master teachers #2 2009 emagazine
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Painting the Mouth
by William A. Schneider page 6
Jeffrey Reed: Introducing the Basics ofPainting
by M. Stephen Doherty page 12
Al Gury: Teaching Fundamentalsin a Historic Studio
by M. Stephen Doherty page 20
How to Create Your Best Paintings Ever
by Mary Whyte page 32
3 Views of the Same Scene
by Bob Bahr page 40
Johnnie Liliedahl: Using theOld Master Grisaille Method toManage Values and Opacity
by M. Stephen Doherty page 48
Ismael Checo: Color, Richness, and Light
by John A. Parks page 64
Seeing Nature With Fresh Eyes
by Molly Siple page 72
Painting Classical Floral Still Lifes WithSkill and Understanding
by Scott Royston page 80
Using Subtle Tones to Express Deep Emotions
by M. Stephen Doherty page 88
Joseph McGurl: Developing a CriticalAdvantage
by M. Stephen Doherty page 96
Jeffrey R. Watts: Learning the Structure &Discipline of Painting Controlled Chaos
by M. Stephen Doherty page 110
AMERICAN
ARTIST
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HighlightsfromMaster Teachers
PaintingInstruction
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COVER
Jeffrey R. Watts instructing a student during aworkshop held in Nicolai Fechins studio.
Copyright 2009 by Interweave, a division of Aspire Media,all rights reserved. Title registered in U.S. Patent Office.The contents of this publication may not be reproduced eitherin whole or in part without consent of the copyright owner.American Artist Highlights is printed in the U.S.A.
20 64
96 72
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FEATUREDTEACHERS
Meredith BrooksAbbottpage 72
Thomas S. Buechnerpage 40
Nancy Bushpage 88
Ismael Checopage 64
Thomas Gardnerpage 40
Al Gurypage 20
Johnnie Liliedahlpage 48
Joseph McGurlpage 96
Martin Poolepage 40
Jeffrey Reedpage 12
Scott Roystonpage 80
William A. Schneiderpage 6
Jeffrey R. Wattspage 110
Mary Whytepage 32
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4 highlights from master teachers
Send editorial mail to American Artistmagazine, 29 W. 46th Street, 3rd Floor,New York, NY 10036.
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EDITORIAL
EDITOR-IN-CHIEF
M. Stephen Doherty
MANAGING EDITOR
Brian F. RileySENIOR EDITOR
Allison Malafronte
ART DIRECTOR
James B. Bogner III
ASSOCIATE EDITOR
Austin R. Williams (646) 841-0050
PROJECT MANAGER
Bob Bahr
PUBLISHING
PUBLISHER
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CIRCULATION DIRECTOR
Bob Kaslik
CIRCULATION MANAGER
Sheila Derrington
WEB BUSINESS DEVELOPMENT MANAGER
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MARKETING MANAGER
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PRODUCTION
PRODUCTION DIRECTOR
Nancy M. Pollock
PRODUCTION EDITOR
Nancy Arndt
Synthesize What You LearnAll of the articles in this issue were originally published in American Artist orWorkshop magazine. We organized them into this Highlights magazine so thatyou would have a convenient guide to the best instruction available for creat-
ing artwork with a variety of art media and in several different styles.Often the best art teachers, including those profiled in this issue, have
strong personalities and convictions. Those strengths help their studentsmake great strides, but they can also restrict the development of an inde-pendent and individual form of expression. The challenge, therefore, is for a
student to take as much guidance from a great teacher as he or she can man-age and then to seek additional instruction to expand on that base of knowl-
edge. These articles suggest ways of starting with a strong instructor and syn-thesizing that persons approach with instruction from other great teachers.
Jeffrey Reed has earned his place in art heaven for working patiently anddiligently with students who enter his class with almost no understanding of
drawing and painting (page 12). In a calm, organized, thoughtful way, heintroduces them to the basic concepts of relative value, brush handling, color
mixing, and composition, and he helps them begin to discover their individ-ual personalities as artists.
Johnnie Liliedahl probably has more experience than most teachers in
offering both short- and long-term classes in drawing and painting (page 48).She has been providing detailed instruction in classical techniques for years,
both in art schools and workshops. What is most remarkable about her teach-ing is that almost everyone who participates in one of Liliedahls classesleaves with a solid understanding of how to apply the concepts and skills he
or she was taught.Those who are ready for the challenges of painting landscapes outdoors
couldnt find a better teacher than Joseph McGurl (page 96). He does anexcellent job of explaining how to translate the forms, colors, and atmosphere
found in nature into oil paintings, and he is generous in sharing the knowl-
edge and experience that make him one of the best landscape painters in thecountry today.
M. Stephen Doherty
Editor-in-Chief
Editors Note
AMERICAN
ARTIST
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