mcgill university · the work of the limit the limits of the videographic medium became clear right...

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Page 1: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 2: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 3: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 4: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 5: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 6: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 7: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 8: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 9: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 10: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 11: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 12: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 13: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 14: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 15: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 16: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 17: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 18: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 19: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),
Page 20: McGill University · The WorK of the Limit The limits of the videographic medium became clear right from the artist's first videotape, Parc d'amu- sement ("Amusement Park," 1992),