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Maybe it IS Rocket Science:
How The Martian Reflects Gulick’s “Notes on the Theory of Organization”
by
Leigh D. Espy and Mary E. Guy
School of Public Affairs
University of Colorado Denver
Prepared for presentation at the annual meeting of the Public Administration Theory Network
June 1 – 4, 2017, Laramie Wyoming
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Maybe it IS Rocket Science:
How The Martian Reflects Gulick’s “Notes on the Theory of Organization”
Abstract
Art reflects reality, in science fiction as well as in everyday praxis. And it
provides an entertaining approach to comprehending enduring characteristics of
administration. Eighty years ago, Luther Gulick coined the acronym
POSDCORB (planning, organizing, staffing, directing, coordinating, reporting,
and budgeting) to capture the essential elements of public administration. To
demonstrate the enduring nature of Gulick's summation, this paper draws parallels
between the acronym and the popular novel and screenplay, The Martian, a story
of space exploration and rescue. The comparison situates the importance
of POSDCORB even when describing the frontier of space travel. Applying as
well to a trip to Mars as to managing public lands or ensuring food safety, we
argue that the routines of public administration are also the routines of rocket
science. The comparison provides a contemporary way to teach a classic
paradigm.
The year 2017 marks the eightieth anniversary of the publication of one of the seminal
papers in public administration: Luther Gulick’s “Notes on the Theory of Organization” (1937).
By many, Gulick is viewed as the “Dean of American Public Administration” (Blumberg, 1981,
p. 245; Fitch, 1990). He enjoyed a long and influential career and was adept at comprehending
and articulating the tensions and inherent crosswinds of practice.
In 1936, Luther Gulick was appointed by President Roosevelt as a member of the
President’s Committee on Administrative Management, otherwise known as the Brownlow
Committee. The Committee’s primary purpose was to provide recommendations to improve
administrative practices and processes in the executive branch, and, tacitly, to strengthen the role
and authority of the Chief Executive (Newbold & Rosenbloom, 2007). As part of his work on
the committee, Gulick compiled Papers on the Science of Administration with co-editor Lyndall
Urwick, to which he contributed his classic essay, “Notes on the Theory of Organization.”
In “Notes,” Gulick (1937) coined the acronym POSDCORB to capture the
responsibilities of a public manager. POSDCORB captures seven key functions: planning,
organizing, staffing, directing, coordinating, reporting, and budgeting. Over time, POSDCORB
evolved to represent a snapshot of key elements of public management as well as its practical
application (Chalekian, 2013). If POSDCORB were defined today, it would likely be called
“planning, operating, staffing, deciding, cooperating, reporting, and budgeting” (Stillman, 2015;
Yang, 2015). The wording changes are minor; the tasks remain largely the same.
Conceptualizing these elements and communicating them from one generation to the next is
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usually done through traditional didactics. But art offers an additional venue. Images help
communicate a fuller context than words alone, as argued long ago by Albert Lepawksy (1949)
and more recently by Kass and Catron (1990) and Camilla Stivers (2002).
Context enriches elements of POSDCORB, requiring accentuation of some over others.
This is the art of the science (Schmidt 1993). The resultant products – public programs – are
fabrics that differ by their weave, pattern, and color. Designing and delivering environmental
protection programs differs from what is required to manage public housing programs. Mounting
successful public schools differs from ensuring safe public transit. The same fundamental
elements are involved, but the shape and emphasis of each varies based on context. Thinking of
management as art makes clear that administrative processes are more than mechanical. They are
the institutional device through which public purposes are pursued.
Fast forward to now. When Andy Weir, a software programmer turned novelist, wrote
The Martian (2011), he created a story of how an astronaut stranded on Mars survived until he
was rescued by the crew that had mistakenly abandoned him. Weir's work began as a thought
exercise as he explored the challenges that would be faced in a manned mission to Mars. A
protagonist eventually emerged along with a story line (Jaggard, 2015). Initially appearing as a
series of blog postings, the story was transformed into a book and it topped both Amazon’s
science-fiction list and the New York Times paperback trade fiction bestseller list (Dickerson,
2015a). It also was produced as a major motion picture and won the 2016 Hugo Award for Best
Science Fiction Dramatic Presentation. Not unlike the role that Star Trek played in advancing
public interest in space travel and support for the National Aeronautics and Space Administration
(NASA), The Martian is a harbinger of increased interest in explorations to Mars (Edwards,
2014; Goodsell & Murray, 1995).
Storytelling, The Martian, and POSDCORB
Beyond entertainment, telling and hearing stories is an effective dimension to the
learning process (Bandura, 1977; Grossman, Salas, Pavlas, & Rosen, 2013; Jones 1996;
Lawrence & Paige, 2016). Storytelling is effective, regardless of the age of the listener or the
context of the learning environment (Caminotti & Gray, 2012) or even the medium in which the
story is told (Beamish & Beamish, 2015; Hathaway, 2013). Moreover, it offers insights for
theory building because it reveals organizational phenomena not otherwise apparent and it
provides an alternate paradigm for understanding organizational dynamics (Gioia & Pitre, 1990;
Lewis & Grimes, 1999). It also helps develop active listening skills, which, as Camilla Stivers
(1994) reminds us, contribute to responsiveness on the part of bureaucrats.
All stories convey a basic narrative within which the character(s) strive for a goal, facing
challenges on the way to achieving it. While there are a variety of basic plots or narratives in
storying, the one we focus on is that of human versus nature. Nature is among the most neutral of
antagonists. It has no motivation and no animus. It simply exists to strive against. If the main
character achieves the goal, it is because of the person’s own skill, rather than the failing of the
villain (Cascio, 2016). The Martian is a classic tale of the struggle between person and nature
(Jaggard, 2015). In fact, the central character, Mark Watney, observes late in the story that he has
“no more nature to defeat” (Weir, 2011, p. 403).
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The Martian is presented as two parallel, yet inevitably intersecting, story lines. One is
presented as a series of log entries by astronaut Watney, who was mistakenly abandoned on Mars
by his crewmates. A dangerous dust storm forced the crew to abort their mission on Mars ahead
of schedule. During the evacuation, an accident occurred to Watney, leading his crewmates to
believe him dead and evacuate without him. Alone, Watney must find ways to survive on a
desolate, arid planet with no water, little atmosphere, a small supply of food, and with any rescue
years away. Through his ingenuity and his cross-training as a botanist, mechanical engineer, and
astronaut, Watney solves problem after problem to obtain water, manage his food supply, ensure
a viable habitat, and connect with NASA and his crewmates. The second dimension in the story
is a more traditional narrative of the extensive efforts by his crewmates and those back on Earth
to help him survive and get home. The narrative portrays the interactions between NASA and its
partners, the actions of the mission crewmembers who attempt the rescue, and the larger
community of space exploration enthusiasts on Earth – the public who follow news releases
about the mission.
We argue that the connection between Luther Gulick’s acronym and Andy Weir’s science
fiction is closer than one might think. In the eighty years since Gulick coined POSDCORB,
thousands of papers have discussed, dissected, and debated the accuracy, applicability, merits,
and aspects of the term (see, for example, Simon, 1946; Burgess, 1975; Hammond, 1990;
Wamsley & Dudley, 1998; Washington, 2004; Fosler & Ink, 2014). While it is difficult to find
an applied example that includes all seven elements of POSDCORB, many provide specific
examples or analyses of a single element (Chalekian, 2013). Relatedly, Burgess (1981) argued
for foundational studies that connect academic study of POSDCORB with the experience of
practitioners in the field. Luther Gulick, himself, emphasized the need for practical experience in
public administration education. The Martian achieves all these ends by providing an
entertaining story while, simultaneously providing grist for each of the acronym’s elements. In
other words, the story provides a teachable moment.
Lawrence and Paige (2016) argue that one of the essential elements of a great story, and
by extension its value as a learning tool, is its believability. There is no question that The
Martian is a work of fiction. However, it is also a readable story noted for its scientific and
technical accuracy (Jaggard, 2015). There are two reasons why the emphasis on scientific
accuracy also supports an assertion that it is a good example of public administration: first, it has
a contextually relatable reality and, second, although also art, the field is science and craft
(Lepawsky, 1949; Sowa & Lu, 2016).
First, the accuracy is important because it allows the story to be grounded in a
contextually relatable reality that enhances its believability. The story is replete with illustrations
and instances of each of the key elements of POSDCORB in both the routine and the
extraordinary actions and reactions of Watney, the crewmembers on the interplanetary transport
ship Hermes, and in NASA headquarters. In fact, several real-life astronauts have commented on
the accuracy of the portrayal of NASA, especially of its culture and operational problem-solving
approaches (Dickerson, 2015b). This technical accuracy extends to the administrative and
cultural elements of the story, which makes The Martian a good example of public
administration, and more specifically POSDCORB.
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The elements of POSDCORB are fully woven into the warp and weft of The Martian.
Throughout the story, a vivid picture is drawn that shows inter-relationships of the various
elements. Characters in the story develop plans that range from simple to complex. They require
staffing, coordinating, and budgeting. Decisions are made and results are reported within
organizational hierarchies and networks of stakeholders. In other words, a wide range of
examples operationalize the elements.
Second, the study of public administration is a science, or at least scholars have argued
for this approach to the field since its emergence. In fact, Roberts (1998) argues that Papers on
the Science of Administration and Gulick’s development of POSDCORB in the introductory
chapter (Gulick, 1937) advocates a scientific approach. The work serves as a guide for
administrative practice, whether in the White House or on main street (Fitch, 1990). It applies
equally well in a story of rocket science and new frontiers. Similarly, the accuracy of the story is
just as important for a public-serving mission as it is for the physics, geology, chemistry, and
botany of the plot line.
Planning. At a critical stage in the plot, the crew of the Hermes, the mission members
who abandoned Watney on Mars when they thought he was dead, must decide whether they will
follow NASA’s plan for rescuing him or whether they will force NASA to allow them to
participate in the rescue. The NASA administrator has already decided on what he deems a safe
approach – one that results in a higher risk of killing one astronaut (Watney) over a lower risk of
killing six astronauts (the entire Hermes crew). When the Hermes crew force their participation
in the rescue effort, one astronaut must explain to her father how this decision will not endanger
her life. She reassures him that there is a plan in place.
Table 1. Planning
“Notes”
“Planning, that is working out in broad
outline the things that need to be done and the
methods for doing them to accomplish the
purpose set for the enterprise” (Gulick, 1937,
p. 13).
The Martian
“’They always have a plan,’ she said. ‘They
work out everything in advance’” (Weir,
2011, p. 296).
Gulick did not conceptualize planning as a separate and discrete action. He characterized
planning as an inherent aspect of the management process that is both attitude and habit
(Blumberg, 1981). Gulick’s contemporary, Henri Fayol (1937) asserted that a plan is a projection
of a foreseeable future, or future condition, and preparation for it, and that plans are scalable,
adaptable, and less certain the further into the future they project. Both believed that good
planning took effort, leadership, and informed staff; neither believed it was as common as it
could be.
Throughout The Martian there are multiple plans developed, considered, and
implemented, each with its own goals. Watney continually plans approaches to solve problems to
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ensure his survival: to obtain food and water on a barren planet, to facilitate communication
between himself and the scientists on Earth, to navigate across Mars, and to recover from injuries
as he awaits rescue. In the multiple alternative plans that NASA develops to rescue Watney,
specifics, timelines, and levels of risk and uncertainty change as circumstances evolve and
resources are gained and lost. The plans on Mars, on Earth, and on the space craft are alternately
broad and focused, simple and complex. Rescue plans involve large numbers of people and
organizations. Watney’s plan for allocating his remaining meal packets are simple and solitary.
Organizing. At the outset of the story, a freak accident in the midst of a violent wind
storm causes Watney’s crewmates to believe him dead and leave him behind when they abort
their mission. As the only human on Mars, he becomes the most senior crew member and thus
the new commander of the mission. Watney later discloses that it was never planned or expected
for him to be in command or even be the first to do anything on the mission. Years before that
moment, NASA had designated him to be the fifth crewmember on the mission and the
seventeenth astronaut, from a total of three missions, to set foot on Mars. His expected rank and
role was to have been the mission “fix-it guy” and experimental researcher.
Table 2. Organizing
“Notes”
“Organizing, that is the establishment of the
formal structure of authority through which
work subdivisions are arranged, defined and
co-ordinated [sic] for the defined objectives”
(Gulick, 1937, p. 13).
The Martian
“I would only be ‘in command’ of the mission
if I were the only remaining person. What do
you know? I’m in command” (Weir, 2011, p.
2).
Gulick developed his conceptualization of POSDCORB within the context of
organizational theory and design. In Papers, Mooney (1937), from an industrial perspective, and
Urwick (1937), from a military perspective, argued that organization is a basic element of any
human endeavor involving two or more people. They emphasize that there must be an allocation
of tasks and someone who directs the execution of them. Building on these points, Martin (1987)
observed that organizations must be hierarchical and preferably under the direction of a single
responsible manager.
In The Martian, the hierarchy of the command structure is well defined and clear
throughout the story. It is defined in the roles of the mission crewmembers on the rescue craft
and on Mars, in the interactions of the mission crew with NASA officials and scientists, and
among the staff at NASA and its partners at the Jet Propulsion Laboratory (JPL). It is
demonstrated in arguments about delegation of decision authority, such as between NASA
administrators and the flight director regarding when the Hermes crew should be informed that
Watney was actually still alive on Mars following their evacuation, or whether the Hermes crew
should participate in Watney’s rescue attempt. It is also highlighted in discussions between the
mission commander and her crew over critical mission decisions. The role of organization
structure is amplified when the commander seeks a unanimous vote of the crew to knowingly
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reject the decisions of NASA leadership and insert themselves into the rescue mission. In
contrast to the commander’s authority being absolute, she treats her authority as contextually
collaborative.
Staffing. Mindy Park is a self-described “nobody” in NASA’s Satellite Control unit. She
works on the night shift, presumably a junior staff rotation. However, when requested by the
Director of Mars Operations to review satellite images of the aborted mission site, she makes an
unexpected discovery. Through her analyses of the images, she determines that Watney is
actually alive and immediately alerts senior NASA leadership. In short order she receives a
promotion and is made responsible for all Martian satellites, rewarding her for attention to detail
and skill in analyzing imagery. This promotion also allows NASA to make better use of a now-
invested staff member in their rescue planning and implementation efforts.
Table 3. Staffing
“Notes”
“Staffing, that is the whole personnel function
of bringing in and training the staff and
maintaining favorable conditions of work”
(Gulick 1937, p. 13).
The Martian
“She gets a promotion ’cause [sic] she figured
out he was alive” (Weir, 2011, p. 99).
In Papers, Urwick (1937) wrote extensively about the interrelationship of organizational
structure, staffing, roles and responsibilities, and the need for specialization. Gulick (1937)
asserts that in building an organization workers must be characterized by their purpose (for
example, building bridges, balancing budgets, taking notes), process (for example, engineering,
accounting, stenography), focus (for example, drivers, money, reports), and place (for example,
city, state, region). This is what Hammond (1990) describes as a bottom up approach to
organization development. Martin (1987) updated Gulick’s description of staffing to assert “the
placement, training, and conditions of employment must be conducive to the organization’s
purpose” (p. 300). The evolution of the definition is important because staffing is more than
hiring and firing and a place to perform; it is also the appropriate alignment of skills and needs of
both the employee and organization. This distinction is evident throughout The Martian.
Staffing issues are addressed throughout the story. Staff are promoted, such as Mindy
Park’s elevation from a junior orbital engineer to coordinator of all Mars satellites to capitalize
on her insight and abilities. Staff receive rewards, such as Presidential recognition, when they go
above and beyond the usual, as in the instance of the JPL engineering staff who adapt the
obsolete computer hardware and software of the Martian probe Pathfinder to create a
communications link to Watney on Mars. Staff sanctions are discussed in the story in terms of
the potential for crewmember courts martial when they engineer a mutiny against the NASA
administrator and force NASA to include the Hermes crew in the rescue mission. There is also
discussion of the selection, education, specialized skills, and training of each of the Hermes
crewmembers, which provides insight and context for both the technical and interpersonal roles
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of team members. As Gulick would characterize it, they each have a distinct purpose, process,
focus, and place within the mission and the organization.
Directing. Late in the story, Watney is finally in contact with NASA scientists again. At
their direction, he is making modifications to an ascent vehicle that will enable him to escape the
Martian surface and be rescued by his returning crewmates on the Hermes. He has survived over
500 days alone on the planet. He has repeatedly lost and re-gained communications with his
crewmates and with NASA. When communications exist, he is accountable to the decisions and
direction of those more senior than he in both rank and technical expertise. When
communications are lost, he must rely completely on his own wit, knowledge, and ingenuity. At
this point, so close to potential rescue, Watney observes that making decisions for himself has a
certain appeal and has saved his life. At the same time, he acknowledges that taking direction
from others may be strategically better for him.
Table 4. Directing
“Notes”
“Directing, that is the continuous task of
making decisions and embodying them in
specific and general orders and instructions
and serving as the leader of the enterprise”
(Gulick, 1937, p. 13).
The Martian
“Sometimes I miss the days when I made all
the decisions myself. Then I shake it off and
remember I’m infinitely better off with a
bunch of geniuses deciding what I do…”
(Weir, 2011, pp. 395-396).
Administrators make decisions and provide leadership (Martin, 1987). In Papers, Fayol
(1937, 103) describes directing as the process of setting in motion the elements of a plan. He
goes on to say that “an order when given, sets into motion simultaneously in all grades
concerned, authority and responsibility, initiative, and discipline.” Gulick (1937) observes that
directing is an on-going action where decisions must be made and made again as circumstances
develop and evolve.
Critical decision points and the impacts of decisions permeate the story line of The
Martian. The mission commander decides to abort the mission twice. First the decision was
made to preserve the safety of the whole crew at the onset of the dangerous storm that forced the
crew to evacuate the planet. The commander then revisits the decision when Watney is
apparently fatally injured in the evacuation process. In another part of the story, the NASA
administrator decides not to inform the Hermes crew that Watney was alive. But, once reliable
communications and a viable rescue plan are in place, he gives the order to inform the crew.
Later, a secret meeting of senior NASA and JPL staff is convened to evaluate a radical rescue
plan. It requires the exclusive use of the last remaining rocket on Earth capable of supporting
either of two proposals. The trade-off between the approaches would result in risking either one
life or six. The decision is that of the NASA Administrator alone. It is his role to obtain expert
advice from his staff, evaluate the options, make the choice, and direct the implementation.
Coordinating. NASA fails in its first attempt at keeping Watney alive until rescue
arrives. The supply shipment that would have provided him critical food and communication
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equipment exploded during launch. Atypically, NASA has no viable Plan B. The Director of the
Chinese National Space Administration (CNSA) realizes they have a rocket booster that would
provide NASA a Plan B, if only NASA knew about it. However, because the booster is a secret
technology, no one outside of CNSA knows it exists. The Director also realizes China’s
leadership would be unlikely to share the technology with their geopolitical rivals. While it
means canceling a mission of their own, the CNSA Director reaches out directly to the NASA
Director, scientist to scientist, and offers the booster as a Plan B to save Watney.
Table 5. Coordinating
“Notes”
“Co-ordinating [Cooperating], that is the all
important duty of interrelating the various
parts of the work” (Gulick, 1937, p. 13).
The Martian
“‘If this becomes a negotiation by diplomats,
it will never be resolved… We’ll work out an
agreement, then present it to our governments
as a fait accompli’” (Weir, 2011, p. 230).
When Gulick (1937) defined coordination, it was within the context of building an
organization under the authority of a single executive or for a single defined purpose. His
contemporary, Mary Parker Follett (1937), took another approach. She wrote of the unity of
coordination. She observed that decisions must be made not only taking all the factors into
consideration but also taking the interrelationships of the factors into consideration. She argued
that managers should think in terms of benefits to the whole, not sacrifices to the self-interest. As
the field has evolved, coordination has expanded to include the concepts of collaboration across
organizations and sectors (Stillman, 2015).
Coordination (cooperating) is represented in broad and simple ways throughout The
Martian. It is represented in tasks such as re-scheduling the orbits of satellites around Mars to
enhance surveillance and monitoring of Watney’s activities. It is also presented in the many steps
involved in assisting Watney as he establishes communications with Earth. Collaboration occurs
as China joins the effort to send supplies and, ultimately, to rescue Watney from Mars. The most
notable and significant example of coordination and collaboration is the relationship depicted
between NASA and JPL as they work together to solve problems and deliver products. Staff
from both organizations collaborate to establish and maintain communications with Watney as
they make repairs to obsolete technology. They collaborate to design, build, and launch two
supply missions in record time. And, a JPL astrodynamics specialist develops the course that
NASA ultimately uses to rescue Watney from Mars.
Reporting. After the original mission had to be aborted because of the storm, the
Director of Mars Operations wanted access to satellite imagery. He planned to use images of the
aborted mission site to evaluate the condition of the equipment and materials left behind. He
reasoned that if enough of the material survived the storm, it would be possible to schedule a
subsequent, less expensive, mission that would re-using existing materials that had been left
behind. For the months between the time the mission was aborted and Watney was found to be
alive, the NASA Administrator denied his request with no explanation. Finally, the
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Administrator shared his concern that the photos would include images of Watney’s body. He
explained that NASA is statutorily required to publicly share all of its imagery, so there would be
no way to avoid sharing photos of the dead astronaut to the engaged publics of the world.
Table 6. Reporting
“Notes”
“Reporting, that is keeping those to whom the
executive is responsible informed as to what
is going on, which thus includes keeping
himself and his subordinates informed
through records, research and inspection”
(Gulick, 1937, p. 13).
The Martian
“We’re a public domain organization. There’s
no such thing as secret or secure information
here” (Weir, 2011, p. 62).
Fayol (1937) describes reporting as an element of control and accountability, instilling a
sense of responsibility for employees and confidence among managers, and providing data for
informed decision making. It also provides for oversight of operations by those not directly
involved with the day-to-day actions, such as the general public.
The concept and practice of reporting is a critical construct of The Martian. A full half of
the story is presented as the log entries of the stranded astronaut. It conveys the idea that
reporting is so ingrained in his training that he must make regular reports even if he has no
reason to believe they will ever be seen. There are repeated references to status updates and
systems reporting, along with the use of a wide variety of methodologies including emails,
instant messages, and even Morse code. The intent is to provide data to managers and technical
staff that will improve decision making and give guidance to Watney and his rescuers.
Reporting to the public is a consistent topic throughout the book. A main character on
Earth is the NASA media relations director. Her role is primarily to act as a conduit for
information reporting to the media and the public. It is also to provide advice to NASA senior
managers on information management considerations. There are repeated references to press
conferences, media interviews, and inquiries from elected officials. There is awareness of public
and political interest in the assumed tragedy of Watney’s mis-reported death, the likelihood of
backlash to the subsequent news of his survival, concerns about images of the accident site, and
the legal requirements for public sharing of data. All of these discussions are a tacit
acknowledgement that the general public are critical stakeholders in governmental decision
making and operational considerations of government, and in this particular case, NASA.
Budgeting. Watney has been rescued and is safely aboard the Hermes with the rest of his
crewmates. He is battered and bruised but he is off Mars and beginning the long trip back to
Earth. As he adjusts to this reality, he reflects on all that was required to effect his rescue. He
acknowledges the personal sacrifice of his crewmates and the hours upon hours dedicated to the
effort by NASA and JPL employees. He acknowledges the lost material and opportunity costs of
several other projects. And then he acknowledges the enormous fiscal realities of the rescue
efforts, all for just one person.
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Table 7. Budgeting
“Notes”
“Budgeting, with all that goes with budgeting
in the form of fiscal planning, accounting and
control” (Gulick, 1937, p. 13).
The Martian
“The cost for my survival must have been
hundreds of millions of dollars. All to save
one dorky botanist. Why bother? (Weir, 2011,
p. 435).
Both Gulick (1937) and Fayol (1937) identify budgeting as an essential element of the
work of administrators, and by extension, a consideration in organization theory. Both embed it
in a context of planning, reporting, and control. As Rubin (2015) notes, scholars have conducted
extensive research into theories, approaches, and roles for budgeting. It serves as a statement of
priorities, an allocation of resources, a management control device, and a tool for reporting and
accountability.
There is a conspicuous awareness of budget through the story. There is a vignette of the
NASA Director of Mars Operations working on budget spreadsheets when he is interrupted for
an update on the collaboration with China in building the re-supply probe. As a principle
consideration in evaluating the viability of rescue, there are repeated discussions of the over-time
requirements to meet the planned deadlines and the need to find money to cover the costs. There
are at least five discussions of Congressional appropriation considerations or allocations from the
Chinese central committee. The discussions include concerns on how to encourage more funding
and the risk of financially jeopardizing funding for future projects. Mission equipment costs,
from spacecraft to supplies, reach into the hundreds of millions of dollars. And even the dollar
value of one man’s life is addressed by both the media and the stranded astronaut himself.
Rocket Science and Public Administration
Whether the fictional astronaut Watney is rescued from Mars, or even survives at all, is
irrelevant to the success of The Martian as a useful and integrated illustration of the seven
elements of POSDCORB. But it may be critical in its storytelling value and use as an educational
tool. Stories need heroes and villains. They need narrative conflict. They need a moral. This
story has all of these. While the story is set in a near-future time-scape, it provides a real-world,
relatable cast of characters, situations, and technologies. It is theoretically possible for most of
what is in the book to happen and work. This is a large part of its popularity (Dickerson, 2015a;
Jaggard, 2015). At the same time, The Martian modernizes the elements in the acronym, and the
enduring truths of classical administrative processes.
Multiple publics have embraced The Martian as an effective piece of storytelling. The
publisher makes available an educators version of the book along with a science teacher’s guide
(Jurskis, 2016) for use in classes. The author was even invited to testify before the U.S. House of
Representatives Subcommittee on Space alongside a senior NASA official and senior executives
from key NASA contractors (Smith, 2016). And, NASA has used the interest in both the book
and the movie to renew interest in space exploration, including future missions to Mars. At the
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height of the movie’s popularity, NASA hosted an internet based learning event focused on Mars
and space exploration that included NASA scientists, astronauts, and actors from the movie
(Thompson, 2015). With all this attention to the science of the story, we argue that it also
provides a means for teaching the classics of public administration.
It is notable that the hero of The Martian, in addition to being an astronaut, is both a
botanist (scientist) and a mechanical engineer. Watney regularly identifies himself as a botanist.
And while his botany skills are essential in providing him enough food to last him until rescue, it
is the engineering skills, that keep him alive on a daily basis. The practice of public
administration has often been compared to engineering (Behn, 1996; Schmidt, 1993; Simon,
1947). Luther Gulick saw public administration as a practical art, similar to engineering,
medicine, or gourmet cooking (Fosler & Ink, 2014).
The most important message of this comparison is that, from a process perspective,
rocket science and public administration have much in common. While popular culture elevates
rocket science and dismisses the science (and art) of public administration, in fact, they are more
alike than different. The Martian is a story of how POSDCORB links the elements of space
travel into a successful venture. In fact, POSDCORB is at the heart of all government projects,
whether it is space exploration or managing public lands or applying government regulations or
deploying troops around the globe or practicing emergency preparedness or managing the polls
on election day. The Martian is a good read, has moments of humor, lots of adventure, and
brings home the importance of planning, organizing, staffing, directing, coordinating, reporting,
and budgeting.
This explication of science fiction reveals the elements of POSDCORB in a timely
fashion eighty years after the term was first posited. Luther Gulick had a prescient sense of what
it takes to pursue public purposes, then as well as now. And his contemporaries who contributed
to Papers distilled the mechanics of public administration in a way that remains insightful.
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