meaning in grammatology and semiology

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    Randolph Dible

    October, 2013

    The Meaning of Grammatology and Semiology

    Saussure and Husserl are the two figures through whom Derrida is critiquing

    the Western metaphysical tradition. Their respective sciences of signs carry deep

    and damaging covert metaphysical presuppositions. As far back as Pythagoras

    there are the traces of phonocentrism in his practice of teaching his disciples from

    behind a veil. In Aristotles Organon, Ricoeur writes, interpretation is any voiced

    sound endowed with significance - every phone semantike, every vox

    significativa, and the complete meaning of hermeneia appears only in the

    complex enunciation, the sentence, which Aristotle calls logos, (Freud andPhilosophy, 21.) A genealogical line of philosophers representative of Western

    philosophy gets cited twice in the interview - Plato, Aristotle, Rousseau, Hegel,

    and Husserl - and names a handful of metaphysical relays of the charges of logo-

    phono-ethno-centrism. Each held an explicit privileging of the spoken word over

    the written word, and when writing was considered, a privileging of phonetic-

    alphabetic script. Their reasons for this, in turn, were a privileging of the presence

    of consciousness to itself in the self-presentation of subjectivity and a privileging

    of the expression of meaning, lexically, in discreet semantic units associated withpredicates. In all of the philosophers mentioned above these metaphysical

    presuppositions are made explicit, and they attempt to exclude writing from

    linguistics as a phenomenon of exterior representation, both useless and

    dangerous. Derrida calls this the reduction of the exteriority of the signifier, or

    the reduction of writing, (Positions, 22.) This act is part and parcel of logo-

    phono-ethno-centrism. This is also called the representativist conception of

    writing and it goes along with an expressivist conception of meaning.

    To deconstruct this metaphysical centrism, Derrida employs a neographism,

    which he says is neither a word nor a concept: differance. The difference

    between difference and differance (spelled with an a rather than an e) is not a

    phonetic difference (it cannot be heard,) it is purely graphical (Margins of

    Philosophy, 3.) Derrida takes Saussures differentially-structured linguistics (in

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    language there are only differences without positive terms, Saussure tells us) and

    replaces thesign with differance, (the one with an a,) a play of differences that

    erases its traces. Semiology thus becomes grammatology.

    In Speech and Phenomena, Derrida cites Husserl in pointing out an ambiguity

    of the two senses of the word sign: it means both expression and indication.

    Husserl begins to sharpen his concept by first stripping the indicative sign of

    meaning and sense. It is evident to Derrida from such stipulations as logical

    meaning is an expression, that Husserl wants to grasp the expressive and logical

    purity of meaning as the possibility of logos, (Speech and Phenomena, 20) despite

    the admitted entanglement or interweaving of expression and indication. The

    representation of language as the expulsion of the intimacy of an

    inside (Positions, 28,) Derrida goes as far as to call a transcendental illusion ofwhich Western metaphysics constitutes a powerful systematization, (ibid.) What

    is at stake in all this is the meaning of meaning. The critical project is to explicate

    the far-reaching shortcomings of the semiological and phenomenological

    conception of meaning as expression. Husserls purely logical grammar, as

    much as Leibniz mathesis universalis, is symptomatic of this logocentrism (and

    Foucault would diagnose it a case of taxomania, a symptom of the Classical

    episteme, were there not a clash between the two thinkers.) But Derridas genial

    stroke assures us that the presumed interiority of meaning is already worked uponby its own exteriority It already differs (from itself) before any act of

    expression Only on this condition can it signify, (Positions, pp. 29.) Such a

    notion of the sign as the trace of productive self-differentiation in both a

    temporal and spatial sense is the kind of textuality of which Grammatology is the

    science. It is a wholly new concept of writing.

    The temporality of writing is different than the temporality of speaking.

    Whereas speech privileges the present, it is with writing that we may first perceivetime. As Derrida writes in Of Grammatology: Origin of the experience of space

    and time, this writing of difference, this fabric of the trace, permits the difference

    between space and time to be articulated, to appear as such, in the unity of an

    experience (of a same lived out of a same body proper [corps propre]). This

    articulation therefore permits a graphic (visual or tactile, spatial) chain to be

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    adapted, on occasion in a linear fashion, to a spoken (phonic, temporal) chain.

    It is from the primary possibility of this articulation that one must begin.

    Difference is articulation (pp. 66, Of Grammatology.) Nietzsche writes that

    consciousness cannot be trusted to know its own functioning. Derrida is indebted

    to Nietzsche for this suspicious hermeneutics, and in many respects Of

    Grammatology is modeled on Nietzsches Geneology of Morals. In his bookThe

    Time of Our Lives, David Hoy explains that the trace leaves behind the traditional

    metaphysics of presence in the kind temporality it entails. Unlike metaphysics,

    he writes, which thinks of its basic concepts as self-contained units of meaning,

    Derridas concept of the trace is not such a unit. There are no such units but only

    contrastive relations in a system of differences. These differences are both spatial

    and temporal. Spatial relations are said to differwhereas temporal relations are

    deferred. He points to Freuds notion of the deferred effect, or Nachtraglichkeit, asan example of a temporality that disrupts the usual conceptualization of time as

    involving the moments of past, present, and future, (The Time of Our Lives, 81.)

    In addition to a Merleau-Pontys notion of the trace, perhaps still mired in a

    Bergsonian privileging of the present, and the Levinasian-Heideggerian genealogy

    of the Derridean trace, the trace also goes back to Freuds Note on the Mystic

    Writing Pad, on which psychical content is represented through a nonphonetic

    writing, a text whose essence is irreducibly graphic, even to slips of the

    pen, (Writing and Difference, 199, 230.) Although incomprehensible within thelogocentrism it deconstructs, the trace requires the logic of presence, even when it

    begins to disobey that logic, (pp. 71, Of Grammatology,) but still, it cannot be

    grasped by metaphysics, and thus puts us beyond metaphysics, (The Time of Our

    Lives, 77.)

    Deconstruction, in its semantically-oriented critical capacity, is also a project

    parallel to other post-structuralist philosophies of meaning and value. To bring

    attention these parallel aims, I will highlight Paul Ricoeurs semantic problem withsymbolic logic. The metaphysical critique is the same for Derrida and Ricoeur

    (both being post-structuralists generally), for instance, in the invocation of the

    Leibnizian mathesis universalis, an alphabet of human thought, and the project

    of a purely logical grammar in Husserl (Husserl: An Analysis of His

    Phenomenology, 161-174.) In the Introduction to Symbolism of Evil, Ricoeur

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    indicates his progressive direction in contradistinction from both modern symbolic

    logics Leibnizian genealogy and Husserls notion of signification, when he asks:

    Is it necessary to say that the sort of symbol which will be in question

    here has nothing to do with that which symbolic logic calls by the samename? Indeed it is the inverse of it. But it is not enough to say so; one must

    know why. For symbolic logic, symbolism is the acme of formalism.

    Formal logic, in the theory of the syllogism has already replaced terms bysigns [my emphasis] standing for anything whatever In symbolic logic

    these expressions are themselves replaced by letters, or written signs, which

    need no longer be spoken and by means of which it is possible to calculate

    without asking oneself how they are incorporated in a deontology of

    reasoning. These, then, are no longer abbreviations of familiar verbal

    expressions, but characters in the Leibnizian sense of the word - that is to

    say, elements of a calculus. In this sense [the symbol] is the absolute

    inverse of an absolute formalism. One might be astonished that the symbol

    has two such rigorously inverse uses. Perhaps the reason should be sought

    in the structure of signification, which is at once a function of absence and a

    function of presence: a function of absence because to signify is to signifyvacuously, it is to say things without the things, in substituted signs; a

    function of presence because to signify is to signify something and finally

    the world. [Expression and Signification, Husserl] Signification by its

    very structure makes possible at the same time both total formalization - that

    is to say, the reduction of signs to characters and finally to elements of acalculus - andthe restoration of a full language, heavy with implicit

    intentionalitys and analogical references to something else, which it

    presents enigmatically.

    InImagination and Chance, Lenoard Lawlor suggests that both Derrida and

    Ricoeur agree that thought cannot achieve self-knowledge by means of intuitive

    self-reflection, that thought has to externalize and mediate itself in repeatable

    signs, and that linguistic mediation disallows the possibility of a complete

    mediation whereby the origin would be recovered in all of its determinations. In

    light of these affinities he says that Derridas work and Ricoeurs are almost

    indistinguishable, (Reading Derrida and Ricoeur, 4.) The above selection from

    Symbolism of Evilmakes evident that in addition to general affinities, there is a

    more or less complete agreement between the two thinkers in respect to the

    formulation of meaning and more specifically the critique of the sign.

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    As a last segue it may be useful to give an example of doing philosophy in

    nonphonetic writing, an a mathematical notation more akin to drawing. Logician

    George Spencer-Browns calculus of indications contained in his bookLaws of

    Form is a simple calculus of the consequences of the injunction, Draw a

    distinction, a notion thoroughly imported into Niklas Luhmanns use of

    Differenz, a notion which is meant to connote Spencer-Browns use of

    distinction as much as Derridas use of differance. The calculus of indications

    is developed into a primary or non-numerical arithmetic of the two constants, the

    marked state and the unmarked state, and by the introduction of variables to stand

    for these two constants, a primary algebra. Like Charles Sanders Peirces

    Existential Graphs, the calculus of indications is a purely graphical,

    diagrammatic, or iconic system, like Venn and Euler Diagrams. In the interview inPositions, Derrida states: The effective progress of mathematical notation thus

    goes along with the deconstruction of metaphysics, with the profound renewal of

    mathematics itself, and the concept of science for which mathematics has always

    been the model, (Positions, pp. 30.)

    Yales Sun-Joo Shin, author ofThe Iconic Logic of Peirces Graphs, and The

    Logical Status of Diagrams, highlights the fact that there is indeed a phonetic-

    alphabetic prejudice against diagrams operant even within mathematics:

    Despite the great interest shown in diagrams, nevertheless a negative

    attitude toward diagrams has been prevalent among logicians and

    mathematicians. They consider any nonlinguistic form of representation to

    be a heuristic tool only. No diagram or collection of diagrams is considered

    a valid proof at all. It is more interesting to note that nobody has shown any

    legitimate justification for this attitude toward diagrams. Let me call this

    traditional attitude, that is, that diagrams can be only heuristic tools but notvalid proofs, the general prejudice against diagrams. - Sun-Joo Shin,

    Introduction, The Logical Status of Diagrams

    Sun-Joo Shins comments on the status of diagrams in mathematics and logic,

    along with many other strains of post-structuralist philosophy, agrees with

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    Derridas critique of the metaphysics of presence. It is clear, Derrida writes,

    that the reticence, that is, the resistance to logical-mathematical notation has

    always been the signature of logocentrism and phono centrism in the event to

    which they have dominated metaphysics and the classical semiological and

    linguistic projects. A grammatology must in effect liberate the

    mathematization of language, and must also declare that the practice of science in

    fact has never ceased to protest the imperialism of the Logos, for example by

    calling upon, from all time, and more and more, non phonetic writing, (Positions,

    29, Of Grammatology, pp. 3.)