may - july - the bridge collective · endorsed by the bridge collective. there are a lot of changes...
TRANSCRIPT
News from the
Bridge Collective
May - July
2017
The Bridge CollectiveUnit 4 King Street Business CentreExeter EX1 1BHTel: (01392) 433358E-mail: [email protected] Web: www.bridgecollective.org.uk
Company No: 6201528
This newsletter has contributions from people who
share their perspectives and opinions. The views expressed are not necessarily shared or
endorsed by the Bridge Collective.
There are a lot of changes going on at the moment, including at the Bridge.The newsletter is a bit slimmer this issue as my time is limited.
On 27th Feb the Bridge Collective received confirmation of a 25% cut in funding from Devon County Council. This is a cut of £12,500 over a year - equivalent to loosing 18 hours of paid staff time per week. We have agreed a new DCC grant agreement at this reduced level, confirmed to run from April 2017 to September 2018. We are working on funding bids to ensure our ongoing survival/ regeneration. Watch this space for opportunities to get involved: http://www.bridgecollective.org.uk/whats-on/
Some things won’t be happening in the way they have been. As always, how we move forward is decided democratically and agreed at the monthly Community Meetings, to which everyone is welcome to join in.
As the calendar is a bit mutable at the moment it is not in this newsletter. You can find out updates of what is happening on our website, FaceBook page or there will be up to date calendars in a pocket on our front door. I have put some dates in the back of this newsletter, but we don’t know the definite dates for everything yet.
I have been really struck by the generous contributions of kindness, time, food (see the yummy cake recipe), money, morale, hard work, cuppas, creativity and written support that the Bridge has received. The opportunity to witness how people pull together and show how they really care and feel strongly about the survival of the Bridge Collective is a gift in difficult times.
We now have a donate button on our website and we are grateful for every penny that people can afford to give!
Right then us lot - let’s grow some roses out of this manure...
Love to everyone who is struggling
Bev
1 Margaretʼs Cake recipe
2-4 Bridge Quiz Rachel
5 Quotes
6 Whirling Dervish Ceri
7-8 Itʼs so much more Rebekah Horton
9 Quote e e cummings
10-11 Testimonial for the Bridge Collective Margaret
12-14 Bridge Community Meeting Minutes - February/March/March extra
Dates
How to Contribute and answers to the quiz
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Contents
Margaret’s Cherry, Almond and Sultana Cake
Ingredients:
4oz/110 grams caster sugar
4oz/110 grams margarine or
1 egg (2 if small)
2oz/55grams self-raising flour*
2oz/55grams ground almonds
About 2oz/55grams glacé cherries
About 2oz/55grams sultanas
* I like to use Mariage’s Brown Self-raising Flour – it’s between white and wholemeal and available from The Bran Tub in Magdalen Road, Exeter.
Method:
Pre-heat oven to 150 degrees C. and line a sponge cake tin – or make up to a dozen small cakes
Cream margarine and sugar till light
Add egg and half flour, sifted, and mix in
Add rest of flour and ground almonds, cherries and sultanas and mix well
Put mixture into tin and bake for about half an hour, depending on the oven – test by inserting a skewer or tip of a knife: it’s done if it comes out clean and edges of the cake have shrunk very slightly from the tin. Less time if small cakes
Leave to cool in the tin for a good 10 minutes, then turn out carefully onto a wire rack
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butter
1. The popular 1970s song “Bridge over Troubled Water” was a bit hit for Simon and Garfunkel, but who composed it? A: Art Garfunkel B: Paul Simon C: Peter Yarrow D: Bob Dylan 2. ‘Bridgestone’ is a brand name of all except one of the following, which one? A: Golf Balls B: Car Tyres C: Walking Sticks D: Bicycles 3. Which one of the following UK bridges does not cross the River Thames? !
A: B: !
C: D: (Can you name all four bridges?)
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4. The line “...the grave is but a covered bridge leading from light, through a brief darkness”, is attributed to which 19th century American poet? A: Walt Whitman B: Emily Dickinson C: Ambrose Bierce D: Henry Wadsworth Longfellow
5. Jeff Bridges won a Best Actor Oscar for which of the following films? A: The Last Picture Show B: True Grit C: Crazy Heart D: The Contender 6. In the Norwegian fairytale “Three Billy Goats Gruff” what lived under the bridge? A: Troll B: Leprechaun C: Werewolf D: Sprite
!!
7. In which decade did the Sydney Harbour Bridge open? A: 1920s B: 1930s C: 1940s D: 1950s (Can you name the exact year?)
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8. Which track from the album “Bridge Of Spies” gave T’Pau their only UK number one? A: Heart and Soul B: Valentine C: China in Your Hand D: I Will Be With You 9. “Stamford Bridge” is the home ground of which English Football Club? A: Fulham B: Tottenham Hotspur C: Crystal Palace D: Chelsea 10. Which of the following Optical Art paintings is by the British artist Bridget Riley? !
A: B:
C: D:! (Can you name the other three artists?)
Answers inside back cover
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5
Quotes
We are all born naked and the rest is drag
RuPaul
The schizophrenic is drowning in the same waters in which the mystic swims with delight
Joseph Campbell
Thinking is difficult, thatʼs why most people judge
Carl Jung
Reality is nothing but a
collective hunchLily Tomlin
Out beyond ideas of right and wrong doing there is a field. Iʼll meet you there
Rumi
Drop the idea of becoming someone because you are
already a masterpieceOsho
“You,” he said, “are a terribly real thing in a terribly false world, and that, I believe,
is why you are in so much pain.”
Emilie Autumn
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Whirling Dervish
Iʼm like a whirling dervish when I go down hill. My body has no brakes, so I rush ahead dangerously with no way of stopping, I keep on careering, hoping something will break my fall! I know that some people feel speed is a thrill, but surely not if you donʼt know whether you can stop and feel out of control! I feel I should have a flashing light or message on my head that tells everyone to beware, look out and get out of my way, or else there might be an accident ahead!
Ceri
Itʼs so much more
Do you still think its all fun and games?Where you can do whatever you want.
To you, it may be nothing,But to me, itʼs an interest that will taunt.
Itʼs so much more, Than just standing on a stage.
Deeper than just learning lines,Releasing your inner rage.
Have you ever lived inside a shell?Alone, lost and cold,
Fearful of reaching out.Along with time, growing rapidly old.
Itʼs so much more,Than just learning Shakespeare,
You develop day by day.Until one day, someone will finally hear.
Do you have something to say?While you sit and fill like a balloon.
Working so hard to scream it out,It doesnʼt have to be all doom and gloom.
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Itʼs so much more,
Than just remembering your cues,As the nerves slowly kick in,
You may even change their views.
Have you ever felt that breath of fresh air?
To feel your barriers slip away,And to step forward,
To shout out what you really want to say.
Itʼs so much more,
Than just acting,To me, it opens so many doors.
But to some, they still hide behind masking.
Have you ever felt like youʼre at the top of the world?
Being allowed to explore into a world of originality,Get to play, experiment and learn endlessly,
There will always be room for possibility.
Itʼs so much more,
Than just an observation,We can see it as a window or a mirror,
But between you and I, We will always have this connection.
© Rebekah Horton, 2016
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We do not believe in ourselves until someone reveals that deep inside us something is valuable, worth listening to, worthy of our trust, sacred to our touch. Once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit.
e e cummings
Three Worlds M. C. Escher
Tes$monial for the Bridge Collec$ve
I am a re'red mental health social worker with many years’
involvement in statutory and voluntary mental health services and
community ini'a'ves in the Midlands. I have also been anorexic as a
student and as an adult I have been depressed at 'mes. And I have
discovered through both kinds of experience, personal and
professional, how recovery and well-‐being may be enabled through
informal support and the chance of open par'cipa'on in social,
outdoor and crea've ac'vi'es. Such opportuni'es are oBen
perceived as complementary to -‐ and some'mes even more
beneficial than -‐formal treatment programmes. Consequently when I
moved to Devon in 2011 I sought to find an organisa'on with the
kind of ethos and offering the kind of opportuni'es I knew were so
valuable: I found this at the Bridge Collec've.
I should like to say that the value of the Bridge is beyond what is
easily measurable, and that is in large part due to the values and
quali'es of the staff team. All are able to make any person, however
distressed, unusual or confused, to feel welcome and accepted for
who they are, without judgement or requirement to change. For
some people this can be the very best star'ng place for recovering
self worth and to find joy and meaning again. One young social
worker and AMHP said they were ‘inspira'onal’.
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The informality and accep'ng atmosphere oBen gives rise to
remarkable conversa'ons, with poetry, philosophy, local history and
all sorts of interests being talked about, and some'mes this can fire
someone to go and explore further, beyond the Bridge, such as
joining a reading group.
Art, music and Greenwood give opportuni'es for self development
and connec'on, with people, with crea'vity, with nature. To
conclude I’d like to give an example from my own recent experience:
I was feeling very low but had volunteered to go to Escot with the
Greenwood project and felt commiVed to this. The effect was
remarkable – a small group of us made a fire, then made candles
from old ones – great fun and a new skill. We toasted paninis and
talked together -‐ hearing about other people’s knowledge and
experiences of rural Devon, ideas about history and language, liBed
me out of myself. Then some of us wandered around the grounds
watching and listening to the sights and sounds of birds, flowers and
animals, feeling in harmony with people and nature.
Margaret
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Date: Thursday 10th February
Community Meeting Minutes
Apologies: Fleur, Ben, Juliet, Mark B
Present: Andrew, Margaret, Ceri, Ashley, Bev, Em, Chris, Nicola
Number of director’s present: 2
Item Action/Decision
Ground Rules Read
Minutes Read and Agreed
Chair for March9/3/17, 1-3pm
Margaret with Bev
Underground Sound
Cover sorted until the end of March
Funding Central Margaret to be given password
Sara Burgess Meeting date 24th February at 10am. All welcome. Preparatory questions and information to Bridge email
Self Heal Art at the Bridge project letter - read and amended
Annual General Meeting
1-3pm Thursday 25th May12 midday - bring and share buffet
Community Meeting
24th April, Monday 10.30 - 12.30 meeting to be confirmed.
Open Reflexion Recap of Wednesday 28th session. Contact Michelle to arrange next session
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Date: Thursday 9th March
Community Meeting Minutes
Apologies: FleurPresent: Margaret, Rachel, Simon, Mark, Ashley, Bev, Andrew, Sarah, Alison, Nicola, Em, CeriNumber of director’s present: 4
Item Action/Decision
Ground rules Read
Minutes from last meeting
Read and agreed
Chair for next meeting
Nicola and Bev (co-chair) 24/4/17 10.30 - 12.30
Reserves Agreed to extended ring-fenced reserves for closure/contingency from £7,000 to £9,000
Time, task, resourses
Voted to make a change to paid hours from April. Nicola 16, Sarah 16, Bev 16, Andrew 11. all other paid hours to remain the same - agreed
Social enterprise course
Cost £25, agreed Sarah to go
Be Involved Devon closing
BID closing end of March. Thank you to Charlotte and Ed and BID for all your support to the Bridge Collective and local community over many years
B.O.G.O.F. meeting
15/3/17 at 1 - 2.30pm (Buy One Get One Free)
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Date: Wednesday 15th March
Community Meeting Minutes
Apologies: Sarah, Mark, Chris, Ben, EmPresent: Andrew, Nicola, Rachel, Katharina, Ceri, Bev, Loki, MargaretNumber of director’s present: 2
Item Action/Decision
Ground rules Read
Awards for All application
Andrew to coordinate collecting finance information. Dates in the diary for Health and Safety training by April community meeting. Safeguarding policy: Nicola aims to bring to April community meeting
Safeguarding Policy
Part 2 “definitions” agreed
Facebook Em has been added as admin for the Bridge Facebook page
Bridge 10th Birthday
2.30 on April 6th birthday party. Bring and share afternoon tea
Meeting closed 2.45pm
DATES
no EbyE dates for this newsletter as we may be changing EbyE day
Womens Art GroupMondays 10.30 - 12.30May 15th May 22nd May 29th
Open MindsWednesdays 1.30 - 2.30May 10thJune 14thJuly 12th
RainbowbridgeSaturdays12.30-2.30May 6thJune 3rdJuly 1st
GreenwoodYeo Vale, Sunday 14th May (meet 11.40 at St Davids)Lockbar, Sunday 28th May (meet 11.40 at St Davids)
Underground SoundFridays 12.00-4.00 (not open on 2nd or 30th June)
Open AfternoonThursdays12-4pmMay 4thJune 1stJuly 6th
Community MeetingThursday 11th May (to be confirmed)
Annual General MeetingThursday 25th May 1pm - 3pm (lunch to share at 12)
Find out updates of what is happening on our website, FaceBook page or there will be up to date calendars in a pocket on our front door
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this is a comic sans free newsletter
Would you like to write an article, a poem or share a favourite recipe?
Naybe you have a hobby, or an opinion that other people would be interested in.
This newsletter is where you can share your artwork, your ideas and experiences.
The deadline for contributions to the next newsletter is
Thursday 13th July
If you would like to contribute to the next newsletter please contact:
Bev at [email protected]
or 075 3464 5091or 01392 433358
1. B: Paul Simon 2. C: Walking Sticks 3. C: Gateshead Millennium Bridge crossing the River Tyne (A: Hammersmith Bridge, B: London Millennium Footbridge, D: Tower Bridge) 4. D: Henry Wadsworth Longfellow 5. C: Crazy Heart 6. A: Troll 7. B: 1930s (Opened in 1932) 8. C: China in Your Hand 9. D: Chelsea 10. B: Movement in Squares by Bridget Riley (A: Josef Albers, C: Victor Vasarely, D: Richard Allen).