d never change in a million years.

" Alan is a bit like Graham. He's not star s truck, that would ~ the wrong word. But hes en­joying success.

" Dean has changed a lot. He appreciates very much what's happening to him, and he's ~rying to get to the pubhc more, get himself across. He worries about his image and I don'l thmk lhal he should worry.

" The BeatJes got their image by bei_ng natur~l. As Mr. M1cawber m Dickens said: ' We shall just have to wail and see.'

" I don' t think I've changed, although I've got more money in my pocket. We take out £50 a week each and invest the rest in case there is a financia l crisis. Let's face it, in six months the Marmalade could be dead and buried. And as we're insured for a quarter of a million pounds I hope I'm the sole survivor. l'm only sermus or course."

ROUGH At this point the group

111 broke into a wlld Highland flin~. A rough English roadie groaned: " 'Er~ what do you want to wear that pouch lor?"

Graham explained with a ail•nt gesture. H~ neatl_y flicked cigar ash ,nto hia sponan.

How dou It feel lo wear a kilt, I illqlliftd?

"You feel Uk• a blank·

111& b.laok~ r 1::: .:::: =.'t dare Clll U-"duclao " •

MELODY MAKER, January 18, 1969---ft'a&'e IS

EM rs NEW YEAR REVOLUTIONU!

British Motown cnartbusters

TITION

FIRST PRIZE A B.M.C. M I NI DELUXE w 11h radt0 and tape machine installed. and a special engraved plaque presented by Motown Records, Detroit, U S.A. PLUS 20 consolation prizes of 5 Tamla Motown Albums ol your ch01ce. EASY TO ENTER You w ,11 find a competilton entry form insened 1n the cover of any new Tamla Motown LP reco rd released ,n J anuary or February 1969 SEE YOUR DEALER NOW for 1U details. . and remember the competition closes 28th February 1969.

RU TOPS SIIEY._ llNMYBmB YEmRDAY'S DREAMS I ll MIW:lfS SOPHISTICATED SOlll 111N..._llllllOl761 l .... ..._flll. ~lOIDtf Sllflll• 7 SPECIAi. DCCASNII sr•u°"

NAIIYIGAYE ~=--=t•11•1t IUIAIISSI ....

IN THE GROOVE 1111111B ..... , .......... ,.11111 11 11•11••· lllBflAa LD't'EDIU W1'flllr:1al-• •·=· .. -·

··----• 111-l MI Rtur1,1n11 Ir...,._ C.. LltllllLL .._ .......... 5-e. l- "1:,A..,l--•·

·:·Howto makea

• Ord, bythe experts

1.an p~plc, h.ave thought .about

mak in .a record .at some! time in their

Ii ut to most ,t remains a dream .

U ou an, determined to commit your

!'la ,n or you, oicc to record. take a

hort cut and study this special

llppl ffl l'lt . It will h Ip to spare you

m ;a n o f thi, h.ang-ups connected with

mak1n11 a record

PA

Ti):>,, HA I Cit , com­I pn.-. r- , r t cord

producicr and • rr•nKl"r, can cast • cool a nd t~~rl'nted e)e O\e r a ll a ~Cb of recording For hf' , mort• than so ma.n)', trul) ..-tt\ t hing! rrom .. bolh ,Ides or lhe mil,., ."

lh''i rt'C.orded - and w,.llten smash hi ts-for P,tula Clark and h is w ife, Jackie 1 rent. And hu now Men accorded the honour o f ha \ Ing eighl or h is so ngs recorded by lhf' grea t Frank SinalrL

Ac-cord ing to To ny, the main esnnt ial in the recordJna s tudio is • ~ood recording engineer . ... l ' '- t bet!n fortunalr in that l' "we bttn recording in thc.o Pye s tudios for five o r s ix years. And Pve had a fine guy as a recording engineer -Ray Prickett .

... A tremendous amount of team•work goes into the production or • good record, and it he1ps tremendous ly to know your studio char• actertstks and the people you work with. And they, know the type of sounds you wanl.

" rve made recordings In the States with Pet Clark, but I've never reaHy been as happy as on our own ground with our own engineers. When you've worked with the same people for so Joni, you build up a trt•· mendous understanding

" When you' re work• ing in a strange studio with a strange engineer who doesn' t know your sound, you often don't know where you are. Even though the engineer and studio may be very good.

.. The sound you get in a control room Is usually different from what you

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SAYS TONY HATCH hear on the finished record. You may hear a lot of bass, for instance, but the engineer wlll say • don' t worry - it'll be all right on the finished tape.'

" Maybe it will be -maybe it won't. Unless you're used to working with him, and he knows

MARVEL OF MULTI-TRACK RECORDING

·THl 1:~e•:n:u:;~s:iut'::!~~~ master ta~ recording b largely dtJ)"ndenl on \'try :.ophlstknted recordinJ tech~ nlqut'S and demands lhe facilllles of multi•trac:lt recordlng'f.

Multl•track recording ~JUI with the Introduction ('If the three track rt-corder and during thie past few years the Industry has advanced to rour tracks on llnch t.a.pe, elsht Tr• d,s on Oflf' Inch tape and now 16 tracktJ on t\1.0• inch tape.

lhHe additional lnitks allow for each IMtn.,mt"nt or group or lnstrumenu to have their individual puformance ret'ord•d on one o l the many tracks that will m11kt up tM finished recordtn~.

This en•bll!S tht' rt'COrd producu to b~lantf' the per­form•nct' of lhc- artist •nd musician •flpr lhf' recording seuion and to produce a ruull that iJt both com• mert"i•II) ;ind artlslicall)' lm• pron1I.

The pouibility of "'-'•o4tn,: lhf'•-'! facilililf'~ art' dept"ndrnt on lh• numbol!r (Jf 1r•d11 nallabh·, Mn« l'"' IIINI moH· to 16 lrack ncordinll, which '4111 e,lvt •ven t1rU1t'r f1eilill~s 1nd promi!.N .-,·tn more int•rt'Sli.n1; producllon11: In th• )'Hr,1 ahead

The 3~ Com.pan) la CW· rt"ntl) fulf,lllng order, from "'"l"ral ma;o, 5fudio1, ro, Mlncom 16--trac.k ttt"Ord~r• nproducus costtn,: In thf' reslon or Cl5,ott uch

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One or L~ kf'l'nts-1 •d"o­catH of multi•trac.--k rrcordlnc Is famous Amf'rk-.n C'Omp()Hr, arTan1er and \'ID, Gnrdort Jenkln<i, who bH had a 'l~clal ,tudlo atta..::hrd Co hl111 hou~t- in Hollpi,ood. whett- h,

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B) u~lna ntulti-track fad)· ,11~. fl l, abo po~s'R>lr IO

=~~~~po~ :!~![!~=~ l~u~!"\c! uncommon 10 re-cord • ba1lc mrlody •11d at latll't stqH add forth., ~UOfls of JDIIII• cl.ans ID put't'ct lb• Nl•nN ol an o rc~t,aUon - •nd at ••

:::: .~:•~ti. •::t~ ~k arlbl Ad4ttk>ftlll fh,dbUNy h

lll'l'ft in muUl•lfH. TH'Of'd11111 b«au..- 11 allo•i .,., ~rror madt durlna a rk«dlnl: '"••Ian to 1M flllrl'N:lNI tolrly "° tlw hldl•idual •Mio ••"I er pla7-, • fault) pa•u,;• ..t~ .Ul ln•Olrifts tlw •flt« tlN&I·

"""'

T ackNI l() the rn, of tht 1tudJo i1 • cro1il>ded ('t'II 5t>mt g ff"f'l "ld" and 15 ft-f'l 1cw,,__ rnrrnbl1n,r. th., back dtMot"I '-"' .a,n t'lf'rtronk, uuplus •Ion· In ht'N C..Ordon baa VMnmNI _. ni,tom rontrol buatd a...t 1nuu\ch:d lhl" 3'\1: profe a10JU11I r4't'Order to ht• hun'5 dt'1olft'.

To Gi>rdon and llntrlr 1hto tt,olulki.tary t-qUiprn•nt P"' "'dt°'d an npror11u,ur to fM t.ona.lhbl& rad k•H> and r-r fr'hhln,lt dlft•rfftt

Ir h JtOM•a. to .. tnulttpb hurt,. •ho c• 1t.1 an,

~::~,. a~~ (;o!i°" ~l-=~ pt.ay p:rautn.11, ' ••J ._ •trtnafllt Into a •h. or .._t.1

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CENTRAL SOUND RECORDING STUDIO

4 TRACK MASTERS & DEMOS

6 & 9 DENMARK STREET

LONDON, W.C.2

TEI.. TEM 6061

BEATLES EVEN

TAKE A TOASTER TO THE STUDIO them stacks or amps, guilars, foodstuffs, fruit •• • ev-t t'}·· thing down to an electric toasttt.

"Music is their life. In a sm.se th~ move the lounge into th.e studio. Although spontin~us. there's a gre..t deal of thought going on in thtfr min~ . . • they're great to work ,-.·ith.

"Nervrs don't seem to bother "ar) ," said Norm.in, .. she • ·as very conce-rned about what she was trying to do."

Trident ha,·e a staff or ten

and the studio is bookable right round the clock. •• Often the sessions arc booked around the session men; a group might want a particular session man and hne to fil it in when he's avallable.

"Norma1ly before a session takes place we know what the line-up Is going to be- so we can arrange the studio. Wlch the Beatles. as thin,u stat'• to deHlop, they might want to bring something else In and It 's arranged ... but il's only e~o ~ w::ia~J~h!,~y_f,roups

DON'T GO TO THE STATES­WE HAVE THE GEAR HERE B RITISH art ists a lways

to ,::cst:fcsb~n d!!~~~ ~~ those distinctive, hit-mak­ing " sounds.'' Docs this, therdore, mean that the American studios still lead the way in recording tech­niques?

Over to Steve RowJaod , now lead sJnger of the Family Dog, who has pro-­duced tccord lngs on botl, sides of the Atlantic. He d.kl demo discs with the fabulous P. J. Proby in the States, a nd over h ere has recorded Dave Dee and Co., the Herd, a nd Is now In­volved w ith Cupid's Inspir­ation.

Match According to Steve, our

musicians and s tud ios a re easily a match for those in the States. " Sometimes our studios are better,' ' says Steve.

"U the An1crlcans do score over us, it Is in the ' feel' for music. What ls so important in the USA is th~ amount of people able to play instruments,

"For example, practically everybody in the South plays a guitnr sometime in their life. And these people have a tremendous feel for blues and country music. It almost becomes second nature to them.

" British musicians are great readers, and we have some fine strlna, brass and

ROWLAND, good readers

woodwind pJayerS. They can read much better than so many musicians in the States. But they don't ha,·e the same • fH-1 ' for soul, country music and blues.

ALLAN­GORDON

.. ,.,

'-

, How to makea record, bylhe experts

111.at lndefinabl f' s ens" of timing one hea rs on rtt"Ord­in,s by Tamb Moto" n, Sta , and Atlanlic.

"But Rrttaln ls lmprO\ lnJ. all the time. And man) of our l(roup musicians ~nd session men a rr de\ tk)pin& a real fttli.ng for tht blu~.

Hired " The only troub le here

Is that ff }'OU don't happen 10 like the playin.a of, sa)'. a gultar lst )OU have hU'1.'d. you can't - as In th" ta tt - sa)', • thank 1-ou , er}

much - "'c'lJ NI,~ to gN somebody else.· The rt just aren' t that man.)' .cood mf"n a.round..

" But as t said, thett a re some blues groups c-omln1 out of Britain that AN' bet- PROl't ttr than the Aml"ricans..-. IRfflM

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Howto makea record, bythe experts

THE COST OF MAKING A DEMO DISC

M 0S1 Jroups st• n on the' path .o fame anti

fortunt! by pt>rsuadintt riecord companll's lh• t they have so_m1tlhlng 111or1h r•cordln1 111-1th thf" help o( a df"mo di!liC'..

How much does h co51 10 t'Ut a demo and how does an unkno\.\ n i.roup l(O about it? 8111 Fatlt •. recording tngl. neer w lth Resent Sound, e,plained at tbrlr Df,nmark Sitt-et studio:

·• The group should be well nhcar"'rd bdorr t'omlng to the studio. Thtn tht) can comt" In for an hour and do 1,,.,.0 \OOJ'I' The cost - £6

plus 30 shillings for t he demo."

Regent, who have two studios, are bookable 24 hours a da\ but arte r midnight the recording charge R0t!I up to t l 0 per hour. Tapu cost betneen £5 and t l S depen d­ing, on the size tape used.

.. M:my 1:roup1 rrcorded here wh<"n the-y were still unknown," said Bill, "In• eluding th~ Stones, thl' Trt-• meloes and lh<" O• \'l' Clark Five."

Staff al Rl'1ent is three en1:fneers and a disc cutter.

A LOT OF THE TIME YOU JUST HAVE TO SIT IN THE STUDIO AND DO NOTHING

T0Mknows s::a1

~~F~;~~ to get that hit-making sou nd. Moreove r, he's deli­vered the ~oods, too. He's written ond produced such Seekers h it!. as "The Ca r­niva l l s Over," " I'll Never Find Another You," and " World Of Our Own . .,

DAV E CLARK t hen ' unknown '

WIIE~II •~,1;~ ~:~~!:ss:a:~

Aloander Oe mbt'nioli!; look

- Tom Springfield W ith co-wr iter J im Dale,

he also produced the world smash hit, "Georgy Gi rl ."

Recipes fo r cha rt toppers? Say!; To m with refreshing candour: "A Jot o f the time you just have to s it In the stud io and be prepared to do absolutely nothinJ{. Tempers ca n get very frayed if you do much more tha n tha t at times.

" Fra nkl y, It was not too diffi cu lt to produce the Seekers reco rdings. But, or course, when you a re pro­du cing on the Beat les' level, it ta kes much longer to produce an a lbum. It seems to be th e th ing to take about a year to prod uce a n a lbum," he quips.

" There Is a tempta tion today, with a ll the ad­va nced techn ica l equipment at your dis posa l, to use it to the utmost. Sometimes you get things ri ght th is way . Sometimes you don' t.

"Now that you can record in e ight, sixteen -a lmost up to 95 tracks! -th ere's a tempta t ion to do Jus t th is. /\nd al so t o take a lot or time over record­

ings . That this way you can b l"SI do a good fob . But It 's not a lways necessary. Bu t sometimes w e did

some B sides in ten minutes. And nobody cou ld tell the diffe rence.

" With fo lk music, It's bes t to keep th ings si mple. H you get too technica l, you can lose a lo t of reeling. And reeling, of course, was such a s uccess fac tor in the Seekers reco rdings.

" Ideall y, you wa nt to make t he a rtis ts sou nd ar though they a re enjoying themselves. W ith the Seekers, we did th e record ­ings more or less straight through. The type of record ings they did lent itself to this treatment, a nd happily It paid off."

So, Tom Springfie ld 's recording c redo may be summed up as pa ti ence a ll ied to the right a pproach to the materia l In ha nd.

If you wa nt " way out sounds, then by a ll means us~ a ll the means ava ilable In today's "space age" s tud ios. But d on' t ever le technique just be a mea n~ to a n end. You may obtain a n end produc t tha t has the studio engineers a nd mus i­c ians sla pping each othe r's backs with apprec iation. But it may never ft nd a wi nning place in th e chart. - LAU RI E HENS HAW.

====================:=;, ~;;~ a~et:~:~~.:~;:b1!1~~~~~ In June, 1968, the ir t o~ prlo• r ity wa,; to move with t he ti mes . The rl'qulre mc nts or t hei r clien ts, w ho notably In­dude Rt a mopho ne coni• panies, tl' lt"vislon nl' tworks a nd pop group m anagemt"nls , were becoming lncreasin gl}' a mbitious.

THE SUPER STUDIO TONY PIKE SOUND STUDIOS

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Among th e microphone, chosen for th e new !i ludlo wlll be the AKG C J2A, ma rketed by Polyt echna (Londo n) Ltd . It is n mini a ture cond C" nsu

Most or 1hem wa nted s tereo recordings, whi ch ca n eilh~r be do ne as ste reo on twin track o r reduced to s tereo fro m 4 o r 8 tuck. So ii wa s decided to Ins ta ll the most mod em 8-track recording eq uipment ava ilabl e to pro. vid e- cus lo mers with b C" tte r fa cilities and grea ter per­mut • tlons, offering them more

modallon fo r up t o 30 mu, lchm s, with a separate booth fo r voca l . biu:klng a rti s ts. v. hen necessa ry. The r econs truc tion is cos ting £60,000 a nd th e s tudio v.ill rt'• open a t the end of f e,bruary in enl a rged premises In Br)•anston Stree l.

mlcropho nl' using lhe same SEEKER!, : Sprin1ficld produced their hi ts

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The 8-trac k recording ma­chine, usln~ one inch tape, wlll be the C40I, made by the

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Thl1 feature, together with a unique differential capstan

Ex-musician Len Polllnl, drive, providing a perfecll)' who had been associated with conshi:tent tap,• speed over the ,cudlo since July, 1980, heads , reduce1 wow, Hutter ...... retained H Recording and scrape to 0.5 per cent, Manaier and appolnled Man• which 11 claime-d to be the a1ln1 Director. lowHt figure t'ver atlalned in

Sandy Brown, who I'll betl the audio recordina industry.

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JJ ·J6 HYMITAGI tOAD, HITCHfN, HEITS TIL. 4JJ7 and acouallc consultant. WU ft'IIUl'el 20 Input channe-15, f" ••e-d• ~ lo. ,.,.6 up to -' ·trod, l11"1M"nder\l p1odu<holl• , ~d.rot called In to complf'lrl), re- each wllh run equall1• tion, 4

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!u'ppj~~~K Po~~t"~ry:~e ~;g :,o;~~:~~o~~ ~;~dseu, which

The monitoring loud-speakers used In the studio come from Lockwood, who have- perfectt'd a hl1h -qualUy perlonnan«, lar1ely due to the dlmen'!lion of the en­closure, which In Pl't!'ffnl•d• y ttrms would M considered lar1e. The capacll} Is apptoxl• matrly 10 cu ft and the frontal • rH pre-sentNI 10 the drive unit I• I sq rt.

The drive unit In lht' laraer

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1969 EUROVISION SONG CONTEST

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Forget the ballyhoo and enjoy the music

DON ELLIS "Sho<k Trcatn,cnt." Nt>'l'f Kind ol (Nmlf'r N,gt,t C,tv, H,>mf'(oming, MC'rq, Mayb(o Mercv, Opu, S, Ster Ch,:d,~. Bl!'ot Mr Doddy, y,,,.n To Thi!' Bor. M,lo'\ Th<'mc-; The- Tu-")' l•h<•1 ICBS 6'3561.

fll,1 , C~nn St11ort, Alon Weight. Bob Harmon (!pis), Ron Roccbono lo!lo, Ill •-.pl lro Schulman (lnr, flt, Pit:Colo, clll, Ron Storr 11ut, tit clll, John Mogrudc-r !bau, Ill , bo~!>. cltl, M,lte Long ,r,,,o .loriner, fendcr pnol, Roy Meop11hton ibas\, ,dorl Fronk De- Lo Roio, D•vc- Porloto (hosst'\I, Steve Bohanon ldr,1, Ch,no Voldc, !• '"100 b, n9o!>I, Mork Sfcycn,, AIO!"I btu (m,~, r, r \\• "1)

THE hrief British app~arance of the Don Ellis band was certainly one of the talking points or last year, and

althou~h I found the hand an exciting experie-nce in the flesh. thost• \\·ho would have U!t believe that Ellis has re\.nh1tioni!lt'd h1g tiand jazz b} the injection of exotic timt- i-i,1rnatun.·!-. and pop influenct•3 (what pop influence~'?) ma~ ha,e trnuble hndin~ e,.idence to back up tht1r ar~u­mtnl!o

tt-rtain)y th1 , Tht hAnd'1 srcond 4. HS .lbum. rontams h11h th:11 ...,111 tvnv1nc• anv inc ...,ho knn"",; that thc"r• • mnrt' l•• h12 hand JlU7 th.itl Ted H,•.ath • nd lhr N[}(J

Elll,i. M re-rt.uni), no inn ,v:i· 1,,r. dr9p11, h1" honourahl,.

ar1 t:T' in lh+- Jal~ trrn( ht, ,.-11h C:f'i,rJtt' Ru,sc-11 ,i;:rnuJli, arid th1· hkt. and onct- thf' c.ick.lr ahriut " rh )thm1, .ind harmnno: 1nnova1ion ·• and .. Aurnl C'inrdPn Of Earth!) 0f'llght,' nn tht' ~let'Vt• l!I d1i.m1s&.\'d, ,,..hat is 1~•11 1 an alt'lum th.it's uflr- •1 rd in,r in rt,; v1j!t11,r, mtf'n•,;flnJI hut

J~;~t~5 ~~\~1~t'~nr~~)J ;t~" h~:

lrumpel mtu tht- mains, and :sufTC' rini from the ~,nt'ral t>1,I( hand dt-f1ru.,ncy (unl,:ss you'rt-3.n Elhn,tt rnJ of unmc,pirl"d and Ofli:n an<,n~mc,us arr• n~t' mt>nl<,_ and wtlhng huf mt'dl-OC. rt' sc-h:nsts •

Whr-n tht' malr,nal !l ri,thl. at on "(ountr)•," "B"at Mt!" and .. The T1ha1 .'" tht' carry• un with time r;.1gna1urt'S 1,; JU5l1fit-d and the band build<; up an 1mpetu5 which ,,; l"n· U&•"I (m the f1 t'sh otun uver• whelm•n~) and thfl r-n:st:mbll' t>nl husia!iim and duh all bu! 11d~ thf" dt!hCtt:nlitt.

At othr-r limn, lht" pOnt· p •S il\ of trark!I'. 11kt" ' Star

5o loist, Of t1)U~t', 11nd ht" l 'i und,,uht~dly a stunning ph1)·N Y.1th an 1nc.redihly flt->,;1hk t1.chni~ur. for 1hose l"'m1ll~r 'Alth h1,., ~all group work. his 1ncrcas1nil rt'I rn~rt"SSIC'ln tu th"c c;ta11.e whnt' ht- ha,; all hut adoptt'd tht• m.inlli! o~ the t,wmg t"fi!. 'hot"' trumpf'l &0loic;t a ln Harn· Jam e!i and updi'lh'd it tu tht' ·s,x tir-s, both mu!>1cally and <;OCIOl(lj!lc.ill} '" ama1mil

This will bt t'nJO}·ed hy :tnl • mh·r., • l~d III h1,i hand music.. hut tht' dt•gn·r of en­jnym"m will dcpt'nd on h o,,.. latt- in the game you came 1n, nlthc.ugh Elh,;,' syntht'sis or many of tht: iood 1_h1ng'lo m thr, big band lrad1t1,.m (and many •>f tht" eorn1er t' l~menls .t!i well) makes for enJoyahlt' music when y1,u forget the b,1llyhoo.

CBS blundt-rt'd badly with lhl' sleeve, which lists ten titl~s (lherc art" on l~ nine tracks and tht'y lift' in tht' urder listed tn 1he deta1's ht'rt') and mana1:r-s tu include "Z1m" which isn't on tht' record at all, and 'lm1t "N1ght (It) .• whieh is-8 .H .

C hdcirt-n • and • N1(Chl Lil_ fw1th a rh,,1r) t• dnwnris:ht h•iring f.llL 1· th, JAKI

..==FA==M=ou=s===,,BYARD JANUARY

SALE! Large Selection of

SECONDHAND RECORDS

12in. L.P.1 2 6 10 17 6 eci, h

ond 10;~ L.P, o-,d E "s Al Borgain "riu•,

Callers Only

DOIIEll'S Jill RECORD SHOP

77 CHARING CROSS IOAD LONDON, W.C.2

SALE NOW ON! n.. ht,t l'kla, t• a., oftd tw-a,

1AZZ AND llllES RECORDS

MOWIRAYS NIIAMAll1'1T.,lONOON.W.1 ..., .. o..tic ,e,_,.21, 2 ,.., ....... ---·•~pt,,a-, ,.._,.GI••••-

JAl(I BY ARO frndom T09.::!th.<-1."' 1-,,.~dotY, TO(ll"fhm-1, ,c,Cllt"O Tn Know Y<>v, Cd{ f, Pru. Ncx ,,..,,.. /<>f C'1nlrobon. , ... ,1' You h-"' Ml", N,or",1 l'"H•Cl'l. 'Yc,uOO Al Hf'"•f fTro11utlo11t•c PR7 .. 6J

-•~'f:d 1e.:,.rnrdfl"!'1~ ''R.1cho •d Do¥ii lhQn collol. Alon Oow­lOfl Id•, .,. bel tym.c,on1/. Jvnlo, Porkc-r t~I~ logC'•t ·

()K. ,h.:~r t,:t•s~ ::r:•h!;i play vartnu.. kc-yb().ird JI\

RADIO JAZZ

"",,_ GUM,,,nus SAJISIACTION

MIIIS ASIUll1 IKOID CIIIIIIS

REVIEWERS: BOB DAWBARN,

• ThH C' t em a VftrY i trllnQl'I nOl •iH htdf' l d O" IIIAM"i• Y LliWI~ MAIDEN VOYAGII (Ch e n CA:LS CJ)t ) Strlnp t, s ht.1Nlln9 rhythms mal• and f•m•I• volc:11 m•k ·

!~Sid :;~ff~:;1c,roc::•:t11 'f:!;~! and rutl1u nal1Ye ut1erenc1, • ul II does"'I add up lo ~•·

~!'~:~, mc:~f~,v!; ~!~ l~ro•,:~ dal and hlghllghU • r~ hard lb Ond ll would pl"Obably bl UHfUI • 'I t'•Otlc b11cll1round mu1lt In 1om1 bl1• rr1 cot tu bar J .H

• Al llowlly Wat-~ ~=~' fl11on~e::~~,.fe:,u',-:e \'i~i

en werk,no w1th o ur blQ bandt In the aerl., Thlrtll'S

~,1J,~;y Hr: ,..~;

1:d~~.u~rn~~

demand, 27 Y"•rs aflu hn, ~!::~ n::• ro"r0 \~:r·J~~: ?.~.,~~ ~f!.":;·1

co~~:lo~l'Y JPP::~.~: :~:•~:11 .~~~ h:~o:~:c:.;~~~ FIRESIDE (Halcyo11 HAL2)

~:/!, ":re• n~~d~=n~P . 1~cf:;!d

~r• •~:{, T~~ :~;••I:~;:~ '\~~ Human •Thing Te oo.·· ·· On • More Klli- ,'" " "4Y Sw11t YII'· q•nl •," " Ca n ' t Wa T11lk It Over " and •• Auf W,1d C' r · tC'hn ." and though th .St' 11re some of the bu t . 8owlly 11 In wlnn1nq a nd rf!lau•d 4tylf' throughout. The acco mpa ny• lnl ba11d was dtrC'cled by LC'W Ston1 (for """om Al sanq wit" gr1at dhtlncllon) ;and It ,.~I urf!d N.at Gon('lla's ltumpC'I Paul F,no11lh11 ·, trombon• • ,11 H• rty's drum, and oth1r notabl,- t<11lon11 or lhc ll"1e, 1')2 Not much IS JW,lflg mu,tc. or n,1•n1 to b•'. but tfl 1 b&nd 1111111 along 1n br11ry S1on1 falhlo n on •• Yt'114flloll •• ol ntl shO#• ti t pace, ,n • r,w nien pl.11ce• llowlly adm1rlf'lo mill)' lilt• to kn- lhlll hlllf of the" Mn9s Wt'rf! n1vC'r ncordC"d b., Al for othitr l.lbflh ; •l,o ll't•l YC'•

cordn'IIQ 1i r1rst r &t•. A• • rl•n Rutt s-1.,, on lh1 ,1,"YCI "Th1y SOt.lrld n"1ark•bly cl1ar, Wtll·b•laftC•d •rid crl,p. wilh Al llowll,- v•ry m11ch on form "-M.J

BEST BUDDY

BIG BAND

LP SO FAR •UOOY fUCH •1G •AND Mtl"c y . MCl rry •· M,.,,,,

~t." ~ \rlr n \ I , l'I \ 11..J J••••" ( ~ •H" I I '-Loh· 11• ,C \I 1,n., t t, , •,fl•~• \ t I I ,II\ \\•,d l,u l l'l \ th, 0 ,1 , r,, 1!1lh, I >f" (l1ber1, L• l l)Ull!l

111+ ( 1, ,I r , Al P•r<oftO _ WII h11m Prine• IC.n,.f'lh t,•11lk oavtd C'11IJ , q,n I Jim Trimbl• . RttMird St1pt•"• Pete , Grav,, llnll"I Ari Pc-ppc-r Charlu O••n t lh~I oon Mf'n:ra ,at L11lllo1rtw1re rn r q Jeh" L••• ,t>u •

Jo. A1.1rell• • l' fltl W<11l (•r Naumut" ,,cir C.ery W~ltt,._ 1 ''·" t l"n,h r t,,. ,.,

I UNIIT- '\J fA 1 INC,1 Y nom • !n'tl<" tlw1: J!- ~ 1h lh1•

bt :--1 Rich B1~ 8.ind .1lht1m s,) far In nJd1t11.1n CCI th~ t·x p«trd ,, t•tl•drilkd ,·n,;t"m · bk:-- tll th, ht•ltf'r f"' ,\I Pt.rcmo·~ linl~ trumrw1 h :'ld -th, hJnd c .. n. for onre h(1ost lint• solo1~r.. of th, c-.,1lihr,· of Art Pepp,·r, O,m l\kn.1n nnd \\Jltt.·r NJ1nulh.

Thi" ..._. , w1b rN nlrd JI , ·n~!lur .. r.1ld~r 1n IA \ ~i.i JI lhl t"n """ 11'111, - •mt 1n th<' Nrh· h,•ur~ r,f !ht morn• in ,: o.nd th• 11th1"T !he' I I Jm\ · 1n1 all~rn,, lr'I-M\ol"r 1nv1ttod audirn\ s ,rnd 1h,- t.an,f h111!Jt

DON ELLIS : An incredibly flexible technique • ~trhap, th, IHLII er the latnt Modern J,111: QuarleL album , UNDE" THI! JASMIN TREE (Appia SAi-COR4) on th1 • 1allH lab1I WIii llllract lha at11ntJ1n of non-jan f,111111 , but those lllready aw;ar1 ., th e 11rength or th1 MJQ will ur­talnly not be dlwppolnll,d The follr lracu which maltll! up the album lnclud1 " Th• • lue NeckllCC',.. a kind of Jehn lawl, billy d11nce tu11e •• Ttl re1 LllUe Fu ling 1," ll" extended compo,lllon In th,..e paru which 1how1 that L1wl, ha, le1t non, ol hi• ,11:111 with thlt 1,y,,. or mater11il , • mere t1r11!1ht•

a rnr ~ dt-Rrtt or c-,c11•mtmt Their husrn 'I I 1,1,/fllU\I and. sparktd t,\ Rich ' dn,m· mins;, lhc-, ~rtalnl\ do JUSI thot

'itrumt>nl'lo, t, nur, vibes and drum!- all on one record But when you happrn to be un~ of 1hr finest nmtemporary Jan pianists it all seems rather a wastt' (lf wha(ever !l IS the;­make record\ or these days.

Fortunatt>ly there 1!l enough of thf' superb Byard piano, and some lasC"inat•ng themes, IO prtovent this bf"ing merely a eircus. But his few choruses on drum'.'! (on " Freedom ") are a Joke. And 1f his tenor

~:~ri~!th~r c~;:rel~~trel oro~~~ m11:;t Vl!'n;atilt• piano in the buiint>ss which ca n range from the highly o riginal expf'fm1t•ntal J3~7 of "Free­dom•· to the witty imnation5 nf fats Waller and Erroll Garm·r ,,n thf' ,ohort " Young Al Heart"

There is n further waste or jan sratf' in thl" indu!l:ion ol Junior Parkr-r as i; mger on "Gt-lting" and the rathN contnwd "N11:h1 Lt'aVe!I," H,· hall an l:\'t'rft~t' YOICC' m tht' H!llv Eck,tint J\t>P Jl!'nre but addi ntJthrnR to Byard's ffiU!il(;

Alan DDW!lCln prove,; h1m ­seH a coml)t'tent vibi.Jt -though h1, mstrumt'nt sounds ratht'r thm and tinkly - :11 wrll h an t'Xrdlen1 drummer. wh1lt' R1ch;11rd Oavi•i 1:s u hri!l1antl~· prMf'1iSional

11.15 AZ Gel To KnDW Jna ll JO T; • udd)' •lch a11d hi, D,11;. 11 O T A,elha Fra11kll11 U 10 11 m. I Or111n11I Dhi:l1land J •

IUNDA'I" (HJ

12 ~ p.m J Finch hnd•

:::•:,, ~-!111~11p::;:j,.~ l~•~~~

Miki! lll11vo11'• • • 1111 •- Sh­I JI • l · J11u On 011e (Pet,,

~~!!~)·' ~~·;••,,:e::~ . .::.".'!i' •ayl lha11k,1r t Jt. •: N&IIC)' wn..... 11a• Ke11••" - 11.1' J . Jaa U.t T . New Y•• · Now

l!~ .. t•cuJs•'!· ,:••~1 •::11 "~! •nl ., Jan •• • 1e•rllt (M•Mpll).

MONDAY <•J , a ,, .. HJ , Dl.,,u..,e •·• • Ca,, ••"-" , .. ,.._1 ltN

E::~ .. ~~:.::N:if, 'JE :t;•rv-• N~--~:n P~II=~: U.., • 11ft N . Ina c.,....,

TU• IDA'Y (JI) -~· :: ' ... ,:;-~ .... .:~-t~"CIT, s::: .r:: , .. -

always on both bass and Cl'llo. While there 1s much to

enjoy in this album. thert" are too many g1mm1cks - hke Byard playing piano o.nd Cl' leste at one o.nd tht' ume timt' - which merely detract from the basically serious intt"nt . - H.D.

IRA SULLIVAN

IRA SULLIVAN . Wolb11r 0 1 T1111 e; My Old flonor e,,.,,. 'ilroH; BluzmbH> (Del"'ork DL-1 02.!

c/~~~~~7. J~:,C,:.;, ~','fin .i:_~~· olto t>orq Jodlo Ch,,11 on rpn,:_ Y,c Sprain 1t,,1u1, Wil­bur Co"'pb11II 1.tr·.I.

IT'S odd to think that 1n 1960, when th1)

r~cord Y.:&S made, Ira Sulhvan was volrd Nrw Star m the Do\\n Reat Cnucs Poll

A~ a Jan trumpf"ter hC' I" cnmptt~nl. though hard ly mnn• and he 11 nn wnrldbt-aler

=~u~J:xo~~t"illth;;-e 1n ~T;;i~;

(CharlH PH). 1.JO Q ; T•d HHlh Orlt. 10.H v , Jau ce,"er . JOH O, Jan Je11ual U.O U : Jan C•11ur1 . 11.Jt T ; DI•"• •n• anti lhe lupreftlH cembln1 with U1• T,m,..lall•••· ll O T · • lue Mitch.it

WEDNHDAY (ll) 1.15 pm. • 1 , Jan Club (Pllll

~!~~~ 1,.~~"•:~· .. !":r".~a ,:::~ tel) . 11.JI • (') .... Dylal'I <•> Ad-.., • 11111 11.JI I : NW•p-1•

r• u~a,:"=~ :::; J::~~ .... !~ ... '!'•~ .. ~:r,. ~:.'9U.u-r.~ •· Jan

TMUUOA1' (U) 11.• ,,_,,., O r Ian Call ....

11.1 11 ,._ fnws N .. Y..tl U .Jt T . ..rffll IININ•II. U.t T : • 111 •-.. ... .. ....,.... •• ·••Jee• .. c .......

.::-1:.1:1-:--..= ..

~-.... !;_ .. _

Pt>ckhorn which sounds r:uhcr s imilar LO a mellnphane

Johnnv Griffin has Ob\'i<•U!I• ly matured over the past e1~ht )"ears and hr i.s now a lar more ongmal tennr pla)'er thnn ht' was when tht"st." tracks were recordtd MC1re exciting too!

"Bluzinbtt," which l.sk~s up the full 17_ mmutes ("!f Side Two, IS dt>Sl~ned to 1,1\'e, Sullivan and Griffin Cull rt"tgn to lheir venatiht) It •~

~~~~is t~~f;~ 1 ~~ ~~:t m'a111~~

1ns1rument. Griffin's control t•f baritone and alto nre nnythinR but ccrta.1n und alter Yt'fY ft'w minutes tht' whole thmR ~comes rather a borr

Chnstian·~ pianu pla) in& was rnther dtr1vative. but he has his moments, as on his open m~ solo of " Blu11nhet " Sprolt>S and C:\rnpbt'I I make a rcasonahl~ rh)·lhm tt"am.-8.D.

forward •• E1tpe,.1.1re " • nd a"oth1r }llunty pine ol e1totlca In th~ title track Whll1 f,11r short or bC"ln9 one of HJQ 's definite rel..aus. the excepUonsl skill. c1-ordl11al1011 a11d dlstlplln1 or on" of the 11re111 Jau combcts are here

~-••

LEWI;

1 hr- iarr.ingns 1r'lf' tud Oon "~~,;k-.. ~nd BIil Nt>dl11• thP :attrr prc-du Jng ' l.h.1nnd I

SUllf'"" U a f1 I. up I t- ,t r,nuhar "Wt,r s.J sron · rrn:Jl""' lhr h\·n's th,1~ of 1hc s11!0., an tn trn1i~,, !l.ten.ia mclutl11,r. an un!h("'lnq nt d \lflUQ •) pasH <' m 11°:t' m dJlt r,I 1h" lult' II,· n,m1ncb "" !l J it rf Tuhh'; H.1, t

P.pp<r i,s Atf-e \ r turt'd ,n ".\lft ·• 1;nd n,:tJ..«-1 1,lht"" thl rtc-r, thouch ~ 1all>. db t11a.'1ne-, t ntr~rn:a N mulh l).,s Ml ff, ell\ t hlut" ,. ,1p. rin •(h antt R1-.;h I as ,,n'mat a ,.f"r tn ha g I SP,:'I ~

.\ nall\ rna nt ~I t-1 \,.:iind al~um 11tahth, tnArttJ or ""'1 \f, 1 •tt\ b • hat-11 d . Id- ii t,,!~ out sp ,..,_, -· a.o.

THE NAME IN LIGHTS

noTO~OUNo If you want to really hold on audi•nc• do 1t w,th on• of th• Rolosound l1gh,

Groups, discotheque$, raslourant,, done• hat:, done• chooh,. sforH. th•Oh•a. ~, con oll loolc brighte,, ond do batt•r bu1in•n und•r ~oto,ound lights

IOTOUTl-ffN telo..11- 1t.o.,_• or\d inulh•toio.,,ed c••n 11th ..... ..... IHYTHMUTI U - •o••••o di•Hllr el t•p• flirorde, rod,,e ,.,.,4 p1.., • ., ...... , ... ftd~"""-' •v••d l,l9h1 eftecl1 10 1111otrh .... ,noad0fllll...,,.of"'9-.- Aita Mar •• _... .... ••-c:r~ COlOUI--MIX ......... ._,., .. con-..ct1t1• ........... _.. ...

SUWIUNtrS ~ ........... ,_"_,,,.......,. .. ........ n .. •~""""' ... .,....., lf,Cl#i.W.. Ht.. ..... . ·-· "SW'lalO• lrao•r A 1111• ._ ,o-tlpMtNt , .... , 0...-. ........... soo ........ • ...... . ....-. ....... ·-- .. ... _

HI THIM IN ACllON AT YOUI MUSIC ROIi 01 THI JAMIS HOW IMOWIOOM 11 n-,w.c.a

Long John tear taps his way to a smash hit ~ 'P'' .. ~• ... •n, and Jlf'l:'\llh •nd ,tr1111nli- ,1ra,~l·h , a hit t <' n..,~ \fo.,on trr.1kin.i ~, \\1th J.:am1h

II ma~ '"11 t'lt • hit, hut haHn~ a ,t nl,;,m,i: "'IJ !-,(1th r.,, ff~ arc h1<'k,-d !.f•lut tnl• n~1tntil, ,mJ ~,,·nthm~ , pJ,- hi,.(' a lraffk ,1.'lm in a ,- "t; lan , , ,, I i:t1n'1 l t"l\

But ~)l,"IJ lurk \l}lll\ft t.,1'.i

Fa f I, DO ~I : " Kand) Jr\u •• (Ple'\.lum). .\ Ion~ ~itod (Ii inu:l l\ i i ) h,\S ~-n Frt."t"Clonl's lo t s1ncf' tht-1r formali l1" 1n St"ph m · ti.:r. I ~";. aflt'r drumnH' r

~~b~\ , H~~;~~n :~li~ t~!~~j Harum

Bur nu,~ tht") ha\:I!' " J n ,mJ:: bt>a t numhn ,, 11 h b r~~ a nd Hutt"~ J11Jdt"d to

th~~~\~~~n~\\lla7t1h8:11u;:en

wMlhw h, ll' Thi::; r ould \\ t· ll ~t\"C tht m th e ir hreak

Ot h<'r mt'm hen, of the ~roup l\ rc Ste, <.' Sh1rle) tha .. -. guita r and vocals). and Ntibin I umsdcn (orga n, ,oc-nh.l

Sl, ANO THf FAM ILY STONl : " Everyday reopl<' •· (Dlrtclion) . It _was a pit ) the ir first British , 1s11 W&$ such • mess up, fti r ~h :u'ld Co seem t,ke a lllOlil lll1\ISU31 and mlt>r­l'S lin~ ~ roup , combirnn ~ coloured !;Oul with "hite f:;n.,up ~ounds.

Th t' r('still is highly d1stmct\\' ~ and 1d('!ll for your Jisunmg 11nd dnncmg

ph•:i.sun• One cnn utter .. l Cl C' much " m both a ,rn tcd nnd lcg-wof.tJ.!lmR r>o,,1t1on, depending on nn"'s dt>mands on poputa.­mus1c

Ovr,r to Edward Hornrim, .studt nl of biotechsoph1l a 1e l\ at tht' Un ivers ity of L' ttO'.l( eter ·• In mv vie,, lhl!<. IS a t ORCE" mi sturba­tcry a nd tm: pick inf,\ music. soml·h0\\ proof of o grow ­m~ rt'!;Cntm~nt against th e n oh·ncl'. immoraht,· and n1k1._-d fascn,m of 90 per t"ent l• f th,• world' s rhythm gu 11arists."

!-ia 1d Ro~ Rinn:. . expert 31 the Bns rol Corn Exchange 1w1sl ·· Yer can danct- to 11 'Fn..• who arr you lookinp t1 r•1 Wanl hO\'Cr? "

TI-U- LMA JONES: ·• The House That Jack Built " (Soul Citv), !lat' i~ a sound Sou l Cit\ ,in: rt-lt-,ism~. th a t will stun t•n·n Arelha Franklm rans

Th is 1s th1• original ver smn recort!l"ll by Thelma nt th~ he1nnnini: or 196S befon Art·lha m11.de lwr nu\11 ,;n-lll'll(·r

Soul Cit) an- rui,h relens mg th1, and by thundl'r, 11 1 ~wirantet'd to unra, cl ti),lhl" and ranl $lrin1,: \t·~fs, n,, lurchmg teenagt.:r!t 11f !ht> tipp('l~ilt' .,l'% lun_h sex11\ 111 the oppos1t1· d1rec­tmn 111 Stokt• Mandt•~1lle J1, l" ra1.,,t• to lb IO.lil!ilt•nt Meal

PAP I\ I.IGHTFOOI: "Wint\ Wom~n. Whlskr)'" (l.lberlt)- l1ear y11' 1hn11ts mf'n, hrrr nimt> snmc

~~~c1n:.•,h~~;k1~ru:s"d I~;~ will 11:e1 ev("ry blul' fan m

:~;N:to~n"'~ht. o~tft::,u~;~ ~~ taaan blrary-eved I<, lhe

rr,,-ord plevrr and lower the hluntnl nrntle 1ntu H ) et

',r,~~, •;~""~ ~rack from a furth 1in1tnK album amtt·

Lr,.:rndar; Muh rs Of Rurul Slut"• \'ul 2 SaturdM)' N11ht f,untlmn .. rttnrdf'd in 1~2 •nd Vf'r'; funk)

Slrm Harpu 11 on the B aadt ""•'"• • Somethin1 In.xi• "1 ·

POP SINGLES

LONG JOHN BALDRY : cascading strings

tllrtt' quarters or a million seller.

This rocks nicely, and has a good flute nnd guitar sound

H's a hit, would you belie'"e

5TH DIMENSION: "Call· fornia So':'I " (Llberlf), A group rapidly becomm_g _a legend throughout Sntam and America for their high standard performances fea­turing superb vocal harmo­nies and choice of material

This 1s a beautiful Lrack from their recent LP ·· Stoned Soul Picnic."

They have a new album due for release !!-0011

KI\SENETZ-KATZ SING-1 NG ORCHESTRI\L CIRCUS: "We Can Work It Out•· (Pye). Frc-ak-out intro and clever production to the old Lennon-McCartney SORA , whit"h takes the bubble gum out of bubble gum groups.

They are, l believe, the 1910 Fruit Gum Co and Ohio Express combined and tht- mammoth vocals are quite impressive.

Not a hit, but mterestmg Nu follow-up to "Quitk

Joc•y Small" I fear

0 RA(" GE MACHINE: "You Can All Join In" (P)e). A fine Dave Mason lune thul should havt· been a hit for Traffk, if the dc1\ts had payt-d their cards right.

Thest Inds lost· the cssen tinl hOl' down quality of TNftiC'!i LP ver~ion , but I !'till 1hink tilt· tune is !>trong enuu~h for n s mJ(lt- hi!

DONII COLLINS SHOW 81\ND f'TRG SHAUN: ·• Get Down With 11 " (Pye). What Hi mc>ant b~ f-lrtc Shaun'> ls th1!i 1mmf' Gat-li<: l!''.1Cprt-111on thal means "A pox upon alt 1-..n~ll!'hmcn "; Ha!I lht_ Pop, h<-t-n inforrnt-J'.1

Ah, hah, h~r•• rnmt·!I Pal Donovan m) Irish informer

~ny~~lS~r:o!~~!d !~~1n1;

~sr~:v:01~, ·~~u tu~.'n:~ rockm., 1n lhr at• lea. If th~ have- a1sl~ 1n th• Blue 8NII C"'t"ll• r, Dalston

Ftra Shaun. rtally l'IIQRI •• ftatur,n, S.n,' who 1a

1hr """ 11na•r tc, 1w heard 11na1na here He 1t tht s1n1er Th1t .. 10 ay k ti ho who II ttfte011, and ut f 1111 Marte,, aa JOU ,.lahl "":l'."f IN WIii Ill tlllt - I •hall __ ,....., =--~.!"~= T-Oft

VI\N DER GRAAF GENERATOR:" People You Were Going To " (Polydor). Here is the group people say are going to replace the Beatles, Stones, Bee Gees and Donie Collins at the lop

Mtnd you the person who told me was an idiot, ie Oswald Beria the People's Bureau Of Anti-Western Cultu re

Rubbish, aside , 1h1s. is one or the best records or the week, interesting, in ­telligent, mformat1ve, in ­tuitive, introvert, extrovert, yet strangely movini

Listen for the Peter Hammill lyrics and vocal charm, not to mention the Don Brewer production for Marquee Artists, via a TetraJ,:rammaton USA Ke­cordmf!

You see, I have all the facts at my Anger-tips

RHINOCEROS: "Apricot Brandy" (Elektra), Yay , a heavy sound vergmg on hemg overweight

As an organ, guitar instrumental 11 will unit e the world's poo ran~ into nccla1m for 1ls excitt'ment and thrills

Listen to !hem roar• "Fab, fa.b, fab!" Wendy Potts, Woman's World. "A h11 of all nght " flerhert

!~fc~s. dro~~t puihek~J music" Slasher Bales, Rockers Gazette, "Topping rhythm," Hector Gaye Car nahy Tllllt:!i

MARVIN GI\YE AND TAMMI TlRRELL: "You Aini' • Uvln' TIii You're Lovin'•· (famla Motown). Rorkaboog1t punch up! This i11 fint' soul music.

I put on m, blue mohair ,u1t the other n"'hl, and 1havN my head tu on" e1aht of an inch from tht­crantum. 1umpN;J mto m) untul!d Ford Ze-phyr, nf'arlv ran down an old

ma~i::t 1:t z;hb;• ~:~ '"l Carrell, drank nin• pints of l"rN.IS0tP, knbCked over I I ahltt of drinks threetene-d th• tkinftJeiSI b1ok• I could llt lhouttid end ,wort

!~'va.:;!dto !':1fn~fy In 11» bl<k row 11141

:.C""":!:c' ~ "':.~?­;...-:4.:i - -- -~,~

POP I PS

I K\i:l' T,IN~Lo:~=~~ R,():·.~-~ t.enrvt' 'rm wht·n tht>\ . ia\·

~7~~ Turn~;ad1s ~:~1im;.hi\~

t~n·t Aided h, 1kt. thr- lkl'flt'!I and v,.hol ,ounds 11kt' on.l· suina lh- mtt-rpola11nns lrom hip chipmunk~. i.h1• ha~ come­up wi l h a ar eal alt.um. AnLI lor ex tra m~a-.urc- that undc-r·

r rated si nJlt'r F<>n lt- ll a Ba!,~ Jilin~ in on a wild, ro,k1n~ ha llad " P (lOr Lll tl_.- Fnttl, " Bc l 'cha Cnn'I K, i,s Mt• .• : "TAin·t Nohody·s Hu~m,•.s'J and "Poor Sa rn ·· ;H t' 1u-.t l t:w ol t he 01her ,:ond it'!-

SMOKEY ROBINSON & Tl-It. MIRACU:.S : "Special Occasion " (Tamla Motown). Desp1 1t- a u e nipt s to ~rt awo \ lrom l hc old Taml :i fo rmu la there is .i SliJthtJ y old· fash io ned a ir 11 b1, ut too m uch of this 10 a ppral to 01 her than the- more d¥d1 c.a1t-d Tamla lans It's pleaunt bu l sei:n1s Wt''ve he-l'n 1hcrt- be fore T racks incl ud e. " Yesl er 11,vt:," "G1vt' Ht:r Up.'" " Yh­lerda:,· ·• and "Much Be ttN ()ff '

SLY AND THF FAMILY STONE.: " M'Lady " (Direc­tion). More o r th e Stone exc itement which s h ould ~et them whirling rou nd th e discothe qu l'S And _ you must admi t !hey sock it 10 ycll1 bett e r than mos t. Hardly for those who hke their pop suhtle or proi,;ress1ve. hut !r you like balhng }OU wont miss o ut with lh1s . Tracks include "Dynamite," "l-un," "Plulic Jim" and "Jftne Is A Groupee."

RAY CHARLES: "At New­port" (Atlantl~). A welcome re1!1SUC Lhtll was an. al .... early Charles albums that made his 1he duhng of the jancrs long befo re his rom­mercial SUCCt'SS, Recorded .ti the 1958 Newport Festival 1•

h11" superb Charle~ voc-als,

TINA TURt-JER/RAY CHARLES 1 r-.'1ARY WELL'.)

prnno and alto sax plu!> Maquo Hendri ck, with tht' Raylett<"s and a reall~- rock1n11 hand th,11 indudt'd Da..,id Newman's l t- nnr Numbtr\ in<ludl:' "Tht­R1~hl T1mr,'' "Blue,; Walt1 .'" " Talkm' 'Bout Yuu .. and ·• A Foo l For Ynu"

11-U- MAR-KtYS: '' Mello'°" Jell\ " (Atlantic). One 1Jf

th os..: 1d1ot1t slec\' t" dt's1gn~ that trv to hidt> thf' ·name tJI lh t• ir0up :'.lnd alhun1 But lht' disc 1s a t,t't of hnt' . roe.kin.,-: in,trumt'ntals from the ar<>up thut ha, backed Ot1 ) Rt-ddm,:

1 11nd Stam .tnd Oavt' The lm1 up •ndudcs Sk-.·t' (roppc r c,n

i ~~;~oJ: i-~~c~tr~C:11~ f;,7; e.~~il I ~;~;t'~·s ''..~~~L\~: ;, t;·,i•t·a~~~~:I

bill AtJderley·~ Sack (J' Wot-."

.. SOUL n. VER" (Poly­dor). A rt'al cnllte tor'" .,,.l of R.\I! llllt"1 anin~ hark ;,rn ve.au, ran~1ni;: frnm Fredd Kin(:.'\ .. Hide AWoil)' .. and a l h:,rmm11,, thou ah ultra-tom merual l unnie Johnson, v,a .. Sh,,ut Ramalama ·· from Ot15

I Redd1n1'1 fir\! r.cnrd1t11 let.· s1on t<1 '' Pl~...-, Pl!!UI' Ptuse " b} JamH Brown Other artists reprtH,nlN 1n­clud• Olil Wtlllam,. Bill Oc•&••n. lhe Pl&Ut-t , Joe Te.­and E,arl Bu.lie Wtlh his rinr,

tin.;,\~~~ i--i::t:o ~ In Th• Groowt .. Oaaala Molow• » A rui.;klhJ "' W1lh mont Yocel anack than nn~ usually ••tu· c,a1a •rth th, ,mouth Mt Gin Nn panlatl&PI n,ttll(to

nbk sonp but N rnek• I

~• n!.1

f ~~ M

~AA- "'f-•'J :=,. F-'J~.;~•~:..~:: ......

·· Sunn\· !>l•tl ~,l,•s ( an·1 Gt-! -\YI,~ ~ rm,,

Oft'4D<jE

" Anyone looking for a qua ity amp. and one that can give out any sound you want is well advised to try one. They do a great reverb, which has become my pride and joy.''

PETER GREEN

Orange amplifiers with new "PICTURE FRAME DESIGN" (regd.) and "UNIQUE MULTIRANGE SOUND SYSTEM" (regd.)

Users of Orange amplification ore bocked by the entire " Orange• International Organization" incorporating our own shops, Oronge recording studios, Orange publi5hing company, Orange agency and Orange re;ord label.

·• ..

. THURSDAY

At THJ CIT Y U NIYFII II TY I, 11, 1 ·•I f'

PETE STANLEY & BRIAN GOLBY

·•· I 11,1, ' ,.

ILAUC ll,lll tll, 1 Jt, , ,j NJII TMl n•A\Jflll!l

DIN MI I I, YA..,1114 IJ n t ••t,• r ., l 't l, r C' l1• ,p(ll1111

CO MI ALL YII •·l kn k ll <tl•I , I~ 11 • t1 ,, i:1 _ r "" l it, far , -, ,. .,

II OU< CU•TIII , HAMM l1'1 MITH UHO A l l VI I

DON t Hl,HUI U. J ILl DAlll• Y, 'T H I T1,, 1N I . JOHNNY IOYC•,

l"ITftlll , A IIKHI LL T••u H M I 11 0 0 HAMi i. l'ON

, M,, 1d •1

FRIDAY AN OT HUI IIG fitlGHl It thr

lu,., r, lhit IIL IIJ:• COUN'UI Y Cl. UI . 11'" II• ,r '"'~ WII. llfl r.:~: r::t "1

", !.'f),'' ''"'" Jfrl~m JIM McCANN

HELEN KENNEDY ALAN FRANCIS .. Lui d IP p m h,.rp

AT OOC.HOU SI P""lli,, r.n y h• ,,i,d I ull, ,m P~ l"t' Jto•d

PACKIE BYRNE .... u,, re, 1<1, ,.1

AT COUIUU , 411 1; 1 ~ ,trr ·t 1 '• 11 !'14

HAMISH IMLA_CH Adnu '""

FIC.HllNC. COCIU , Mu d t,, l'IL'~tu1,

/"r,(l,fl

ROIIY' CAMf'• -Ll.

Ut l lllllt C:ONtr111

RICHARD DI GANCE M,u d w, r 1/ 111 J• !

SATURDAY AT COUSIN) I 1,1 , t r. t

JACKSON C FRANK FRIENDS •or ' jitE POOR A\l ~l(iHT \(S110H , 11 i 11h1

JOHN MARTYN BEVERLEY AL JONES

FOCUS ON FOLK

SATURDAY co nt. APPROACH PAYS JOLK CENTIIE . HAN Ml:IISMITH

MONDA Y <Ont

DIZ DISLEY COUNT• 'I' • LU IH Pr• I a fl:UI' r ,, ,,

CEILIDH AT THE HOUSE "'' ,,f 'II' 0,11 " · It 1f ..

With HAN,INC LAM,- , T Vll">)Ud

111 tun ·,d. I pn

DEREK BRIMSTONE MARTIN CARTHY & DAVE SWARBRICK

THa J OUIIN• Y ... IE N, HA M ... 511• .... w:1.-n ta FIIAN I( Mr.CONNEL &. S""ITH HO ii.iS MllN AND Y5111TY ST E , HE NS

C.llN HIAL DA NC IN G M .C .·

TONY FOXWORTHY ,,:11•c:.~~ld~,!~:•• H,. r, Jltlyat 7.U t n II MJ prn

BAR G•Et: NWI C H T HEATIIIE

F OLK CLU•

SHELAGH McDONALD Al l h1 GUN TAVlill:N . WUI

Cro1d1 II

w~tt~e·;~: a nauy fall dov. n an \.TJlighled flighl of steps some months ago. he seriously injured an arm and Jt looked u thouc h his folk slngln1 ca reer, which had be.en prett)· good until then, may ha ve come to an end.

Th (.; j r, llf c,,• l ('r Kina: Wlll1• m \hJII. 'ili 111

But now he's back s lnelng and playln& aealn bul

THREE ' N" EASY NICK !ONES

,-n• JOS HUA 7 ... P l l'IM· o,m p U tly

TH I LC S llr , nl THll SI NC­CIH CLU• . A. L LLOYD , ALF • OWAIIOS MICK COWMAN Ud NAIIIC.Allri • AIIIIY - LiNtON

i'.!::o~~•"•w'~ f-1t•/:l rspa~r 'tlrr+-1

TIIOU• Aoou• . II Jt 21) Old ti mrr'lpl'ln Jl,rad

SCOTLANDS ' DARLIN GS

THE HUM BLEBUMS WMIT·M~R.ow

HAMISH IMLACH

SUNDAY A• IEY WO OD F OLK NIGHT

PACKIE BYRNE JOHN 8AIL• Y •11d CILIA CONC.DON

WJ111,1m Trm11 •1· Chu r rh run1• ~~.r.,

1 i:;IJh•m O n n Ab~ lf

AL• EltT HOTEL. t,; lrlK:.,lon 11111 JACK S MITH

• OUNDS CIIIEl:N FOLK CLU• "rrlri,.-lh·ld l',uk Ta.wt'rn. Bound

Gr<'• n Ru 1d. N tJ

DIZ DISLEY JON • IITMIEAD

RAILWAY HOTEL . OA.11:TFO,tD

HEDY WEST CRAYFOLK

TOWER HOTEL, opp<1 ll t· W11I lh•m In., Cr ·,Lr.11 ",1,11J,m. lt?r ~t r, .. l

SOUTHERN RAMBLERS T,t OU• ADOU ,t, • .JO . S HELAGH

•t<O ON ALD

MONDAY AT CAT F ORO, R ISI NG SUN, lh,

CAM• R IO (;lf Cl! OFTEflS

TUESDAY

AT TH• CITY UNIYEIISITY , St Joh11 litrrt· I & C I I p m

JACKIE & BRIDIE AdmJ-.,oo pl~ilH'l

l~tud nt

CLIFF AUNGIER p r~n11

DAVE SMITH NIGEL BARKER

•t ! he- Dun&f'Ot• Club, Thi" Cnl~t.r, To•c-r Br ldll' l.oad

TIIO U• AD OUII , STEAO

.,.

WEDNESDAY

J OE

HO LY C,tOUNO , h ln l"ctnUI P l~rt 8111• .i t c r M IKE A8SA·

~ ~NMci O

':nd 01Z\5:ol~o~'"::

MORC.AN , ,tONNY . Nnt· Dave" Tr,ol• 11n d nit

SUIIBITON . Ah , m b l Y R•"1 m !IC 8 pm DEREK SAJUEANT, Gll:AHAM • lt4DSHAW. JOHN FRUIEII . JON ISHEIIWOOD

KING'S HE AD , Up p.o r Sl rl't'I, hlrn t lon PACKIE IY,tNE, lrt•h Wh1• tle Pl1yt"r ,1nJ1'r a nd Jtac•m• h ,,r w""' nd~ THIE SHAM. JtOCKS Mu. , and Jho1

this time as a member of a croup-the Three 'N' Easy - w ith Des a nd Julie- Byrne, two former members or the Cree.

JOIN

sa!~~ G7ee~n!~0!\~ •&.;:

and Julie contacted him to find out tr he knew anybody who would be lnter£Strd in joining them. Barry, at that tim~ was recovertn1 and though his arm ~·as still in plaster, started rehearsing and now It seems Three 'N ' Easy may well be a &roup to watch for In the comln1 year.

So far they have netted 11 summer season at a large holiday camp, have a record company showin& lnte:rut in their work and ha\·e passed an audition for Hughie Green's Oppo rtunity Knocks-not a bad omen as Mary Hopkin and the Oranae Blossom Sound wiU \/Ouch for

EASY

;::::===.=,w=,0=,.====.I beJ~~jng~,s.. •~~ta~f ~~~

t OU' owcro.,- , • ., ., .. dr •'-", folk like the Sprlngfields o- 100 ~ .t ...,.,. ...,..,, ... 116 all hough in fo1k clubs we' ll r~u::, CHAU 19&9 w~ -A ~' ~e dO~~!e m~~e ~?~~ S l~:~

100 , 01rc SONGS ANO wtw S-ONG.s material depend ing on 1.1 .. o.< U.r• ' ' 6

' ' ~ •• where ~·e ~ork. Th is makes ~~~~00 L.-

0 1 .. _ ,..,

1 11 6 1'" It easier to sell ourselvt's.

1Ht ,our sHOI', c.u11i..,, "- Jus1 dolna contemporary i ••1•111 ·• '••• •••,._ 1• 11 '""· N w 1 fo lk songs mtan.s we' re

limited to folk clubs." Adds Ba rry " W e'll be

doln& contemporary thtnas by people like Mike Seule

consdous O\iB the pasl year. .. As ra r as the London sc~ne ls concun~.. he says, .. It 's cot • lot mOY

1e

pop Influence but I don t know if this is a good or a bad thlo1.

.. People are lookln& for somethln& where they can use the guitar a Jot more and It's become vrry mtJCh an Instrumental scene. There • re a lot more &ood guitarists about."

CABARET The group will be trying

to gel a lot more cabaret work \\obich Is better for them from a flna.nclal point of view. .. On the folk seene iou've cot 10 specl~ alise too. Jansch, C• rthy,

[~~i~t :"s~ro~~~l1:: on the folk scene but people who don't specialise wilJ be the ones who will hne to

~:u:~~~~ i':::::1i1 ':t°:~ difficult to cla ss ir) . \\.'hat ~ e do l suppose you coo kl call folk-influenced pop--or pop-influenced folk.'"

One or the aspects of working cabaret that the croup like ls the aood response the)· get becaUJe audiences are hearlna ~ome­thing fresh.

BARRIER

MELODY MAKER CLASSIFIED ADVERTISEMENTS and Leonard Cohen. I have been doln1 • lot of tradi• lional son1s but I don' t think we'll be doina nwcb of lh• t . What we will be

The &roup are also fi nd­ln1; it easier to get through rad io and television Says B11 rry, " We ~ ant to do more television and record• Ing. When )Ou~re on your own, unlMs )'OU are an absolute specia list~ you come up against barTle:rs \I-hen radio, t elevision and recordlnc are concerned.. Also we can &et more prew ntallon int.o our • ct and do thlnas we coukln' t do before."-TONY WILSON.

UNDER FOLK FORUM !"7 CLUB CALENDAR HEADINCS SAMPLE OF COST AND TYPE SIZES AVAILABLE t:':~::~ft:r~" more chance

trt rvnon

f,pt bol,j U P Cfn tr M

l } pl tl!Of'-1 r,111

P LSASI NOTE All •Cht r\l t ('mrnl• 111oh• 1/1< r DI S ,-LA 'I' 011 CLASSI • F l llO m1u1 t:,, rrc p ,11 d Chl'l j Ut' ~n4 I ' rJ h tJuld r, ,. nudt· out ,., '4 11.0D'I' MA KIEII . HII I ll Fkf"I

Tr •l l ••lldf> " E ( 4

RAI L WAY HOT•L . DA• TFOIID

PANAMA LTD.

JOHNNY SI.VO

I '4 ~r word Any word~ re­quired 1n bl.1ck C.IP' •rr ctwrged at I/ IO prr word exec-pt fir\l

rwo wh•ch s t.art 11".e- .adv~t

(; J8 ~r l,ne th1!> •ppl1r-. if word~ ,ire centr~ ,,, thr column. Awox 24 l~flen and sp,,c ... s 10 the l,ne

13: ,:;. prr l,nc App,ox 17 l~ttrr~ and 1>JM1Cf!!> ,,, the l,ne,

Barry admit~ to havina becom• more pop musk:

folk albums by tony wilson

theM~'!Jl ~r~Yi~N n? nir"erof: Overcome" for m 11 preU)i 1on1wriltts He i1 hu rd with :~~~ o~er 'i~: ;:y 0f~~~~: 1orne new sona1 and a fev. 1uhlle and 1optu rt1cated type beti.r k.n O'A l'I onrt on HON• But rathf.r than prDtH I ESTY U OUT Of FASHION '' 1 u c I a I tnmrntnl." i,

11 16 p« lone (Xtra 1171). Ati usual hu mour freq\tenlly used phraff, 11 Approx ti lener\ •nd SJNCe\ 11 well to the fort" with Matt probably more true

_ ___ ____ tot Im la.klnJ a look at birth to1ttrn l On his tut ft.w •lbuma Plu l

HARRY BOUDMAII } Approx. ' ' lettm af1d 'PK~ ,~·l"I '!1 ;~ ~~:!...~ ~ r- c•n ied out h11 YOW

I twld ('~

t tiold t..ap\.

to f'tla, hne the a• of • wcnan who left ~-- :~~·ih,M~:~~ ~ ( I O O pr, 1,.-.. Mr money 10 .. 11w Pdl.hle•t our on hts cau ... - arttt-,rar

· '"' bolJ ""' TERRY GOULD ,...,..,. u '"'"' -i ,_.. °'I; .. ...... • ~'Y. ...,.. l::.'d -~ •- , •• , .. h• __________________ ,o ___ ,ho-'-1_,,..c..... ___ ____ -fl =th.!•:.,.:.,°"·~ ~ :ti -:.C: .a-m. TAPU

MIKE CHAPMAN }

"""' u Olc<lmb .. .. whlCh lllt .... = .. ~.-....... ,-.. '<> ,.:7.,. a.rr.,,i end IPKft =-••="..:~~ t=: With ...._ .. __ NICk ol £150P9f hrw Tall"inwhk:lsa--.,HN ..,... IIICINlltj a trllt9te 10

JACKSON C """'°" , .. ,,... ond - :.:-:r::.:i::.::•:..'° .::: ~ ~ c:-~.·':...-· • to tht- ,,,,. ,anl!lfl_lt ., 1'111 Wv It 0.- • ad

·--------------11 Alt Ill oil, • --= •-- .._ la A

FLAMINGO ~ .~b~" ... ond - a:,::-£~- =i.~•::=~ - ------------------.JI.::•:-.. :"·'-"'= ::::':.!l1lr~

DOMINIC BEHAN IAN CAMPBELL FOLK GROUP

SHIRLEY COLLINS JACKSON C. FRANK

THE JOHNSTONS SONJA KRISTINA

SALLYANGIE AL STEWART

Sol• Ag,el"CY

Julia Creasy and Roy Gvnt

NEMS ENTERPRISES LTD 3 Hill ShHt, London, W.1. Tel. 01-629 6341

ROYAL FESTIVAL HALL Friday, January 31st, at 8 .00 p.m.

Roy Gue ;t and V,c Lewis present

DONOVAN in concert

Tic:keh: Only a very few ,.ots left from R.f H No T•I•~ phon• Booking,, go to Holt for oll Tick•ts . A Nem1

Presentation

Also ol F,_ Trod• Hall, Mo nch .. ter, on Sat., Nl, ht, o t 7 .4 5 p . m. Tic:keta; 25 /., 20 1·, 151•, 10 / from H,me & Addison , 37 John Dalton StrHt, Monchuter IT•I !LA 8019)

EEL-PIE ISLAND RELEASE benefit BALL

fri.17th. 7:30 till late 1216d

JO-ANN KELLY FRUIT MACHINE

BRIAN McKAY SAFFION IAINIOW

GUESTS M1kts IYHls

Cultvrcorn ,n auoc1ot,on with Jo• Lu,hg present

THE PENT ANGLE :~E GUILDHALL, SOUTHAMPTON

on THURSDAY, 23rd JANUARY, ot I~·"'

TICKETS ,_ 12 6, 10/-, 716, aw o,l~bl• from Southompton Un1wers1ty Students Union, Tel 5629 1, e-1 39

NOTICE Owbie ca lldullcal 4111c:lllllw, - 0. • , .. lllh•tk=-- Ila ._ .... _. ----

11111111111111 I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I 11111111111111111111111111111 BANDS pu """' A A • LE ll•Ud ,., ,oiJ.~MI' -t176

041 A A• LE G• OUP , I ,:1,,,,.

I, 11"111• 111 •01\ · 1

ABLE DANCE riu•rt,' Ill ,,

. NEWS EXTRA CLASSIFIED ADVERTISEMENTS

MELODY MAKER · 161 • \66 FIHI Strut, London, E.C 4. Toi 01-353 501 I. Ext. 171, 176 and 234

ntSS DATI.S h•ry •"Oft will be mod• fo 1nclvde dau,~t"d odverllHmenh rece,..,ecf ofte r 10 am on th• Friday p,e..,ious to wee•" of publ,caf•Qn

111 "' ,:, ·•·'" ABOUT 11111 !HP l,/r,,u,, .,ul

tl•l1tt' b,1nd• ll'lll•l<l1alfl i'YIIII .1 111 , rr,ncl .i.nywh• rr R,..~,,11

;1~" 111i~:~ tr, 1 nt/°:s•fl :,~• r;7;,.

,·J J \JU ,m-f JHtl/

ADAM l<EMT I ri~ Vrr 1,ti:- -UI i7II 1117'1

A F IRST t l11 ! .,Ill, i,::r<1Hp ,, k t·ni,:. f ' m ,·nt ., , r• HI• m J

Tri fll -ll4 51tll

Kasenatz-Katz change name, record Lennon-McCartney song

ClAS51flED ADVU:TISlMlNTS IIOUGHT INTO THE OFFICE WILL IE ACCEPTED UP TO AND NO LATH THAN S.00 p.m. ON THE MONDAY PREVIOUS TO DAY OF PUBLICATION

K AJ,~!i,~1· K~frcut"'~~! s hortened lu name to the Super Circus. Latest reluae Is " We Can Work II Out; • the Lennon-McCartney ao ng

ALL CLASSIFIED ADVlATISING MUST BE PRE ,PAIO • LUES BAND U li 1h1lJLl• - DJ

77M 7475 • OB BARTIR ORCHESTRA,

n. Mh...,,,.....,,.. t,fl,l-r~ r.fvt• t11 ..,.,Maw od•.,.,•••-"'' ot ti..,r dou tt,o,, Altfocw gl'I •-, l'W9 oil to•.,. to -4 ••hi~•• tft•r o,.. ni,t ,.,po,,1,bl. lo, ,i...i<ol o, p,-1nfe r'1 llff0f1

W' tt h Ju ltf' Strvrn& . 01 3t3·1439 CARRINCTON -SHARI' ASSO·

CIATES LTD , . . Groupa, .Rand, ll 111 Jnt kt y&. C'abard - 01 417

Clancy Brotht:rs an(I Tamm)' Maktm are to make • new all)um m Lo nd r>n Dt• Cl Re cords are re- relcas mR 19 old pop ~mgles r. n January 14 in • ser ies called D-mtmd Per fo rmanct-1 .Sha key Vick Blu H Grouo have an album relea'5ed o n J anua r)' 24 They play London 's Mar • q utt tonigh t (Thur1dayJ

Ill I II 11111111111111111111111111111111111111111111111111111111I11111111111111111111111 Ill fHl ~~~~tc(~~E m D~1

N~ c m~RCHES-TRA pl.a y lnc th ,· hi!- or 1hr 3r, \, 40, a nd so·~ Ava ll 1 l>l t' for

TU Ill ON 114 ,., won/ A BALLAD ' •ll'llp!\~ t •r•·, r Con

• • ri.l '-•·h,,nt ,,f :-.1111:in~ lUIIH )'t"IU for r,roh- h11'-'I work "n TV, • •'<"Hd, Alltl d,ih., M• n)' 1o1rrnrr Hud,·nh nv-.. .,1,u1 11n TV :i.nd •t"rurd 1~r'1f,• ~,1"11,1l w11rk :I'

,:11~~\,., '71c1 an 11:J'~ll/;,~r~•:.~~

1 l 1ft • • H.>UI Jl,•h•ntlal A ell.ANQ NEW M:ullar 1ihHl10 n•• C>fl,nl Pr,,frnlnn:11 HuUl'ln

r la '<lral flt n1<•d• rn 'F"nHn 10.t da1h - ""d~rn !-,1unt1. 121< f:~~nni.: l · ri.,, Jt , .. 11. "n CO\'

ACkNOWLED(;ED BRITAIN ' S

MICKY CREEYI! . Spt'clall~l drum 1ul1rnn - 719 2101

TOMMY WHITTL5 fnr pl'r&nnal 1rnor u-c 1u1tto11 - BUS 335:!

TRUMPET TUITION . - Tl•h•· phun1· 01·4~11 2~41. Jl\!\Lrumt'nl.11 ,cupplwd

MUSICAL SERVICES 1/ -J pPr wo rd

AdverU•e mt1nU unde r \Ilia headlnK a r o NOT acl'epted

with • ox NO'S.

bt ! '.<'.llt"hd SAXOPHONE/ CLARINET l>tl\JII, I,' nn Bq:ln• AMATEUR SONGWRITERS. i.,•nd "·r d\lal)n•J ADVICE' I le\\ "nur -ong~ or hrlN l\l S7A

r-1,, t INSTRUMENTS .. '\!••· pr, UI Br\mont RO.lid. u,bndi;:,· Mldd'C

-~ur •, .u:11ptl0nr - LESLIE A!!~~J: f r~~E:oo:~:l~~~::~:N~ 'llt ~N:N'iJ:pr~•~ln~fnJh.l(h Luw. L.S ~ 10·11 , M Orydf'n Cham

ALL· LONDON . bln~lni: gutdt tu ht'r•. ll!J Ox(ord ~art'<'!, Londl'ln, rd,t:.llf'-.,1 b;&ll(I• - Rm~ Ol ·li~lf w I 117711 TI\Ur,dJ\' l' \.t"IUllJ.. MUSIC TO LYRICS Vo1n• !11p1•.

A.LL STYLES POP SINGIH(; -..,11 Sudbuu Av1•n11t-. Wl'mhky MAUR.ICE • URMAN SCHOOL . Prr• Ol 901 3488 01ul nr p,1,1.,,1 1111 t\,, 11 h,· -1 nnt•r" PROF55SIONAL ARR AN C •

('n(•>llr&Jad -ln fl,1rkl'nh11.ll \tan- INC, topUno, ctr-.-E\111 Rich, Sll'lnt.. fl-lkl r Str,·..t Lnndun WI S50 0171 (e\'l'nln~II} Phllr\t' 01-4<16 !MIS 0UALIT'f' DEMOS . FfCl' at•

AT LAST. • 1eac:h1ni,t ,tudlr, r11niternt-nt,, ~upp ly m .. nu,crlpt~ fllr all In. lru mrnr"". lnclucllni; Tu':i!!= ~enti;~" 14~"!:~r;h~ivf~. ~1\~~.0·.,__1~lcr=!~dnltra~•~,.ll.~ /o~r~~~: Br.-11nm -1\I Drlvt", Hlylhl• Brldgt·, thrr deU1lh, t•ont:at'l We,;tern S111.th MUt;ll" C'O. Llll RIV :5S'Z4. or CRO SONCWRITElltS . Dl·moni,tri11ion 12,11. rt-curds by rl't•nrdln~ '<l:1n F1r1,I

A.U• REY FRANK SAXOPHONE Cll'I prnk.,•lnnAI !1.r>rV1tT CL.AalNH TUITION. lh.ctnners Drpt 0. 27 nrnm.1rk S,r,,l·I, IO ::tidVJht"l'd - Ul The Whlll· Lond11n W C' 2

lln:~~/ :Mr 1,..~~~~1:,!o\,f:~1~~•: i-,~~~tCW•~~~~:1~; 11;;:.i;;, ''"f•t• ;1: ....... nt•l JULES A.U• EN ~pcct•• \f rlvdlu 11'1 hrlci. Al •n s1n1't'r!. 1, In t1·.1d11Jh( },IU hn11r .. ,· 1 .. 11. .1rr.\hjt(• J'lirnh - 74 LllVtll'dt'T

~-~'.;t./hJ~:f~,1 :,~o 1l\

11~,·"ti,~,r:',\ ~\~~· tnfl(>\d. Mlddh:st'x tr.t"

tai·a1l '"" - ~-, ,.nt.~ 4 l,fr;iddYi SON(;WRITERS . w,,·11 pul your Tlrl\l"' ti r,<ln W4 IUJkrlJI U II dt,l., fur dl•mun •

CLAllltlNn / SAXOPHONI! / ,1n11on purpm,c... In our fully tull"•n b(,_emrll't . ad v1111(i•d j llll ~ QUJPPl' ll rt•t nrclhl l('. 1i lUcll11 m,ln.: 1mpru,1 .1111<+n - Tr\. Win<;lon, our pro mu~1clanc •nd lOl"ali•h. 111.er.om. Dl--4~• '••• fn .,truin,n t, Frr,• mu,!.: irtt1nic1 In "11,·!>rd .,

ut-i..:L.Tti.Y OV• RCOMli ALL ~;.'~\:r~·rd~ ~l~~u~~r~~I ~;r..Vi°l)~r

HUMMING PRO• L• MS AT 1;1 Yunwu1h ROGER K• RR'S ORUM STUOIO ---------­- POL IJ24

DRUM TUITION ti.-i.:tnn•·t, MUSIC WANTEO 11 d , • n t· • d pr1"•k mod,·m ,111d1, , - • A H4 OJ '-:H 1"111~

li'LlcCTRONIC ORGAN h,sun~ tr ... 11: 1 ·• Pr1,.1h .:r, npt R&fl mf"ld••rn or,i: ,n 111.,(1 Or11Jn

J/. per word Ll81lARY lnr d11nn· \\:lnl<'d

t1:,•;11nruhlt- - /\«hl .. rd 1)41dd,r1 ~IIZil,

PERSONAL 1/ 4 p<!r word

EUROPEAN FRI ENOS HIP .-OCI· ETY , BURNLEY . Pl•11frll'nd11 an v dlt'. a ll countrll' II l\t•nd II a. t; for lrt'<' detail!'!.

FOR FREE LIST OF PEN PALS i;end a stampt.'d addrt•11Srd envr IOPl' to World Wide Frlf'nd11hlp C'Jub, 4fl C•mf'lrry Road, nenton , Manchl'(tN , M34 !ER (~tall' a1c.1

FRENCH penfrlrnd5, o.11 1111:e11 , from 12·:U, send S 11.I' for frl'e dl'lllll!; , - An~ lll French Corri's• pondl•n('(' C\1111, ~'Alcon House Burnll'Y.

INTRODUCTIONS artd ll'rlend 'ohlfl .\ 11lntcre 11nd Pl'fltlnal i.('f\'lt·, l'lc• sr writ<' 1u - >,1:ny Barhm, Oogpolc Huu""t', Shrews• bury ~AE

JANE SCOTT for itenu ln t• frknd ~ lntrod11ctlnn11 opposllr xcx with s!ncc r1ty 1111d thoughtful ncu Dl•lo\ls fr et' 5d s ta mp to ,lime St'llll S0/84 l.laddux Strt'l't, L.ondtin WI

MADDOX PEN CLU• . The \'CtY 4c~ t Bring cxc!lt'rnrnt. new Jn

: ~t~i~~~i.~1f:u1:_1U;R,5d1,1!~1J!:~ ~~ Umdon. Wl

NEW FACES nr ihl• oppolillt' 111•1 .loln 1111• only co1n::i.pond encc club whit·h sprcl;il111,,, in in · lruduc-111~ .11\:n. BluC'I 11nd Po1, f.11111, frrc dt•talls . - 43 Cardtnnh W,ilk, L1'il"l'',(1•r

o,,oRTUNITY KNOCKS ' llakr frh•nd,. l)oth SUl'S. 11\ aJ,:r'- Stnd ,11c for detalli. - ,osTAL PENF• IENDS , 52 F.arlii Cou rt Huafl 1A11don. W..i.

,ENFRIENDS llonh· :ind Abroad t Mah- 1utd 01"1.iH~ S A E: -•'rt~·11d11 lur All 1MMI. IV.5 ('1)11~ worth }t1111d. London. N W :t

PEN PALS (8rlllln , Europe'. O\0rat•a I. lllu•t~1t"d brM'hUrl' rn•c -lh-rmr" Hnlln 11. Bnx. 17 m. G1·rm1U1)'

ROMANCE OR Pl!NFIUENDS LnKilmd 11brnad. Th1,uund1 of ml'mbl'rli . - Dl'lallli, World 1-ricndl hlp Entcrprl•es, Ml:!74, Arnh\lrllt Park N.18

UNOIR 211' Pl•lll),11~ an)'Wlll'rC'. - Deul\s fr t't'. Tcrnagl' Club, ratcon llou~1•. Burnl<'y.

UNUSUAL PEN-FRIENDS! EX· ci tln~ly d\ffc rcnl lntl'rna llonal

dam t'• c l• T l' I 01·233-• ij22 COLOURED BAND, L11lln .A m ~r­

lt.:in ,nd pop u lu mu ~ir- - 188 H3~4

FREEWHEELERS Ha r mony Tr111 urs:a n full y 11 m pllllt"cl <ti H04

"":?" Status (luo•, n ew 1mgl<' HAWAIIAN ORCHESTRA

570 uoo 01 " Make Me Slav A Bit

Loneer •· 1s out o n Janu:.ry 31 HOWARD BAKER Rll nd ll. CII·

b11rct , anywh ere. - lit Gll'nwood G-rdl"n•. llfo rd Ol -550 •on

IAVEN WELLS Shnw ba n<I av:u l ~bl c due ltJ ~uddt·n a nd un -

1t. t·h r dul~d clo,urc ol Qu t"e n ·11 11:allroo m WolYl'rh a mpto n En qulrl(>II lrven Wt' III. 32 Sht'r· bournt' Ro11<1 , Bla ckpool 25133

JOHNNY PACE Jan Rand 11112 511:l

LATIN AMERICAN . pop 11, l'h . Trill, (IUUft' t . Qulntt' I - tt~ 11354

Ll!E OAK And Ill • Ba nd nail abll' M· ason nr rc- , lde m y. Box f.067

LISTEN (BLUES} - 01 -778 1136M

LOU PREA(;ER'S l'RISENTA• TIONS . B!lnds and C.ibaret.-611 Glenwood Gd1111.. llford 01-550 4043.

MACKAY•MONSON Prornouon

:::;b1F/00PJ1Sco~h~:~·c _folkr:;~~I(

unlls, 1hr lot - 01 flt!I :1.817/01 437 lf391

PEDDLERS-TYPE GROUP

PHASE 3

A fiv~-piece Manchester group Sweet '1.arrla&e makes 1t1 record debut o n thf: k1m label in March Cllla Black hH a new s in g le rele.ised al the end o f the month . . Velvett Fogg tc ur Australia for 12 days from Au~ust 4 . clarinetti s t Sammv Rlm-­Jngton o perta a new club to­night <Thursday) at the Olde Gateho use, Highiate, Londo n with his c wn band u resi­dent . an excerot from !he Tlnv Tim film You Are What You Eat will he s hown at London's Roundhouse- e n Saturday (IB)

Th e Mixture hav~ a smglc " Sad Old Son& " hv Mike D'Abo rel ~ned r., n January 31 Billie Davis apt>t"ars at the R1vu Room, Rc.ad1ng tonight (Thursday), tomorrow

(Frsda!tn,t!~ite:•~~da;eJ '11

to write the- score for a new MGM film Bush Bab1et twr memben d the New Faces, Marie Gordon .ilnd Uarry Creenaway Rel m.ilrru:d

Phone: W 1338, Kll S232 nn Saturday (I k) in Bur~us

~;;;;;::;:;;~=::==:;:::~ H•~o;su!I::: Lovers are real• PIANO, DRUMS with \-CICilll. All ured 1n t h 1;. Tony Brandon

1vpc r>r mu It: Retldency pre• Show for a we,·k from Fe-hru rl"rrt•d Demo r<'cord t'Xpt.'rknce arv J JeannJe C. Rl'ev - 55• 711:?4 as Men awarded a Gold

QUARTET, Til-ff)I . ISC' for her album " Har•

er Valley PT.A yn,ley Dunbar's Retalla•

BOOK NOW lion, Terry Ugblfoot'• Band and other groups play

REFLECTION Bornugh Road College, Ille-worth. on J anuary 25 at their New Year Ball Judy

01-570 0857 ollins s ings two 50ng·, on the soundtrack uf the MGM Jilm The Subittt Was Rosei­

Mui.lu, , f; twurl) - t, Arclt·11 ---------- tnl'rnbi-rshlp, a ll ll!;l'S. Send 1.a.c Marv Honklns hu r~

corded t he theme from Run, Rebel , Run starrin~ Tommy Stule ,md Slanley Baker .•. Dusty SprlnRfield guests m the Rolf Harris TV -.how on februan- I Jlml Hendrix hu oroduced 1he firs! F.ire

fl,,,. <1 N I FJ'I -4 -~II aR1c ctLOER scHOOL OF I

ltUSIC r, ,r all H ,1.:a l -11nd lnstru­,11cnl.1I 111ltt,,11 \\'r ,t tnd ~tu dlu~. k• ~ O ltl r, 4" Th,· Gladl•. Cro~ ,10,1 ( HO 'l'Ull Sllrrt·~. Tt'l. 01 U4 477t

CUITAR. • ANJO , • ASS , JIL ,,;,1 1\,IY I,. 4 lndll'ld I -

•- •• i.1 l,1 r• :, '11 7U ~, ~ -CUITAlllt TUITION .,;Ian 11_1

'u,,.; f'I"". , .. n.11I IIIU~llltHI l'hln.:l<•rcl .fir•~ l'M,•r>t· Hom· h•1d ,0111'

GUITAR TUITION t,?.'!o

11ltl74

RECORDING STUDIOS 1 4 p<!r word

A• ANDON A• SOLUTELY your ~e.:ar<'h for ;i bl· t1t·r ·,uund. ~1•1\'h• "nd pfj('('. Scully 4 track - llh lnl' Tony P1kr )111,tr I.Id ll t11n('" of Th•• Tl'P<'f" ncnrd lahl'I Lc1111h·ts PUT 4"!~

A L LA N-GORDON STUDIOS H1n1 fnr rnform~l!nn and bw churr-.-01·520 3106; 01-52.T 522'.

05MOS, U pc-r hour. mulll lrark1n1 etc: ldr•I lur ~uni:• ll rltl'U - 01 -19• Uflll

EDIN STUOIOS Mo\ln~ up .. 1111 th, ,,.n,, Fully l'QUIPPl'd f,.r rnoi," 'llt•rru rnlall:r. dc.-mn aud multi lr ;wkrn,: r"l:o rd1r11, Jmrn'"dt;1t1: t.1p1· tu d1•c 1rnn~rr1p lion - £d1·11 Sound~ (":rt•al II !;d1·n SU l:l'I Kl11111un•upu11 Th.1nll"' Kurr1·) 01 5411 :,577

-Depl. M). BUr('IIU Brlll,nnla, 13 !'iyumo r1• Gro,•e, RuGb)' War• WIC'kll.

WOIILOWIDE CONTACTS! 1-'tl' l: d1·1allfi pluti pholOS 8 X 7 Contact Arr.in1tml'"nl, )lunc:hrn ) B. Rox !U Ci-rm 11u

RENAISSANCE FAIRE

01--888 2195 Apparent album •· Sunnse ·•

SOUND EQUl'MENT 0843 31656 "1~:•\,~ci.~t"c",:,'ema Club

JI. per word l~=========~lare showinJ! a late nt;thl film ALL COOD qual11)' 1t.11und equip• SHOW (CONTIN•NTAL) ll)UAR- or Jlml Htndrlx with the-

mc-ul purch.1<e<I fc,r Ut,h will T5TTE . - MAI an. Bulalo Sprin1fteld al lhl' Im•

c•~L;- ~~~Kn:;• :Ir M~}~,::llioncd ~:~~::~-p;:::~':;,!- ~:~I~~~~ r;~:I thl:1~=:end Port~•I~~

~ound (•qulpml'nl ,old Sp('('d)' Purll')'. ava1h1blt' from 201h Jan , Harl, lead !Unger- with the

rrf~i';" ti!~:,~;~ R;;;d. JD~r~;~~ci: on;~~o1ioUt.,..,., Nl-51'3 ~~~er~~tdSce::· ~n~~t :~~

:;;-~~ T<'I Dartford 2u111 1:nd man• ,m,nt conlran with

CUSTOM-MADE IOOw li.1,~ se t• TRANSPORT

CILLA : new single

the Dave Rnl),s,,n aef"nC'Y .

~W:it:foh~~· te!~ •:.~,:~e;•~~ rtop 5 ,n'ein& becau1e of thr :..at

CLUB NEWS EACEALY a•.ililed eve"t •t

" horn:•;~•;~d ~o~~;.:~.•~,a~ "8li•"al debut of •hat ;in...,,~ ui ba -.na of Ole mKl e•cittnJ groups ef lM, Muon, Capakh. wood a1td Fro9, on S•lurday .

J • ~~~?yo~ didn' t already know , t h1 1 Is •" amal9u" of Wynder K. Fro911 and thrH former m,mbers- of th• Trvfic "o• Lhal Stav1e W1 nwaod has de­part.d .

on the Hm• night th• n...­boys will have Ih a mor•I sup• port of dH·JlilY Pele Drummo"d. who WIii ~eed alon• UH! Ml to Mothers after l"trodueing th• nrst al his new Saturd•Y R.ad10 1 ~~h"::· January a 11nct1on1 •t Molha n include: Th • L l•erpool

:~~:; • r!-u:":r~::· •• ,,:,<'::ll: Th e Who wflh Jahn Peel (Sun· day), Roy Hal'per (24th} and tha Niu (261h}. • &ooklngs: an pCH.lrir,a 1n to the Showi,o.t Theatre Club, Hl ddl•sborO'-'gh, for Ula YU.It .t ••• E. King on March 23rd

.. We .,.. sllll baffled ... W)'I Oav,d Mc• elh whne a1ency book, the artists for ,,.e club " As the dale 1, 10 far ahead ii ••• maraly publicised as •n• ., uvual • ferthcom1n1 attrioC• 1 .. n. · and lmffl!Ulll•tely t,e.ek1n1 enquiries c:ammenced - 1nclud­l01 one for a par1y of 40 It 1 .. 11,. Ilk• bc•nl a b11fflper waell !"

MunWhHe - Sand••1en and young 1,11,.,pet..Ur N191:f Hap• kin, are thl& currtnl wMk'a at· tract.Jona and on S11nday (11} Jacltif" Tnnt and Tony Hatch open for the w1:1lt . ThtY will ~ Lrln91n• Wtlh lhem a n11mber •f Landon m11slcia"s t• augment the l'"Htdent band

On January 26, Scau Walker b&c:ltad by the Aonnia Scett Or· dtHtra ,..111 no cfeubt tHt the capacity of the new, Ju,rudous north.e:nt nile~pol

• Martin Hone 1a UI e•perlmenl with a Po1) Jam Session ton,ghl (Thurs"•)) al Uta Factory , th• beat HCllen of hi-$ Opp01'1lC Leck Club 1n • 1rmln9ham

Teny Hall wlll umpere • MS­sl- by "'••bet"• ef Len-t••• . •• -....... • IUH Ll1t•. • arlh. and Tea a11d Sym~thy afl•r ••ch '""'P haa "•"e lb sol• ., .. ,,

Tickets .,. 11- avatlabl• fer

~~T.!d(11:a:~~r:t F:,;.::: ""'"• RNS•J•n H••"rk:41'.1 •·n·• •• F•llruary J

Alan £,~·• Jau .. .,. qa1n ,._lrs Wffl •• F ............,. fff a we-air. at Wet,-. .. ~ C.W,. t,Y Club, Mat Wn _,.-MIP" .. Mar•. Tlle:y _..11 dleMCJ M t.1-LawN .,. .,.._ c•tar U4I .,_ 1Melt1n ' k.Ntft

• Club F1•U1 at. ~

Ten ca,uld ••II wt a anw ~ fer Ut1atr. clubs wtwll ,~ "'" •eek uaro,-,.c1q Fe...-rr n t.h.t!y prnf't1t a llll1ffl'n:1tl

n•1n• • ,,.. .... cit "'""' ' 5unday {ll, -..,. feat.llr" Ute

c.• •uals, wtt:h tltl' F•••_,..• tall/"11 the 5UJJ4 •• ~a,,, Amen c...r..-r lTvn4ay) TIN Marmalade ( WH9"41af) . ~ A.lfair (Tltursdo,. llt<f" Hrr4 (FndaJ). aJUf it,..... Depn• and Ute • ,1 So•fMII (Sa~rday, Mardi ht).

St,U.GII t•c:ltets Wtll bt aff•J.. .ible 1• fflGlftbers wk• ..... ta, Ht aJ I Ula tl"OIIJ'•. al U.e ... ,.,. atlraC:Uve pr-K.t lfll £2 ror .,..,.a.­"'e" and )II• l•r i.4.._ Tltt'I n1ust ba •* all--lime bftrt,a,.• prlu ,.,. u,p-pc,p ,i.ws

• Th e Third Dr • l"lll'lt w ill

pear fw an all.oft.,ttt.ar at UT• Ma9lc: Vtlta,e. MAM.h e..,.. , C"' S,1turd•Y (UU'I} - 1""-.I aLely follewu,11 I.lie d•1t·1 Jai.• PM.1-Thc Fa,,n,tJ~_,. Ha..-.,r,' ..... 1.,..C St . .,_n c: .. un. .. ..._. ..._.... werU! Hall

J• A•• Kelly wm 11M the att.racOe11 .s die cl11b •• J:a..,• · ary N , fell•we:d by Tke L,wcr pool 5ce"• (25) lhe 11ur'III 'liolt • and again - Febn1ary l au C'-'id• eft h .bt'11ary S

• DIAIIY DATE.S:-TJ1e •..ad·

wa1en. and t..iw•r,... • Nn11p tha Fe11rmnt are d11r1 c:.•rnlfli wnlt ., , ... C111b . F1,st.a Stacll­lOn . whne Kathy Kirby w ,o appear ,. .. tM wNk a•n1•11c-1n9 Jan M> P J l',Wf ,s P••c•lled••n fer a Wl'tk .. U.• Sh ___ , Th•atn Club . M •d-

dlulltn,119h , fer Ule ... 11 el

!',.•r;!,.!ay (l•~--:.~•::.:r: lh• CrffW CJub. s.ltlltMII .

~=:tdc!:,: •::.!~;:''7,11~~= ll) Jalt• Nara• ta tlllf' at Cl•llt L.al'a,etta .. ,._.__.._ eft T11Mn4ay , Ja• 2) II.an

::::::. ':c~ ~-=':t• :.r:: mu .... ., .. "" ..,..f"TMt ( Fn­llllQ IJ'). G•Ulfl;t $It.- -f:arUI (SM) . GnR• y·a l• Wft· u ... (Ja• Jil) --4 .__, o .. tiff (ZS)

NOW OPEN, NEW GUITAR

STUDIO Profeu,onol Tuhon, cloHical or modern

A.lao ~tring ban and ban guitar

Daily from 10 a m.-6 p.m.

SOUND O• GANIZATION. Four 1r1tk ·•l xtt-en ihannrl ('qulomt·nt - /JI ll:S 080! or tl tlU 13211

STUOte MUND (NITCNIN), Rttorchnc Sludlot . lll'mO '... Ad· vertlsln1 ProdUl"liOnl. Tapt> Id dlac - NII 4517

upM;:~;:~7Klls:1:.11 PA. 185 1/4 per word ,,.ndl'r Trrinolux amp, 15$ Gram• -':"s•~:sl.JCA.'NSPORT. 811 tranan

C~': .:.~c,2~ .• ~r.11·n:.

2~0/:r~ PRINC• DAL• TIIANSln, UH•

amp w11h two TIO C•blneb. Ill drive or wl1h drtver . - 01•727 cumpl•ll' - T•I 1111.1 JIIO (WlltaJ 14:.UCk ·- TaAN .. Hn Coal·

PlJlllCITY l'r~:J'~~:L\a~~u~:!1 ifi," ~if:1 m•r van plu11 two ruadJts for

GALA DANCE MODERN SOUND

121 Clleri•• c,_ -.. Lon4on, W.C.2

Tel . 01-240 1167

II· per word 74() 1. £11 14 ;~~i Day eu 2,.\_ ncnlna M2-

•• SUCCUIFULII U:q, 1h1· pl~ fo~'!9:'•n ~-:;:.r •::rJ:~~ Cr~~~=orl an=~~'!:;' :~Oiolu~~f1~r11, ~~~~· ':1n ~~:1~~ i;~ p~us\ !'ihllrt' mth , IUO onu. - llmf . do or nlJtll _ ••. ,,. tlM

r~~n~~• 1i!h/4rx~!~t, -:~~I oi/

11H ~• .:.~.L~:r~n~~~:'~w: 2a:?1 IOO

r=========,i~•:•:::•:•:'':':":':'':::'-':'"::••:•n:W::l:::..I VU AC31 Y('r,- ,_,. cnMll"911 Oft'rn' - Ji,111•1, 51 J1h1ncl Plac•. Ll4n•ll1 Carmart h rnt1hlrt·

GIOUP 1UNSPOIT 1IAll5IT IIISES WITII DIIYEIS M«.~ sema SIG MONEY

FOR TV

COMEDY SCRIPTS ~ M ••• ,,._ llttl krcr•h•a ..... ..................... .._. ..... ,..._ .- •,-W,l'ICM TV ...................... _,.. • ...., .......... s.i,,.., ... __ .......... ..... CIIA TIVE ARTS ~-=-IOI

A NEW, IIAUTIFUI.

oz .. ·"' ,. .... -----,.,._

.., .... _ .......... ----.....,.._,.,.,,,,_ .... OZ. :ta. PCNCe Owdeftt T...cia,

L..,._, WI

VOX AcM. lU Twn !l.lrM"r cnlumn,. ns . Pull uni!, r7 1111 ~ow amp unu"4·d Bull! 1n fun

H~- ~~ril:"~~:p~;: •• r:~:h TJOO cablnt-1 Oltc-n - llu1Jllh.1m 237'

,._IIYaot•:1167425

--II•,,_,...,, .~- :-¥~-C C"'&t ~•

presenting

''THE MOYE'' (LATEST RECORD "BLACKBERRY WAY") --THE LONDON All STAR BAND

at

THE ROUND HOUSE

I , 1 o\111Ulf"I MAK!k Jwnu:tr\ 11'. llJ(,ll

000000000000000000000 1

§ MIDDLE EARTH § CllOfflWELLIRX 0 presen ts at the 0 0 ROUNDHOUSE 0

3 Floors or Fun In llo)'lll Kenslngtan °"'1,!;3~·30 fully lianNII

g CHALK FARM 229 1438 g ELEGANT CASINO 0 Saturday, January 11th 10.30adawn 0 O TURN ON THE TAP O "'-·--·•--·-·­HARRY'S INTERNATIONAL BAR 0 ZAP 0

AND ,-llSTAtiUllAJn' 0"EATEST ATMOCPHEftE IN TOW'N

Q AN EVENT BY Q

8 THE PINK FLOYD 8 ENGLAND'S FAMOUS DISCOTHEQUE

T,, Gu1ii'Gr~~piAEmjN1ght

g An e,plo,:!"e,ce,pt of g sEFOREn PM•~~, ~,,~m~im-H .V• N ..,.,.. 11"" OU" PfllCl.8 WIU.NO'I' .-ofL 'W'DUIII flUN 11!

0 TINY TIM'S O 3 Cromwell ~- 5th.Kensington 0 YOU ARE WHAT YOU EAT 0 KNI 72N for Memberilhlp and all tnfornwrtkln

C) with C) C) SUPER SPADE PETER YARROW Q C) THE ELECTRIC FLAG and THE BAND Q 0 + 0 0 The orig inat OB-LA-DI OB·LA-0A man 0 8 JIMMY SCOTT & HIS BAND 0

+ 0

g ARCADIUM 8 C) JEFF DEXTER EXPLOSIVE SPECTRUM LIGHT SHOW C) O- Members 161- Gue5ls 26/- O 0 ~7.. c--11' U ...... h1 _ _,_, (UJ() Ud. f.,. TOO A.U WNA T 0

"SweetSoMul • " OSIC

INST.eu'M0V7i4LISE.t:> BY 0 11~

1

:~

1 :7~~ -::..:.~·;:a,::.:-::;;-,~-·°" ~ 291h at 0 0- "-•• - \ ~lffiT THINGS IN MIME 0 O Membership 5 ·. Free membership for students 0 000000000000000000000

LANCHESTER ARTS FESTIVAL '69 COVENTRY

kmuory 24th 10 Februory 1 d

FAIRPORT CONVENTION ~dm B/­

Adm. Bl -

PAMA RECORDS LTD. F AMI LY ECLECTION

7~h

'8th

LIVERPOOL SCENE POETS THE PENTANGLE

ond many other atan d11rin1 week T;d•'1., deto,I, from Ted Uttte

CoUep Union, Priory Str-t, Cowentry

Adm B'·

Adm, £1 \5f•, 10 '•

:ka,Yi.22 Sole rep. JOHN EDWARD ENT. AGENCY

01 -806 4645 / 6494

(proceeds to international red cross)

THIS FRIDAY, JANUARY 17th, 8 p.m., ot

THE ROYAL ALBERT HALL (Monoge" F,onk J. Mundy)

IN CONCERT

GEORGIE FAME TEN YEARS AFTER*FAMILY

JOHN PEEL + PRINCIPAL EDWARDS MAGIC THEATRE

TICKETS 5/-, 10/-, 12/6, 15/-, 17/6, 21/-from Box Office, Royal Albert Holl, Kensington, S.W.7 (01 -589-8212),

u,uol agent,, or the University (,ee below)

FRIDAY NIGHT, JANUARY 24/25 (12.30 o.m.-7 a.m.J

LYCEUM, STRAND, W.C.2

midnite rave - part 2

LOVE SCULPTURE • GUN JOE COCKER• SPENCER DAVIS

AYNSLEY DUNIAI * IAIEllOO llUES UNI COMPERE: TONY HALL

Buffet • Licensed llars till 3 o.m. • Oms anyhow Ticlt:et1 20/- advance (Hnd • · a e. and money la lrunel University Students Carntval, Acton, W,31 01-992-5691 J 25/- an night (wilt,

S.U or any club card). Ticke'1 ot door llol guaronleed.

BOIOUGH IOAD COLLEGE l1loworth, M,ddl•Hx

NEW YEAR'S BALL w11h

THE WHO AYNSLEY DUNBAR

RETALIATION TERRY LIGHTFOOT'S

JAZZ BAND THC PYRAMIDS

ALMOND MARZIPAN ABBOTTFIELD

DANCE ORCHESTRA

SATURDAY, 251h JANUARY

Double heh!, '2 gn1, ,u,gl• 2J./.

N.U S Co,dt II p "I -lat• Tithh from Soclol Seu1t-, bafor. Wedn•utar 22nd, lndu4'11 dudt•n

d iMo, lnqUtri•• 560-0322

FISHMONGER'S ARMS WOOD ORIIN

WrDNIIDAY, JAN. 22,-tl

KIPPINGTON LODGE ••- KRISIS

Ooot, 1 '0 lt091\Md 8Q,

PURE MEDICINE

µ."""'''"'•~· , A J 1 ~ ~ l ~~

RAY KING SOUL BAND ....

Th.,., lf1t,IIC .... l•'dNlr J,I l~ CflWla.....c .... Sol , .. NAYIIPOID WIit --::. =~--....... --,_ "IOHIGN ....... a.,

VIIHOI SVtc:wn COIi &TD 01 ......... ,,., ........

MUSIC EVERY NIGHT

~ "',.,.."°"· ...... , ON. w.,

nL .,.. 127•

. ~;_,--4.., COUNT SUCKLE SOUND SYSTEM

WlfM 8AND

l"""doy, I 11 P "I

SIAN GREIG QUARTET f,."4(.,. 1111 P"'

TIO WOOD JAZZBANO 5at.,.doy, I 11 P"' __ ...

HUMPH Sundoy l.,r><ht,,.,., I '1 7 IJ ..,

JO! DANIELS • ••• AlAN WICKHAM (T,u ,n p.tJ

5.....:loy mghl, 8 10 JC, pm

FAT JOHN COX BOSSA CAUDA Pl.US YOC.t..USU

M4f' /Tut-1 1- 11 om JOHN WIWAMS TRIO

111 p"'

BRIAN LEMON QUARTET with JUDO ,"-OCTOI /G<,-J KlNNY

NATIU. lie-I •"" TIDY COX IDr ~,

nw,~da1, I 11 p,., JAZZ

BRIAN GREEN IAND Fr.da1/SolurJoy, I 11 pm

BRIAN UMON TRIO Svt-idor lu,.<•,1,..,,. l:i l p"" onc1 s.,,.da, N,ghf. , .,oJO P'"

TAlLY HOI BIG BAND Malldoy, I 11 p"'

JOHNNIE RICHARDSON DIXIELAND BAND

r~,dar, 1 11 p,.,

DENNY OGDEN 'S OCTET Wodr'lfndoy, 1-11 p ,.,

ALAN LITTWOHN/ TONY MIWNER SEPTET

RED LION HOTEL, ,., ••• ,, ••• H,gh Rood E II

BLUES CLUB l hundi.y, Jonuary 16th

SPENCER DAVIS l,u,,..d lor - Ina 21S 142. 10, 2l6 o"d 0<1 c,,u,o l L ....

SUPER HIT IN THE STATES AND CANADA BOUND TO BE A BIGGIE HERE I

MAGIC LANTERNS with ··Sac,,,.., Shame•· - loolc thMI wUh n NOW

Agents: ALAN ARNISON AGCNCY LTD. T•lapho"• STOCK,OlT 061~10 2441/9140

THEFAMILY ..• THESE TEENA HAVE TO BE SEEN

BLONDE ON BLONDE TicS..11 10/ - Stocts Ip m

'SUGAR' KINGS COllEGl, STIAND

fllDA Y, JI 1t JANUAlY

TO BE BELIEVED LAT lUO

KfN'S ,aoMOYIOHS - EVU Y NIDA y

FISHMONGERS HALL WOOD GllfN (W_ .. 0•••" fuMJ

'"'•Tmetlor,, lAf 2117 - 1n, l .. 7

KEEF HARTLEY ELDRIDGE POPE

Ad,r,iu1on 10 . '"< "'•'"ll.,.,h,11 llf. lo,

7.30 •·"'

Op ... 1 Ml Mld,.19ht ~o,md1 - M.,11<10.,4, le.....,tf.k ~t

ONLY LONDON CONCERT

ROY BUDD TRIO

FRIDAY, JAN. 24th, at 8 p.m •

FAIRFIELD HAll • CROYDON

PHONI 1 611 9291

:,;~~: ;:,.: ; ;;.;~;:,.: A:.:;,;.: •• PAT BOY BlllY STEWART

·· ················· ····· ·· fhvr...,,, , _ _., 1 .. h

COUNT SUCKlE AND HIS BAND

;~, ·;.::,;;; 1·;,;. •••••••••• THI PA.aULOUI

JUNIOR WAU<ER AND HIS All-ST AR BAND

flO M AMUICA . ~.~~~.;. -,~~~; ,;. i ;.;. .... ... .

THESCHANTS f• OM LIVIIH>OL

5.,,,., Jen. 19"1-lrom AINl'ke Hr1tttm.lntn• '-rut

Th• enly 9h•w In hial•IMI

JOE TEX AND HIS All AMERICAN SHOWBAND

• ··c1.;~ ~ ;.; ;·,;1iht,·~ ;,~-· . . ······""Lb:.::. ·i.: ..... ... . . .. . . ·..:.:.;.·,: ;;.~·~.:,;.;.· .... . .

ll--•'•.aa•"'••._Y & fhu,..,•y

TOAST r..., ,., HJft 16 Cof• •• Arth'-FT, Jon 17 alod1 S"-~•

Meyt ....

Sot Jo,, 11 u." Hof" .. w.rrtn.,_ S.... ,io,, l'I Adelphi, .M-9h Wed J- 27 OwHt .,...,. ....

• ..... 1 aua. Sol• r•pcUotttO'ttotl

JOHN fDWAID fNT AGl'NCY 01-106 4645/ 6494

-

BRUNEL UNIVERSITY Krn g1,t on Lan•. U•br1d9e

SAT, JAN., 11th, 7.30°12.00

Adr,, 1 ·; Lod,., 5

llG PYJAMA DANCI

UNIT 442

PLUS 2 OTHERS

S.U. 0 • ANY CLUI CARDS

John Walden's WORKSHOP

A Blues Ou1nt•t 1111-t back from the Continent 01-346 7389

JIMI HENDRIX EXPERIENCE FILM

plus I a• , Q

BUFFALO SPRINGFIELD

U{CTl'C CINEMA ot IM,lllAl, 11' l"-'9tM». r•

w 11 ,,. s., s.," 17th. 11"" • ...., 19"' '-" 1 1 P" A,. S ~ ] r, A·t, "'<1 fQl'fl! (~

•~P or

CALIFORNIA BALLROOM ........ ~ ..... ·-· t, •••••• 4

SAT\.IIOA Y IANUAIY 1-...

AMEN CORNER

~ ~ .. ' .. ~ " ' . .

NATIONAL BLUES

FEDERATION MEMIUSHtP IS NOW <>PIN INDIVIDUALS 5 po,,-.

ClUI, AFFILIATION £5 per year

MANY lfNf,iT$ II

For full dot•II• ••d epllflicatfen fo,m write •

NATIONAL ILUIS f[.HATION O'opt M. ¥.

J9 Ch•p•tow .... l•i,aw• ..,, lo11'-, W.2. 01-2l9•111t

CLUBS BLACK BOTTOM FLAMINGO

AT lJ-H WARDOUR STRUT, W , I

STOMPERS ~r•,tt~,t.*,ttolto*:m•, •u *"""*.--~ THE ALL-NITER SESSION

t~~t.~~~; ~i!Wf.~ii~.~,, .-.. - "" FANTASTIC SOUNDS OF • ,..._ , ... c..- .... .,. MICHAEL BRICE

MARTIN JOSEPH BAND ., ...

BOIIIIY WELLINS HAROLD BECKET

THE KEITH TIPPET BAND

ERIC SILK'S SOUTHERNJAZZBAND

HAL Y UClNHD U,I •IOUClO •Ans rot; UUDI.NT lf("'IUS

._,._.. N """ C ._..,_ "' ' ldl b I G· u 1C..,... , .. , ._ ,

' '""

STUDIO 51 KEN COL YER CLUB

10/ 11 GT, NlWN>IT 5TIHT N(Allt Lll(ISTll SQUAltl

~----..1111>.7)0,,..

GOTHIC JAZZBAND S-W...,Jwiltllt. . ..__2--4,..,

GROUNDHOGS with TONY McPHEE

••••••••••••••• SAT JAN, 18th !I p.n, •• 6 p_,.._J

THE All-NITER SESSION TONITE EXCITEMENT PLUS

* FUNKY FEVER fEATURING

J.B.W. PLUS! PLUS ! PLUS!

* DAVE DAVANI FIVE

DON'T MISS THIS FANTASTIC SHOW

••••••••••••••• SUN. JAN 19th 11.30 pm - 11 p.m .!

CLUB CLOSED TONIGHT ••••••••••••••• WlD. JA.N 22nd 16-p.m -11.30 ;, m

INTER-STATE ROAD SHOW FEATURING

THE HUMMING BIRD JOHNNY ORLANDO MAID MARIANNE

FRIDAY BREWERY TAP , ~I J;urwc;:

S ln•,•t F.: 17 JOE HARRIOTT, STA N TRACV TRIO Adnl l'-'liron ,t,

GOTHIC JAZZBANO . f:a rl "' s.1 ndwh h Evi-r y fr ld .t~

OSTERLEY JAZ cLU11 , o , wrk -.. Hui,: h , r 1o ,h J' ,1\ 1111111 , T ,•nh•\uw I ,i n t Nnr'A rn•d r.r,•,· n . l'"lJL h .,11

KENNY BALL ANO HIS J,U:ZMEN ..: , . .,_. ~! ;,II' .! 1111 •n nd

MONDAY BLACK PRINCF.: \111\t•l B,•11:lt)

l·wnt l<•d M.irlvn

COOKS FERRY INN Ange l ROid {N . Circ. ), Edmonton

ALAN BOWN ERIC SILK , Ship' RC'itdln~

COTHIC .JAZZBANP . E11rl of S11 nd wit h

PALM COURT , Ri (' tlmn n d PLOUGH , STOCKWELL, S.W 9

"""'"''" R, nd Fm JIMMY SKIDMORE WEMBLEY " NORFOLK

ARMS , " LliinnH r R"ad 1N orth READING, " SHIP," DUKE W( m bln !- 1:a \lorl ) ALBANV STREET, ERIC S IL K JAZZBANO :J IH1 OHARMA BLUES.

SATURDAY

BLUESC ENE, C' r11 w11 . 1'wkk1·n h ,.u,1

GROUNDHOGS fr ;,tur1nti:

T S Mc PHEE ,inli STEVE RYE

PALM coURT~ R1 l tim 11 nd G <· oll l\r1110.n Dnll-lnnd,·r " h •alurlng T,·d Wvud Frn

THE ORIGINAL EAST SIDE STOMPERS . lll ·thn a l Grnn

SUNDAY

AT THF CLERKENWELL TAVERN 9 P . M

TREVOR WATTS AMALGAM

"Ith .JOHN STEVENS, PETF. LEMER , JOHN DYANI

BILL BRUNSKILLS JAZZMEN , F1i:hlh1~ Coe 1,, , Kh1 J: ,t1,n

THE ORIGINAL EAST SIDE ST OMPERS , Gn·t•n '-Ia n J11 i:h Rn.id. I ,•vlon,lnnc

THE RESURRECTION J;\ ,1t·k Hu ll , Whc t~lunr. ", 211

THE AX PLUS PALE GREEN LYMOSINE

Adm 4 11 "! c rnh• 1, h lp I

TUESDAY

AT THE PLOUCH , ILFORO

TERRY SMITH BR IAN EVF.RINGTON QUINTET

CROYDON Op1 n1nt nl i: h t ,II ! Ill" BLUE ANCHOR, South F.nd C'rn)'don CHEZ CH&STERMAN .JAZZBANO \\Jl h f('~ lurr d J:lll' \I MONTY S UNSHINE 0 11n1 m g. fn-t: Admi«~lt1n

" GEORGE, " MORDEN TERRY LICNTFOOT

HOT MUSIC. 1-!i;t ,lt )' I .a) and Tht·

~}t)~U~~h r;..r,:,'~':iu-~l'.~.n il .r1~!:t

FAN CLUBS I 4 per word

CASUALS Ol'hu:a\ t"an l'lut> S .it J11,t<phi11•· Pan11', II T_,111"• Jt1 II. t:•rll Surn·)

F OR RE<.ULAR n, ,h 11f •:1, ... 1,,, .if\l\l> - lh><•r-. lnfr.-<t1bh' I.J•~•. .1110\ ('1111111, t·h • '<t·11d .. A ). '" ~\·h Joi 11.nl'lh r' .. Rt•\ t 1..illnn Elo•l.lr,1 Rl'I urd,. Ii IQ ~! r.i lfurd PhHt· London W I

KENN Y BALL Appnt·1at11111 .llio t !t'ly - S.1 f.' lu l!I S.. Pat Saun dt·rit. iJt C11rll\h' Strt•,t WI

NINA HAS ANOTHER S MASH ! Nu-.-. ,,ut Un Rl'A '' Tu LO\'(' Snmd1od\ "• U ~•ou d i~ N1n1

~i1;:::~nl'. s'::~i:•t ~"1c 1::mS\hl:~/Pf;ii ('It)', 17 Monrn"nuth StrC'i't. l,11ndon WC'l

SP OO KY TOOTH FAN CLUB . -Wrlh· lo l.(,Ul'I\' Brll,,:!iinglon , ~ti f'arhrook Way, W1llt-nhall. Sla lf ,;

MOBILE DISCOTHEQUES 1/ 4 per word

CARRINCTON •SHARP ASSD• CIATES LTD n.1·~ fo r all i{l(."lltl runllion, - rl l >t:17 09.io!I 0SRS , 10 am to S pm)

DISCOTHEQUES, BANOS , ~rnup~ - 111.J&I 93,i_,

Ll(;HT SHOWS 11\.-llltibk tor p.i11h-,, dann.•~. rlub~ dr -Ti•I . 45 4221!

MOBILE DISCOTHEQUE for 111 ,c)(' ial ()('ca,lc•ni. - 01 8011 1645 l'ven1ni:li

HOUVELLE O.J's; . Thi· bl• I DJ's. 1>11 11 nd sysl r m,. Go-Gn da n ren- m London Pop, roul , Rnck S l l•ild}' 111,thl, - 0 1 •l2 6 ~S5

SOUNDTRACKS MOBILE 015. COTHEQUES. - Ph Otl( S II E oni. l'Yl'llln us

THE S OULMOBILE t ra,l'l h n~ po\1-c•rho us,• or Fu nk y d[1 l\\l b e qU e• t )'pL ~oul I RL·t·ord ~ nt1 10. d !r.: c-1 frorn a l< ~A ~oul r adio , ,t~ tlu n / - 8911 211Cltl

WE COT THE POWER . Ou r fl Ill h 11d 1t•r . 11ur prlct• 1~ lo-.-. l r Partw., It> bl,c fun c laons - · MAYER•TEE DISCOTHEQUES. Ul -l llll un

KEN COL YER'S JAZZMEN

THAMES HOTEL

************ THURSDAY

BLACK PRINCE Hult-I 1-h ~I ('~ K1·,11

THE PEDDLERS

SLOUGH . " Cood Co mpa nio ns ":

CY LAURIE i:i~~~~~i~~~~~~~~~ii■I WEDNESDAY

Hompto" Co11rt. M,ddlo•••

CY IAURl!'S JA2ZBAND

JO! OANIHS AND HIS NEW HOT SHOTS

1..-1,,. AU.N WIOlHA#III

S0BW~WS ST0REYVlllf JAUBAND

WOOD GREEN"'~~-,. SUNDAY ,_,.._.l

HUMPH!! THE GROUNDHOGS

MUSI JAZ.Z r.o,Ul

KING'S ARMS ,u., . ....,.... . .., .... ..,.1s,s..w­"'"0AYS TMUHDA U. IATUUAH

ol •I .,. ,,...,,... ,. .. 0,119.,,, ••'"'•II••"•

ALBANY .JAZZMEN , \l,·1ru1111II · lo1n 1··•"•·r11 f.,rnn,.:don Rn;id [.('\

BLACK• OTTOM sToMPERS 1,10 (!Uh

GUN JAZ~No - CUN CROY• DON

IAZZ HAPPENINC TONITE

,,ncl r, ·n llwr~d,n ~ 1• 111 \l.1lh

SAMMY RIMINGTON AT YE OLDE GATFHl)USF

,, 1t, R HI , II• :hi:,,h ,111 •

MUSICA ETERNA 11 ,,1 t,., 11111, ,.,, ,no c .. ,,n

JI,, . ,I \~ I

NEW ORLEANS JAZZ

JOHN KEEN BAND tfJII .... • lf flt, •1 t'ul lh\ F1,,

THE GRAPES, HAYES JAN ltiTH -510 HALLIDAY ORGAN TRIO

,.DAVE DAVANI BAND

COOKS, CHINCFORD 1111, ii h11,·,1 HOil I

ON THE FOREST FRONTIER NEW SEDALIA .JAZZ8ANO

CY LAURIE JAZZCLUB Hrdl"rd ('urn,·1 11"1<'1

,on T"lh·11h.im C'ullrl l!d ) W (' I

DAVID JONES l.,7 m, n 11 ,M T l -,,.,1r,

DENNIS FIELD , tun,1111111, I,,, , " IL,,. l'hun.,I, ;id

CUN JAZZBAHO, LUNCHTIME, OUN

JAZZ ROOM . HAMBROU<.H TAVERN , SOUTHALL MIKE PtNE QUARTET

PALM COURT . lilthmurod I unllllmu .,1·,m~-K,-,,,1 Q\J lnld ~,~; ·nuir, .,Tnr\ Tti111r1p~"n lit-Imp

TOBY JU(; , TOl'Aorlh Surr,·1 Mll,, 1 l'11ltun ~"UllCI

TRAD IAZZ WITH

DAUPHIN ST SIX

THE COCK

TRIFLE S()lE AGENn· THI IOIHT STIGWOOP 01:GANISATION UD., 01 .. 29 9121

L ~-••• .... ___ ,--~ ..... •••• ......... ,._..., THE PRETTY THINGS

ond LUCAS 1tNI tilt MIU COTTON SOUND

... ... ,. ..... _,..,. '- .... i, n.- ... ))

.-­...... , ..... Ovll -----......... .,_, ... CANIIYAaaffA·••CT C>-M,.........._.,._..,,w, ..... , ... , •~ ~i r~ 1 r uJ B

- .

THE VANDEGRAFF GENERATOR Tickeh 7/6

KINGS COLLEGE, STRAND FRIDAY, 17th JANUARY

Starts 8 p.m.

IMPR:IAJ. COUIGI, S.W 1

TROGGS GODS

letw.,fty, ,-ue,y 111h, I• II 11'"' SU Cor~checttt.,_

THE SURREY ROOMS Oval, Kenn,ngto", S.E.11

iaAai,MALADE (N, 1)

fELlOWSHIP INN landlHdowil R....,, Wlingham, $.!,6 5otunloy, Jonuory 11th

Ml. MO'S MESSENGERS

lilLACKBOTTOM STOMPERS , Gr.·l'll Mun. /11,,c l.l)l·,,1h

ERIC SILk , ll'l/1 C'hJb. (h lnrd "lnT1

FELTHAM, M1dd1l-,t·~ "CRICI(· IETF.RS ," IHi:ti Mn·t·I TERRY LIGHTFOOT.

GOTHIC .JAZZBAND t:arl uf Sand" 1th

NEW SEDALIA . \t .,\1111,, ,1, t'a,llc lnpp1, 1\f H11lln'A. ,_~ )'rt, •Ill

TOBY .Ju<. , Tulwo11ti. ~urrn

LOVE SCULPTURE 'ilnjO'htn,: !111 t·h:irl• \\Uh ~ihH· O:•nn•

REHEARSAL ROOMS I 14 Tll' r word

• AND REHEARSAL 11!11dlo

~~~•:;~:~ir, ·s~1i:~1t !I~ (•1,t 11 cs~i

l 07JI CHIEAP WEST END Tl 111 ·,t f1',1J

1ircm1,c.•, o1\·11l\.1bh· H ltu111s l'C'I 44 '.! U:>-..

LAR<.IE REHEARSAL ru11rn , lal!•· ~ruurul t1• lf'l r - i,,,' Il l~

REHIEAllSAl ROOMS ,11 L, ur~, I\' flr l.1 l"n 11111 IIH 1••~b

• ronn,e scott's

presents jazz, wining,

dining, dancing, film,, di,colheque,

etc., etc.

Until February ht

STAN Gm Quorlel

Stanley Cowell f P•erno)

Jod: tie Johnette (Orum~)

Mlroslov Vltou1 (Bau)

and

THE SCAFFOLD

FOR HIRE 1/ - per word

THE 81:ST MOBILE DIS• COTHEQUE EQUIPMENT fflT IJJr,• nr 11ur1·h•~e from NEWHAM AUDIO. - SJ. •4084

MAGIC VILLAGE, MANCHUTER FRIDAY, JANUA.V 11th

NORTH"S Gltf.UHT BAND

PURITANS !F1aturlng STfVU: WHALLEY)

ROBERT WAlTON

at lhe piano rRINCl ltlGfNT, UVHPOOL IOAO

(fl"• An .. 1 1'uM Sl•tien)

FRIDAY, SATUIDAY, SUNDAY

ED FAUl.nESs MODEIN JAll ,,ooUCTION ASSOCIATES

l•1t Heelter O,ck l•1n"911 ..... , 01...-l19100

••••• W•d , .,dcy

JAZZ AT IHE PHOENIX __ CAVENDISH SQUARE _ ' w.......,,...._.,,, DON RENOEU/IAN CARR ........ ---Ad .... , ...... 61 , ~•ud•"" •

Toboc,l,aiaW., 62'1100

BULL'S HEA fl'.• <l, t R , • •.

TGNY lll NIIY .... TONYAICMI

,....,.. w ..... ,_.""".., --­N.l.&1 ...... ftllD

MFLODY \1AK FR, January lk. Jqm~-Plfi!t' 25

90 Wardour St,. manguoo

London W.1 Thur.dor .lonua,y 16ft, fl J0-11 OOJ

• FREE .-,. SHAKEY VIC ' S

BLUES BAND ' f,.,;;; b,llCll'y ~~(7 Jl).11 ooj

• SAVOY BROWN * PEGASUS Sa1~)'kJ·n~oryllij:;'(IOO--lllO)-

* SPICE .-,. OCTOPUS

Su..dc;ry .bnuoryl91hj7J0.1030J

• THE EXPlOSIVES

SATURDAY, JANUARY 18th

T.-doy, Jonuori '2ht /? lQ.-11 00)

-¥MARMALADE .-,. CLOUDS

•YES! .-,. THE VILLAGE

• JOE COCKER .-,.ANDROMEDA

DREAM POLICE IVIRY SUNDAY - THI .

STEVE MAXTED SHOW NlXT SATUIOAY, JANUAIY 2Stfi

JIMMY JAMES & THE VAGABONDS

BURTON'S· UXBRIDGE

~:~. THE MARMALADE ::::;y STEVE MAXTED SHOW

the

KILLING FLOOR blues

Sol~ r•µ JOHN EDWARD ENT AGENCY 01 ·806 4645 '6494

JOHN DUMMER BLUES BAND

wish lo announce lhot tlrtey ore now under new manage­ment Pleose refer all enquirie. lo:-

TONY HODGES RONDO PROMOTIONS /SOLE REP. I 6 REL TON MEWS . CHEVAL PLACE, S.W.7 01-519 5647

RAILWAY HOTEL • SUNDAY, 19th JANUA.Y, 7.30 p.M.

JOE TEX Bu1M 114 I~ 230. 18 Harrow & Weold,1one Sloho,, (9 t I

GOLDEN, TOICH TUN ST lll. STOII-ON-TIENT Toi. OST 214750

THC MIDLANDS TOP ILUIS & SOUL SPOT Sunday, Jan. 19

*NICE Admn. 7 /6 - 7.30•12

Monday, J• n. 20

*INTERSTATE ROADSHOW Admn. 6/6 - 7. 30-11 lO

Forthcoming : Jan. 26, IAKIILOO ILUES UNE; Jan. 27 Au.N IOWN

Pob. 3, JOE TEX; Fob. 9, CIIICKIN SHACI fol,. 16, nN YIAH Amt, fol, 24, l'\HT- MAC

I·• , 'I• 1\1 1 I 1111'1 MAl-.1 k l,1nu • i \ J>-. l')(l 'I

11\.l,

Lcwington ~:· .... ......................... ... ............. . ' ......... ' ................... .. ........... ··-~

Classifie d Advertisement Department " MELODY MAKER", 151 , IH Meet Street, London, E.C.4

f r,quir,u fL Ee t Street 50 11 , E•• 111 . 110 & 1J• l lMI t l'O

Al1'0 l • JO.f),tiONU IU.J,tU M~ YI

HESS DATES h•ry efto,t w, 11 be mo d e lo include danifi ed od ... e rl 11emenh receo•ed ofter I O o m on the Fridoy pre vtovl to week of publtcolton

HllANt -Nltl'IANIA " "' DlAIMAN

11 7 1 ... ... CLAHIFl(D AOV UTISIM(NTS H O UGH, INTO TH( OFFICI: W ILL a( ACCEPTED u, TO AND NO LATER TH AN 5 .00 llt,rn . ON , HE MON DAY PREVIOUS TO DAY Of l'Utlll(ATION

UMANC'. IIMOI U.lt0"40NU

UlMI. M,I, 't'I All CLASSlfl ED ADYHTISING MUST I E PU . PAID

IUUU Al .. U

,,.. ,...,,,.,..,. •• •0011 111• , ,Q!,J- 1',J, r•lu1• o, wi,hd,o,.. od~•""•"'•"" of'"-" cl,w,•••OII A"flougll .... , y '°'' ••,_,.,. I• .,.,.,,J -•loh,, ffi•, .,,. "°' ,.,p,o,,1tbl1 fo, <le, ,cal o, p,,,, ,_,., e,,ao

l OUIOION OI MI INkAIOl • tMlll•liAIOT MOou HJ AUD

,,n H .. 1., • 1141

1107

:..··· .. ····· .. .... _ .. _ ........ _···_ ................... .... .... ..... ... .................. ~

"' [

10. TMI PIHi 111,tl IN .. 11AIN J .. OINA\0 II I U

~ ..... ,... . O._t,lo ' _ ..

I -·•- _,....1 .... I .,., .,, ,._,..,.,. . ...... .,..._._,

l ' , .• (lAIINCU

•urm .•• NQRlll,ANID'I' .,. MOOfl M1-. NOiin li. •

nVMftnl OU>I JTUO IO. -11. IHO TIM PC) . •

CONN 0 111n o1t . ..... MOCHl JI ••

R O MIONU II.ING )I .,. ,. CONN IIH l#Ull1,\l , U0 ...... 1'0Nl. ~~

'AMIHA INURUMINU

tno

"' "' uo

l 117 .... ... m

llH Cl24 ... "'

TltUMftl'T . "•' i, 1• lo• ., • ., 175 U UM"fl ,, ,. .. • ,-, .. t • O t•OMM>NI , ,.. .. + ·•~ b- tl l 1lOM&ON1 1 , ,. I ••. ..., I,, GIO ,.,

AUO $Alt01>t+t>Nl, •1 1 - 11 41

ACCOMMODATION I ·ll)('(W(.lr(l

C UITAIIIIST ',\ .1 n h lo '-hlar1· tl.11 " " 3 t•,; 1 ~tl; ll ;,i m 1 .. 5 p n ,

~111nd,t\ 11, f'ntl.1) Ttl ll )

BANDS WANTED J p l'r word

wonte d an ,. monlh.- cantrotl 1n luu,.,,.,, 20 km from Amil••dom, mole d,w: 1ockll)'s f,.,, doyi· worlung - 1, £25 ne l o we,k f r•• return fore lunum-Ho, .. ,ch You or• ,nv+t•d to c,ppl)', w,th lo lfl l photograph. ,f )'OU ho.,• openenc• ~:d ore ,n 011• bet-en 2:J '21 )'e<lr.,

LC BONSOIR ALL C ROU PS f ,.r WtC'ktlM\ lit ,u11 11r u, \11111\ qu. , n , -1,. - Ge ne rool de lo Re ylaon 49 <;u 11,m , r '- · """• Nor lun \'u r k RUSSUM / HOLLAND ~~.' ,. ~ _ , " J tfi~'t "t 11•,Crt1n hr 11---------~,

ALL TYP• S &ruutn I.la nd ,. p 1u•I.----------I 111 ubrl)' wllh alrl mctnb l' f' o r J II i,;l rl 11rnup 11 tl'(Jlllt l"d, dUt to c: u n1Juu111u lnt t' ma n una l t•xl) a n1• l•'ll Ahu r c-11ul r, d i 1rl \ OC-l ll l l l

:~,~k d•~~~!! d . M~nll~.frt~·•t:~1'!~~ tllnm, ob LIO , 17 w r, tfll'-ld L1nr, 1.1110,f\l'ld , N1llh Tl'I Ma n11f\r 'd 2;~ 11 All h11\n11 ukr1t1lllrd11rd.

f;IR ST ·CLAS5 \l"h..1111, l r 11, n·

;\'.'.~~::.,it•r .\l>;:: "~'!'.!t .. ~~1I t:'l~._l<:~~ ,t, 1•• d , , ,t, ,1, r, I f'II I , dd,111,. ' JI l fl 1:.. ru,· rl 1 l11m<"l11" }1<1d

lnl ll (" ,,r,1 .. ,1 !1 MECCA DANCIN(; AuOt l mn ·

ROAD MANAGER urgently required for

O'HARA'S PLAYBOYS

Goad wage

T.l•phon• 01 -340 1135 or 11,11!0" Joy,• t"- N.,t,neh•m) 2:121

P _$ . Aho phone .h••• numb.111 ,f you ..-ould 1,k• lo book O Haro s Ployboy1

~:r1n "!;:,','fuv 11~/

1 · -~~~-~nd v.·i~11 r~1• !':::::::::::::::::::::::::=I

, uJ ., r , "'I'll t• \0 11 1 b,, ,111 UI" 1, , d,1 lt J•l1·,~·11l ,1 ll<1l1 "1th t1r,1 d <H , .,, ,. . u nl,nl Appli. .. 11 .. n r11r SITUATIONS WANTED ,ix ,.11~ 1 40d 1n , 1r11m,n1 ., 11 1, 1h cuhl u1 ,u1.o1I i•r ,;1 b11 lll' I

l 1- per word l ll ff' td • ul l c:h lai h . ,, .. uld bi EXPHtlEHCED '9:0ADIE , ts

,i n•ur• m,·mbrr Gn .m~•Hwn·

1equor• f ht, follow"'9 for o!I h•dl of ,....,_, ,..,,.,., 1k,o.,gho..1 rhe '°""'°1' O'VOf'oh. w,tk olld 'Wtlhoul lke,r own '"""""'•nil Otgo,,111\ w, th o,.,,.,,.,.,. Solo ''°""" olld h:i11t1Ja wtt h o,.,..,.. ..,.fl Tro,a Quor1.,, of!d Ouontl't, o,,d o ll t1P1• o l ,op Group. ond kor o,o.,p1

,i.o .. ,...d oll pho t"9"'p,h1 o"d d••oib lo

.WIN 19, 6 !"ark •••• S..tto" Co~fleld, Worwk luhlre

FEMALE ORGAN/PIANO £30+ u lll 1" !,,li,, 1 . \ r1u, L i d :/4

, h I ( bur, .,,, ,,.,., L '1 1Hh ,n

"' :~~:frrl::r:i° or~~ rn n}~'d'_ nt~·I . .r~~ htWeott LeNIOfl . N• rultloitl,

TIUO S r,11 qu.,n ,-1 .. , • • d••nd • It• 11a r,+J •_. i,•n 1;R-\ 114Aft ~"'J ,;t"1 J~~~~d ""~?"b"" B,1£;1o!-~ O~J I\~ c,1~ .:• ::; 0::"~,,;acoh~t S •lh

YIJft S ATIL F CiROUP ~. lr1u11, l!k 11

·;[j_'j;H~Uh\, . r 1·•1u1r, 11 Joi, po,ocM'a v..,. ~ 1"'°-111

1.-•fld"n . MU'-1< u 1d11 .. 1t:r Sto1rlln ,_ __ _:044=2c,2c,,41,c7 ___ .... fl •1111 ,, d ,, ,r .. ·j n, y, Ptk J.1 •1111 p, J,\lh!llllr - .,;,1 '11

,1r'I ,111 I Ht'" .. 1 k 11•-:! ,, ,•hru,1n - Tr avh 57 I>a ' Vull 1· ,,ur1 . r, urh ,ion. "l urlvU,;

WANTED

* POP GROUPS * COUNTRY & WESTERN

*JAZZBANDS For Pubs in London Area

up to £60 per session TELEPHONE 703 4117

GROUP ;::,-;:.-;Tr.::-~~==: -ltf•ill fe .... TNI CIOWNI, ,AMA IKOltNNO HOUP. I _ ...... ~

tH 2267

lm111•tll•te eM ,.,.,,._,..,c, ••rk ,._ .,._, ... ,. tftro.•lli•llf Wc-11 ...... _.. ,., .

COOD GROUPS &, ILUES BANDS

F ull de l o•l1 c;AITI.I INTIIITAINMINTS r,

J>U•LICITY CO 14 •--...;.~~a:--... ,.

TRIO ,..,i,.i., s.-,-..,IMoyto~ltoNII-• Nleh• Out, l"'d°"' °'"P' 1n 1M •Gilley 0,gaoi_, <;,cw11ofClob1tlw ........... ...,..._ __ - ........................ ,, ,..-ty of ,.....,,, and ~n el MOIOfl

W""' - lull ,-t,a,lw• 10 Mr. to, Drv•-• _, -· THI 1A1L1Y OIGANISATION LIMITID U.YINDIIH IIOUII CIIOSIGA'II. 50!,IJK.IIIUI

00 OUIIIWI

FOLK GUITARIST, W,1ll , ,11•on-ll1.am1· ;!OOSII

CUITAIUST OR 8ASS GUITAR,

~. ~~~ '~: ;J~r~~~~f<l ··~~~.~~r.11 \~~~~ w,u un~ $11fl (l;r. 1

CUITAfltl S-T, ORGANIST , \ ',llJI, ~r,::k rr~d'n1 ~{or;l·;;~·;· ~ Lundhn

GUITARIST r1:11u 1n, d , fl,ITI HOH m,-1.,d iu u , b ~cksrnu n t!, m u~lt fur d m c• r , lf1 Orrrnlo1I tl'~ l;,iu r .m1 ln t, T'lllt"W r1n1 !ll7 q&p\

MUSICIANS A(;INCY R J { Ar l1 11· t.h na,: ,,m,·nt 01 .HJ 1184~

NEW IEAOI HOUDAY CAMP LTD.

••quore for 5.,.,.,..., SaoK111, Mor to Septe.,.ber, H51DINT ftANIR or PIANO DUO rT,10 con,,ffred, for IAI LOUNGI Good bu1~1n9 Clllcl .-9ht reodine Ht.enhol ond ,..,..,, b. ••pero•n<ecf OUOMJIIO"'II

OIGM/PIANO/SNB __ _,.. IMIILUI

Motif ..,1,1o .. Midloodo (111 ... MIO

SHOW BANDS COUNTRY & WESTERN

BANDS GIRL C& W & SOUL

S!NGERS GOGO DANCERS to oppeor with Soul lond1 for U.S. Sou, ,n Eu1 ope Wr+ ' • w,th photo, oncl deto,h , to

1IAIIS--....... Al

UNLIMlffOMll,IAQI

- D.J. -

JON ROYAL

UI" TO ,ou• NIGHTS A WHIC U 510lNCY

O NE-N IGHT M>OICINGS ALSO CO NSIO[kEO

Tel: 399 9985

ENGAGEMENTS WANTED GOOD SWIMCIN(; drurnn1<·r t

~,i l .,t,L, tnr If '"'· nad Grd l 11 - Tr• t"Yrfllllj,: )' ndd11

JI I• .l fd" fl\ · .• ·it J ,C 7' CiUITAflllST AMPLIFIED , I:..

fdlrnl rt"qd, 111 ~ - '•7" ,>lJlo CUITAIIIIST ,.nd llup,Voul

"1~11 '" Join "r r,,.\;,bll h pro...: r o ~n, band pln,ni. mil•, full l11n1· - 71•J•t~U

(;UITAIUST, aEAD . t.u,k - 11 1 174 1117~

CUITAalST n qu1r, l , IJ.;"J.. rt j <1m1y. panlomlmr ,um ni.r St' I· ,m -1l~•• ff J .ll'f'l' ~oC•f>

JAZZ/ DA NCE Gu111r,11 - r.i~A J7l'.'

LOOK IMC FOR an t'lP..rlt'Ot l'd vr r Htil• lt'at'I J: Ull:H ••IC'.ii l lq Th~n ph,mt· Pau l, 0fl l M OS J<,,1 1)

MANCH ESTER • ASED , YOUNC (H) PIIO , <i lr 1m : h •J: r,l••~t'r 1,1,1,.h, , to JOLO "PfNTANCLE. •• TYPE tmu[I P RO F OLK or ~m~L;:; :~r 1-: n •up r ,.n~1d,· r , ti

MEWCASTL E C UtTAR IST .- (:o• funh -,~''""· o,n-r

PIAN IST/ ARRANGEfll R" •td,·n ,·:, - 0 1-5i~ H• ·~

P IANIST EX P&: RIENCE D, t"rlt' rrru11lr IIUll''lt IO W · I '111tld• UH - UXR lll2k l

PIA.MI ST ti rl d rum m r R,•111 d,• nl')' ti 1b p m onwud - 1174 111 1:1

PIANI ST/ OR(;AMI ST. s 11rnd,H d~ pop. L.1Un , rirprrt rab:irl'l olt'-""m r11.n1.1 .• ,.,u!.1b lf 1t1,:•. nu !-11• -1'', 0'.'if\4

!"I A. NIST . READ , bu l k At·< .. um mu ~ra•on - ~52 ll rJ,c

PI ANIST Rr81dt nry ·,: 1,:, "1.lfl-'Zfll'/

P IANI ST . Sem,-,,,,_ - 444 11 03] PIANIST YEWSATILE - !iii&

!13!i4 , PIANO. OfllGAN , r ead , bu i.k -

G l'Off Colr b y, fR& 5911!! PIANO/ ORGAN. own l l11mmo nd ,

Cluh M LoUOI:(' prC'fl•rrt'd -w,,n Draylon 2,.51

PIANO . - Ol •lltO 0210 PROFESSIONAL DRUNS, run)CO!o

""8ui':/:~. YE..":lT~t0: , rt·qu1ro

r ~b ld,·ncy, Lundun :1r ,•« - Flnt·h • Ir~ 113 14

"Hy TH M AND drumtnt•r , ,.,,L·;il~ h,Hmo ny) , 111:rk ,:oo d u ml -pr n 1 rnup . soul ' b lut'~ -DOM J .. K3, B t rnlt- 7 p m . prc fl' f a bly loca l

SOLO OfllCANIST voca.l• / com • pN1· Top d a,., equlpmcnl , l' I t elll'n l rrf t- re n cl'11. •~t'd 30 . 1umm1: r ,ta~on \·acanl Club, ;::~d=ij6[.1 mp , hnt r l. J,OOd bar -

STEEL • AND "Uh fu lk tand t ul yp vi "l nti: 1111 - 07-115& 4JIIJ

TEN FLUTE Ch rJ , Ru c'I bU!ll. l'ro - 111 ·\!I" 231:!

TENOR FLUTE , 5t•el" work With proi.:n·•,1vr worklni: i,:ruup . -

T•·~ti;o~·· ::..1 T~i:~ s~: : ~•HI - PSO

47!1<4 TEMOR/ YIOLIN . Gli,:s. - 554

~.527 TENOII VOCALS E:cp lj:OOd

bu'lkl'r )d,C rl.c - 'Z42 93 15 a fl c r

' Pm TOP PRO b11 •11 p layn a nd org1n1 .. 1 r :or -n;ime 1 rnup ~ rc11u irr wurk J'rl' l l'ro1bly 1(1&:C- l ht• r b u t • Illi ni,: '" "P h i - Tel 01,:',7:,{ ;a;u1

TIIUN•• T !TA 40.S' •nyum, YEIISATILE PIANIST. - '"°'

I ,l~ Vl • ES , Tl'.Ld ·bu"k - 5i4 .n:U YOUNC SAXO,-HONE \lo I hM> tn

fUIO Jd, b lur• band nr 11,r,.up hl•!ll,>I P~ ,2.

VOCALISTS WANTED l pe r word

EXPERIENCED ,n,il , ,o,·,<11 I t,,r 'llt •r l-.,ni,: l(' f•1up , mu•I n · tw .. r Pop '"untn ru( ·k ·rran,c p .. n l'f"IUlpm,•n! prl'lrrn:d - OJ H:! 111\S

(;IRL VOCALISTS f<>t r,i;;Jdt n· , n·• m Lundun M1dl• nd" "'"' l:•>t'(I in .. l, ;Hll~h Nu r t"II \'urk -\1.'•n•r "n · IS:ind, W;1nt,·d '·

GIRL VOCALIST, pop, .1-11d , r .. nd.,rd fo r •h n l,:ht.. Sf. Ll•nduro 1ulh r.uun d, Buh M•Jlll'rll - !JJ-1ili ,i1111

GIIOUP REOUIRIS H1t·,1 l l.\l -0 1 li51 5•1~.',

HARMONY (;ROUP • \I U!lt• 1,101,: '') ur;:c-ntly rec1u1r, St"!T'I p r o Nor th l. n ndu11 b l'< d ,o,· ;, IL~ l •Uh h h:h 11.I IUfl\ l ,01ci• 11,u r ll. v.·11 11111 1: r ,-curiHn u, n• n l r :ot l -VIR '.11t'2~. a1 1lt • I pm

ll1~AL:I ~,;d • :d•:,~p~• , ,,,.-;\r~r~ m~f1 r~.•d 't' .,. 1> rk1n i: cml -pr c. ,lob J.:t<• UJl - Ill SIi~ f29'Z

PROFESSIONAL MAL• h- ad \ora l. p op • \ l a nda rdc To l"Ul hr.,1d1 .11,11011 b• nd , 1n Yot k lihlf, e:uod m oll ,:)' r.., ,:ood •urlL AUdtltul" 41h • nd l l h f pt,ru .. ,, rou t1mr w1 ,ltr1 ph·•u- Bull !Wt~

LEN STILES GUIT.US

ffNOtlll•• , • 4 a.J flNOH ........... 'ff l H r.ta<:.e, ,~ n,,~ ...,_ 1".,.. GtlSONJ• J . ... _ _.. Ill _... Gult.O,..,.,_ , .............. n Jve,.:S(,W.- Ul ...,.,.s.........,..._..,...___ u• OANf1(Ct,0 11 .-_. 2 •'• U<0 lHDT ..... _. .... .,.W ...... --.. '71

Olltrsctt .... ...--,untu 11n

YO)C Sup••"'• Sr,1-Q1, !»., ,.,ii, Vo• 1-olle c.oll h 1'2l U9!

YO( 100- ... _.l , ,oc,,.,_.,, , ... ,s uu

'o'OJl .... ol_C_.__..,_.. 'I0-100,.~• OIIIL, 1• • 12 I , ...... '1101 100..- ••• .,. .. YOI 100...

... " .......... ,,. 11 ,...._ ...... ~,, . .,.,......~·· ...... 111 ...

,01 I 00.. ••- - • VOJ JO:,.. c-.bl~_. 12 • IS litl ...

'IOX AC SO" ... - • lw-t VOi i.-•-• ---'-na.- 11, ..

r,,IV()ICE!OO...- I-J-~so,.._.. ,. .. 4, 1i

l...il,lu u CUJ Gll,$0MA"- UI

O I CUI I H Wl "" r.i .• •1.-S1H VO~ .._ • ~..- •ot UU r "- WIH ._..,. t~..:,i"'~ l__ unwont~ lrwtn.- J , ... _ .......... ,.,,...._,..~

o.,.. t1 11• L ~ANDSI G10Un AYAII.Akl ,

I OI)' Te~m-t a 114 l"•<t fuN .... 233/ 5 Le wisham High St S.E. 13 OUN 29S1

SPECIAL NOTICES J -'4 pe,- \4'0rri

ACKNOWLEDCEO "' th • NSI' IVOR MAIRANTS' POSTAL COURES fur PLECTRUM and FINGERSTYLI it;UITAW . Lar1~ I selcc1ion 1,1 f cul LU · In ~t\ld -p_. ruc ulao IYOII MAlaANTS MUSICINTIIE , Sf R 1tto bnnt" t'l1e, Londn n . WI.P· IAB.

WANTED R•/'\·ord d,,.11lbutnr promot~• r 'I by Malk~, Mu 1, Ag ency - Ol•lo1 1l· '" a,,,. •'II-

ARTISTS WANTED 1/- per word

DEE-JAYS •;i.nh•d , ab, ~ .. ~ j.&Yll •Ith own g,iund •>•lrm ,1nd Jl OOd h lu t• bt".1l ,,· lrdlnfl -Pho nt: Le, T•mp,·1t. \f ,HI"• :11111

DUOS , TRIOS ind ,:n,up\ re qu,rt·d . - D,:,· JII)' ~nh· r ptl • A,::cnl'). 1111 .. S l rt•.alh•m 111,rh Rd S W 1' 01 71q J(III'

CO-CO DANCEfllS •,inlo'd Lt"~ T c mpd,I \f;.a rluw ZlJII";"

NEW AGENCY uri,:,·1HI) rr 11ulrl'~ c,,..-n l)-pr o f ••·t ,nc-ludrn, l?roups - 01-41>.8 ,.5H

,itOFESSIONAL IIXPIRININ• TAL d r,itn.o ,::r,mp b,t ck,•11 bJ Appk requ lr\•fo wtuto· o1 nd ~ I

~:l~~d ~i'o~~p:~~~;;, ldh• m•...:. \ Rt'jCOt'.) Nqu,1 rt' Un11 h t11n Ollit 2,1 .. 11

SINU• I , GUITA•IITS •""' d fur Rr .1d1n , and Brl 1 .. 1 1" dl'-O t H", D, ' ; ,..,. lnt•·rpr1• Al(t"OtY lli\i, Sir .athH11 H~ Ro;1d , ~ \', It> Ill 76'1 (I,.,

Upp,, itt• t:illlni llf, 1d ,, SU l1(1n, rt qu1r, < ..• 1\ •OnlJI) ,; a, dan •,-r,. - T,.], 111,,,,,. \Ir •- ,, 51,7 Ji 1 , .ar,,, I'"'

YOUNC LADY r , •1u1rrd •

~~~:~,',':,, 0

~r, '.• ~~'~" - (~;~• ~,~ •nllnw w11/1 i,h .. 1,, r,µh ll•" il ,ll r I., L l,it"" ft.i11n...m flPrb)

HOTEL.$ I 4 J'\'r w ord

STON• HALL HOUSI HOT• L ti• n1 :nu1,:, \\l' , I l':nfl• f1 ,_,,..,.._., rnum ~IHI bro 1 U .,1 hntrl Ttr._ rn.• m u ~ Bd d .111 , 11 ,,1 ,u,11 ~will. fully tcnl ra ll ,· h• -iltd -o11\ f"IOCIIIII S hu\0< 1• r ~ l1.6l h Hlllu 11 , T\' Aadlo l ri u nKt' A lt. RAC- rrf 1•rnmrnd•d­J 7 Wn h ,11nb.- r ,. ,r,. lloM 111.n. h ra l h. Lu n4"1'1 ~P.:I 11\ .P\II l NI

PIIIIITIIC •. ,,~,.word

ANYTHING DUPLICAUO al .. lhuo11nd •Id .. , - ,n • •lllole R" itd . Lo nd,,n " 1 14

- • USIN• H C ardl a lh .. 1.090 h,Hlduuo I J . .. ('WQ lh lrnd H Old l nad C"l&C'I• ••co•o1NG l'IIDDUCIR .. ,~ h

l 11 h · n1 ~ 1 l' - B o• 1132 W• A.Ill ' " ••kin• rnr • J.anu, 1--- ------­

JopUn hpt' 1 lrt \lffl t" r • Ill• Jond P"•trful t nlc r lo 1 rnoim m • n a•r and 11110~- h lnlu b111llm1· -Phan, '\$11 1 11111 1>c-1mond

1'0UNG ATTRACT!¥• fc-m 1 hr \"UC'llhl lor l ' !\ C1ub1 GNm l n )' ,rrm1n•nt p11, r11 .. n for 111 round '¥Ol • 1111 - ApPI)' • •th phnto 1 1 1· . .-11 801 IICIH --CLASllfllD ADS ..

MILODYMAICII '"·1t:£·,a.u .... , ... ,,. ...

LAST WEEK OF SALE

"'

~-- - .... .,,. .. ~- , .. - .... ,. --- -- ·· -...... ,. -• • • ~ • • l16.e -------..--, _,_

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CHAS. E. FOOTELTD., 20 DENMAN ST., W. l. GER 1111

?ccte A11, it I

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... u, ... .... '70 ... ... m ... ... us ... .... us ... ,.,. uo ... ... ... .., u, ... ... ... ... ... ....

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INSUIIANCE I 4 p.·, \~ ord

FllEOUllCKS INSU• ANCa i" t••l, ·r, r.r ~ 111•1 rum c- 11 1, m o rti • th fo l · 1 ~ 1.1 Il l ""l 114 u, r1 " ,r tt, d , .. ,u· I! •• lilllddx

INSTRUMENTS FOR SALE per- '4·onl

AL to DOLNIT GL Tor t 1,,u~• ! mp un - 3fi" iHl • A SS CU ITAll, JU 1i<11l 11mphh, ·r

•Od 1~1n (;11od1n.,n·· "' l.1t:J1).1 r Off, r~ -.,.1 -U'l-4

• OUDOl ll GRANO J"l,mu fll,rn pl• ),r i.n - fl~rmt ,, .. 1

FENOE II I i.1nn.,; b••- lmnU.(' U Ill, 111!1·r- -811Qkhc1m ?174

FENOE lt STltATOCASTEII , J1md l·••ndu11,n t:a - ,411 1~117

CE NUIN E l 't5't 1;1~ .. n Lf'~ P•ul \:UIJ r..m,h. rlltlfllll ,.,, ,,, h.ird t · A.I ("t•t1d1hun Ofti r 111r11und t .,, l"f'~Hh"Td Td R• dh1II fil71:0

Cl• SOl4 E • ~ b;a • l""d l'<>n d1l1on (-.1, fll 7'-" :ll"-4

Cl• SON 330. '<UnbUHI. 1 111 , t..-.11u11lul l"" t>r nfft·r,. but 111, J• kl"t1' Phont- fll 74~ 11?<,1

KAY :\pt ··d 11, mon Cll'-l"ffll•wd f1nd,r l)P• l' r,. 140 ''""" -Sh .. tch;nn•b, ...... 1HI'

Pita GUITARISTS, hue- ., • mu,1 Li:-i- l'11ul 1,1.1nd.nd1. or111 nil model fanta,u~ 1ound. 'l'l't) (t"'d <•,ndih,111. nffrn nirH nr,o 11:1 Rl,i:1'1.J .,llact, .. ,i -lti ~pru,, w11, d ( n·11. Cr,m~by_ LUil

l.!.~" : " p_ c g NLN ~'\.-1no;~•73!i: i R1d,m.,F"1~WMlhl

INSTRUMENTS WANTED I - pt r word

ALL COOli q1u1l1l) 1•4 u1pm 1•,1 JIUrth.1 • ti for t·;a1'h Wlll 1'1111.-

Ur~ ; ~ i~f,JJ -Or!7r4 PA u n lls and bus 1u1ta r a1npllflt-ra - REC.

"" CLAII.INETS, FLUTES , Q• OES , TRUMPETS and 11:ood TENORS wantNS ur11 nlly. - PAN 33 3; Wudour Slr(.'l'I. W.1 GE R 157', ,1r WOR 0lll. altu 7 p m

FENDER Cl• SON JUltan h,, .. ,., and all &OOd 11mp~ rt· qulrt"d for C:.a•h. •Ill ('Ollttl -Da)' ll\-Jll,~ 4130. ne-nm,; Ill 136 45-.,

Cl• S DN FENDER , M.;ir..-hall ,. . .,,. .ru,1-ir . b"'~ i;ui1:\rs ;and amp)ltft·ri. ••nh:d for cash -Phont' RIV 214111 di\ COP nu1 ,·~••n ng

C.00D GUITARS, AMPLIFIERS •nd 111 Group Equ1pmrn1 for 1illlih Will call .t1nd l'Olll'II - Gl:R )<,11<

VOX WA H WA H p1·do1I. ll;arshall r,1bin,·1 lmmt"dU1l, Cil~h - 5"" 301!1

WANTED . l'=""d mndern 3 or <I ,,ct.th XYLOPHONE - 1)11, Iii.ml C:f'.'R 111111

INSTRUMENT REPAIRS I 4 p(>r "-·ord

A • EAUTIFUL JO• , Onrh,rnl Rrl•t·qu1·r1n, ~i' da)~ b:t· ap• po 1n1n1rn1 . Saaop nn wood

ind bra~ - Ka'N TOOTELL, LESLIE l:YANS. 275 Cn'ney lblc h Wi n < J,,,ndPn. N .11 t:nt t rprlll' u :n

ALL CUITAR Rt•pa!u. t t'!ri.,t llni: n,·w ne.. ka. lin ,:er bo:ard!-. •.-pu11,.h1n., - Gr1m ,haw Cu ,tan .'1 Gn·.111 J-'v u lt1·ney Sl t t'et, W I R!Ct-nl 3;51

•t:PAIRS 11nd mud tflt-.1t1,,n . to ,mphlt'r. and 1u1 l,H" by o,per ll

~J·:JS4 ,~ ..

FOR SAU I • Ptr "'Ord

••cOIIDING ITVDIO 111 .. r~I l.~do•n _ ,,., '"9

JOHN KING ' - J • 1 J. ,...,

" •,1..,\' •, • • A._' -------------------------·-

. ... UM .. .. .. ....

s.1-c~-c.- u, LeM-•· ci.n,,., us M~ VIAtt. llS .. • aH 1,..~.-f•l•CI•- UI s.1,. .. Pw,a Jl l(llfl. t"- 9' 16'.,.. '-11 Sfte1heri .... lo, .. Ml'• ITS ... , .... ,~ '" ...._ 10 10 r, •• _... 1.41 11,.. . 1 ......... 1eaii .,.,. ( -Alf•""filHH UQ ,...._ IIIG.oitet tll ....... ~G.,,-, ct.t.

o1...w. . ......... 1r--­KJM.S-...C...-...."-............. u ..... ._ ~°"""'""f,--c_ ........ Gol.e•J160I -c--,­V- !WJtSt-. ...... ............

uo

'" "' "' "' "' .. , 110 ..,.

Cl7t

"' , .. _ Ol....., SNfM 2SO ... li...it._ tlJO llpip..._~ t llO o.-lMI•• t..w• to- OtHtet. 2 ,,1,. ., _ --· c.--.,..,.,r, ... -­Go""- L•.2

m uo ... ""

Stimer Musical

Instruments © Ltd ©

Vu AC SO .. ~· 100 • .... 1-U ... o.i .... 12 ... ,... ttl ,.,_ 1 , .. -1~, ,....,.,._ u• ....,.4~klt.-~

.,.. n .. , ns..-........,40.-Krt, ...., • 11 -"",

,o.., .Scy,o,li,o/ . ....... ~.... 112J Ai•• 4 °""'" it,1 c-,,,... tlOO ,r.,..,.. Goat.- c,.,,..,.i1 ~ IIO .,,._ •-w ... .,.1'1,.s.,,.. : .-.c:-w 4S""' 11, .. _.,_._.,:,,,.,,, 1io.,. CWAILMhollowlloll, tlO Gr.tldl T_._ (IH ........ 12,1.,,.,2....... £11,0 ,....,_T,......• UI G,Me11Ul20T U5 VMlllhoa •-1 US ~, ...... DeA, ...... , , .. uo "--1~ 40 ... ...._0,ilflN U.!I ..... °""'. us s,..k•~"- u s.....n.,...w.11 so ,., ...,_~,E\-,, 1,1,. H ... o.-,. .... G..,_ HO ,Vn A/ C JO. ..,fh ~ ..... , 1S .... .,,..._a.....G.ttw I IJ .... ..,... .... Gooi. 4S ... ~ -..,..\ ...... £40 ~ , .... ,0 70 ... v .. A.C.JO ~ .... o.lle1JC>-- ..... ,..,,,, [ 70

IE"AIR S AND OVEltHAUlS A s,-ECIAUTY. flRST.ClAS5 W Oll:ICSHO,-S Sl(lllfD CR,t.RSMfN HIRE " URCHASE: - 'AAT EXCHANGES

114-116 Charing Cron Rood, W.C.2. TEM 5432 0,..n 9 30-6 WHluilDy•. All doy Sah. (Th~. aft• r I pm iHt! iJ 6 pm.

bpal,- and pay111entt •l\ly)

Hose-Morrls SHOVVROOIVIS

l HE FA BULOUS ~ BM NEW LOOK ' N EW SOUND ,

DR;;MS ~ •1G St.LICTION Of -SLINGHLANO o,.,,.,.. AVIENS ZllDJIAN C-,mbol HIADMASTIR ''-''oc Ht,od, VISCOUNT Tu.....t P'Hc.1a&1on

MARSHALL Mp!,f,,at,o,, (qu•P""9"l

RKKINIACKII., UVIN, EKO, GIISON, FINDH anol SHAfTU•URY E~m,Gi,,t,.. TATAY, ARIA. SUZUkl , JOHN PlAHE F,~ •r'- G..d ~on: c;.., .... , CONN ltooa Cllld So~o,pt.o,, .. SHAm.s• URY S,a,.gpi.-lONDON'S I.AIGUT STOOOST of 1110 lARS8'i Mouthpoecn Grid 1.-ds

---SUPER SECONDHAND BARGAINS --

AU10C&AT lot. -• ,.......,ooos.-ci.... ,........,.S...Dnoa AU10CU:f~IOt. .... HOfNll v ........ GUTICM..._•lelly --0Ull00-..Et6,f, .......... JnAl,•-•

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un ,,. '" us ...

[1:12 ... .,,. ... ... ,110 DI .... ... ... ... ... u,

uu

IUIHSH• ... lit •-FIHOH ....... t-UVING.ll«h,,....,

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\Ir I J' . P,•f, I • fi,1J &IJ IJJ

------------------COM,un SIU --.. lh-.•, ,,,.,_,.,,_ 1•✓-

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Al• -14 ,,.,,. "",-1 a-.,_,.... •ITIIH 1-•--=­•• - - - u ------------------

PUASE TIIINTO NIISD.DAND

25fOlllOII QASSIFIDADS.

QASSHD AD.al . .......

'"·*-­- f.cA '1W 11e•l .... "11 U.

WIFI IIDY MAKfR. Januar)< I>-. 1%9-Pagt- "J.7

:J:J l :17 WAaDOl#I: l flllU . l OMOON_ W 1

M .• ·u"·s'"1""'cA'..,Ll r r ... .1'of n. 7H4 01-'l:11 1S11

oi . wo.o..u .,,....._

INSTRUMENTS GUITARS

, ....,_ , ....._. " .._ LIO ,...,.~_t_f,-_ us ,.-., Jen-lw• ,._ HO

t.• a.a.tt.. • - us o.,;w~_,._ us Oretwh T-•-M t,_ US M.._S.,,,,._ . ._..,_u,,,,1 190 Or-i.CIMIAM-- tU c;.i.. ... tsuo,..,.........,, 1120

BASS GUil ARS ........... ,. ......... -.. o.-.a, i-......, ....... ---.i...,.....i ~t,...a.o,-• v .......... i.... ,_._,__ ......... _ """' _ o..w.--. w....--,-.

.... .,,. m

ll U uo ... _ ..,. .,,

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DRUM KITS 1-......,..Stot...-i -.. u, Elfs••• ..,.._,. U t'•t .-o,t '4S .__ s.i- l.tlw A . .......t tlH ot)'-,.kf .. .__, .......... .,.. ,.u ..,._ .............. ,-...11 ct,.,,c,. T•I•- ,_. b • ._.,. o,,,,.. UO rw., .. _,. l90

""-• .._._, ...,, , ---• ~ U0 O-•et s.i- M-,k• '"'•h - U0 All GOOD DIUMS N"' AMPURlllJ WAHTm !'()It CASH

WE BUY AI.L GOOD INSTRUMENTS

MAIL ORDER HIRE PURCHASE PART EXOIANGES

NEW PUBLICATIONS MASTER INSTRUMENTAL

BLUES GUITAR !Ook pubr,car.on). 1'011 fne 2 SI•

JUST BLUES FOR PIANO Opus One, Midnight Hou,,

etc. POlr f,.., 2 1/.

G. SCARTH JS Chari,,. C,.n I_.

W C.2 GEi 7241

Open 9.30 o"' .5 30 p"'

T W MUSIC 400 LILLIE RD., S. W.6

FUL 4630 GIIISON 335 £140 EP'I PH ONE llJVIE R.A £135 C USTOM TELE ,n f e ndar COM tl3S fENOE t SU.ATS fr om UIO Ff:NOU JAZ.Z U15 f [ ,-,iOEI TIUCASTEl tl5 1.-.SSGIJIYAH GflSON E.11 £120 GIISON f IO t95 fUMUS STAI US AMPS YOX A..C..50 pl,n Mloo, cab. £10 VOlt TOO plUJ 1 r • 1 s·· cob . £90 fENDU TIEMOI.UX. tNarclr EU MAISHAll 50 w phn A • 12

cob. £125 A C.SO Top UO VOll A..C.30 £65 OtGAHS VOJl CONTINENTAl tlA.5 M ,.._ _,... -~• .,. ,_,,,.,,.

Hr AV/1,,1.,Ut( ... .................. ..-

KING ST MUSIC STORE

ICenny N,d1olb - IIV•md• 2661

GOOD INSTRUMENTS WANTED FOlf CASH

IASS GlUTAI.S Fend•r ,r• ddon, ,,,o,ted

'120 G"'Od Starflre laH '100

ORGANS FarflNt Co'"l'Qd Yo• Conrln.,.tal kMtch 3-oct. V ...

GUITAllS

..... ..... ... Glb•on 335 1120 Gli»on 330 1100 lplphone C•lno 1100 fend- Jauma•ter 190 G"'Ud Starfire UO Rld::.,badcer Short Scole

EKO 12~strlng Gretuh J.u Guttar

ORUMS

£10 '30 l45

Ajax S• rum w, rh l11dpon•

llve Paoirf fltrem .. .­Pr.mNlr Mah011Gny

AMPLlfllU

1150 <95 , ..

200w Sound City ,.... HO MorlhaQ 100w ,..-., m"'JII ...

,200 T60, 1mmo::ulot• 195 100w S.M'ler ,..A. CSS Yo• Su,-.-.me Co~. SOw '°"

110 Pr•m1 o r & Impact Ma,n Ag•n l

,; • •Al' IA:><A .. ~l .... ('l:;,tl

101 l(INC. SrtH T I-IA M '¥1EISM •~

LONDO ,-., W ti • •·"" •~• "'"" • , •

·~••"• - ,Q • • , j '.) ' ' ••

*IVOR MA/RANTS* Brito1ns Le1..1d1n Guitor E x er t

aoys

THE MORE YOU COMflAIE THE MORE YOU Will AGREE that the

BEST GUITAR SERVICE fo be found anywhere i1 ol

" .......... ,.,..,,. ""' ... ,, a:.,-r ... 341Antl0Nf:P\Aa. LONOON . ......,,u "' '>•al6•41 \ °'" .. ~w ..__,MMJ ..,_,..._i.......ttw

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,:: ·-­·-­------.......... ca.-.. , .... ........... ~ , ..... ........._....._. ..... $ ............. .,... ........ _

----- ..... ,,.. .... ..... t .. -••'-l.,...._......,._ ---•---. .... --

11 t 1111', M.\ ~I k l11,ya1\ 1.11 I u,11

NOT ALL POP GUITARISTS ARE JUST STRUMMERS

WC ARE disgustt>d at an article in "The Musician" Novcmbl'r I !168 (Voict> of the Musician's Union). This article, written by Howard Rudge, South West District Secre tary, asks "Where Have All The Dance Bands Gone?" and infers that a ll pop musicians, and 111 particular grntarists, are musically ignorant. I quote :

· ~or th~ past ten years or more, nearly ,111 young people who ore in_tenc.ted in playing for dancing hav~ been learning to play the guitar w 1th a view to JO ming a group. They have .'ieen the- possibilities of mak ­ing large s;urns of mont-y and perhaps even becoming millionaires THE CREAM'S ERIC CLAPTON

.• Whv. tht'Teforit should am-onE: bc>tht-r lo leam an 1nc;trumrnt properly when tht: merit strummmg or • f~ ch<,rds on a au1tar can earn tt,..,.m • fortum· ~Pf'·

MAILBAG n.1111\ (and th11 1s th(' crun.ch) '"'h"n 11 1s acc:vmr n1ed I:,) freo.11t-d contort ions and ac~u3lll '"U,~t!"!rol1ve- movitments"

How can an article of th1 n.11ture be publishNS in a ma,t• l'lnl' Lhat represents the \fo -, ians Union of \\ h1ch ai (. ~~ns,derable pro· port1<•n ar pop mu!l1c1am,?

Tht:' L'n1un takN sub

:~~llt;;~:~71~~t•~~e s1~:;,~,

abtllt) or thoJe applying ror mrmbffship, yet do not arpeu tu recoini~c pop as a mu 1cal form

Ut ut point out that band> such as the- NO(), Joe Los~. Johnnie Howard, owit mu1..h of their succe:r.s to pop mu,u. Mr Rudge accuses pop musu: .. ians or musical ,,nvrance. Surel) his 1gnc,rance or the current pop scene ts far wor5e".) -TI!f WEB.

THl Uf\l m,a~ed lo rutn ur la1,1 01,portumt) 01 see1n~

tlie ( ream A tht1r perf,,rm lnC\" WI ,:1mm1 k-frtt lhty """tt 11 1,-u1 en11tlfl! to an ~'41.110',' 11rnm1rk frte TV l)N"Wnllhon

On• dnes nol r•p,r1,.l 10 ,.at<h I pr-,,:r1mme- of -.,cktn lllJi'. c•mt-r1-pla\ Inane quts• hons and t,adlv C'd,ted p-if'tH fr m I ht!' con rut It w1, an insult to 1h• 1n1c-ll11t-n1e of an\' IIUJ()U pop f,u, and an unt,;n.1.on.att- ,,tflt"c.t1on of thr: fHSC • 1dH111: about auitable-

~;~t•~'t'kE.. t "~.:~:u~h-;. \h1rt-,

THE BB{ prt-un11t1on ,of I.ht' c u•.am oo Omnibus "'111 ,.. !lent lx,t • u nunf'd b) thf" •~r.ul •ffrcb ancJ cam· ,.,a"Mn 11 was 1niut.tlt 10 •h... ,-r, """ lhe proarammf' •• ~upp,, NI r,. t"" on thr

muc;1c lhe-y crUlPd, the-1r r.acts ATWOOD, Ha"ow, ...

nol on MARK

Mlddlt-

ITS INTERESTING to note lt"l~1~1<.in H>mpan1cs are JUm• Pini on the cultural band• w • ,:on of proareu1ve- mus,c and &iv1ns ,t a hllle o r the­exposure 11 deserv'->$

The lites, u • mple wu the (.ream's final concert and the Doon' Roundhouc.e s.how1 But both BB<.: .and ITV managed Lo destroy wh11t should have ~t'n electrical U· per I e-n ce• JOHN BOWMAN, MiddlHbrou1h.

I AM bitterly d1.sappo1ntNI by BBC-TV"s prOductior, of the C re.am'• la.st conce-rt. Not by the music, but by the ted1oua mess made of at by BDC't man of arts, Tony Palmer.

At lhe- e-nd of h1.1 attempt• I felt I had been watchin& thl' radio - for l ~aw nothma. -\'IARTIN BANKS, Halfleld, Hertl .

s 1,( E Jeff Bf'ck left tht: Yardhirds. ht has repeatedly

~;~n C:~le~~ aa1ru::. ~~~:3t'!, and hear that ht- JI the be•t ,:u1tar11t 1n the w• ,rid - D. WALTON, Buley, Kent.

JONAT HAN SWEET (Ma1lb11 4-1-69) u:kl why proirenlve 1roup, don't ma.ke worthwhile •in&IH, Part!)' to blamt for

~a:~•r~~~:1 •J~c~~•nl~!e;,~ own blJ nkere-d attitude fur • the-nng lhf' fa hionable- dis· l1nctton Mlwrtn •· proare 91ve- "' and "' lttn)'tx,pper · p,,p. It 11 plainly Inaccurate. I cite the Monkff'I' Utbtr,. Stoller •· conce-pt •· ul " D W

SEAN McGOWAN presents an evening with

JOHN MAYALL IN CONCERT

Al'HiUING AT ~-----~ ~~~: 741 .... Civic-.-.._....,., - -. 7 .... ............ ,. ,!' 0 -..:.-~•~ ...

7.4Sp.a. "-T-_llol. _N _ t___!_,T_4111 _ _

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Wa hhurn," which wu amona the mott progren,ve (my

~~0~~1 •;.:u1~ w~ !:.6hHfo;;, Middx.

STEVIE WINWOOD'S con­dtmnalion or over-loud .croup, i• t1mt"ly Ampllf1er manufac:• turt-r11 havt sot us all playina at dufen1n1 h:velt and bew1I· d~red 1uditnce1 dwindle

If we all tum down our amplifier, we may d11cover whn the real mu1ician, • re. -G. f. MAlTHt:WS, LEAD GUITARIST, Free Expression, Hove, Suuex.

LULU 11 the grf'atest PoP remale in Britain I wu knocked out by her perform· ance on htr BBC-TV spect.aCU• Jar, one of the best the BBC hat produced for a Iona time - .'!AMES MENE. drum.mer, th, Romans, Bournemouth, Hants.

KE.ITH Tl MMS (Mail baa 4 I 69J waffles o n about ·• to ul " music bein& . the mus1c of the American Negro. He compa res "1upe•

T'.lr ., ru~,~': lll:'a\k-;;., Boo;:; Charle• - with •• infe-rior'" while t1le-nt - Andy Bown, Amen (..omer, Tom Jones How doe• Mr Tim m• vie-w

;:te Ju~::~~ s_rv~nirf~; \1.G 1? - S.A.C. W. J. AITIU N, RAF Akrotiri, BFPO

"· It- PEOPLE hkt Tom Jone5, Ch r 1 1 Farlowe, Dusty Spr1n,:field and th~ Ri&httout Brothers do no t 1in& soul, the--n what di> tht.-y sin&? - A. Rf. YNOLDS, Carsba llon, Sur­,.-,. CHRISTOPHER HIRD may oe right 1,00ut lhe M1kt Weal t,rook Band underst•ndin& " ntarl)' everyth1n1 that hu 1one before-•· (C.:• u,:ht In The Ac: t , M\1 21-12-GkJ bu t they dun·a dehne " whe-re the mu1ic 11 now·•

Ap1rt from John Su rman thty are brayer• rat.hf'r than pl• ),·en Compared to the brilliant Chris McGreaor Trio, Lhey aound raucous ind

~~~::~t ~:~~ ~G~&rf~t~~~ lh• n 1nyont the ~•I art of frtt improvisation - DAVF, KENNARD, London Wl4.

THE PASSING or Georgr: Lewi• 11 • sad blow to followen of new Orlean1 mu.sic:. Here was a man who had known hard.Jh1p all hll life yet he brouaht ;oy and happiness to t.houHndti 111 over the world Not only w11 he • &re-at clarinet player, he wu alao • areal man -TERRY DASH, Cambrklae.

ART NAPOLEON"S art,de on Rtd Nichol, was uctllent Mort from Art Napoleon, please. - l • IAN FISHER

:!!!.1t~!e!:f,! :~c\y:;_e

I WOULD like to correct 4

f!~e~e~\. Ra,~e J(ch~r: iii~; (MM 4 12•8fl) Miff' Mole di d r:ot die 1n .a New York underaround s ta lion two yt-ars ago but 1uff'ered a stroke and died at his home on West 88th Strett in Ntw York C lty on April 21, t9b1. - JE.FF A TTERTON, N~ York, USA.

I AM a 19•year-old J1panei. 11rl who would Jike to

:;•roan! :j:::em':er ~'t:~~ Cl iff Richard Fan Club r.if Japan - TOMIKO MILA.­KAWA, IJ· l 2 Chomp Hl-r::i~::.r::•Jap~:r:-uwa City, HI• I'M • 16•y~ar-old and I would hke I London pen-pal I collect s tamps and recordJ by the Door», the Dearies, tht­Small F•ce.• and tht Iron Bulltrfly. I prtfer a 11r l to a boy pen-pal hut either- will do - TOM PALFfY, 2NI S. Moreland Blvd, Cltteland, Olllo 441H, USA..

JULIE'S SO WRONG ABOUT THE U.S.

JULIF ORISCOLL'S comment (MM

~~ 6B) '~1a'th:~nd~~~!m::~h:, ~ year ~ the IHt two years Amenca ha aiven us the Doon, Love, Jeff'enon Air ­pl• nit, Counlry Joe and the fish, the Mothers. c• pta10 Btethart, Iron Butter· fly. St.,ppenwolr and canned Hat

Juhe would ~ better off ltstemna lo

~,....'te.l"J:i~fi~'. fl:~Zo,i~•nn,

WIN YOUR FAVOURITE LP BY WRJTIHC TO MAJUAG

LET'S HAVE AN END tF JOHN S. Foote's com­ments concem1n1 the Tremeloe1 version or Dy­lan's " I Shall Be Rele211.sed •· (M\I •U.69) ue juotdled then ju.tke ha• gone lat'

The Tremelon have mad• an adnur.able record nc of th fl beautiful sons. wluth prOYes beyond doubt their ODIII~· trnu How doa Mr F00te know the Trffl'leklH don't comprehend what Dyl.an it tryina to put over 1n lhe­aon1?

One would han thot1&,ht tht!' 1nterpret.at1on of the lyria, Wh reasonably obv,ous I am not a TrPJDe:lot-t fan but would ju.st like to set an ~ to unfair cntlc.i1m. GRAHAM LAST, StoW111Arkt1. Suffolk.

• LP WINNER

I AGR££ with A. Wh1ltakt'f'" (M1ilba.& 4-1-69) about Judy Collins. Hu hi&hly emr,t10n•1 way or handhna .on&• mu'lt bnna her to the nc.,h« of more people who apprmau~ s1nctT1ty.

But J udy must thank l..ef;n• ard Cohen and Jo,11 M ,1cheJI for prov1din& a fe:rtde •outot of musical potlry u ttrordlft& material. - DAVID MALU"li ­DER, Blackpool, Lanca.

Kf.EF HARTI.EY mad• my blood boil w-hero he said Wtltt WU behind the limn. For lhf'

~!!!n1m;:1;~1a:"~1u:.•'":a::!! 1n my town

We futurt our o-.-n blu"

f,~t wt~i p~':'::f th~t~{ blues sonc1 - M Dust My Blues," etc - in their act So look out "'Swl'n&in& London," Pontyc.Jun 11 on )Dur ail . -I .. MILD, TNdepr, Walet.,

I THINK Melody Maker 11 lurope.'a best pop wee:kly. My wu1h 1s that I find I &1rl frQm f.n,land who WMls to be fflf

~=.: a:y t~=- ~r:... 'it C~fn,oldRol= ~tO:::, :: Nl<'t. C.ttam, Tr• IPlt ...

~·'l:..i. -14. ~ .... y ..........

TO KNOCKING

80I DYLAN · Ne111tihri .,..,

bupper style Ibis •ov1d Y d,Sa&tnKis •nd a ;,,a.-~ reflection oa TtftM ran., ~ l'l