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Illinois Wesleyan UniversityDigital Commons @ IWU
Compositions Outstanding Student Works
2000
me vs. myself vs. I (Honors)Dan WitteIllinois Wesleyan University
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Recommended CitationWitte, Dan, "me vs. myself vs. I (Honors)" (2000). Compositions. Paper 22.http://digitalcommons.iwu.edu/music_compositions/22
me vs. myself vs. I
By
Dan Witte
Instrumentation
2 alto saxophones
2 tenor saxophones
1 baritone saxophone
2 French horns
1 trompet
2 trombones
1 euphonium
2 tubas
Set-up
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Sigmund Freud, father ofmodem day psychology had a theory that the mind was divided into
three sections. Two of these sections were subconscious, and the other was our conscience. He divided the
subconscious into the Super Ego and the Id, and he labeled our conscience the Ego. The Super Ego
represents our closed-minded pessimistic side often instilled upon us by our parents and society. This is
not necessarily a bad thing; rather it is what makes us do things in a proper, rational, and secure fashion.
The Id is our primal side. It is often the drive behind our sexual urges. This is a bad thing ifnot controlled
in a proper (hence the Super Ego) fashion, but it is often the side that encourages us to take that leap of
faith every once in a while. The Ego can be looked at as our balance point. It weighs the influence of the
Super Ego and the Id before making a decision. Since life does not turn out perfectly, neither does this
piece. In order to represent the unpredictability of life I have written three different codas. The frrst one
represents when we give into our primal and sexual urges and ignore our rational side. The second coda
represents when we give into our rational side and don't bother taking that adventurous step that needs to
be taken once in a while. The third coda represents when we are able to balance our rationale with oUI
primal urges and come to a hannonious conclusion. The choice of the coda to be played can be up to the
conductor, the enseInble, or the audience, as long as the choice ofcoda is detennined before the
perfonnance is started.
This piece is dedicated to Peter Weber.
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