Conservatorium van Amsterdam

www.consam.nl

KLASSIEK & JAZZ

Master Research Symposium

Classical and Jazz departments

09-13 March9.00-22.00, Sweelinckzaal, Amsterdam Blue Note, a.o.

Free entrance

MONDAY 9 MARCH

Sweelinckzaal

10:30-11:15 Artur Carballo Alviárez. THE SOUND OF THE WOODWINDS: Playing with the seating arrangement in an orchestra. Lecture-recital.

11:45-12:30 Flavia Hirte. EIGHTEENTH-CENTURY FLUTE MUSIC BY ENGLISH COMPOSERS. Lecture-recital.

13:00-13:45 Catarina Faria Gomes. THE ART OF SAXOPHONE QUARTET PLAYING: A guide to effective learning. Lecture-recital.

14:15-15:00 Pedro Jorge Castro e Silva. PRACTICING AND PERFORMING THE SONATA FOR ALTO SAXOPHONE AND PIANO BY EDISON DENISOV. Lecture-recital.

15:30-16:15 Alexandre Prusse. BERNARD CAVANNA’S WRITING FOR THE ACCORDION: A comparative study of his style and technique. Lecture-recital.

16:45-17:15 Hélène Dozot. EN’MAN’DŌ TRAINING: An innovative approach to manage musicians’ stress? Research lecture.

18:00-18:30 Carlos Delgado Antequera. KEEP CALM AND PRACTICE SPORTS: Counterbalancing the pressures of a musician’s life. Thesis presentation with lecture.

20:15-21:00 Maria Luisa Olmos Ros. WOMEN’S CONTRIBUTION TO THE CLARINET REPERTOIRE: From the classical period to the 1960s. Lecture-recital.

Amsterdam Blue Note

10:00-10:45 Isla van Hout. GOSPEL MUSIC ANNO 2019: Sacred music in a secular age. Lecture-recital.

11:15-12:00 Kyongho Park. THE SOLO PIANO PLAYING TECHNIQUES OF MARTIN BEJERANO. Lecture-recital.

12:30-13:15 Youngwoo Lee. ART TATUM’S STRIDE TECHNIQUE. Lecture-recital.

15:30-16:00 Deborah Witteveen. ‘SAXWIJS’: A guide for the classical saxophonist. Thesis presentation with lecture. (NB! Presentation is in Dutch)

19:00-19:30 Elise Rouchouse. AWAY FROM THE JURY’S GAZE: Practicing the emotional reactions experienced during orchestral auditions. Thesis presentation with lecture.

20:00-20:45 Pol Requesens Roca. THE USE OF PHONETICS IN COMPOSITIONS FOR VOCAL ENSEMBLE. Research lecture.

Ensemblezaal

11:15-12:00 Joran ten Kroode. ELEMENTS OF LOFI: A way to inspire jazz. Lecture-recital.

Theaterzaal

13:00-13:45 Maija Anttila. SOLOW: Application for improvisation with interactive electronics. Lecture-recital.

14:15-15:00 Filip Mercep. FIFTY SHADES OF VIBRAPHONE: The vibraphone as a core element of an audiovisual language. Lecture-recital.

Room 5.35

14:30-15:00 Alexandre Tkaboca. IMPROVING YOUR BREATHING SKILLS: A handbook of general explanations, classified exercises, existing and innovating breathing programs for flutists and other wind instrumentalists. Thesis presentation with lecture.

Room 7.38

11:00-11:30 Mirna Ackers. STOLEN FROM ANOTHER INSTRUMENT? Transcriptions in the flute repertoire from 1800. Thesis presentation with lecture.

TUESDAY 10 MARCH

Sweelinckzaal

10:00-10:30 Sophia Rasche. DON GIOVANNI ON THE COUCH - A psychoanalytical contemplation of the title role in Mozart’s opera. Thesis presentation with lecture.

11:00-11:45 Germán Garcia Pérez. FOLKLORE INFLUENCES IN IBERIA BY ISAAC ALBÉNIZ. Looking for a new interpretation. Lecture-recital.

12:15-13:00 Stephanus Harsono. ETUDE FOR THE EARS OF LAYMEN: Deciphering the language of classical music. Lecture-recital.

13:30-14:00 Adanya Dunn. TAKING THE EDGE OFF: LSD and psilocybin as a possible effective treatment for music performance anxiety in professional musicians. Thesis presentation with lecture.

14:30-15:15 Renán Zelada Cisneros. “あなたは誰? – WHO ARE YOU?” Understanding the use of sonic symbolism in Mamoru Oshii’s film Angel’s Egg. Research lecture.

15:45-16:30 Yekta Tez. HIDDEN ACTION: Making a huge change, in drama and

scene, without attracting attention. Research lecture.

19:15-20:00 Victor Naranjo Pérez. MODERN CANARIAN COMPOSERS AND THE FOLKLORE OF THE CANARY ISLANDS. Lecture-recital.

20:30-21:15 Daniel Cristobal Rubio Ferrandis. SEBASTIÁN DE ALBERO’S OBRAS PARA CLAVICORDIO O PIANOFORTE: A new edition. Lecture-recital.

Amsterdam Blue Note

09:15-10:00 Ezequiel Navarrete Caparrós. THE DUAL COMPOSER: Anime vs live-action – the case of Joe Hisaishi. Research lecture.

10:30-11:15 Nikolai Clavier. COMPOSING CINEMATIC STRING QUARTET DRONES: A methodical approach through the use of traditional and extended techniques. Research lecture.

11:45-12:30 Soykan Soner. THE MUSIC OF THE MIDDLE-EARTH: Contextual and musical analysis of The Lord of the Rings trilogy. Research lecture.

13:00-13:45 Moritz Gabe. ALL THESE MUSICAL MOVIE SOUNDS: Music composed through the use of film-inherent audio. Research l;ecture.

14:15-15:00 Arin Keshishi. PERSIAN JAZZ: A synthesis of Jazz and Iranian traditional music based on Avaz-e Bayat-e Esfahan. Lecture-recital.

16:00-16:45 Damiano Pascarelli. WRITING FOR LARGE JAZZ ENSEMBLE: Analysis and application of Vince Mendoza’s orchestration techniques. Lecture-recital.

17:15-18:00 Youji Shin. BACH ON THE MARIMBA: An arrangement of the French Suite no. 5. Lecture-recital.

19:00-19:45 Maaike Hupperetz. MAKE-UP IN OPERA AND THEATRE: A study of its role and uses in the past and the present. Lecture demonstration. (In Dutch)

20:15-21:00 Mariana Preda. THE CONTEMPORARY PANFLUTE CATALOGUE. Lecture-recital.

Ensemblezaal

11:45-12:30 Massimio Imperatore. THE AESTHETICS OF PAUL MOTIAN, BILL FRISELL, JOE LOVANO: Some ideas for composers. Lecture-recital.

13:00-13:45 Tomek van Leeuwen. COMPOSING FOR JAZZ-KWINTET. Lecture-recital.

Bernard Haitinkzaal

09:00-09:30 Niki de Vlaming. THE DIFFERENCE BETWEEN SITTING AND STANDING FOR VIOLINISTS. Thesis presentation with lecture.

10:00-10:30 Kano Imada. EXPLORING THE BAROQUE BOW’S HAIR CHANNEL: How different shapes influence the player and the sound. Thesis presentation with lecture

11:00-11:45 Matthijs van der Wel. ‘CAPRICCIO’: Electronic music by Henk Badings from 1954 through 1960. Lecture-recital.

12:15-13:00 Remus Rîmbu. A NEW CADENZA FOR PAGANINI’S FIRST CONCERTO. In the light of a study of violin techniques in the

cadenza’s of Wilhelmj, Cernicchario, Flesch, Winkler, Kubelik, and Sauret. Lecture-recital.

13:30-14:00 Charlotte Basolo Vázquez. STRING QUARTETS FROM DUTCH COMPOSERS IN THE EARLY TWENTIETH CENTURY: French, German, of Dutch style? Thesis presentation with lecture. (In Dutch)

Room 4.45

19:15-19:45 Julien Praud. HISTORICAL PERFORMANCE OF 19TH-CENTURY MUSIC: An introduction for modern string musicians. Thesis presentation with lecture.

20:30-21:00 Sterre Kooi. THE CRAFT OF DELIVERING YOUR SOUL: A qualitative research into the status of drama training for opera singers. Thesis presentation with lecture.

Room 5.35

15:30-16:00 Hessel Moeselaar. COMMUNITY MUSIC & ART – HEARING AND SEEING: Points of concern with community art projects in gentrification areas. Thesis presentation with lecture. (In Dutch)

WEDNESDAY 11 MARCH

Sweelinckzaal

09:30-10:15 Azucena Miras Ríos. BASSOON AND STRINGS: An overview of the existing repertoire for bassoon and strings from the Classical period. Lecture-recital.

12:00-12:30 Juan Francisco Rodriguez Velasco. THE USE OF OBOE AND ENGLISH HORN IN JOHN WILLIAMS’S FILM SCORES: Star Wars. Thesis presentation with lecture.

13:00-13:30 Ūla Kamilė Klebanovaitė. THE GRAND SYMPHONY OF THE WORLD: Mikalojus Konstantinas Čiurlionis’s music and visual art. Thesis presentation with lecture.

15:30-16:00 Ema Bajc. CHILDREN REDISCOVER CLASSICAL MUSIC : How to moderate a concert for the young. Thesis presentation with lecture.

18:00-18:30 Gabriele Bonfanti. THE TILT OF THE LARYNX IN THE TENOR CLASSICAL VOICE. Thesis presentation with lecture.

Amsterdam Blue Note

09:30-10:15 Juho Myllylä. RETHINKING RECORDER: Raising the professional standard of recorder playing in pop & jazz music. Lecture-recital.

10:45-11:30 Emily Bannister. PROGRESSIVE MUSICAL PATHWAYS FOR THE PAETZOLD RECORDER. Lecture-recital

12:00-12:30 Clara Calignano. UTOPIA AND CORNUCOPIA: A journey into Björk’s island. Presentation format.

13:00-13:45 Joshua Schofield. MELODIC HERBIE: An analysis of Herbie Hancock’s linear playing from the 1960s with a focus on its application to the alto saxophone. Lecture-recital.

15:30-16:15 Emanuele Pellegrini. NON-NARRATIVE IMPROVISATION: A different approach to improvisation based on musical texture. Lecture-recital.

18:00-18:45 Marcello Cardillo. MAX ROACH – CREATIVE GENIUS: The artistry of one of the most influential artists in African - American music history. Lecture-recital.

Theaterzaal

13:30-14:15 Cèlia Tort Pujol. LIFE? OR THEATRE? LIFE AND THEATRE!: Enhancing my performance practice by means of a multi-sided creative process. Music theatre performance - lecture.

15:00-15:45 Soheil Shayestehpour. ILLUSTRATOR KAMANCHEH: Different approaches to build an audiovisual instrument. Lecture recital.

16:15-17:00 Luka Prelas. VIRTUES///BUGS: Creating an interdisciplinary performance piece as a political classical saxophonist and performer. Lecture-recital.

Room 5.35

15:30-16:00 Sébastien Mitra. GRANDILOQUENCE, THE HONNÊTE HOMME AND CAKE: Understanding critiques of 18th-century French musical aesthetics. Thesis presentation with lecture.

Room 8.04

10:30-11:00 Victor Baena de la Torre. JORDI BOSCH: An innovative organ builder and his influence on A. Cavaillé-Coll’s works. Thesis presentation with lecture.

11:30-12:00 Jas Hutchinson-Bazely. ‘MON ORGUE, C’EST UN ORCHESTRE’: Reinterpreting César Franck’s published registration directions from St Clotilde, by placing them within the context of his own registrational practice. Thesis presentation with lecture.

THURSDAY 12 MARCH

Sweelinckzaal

09:00-09:30 Vanessa Bailén Fuentes. WARMING UP ON THE TROMBONE: Being effective and efficient. Thesis presentation with lecture.

10:15-11:00 Esther ten Kate. CLAUDE DEBUSSY – TRIO SONATA: The Sonata for Flute, Viola and Harp arranged for violin, cello and harp. Lecture-recital.

11:30-12:15 Erick Rojas Toapanta. ECUADORIAN JAZZ FOLK MUSIC: Deconstructing the fusion process. Lecture-recital.

12:45-13:30 Carlos Marin Rayo. GYÖRGY LIGETI’S DER ZAUBERLEHRLING: Analysis and Study Guide. Presentation format. Lecture-recital.

14:15-14:45 Satomi Chihara. RAVEL AND JAPAN: Historical evidence for Ravel’s connection to Japanese culture and art. Thesis presentation with lecture.

15:30-16:15 Dimitri Malignan. MISSING VOICES: The irreparable loss of Jewish composers in the Shoah. Lecture-recital.

Amsterdam Blue Note

09:00-09:45 José Nunes. SHOSTAKOVICH’S SONATA FOR VIOLA AND PIANO: An exploration of his ‘swan song’. Lecture recital.

10:15-10:45 Maria Novella Malfatti Galli. THE DIVA DIET: A comparision of nutrional approaches for an opera singer. Thesis presentation with lecture.

13:00-13:30 Silvan de Smit. COMPOSITIES VAN CAROLUS ARNOLDUS CRAEIJVANGER & HERMANUS MARINUS VAN BOOM: Ter beschouwing van solistische klassieke gitaarmuziek in het 19e-eeuwse Nederland. Thesis presentation with lecture.

16:45-17:30 Ovidi Martí Garasa. FROM SAX TO BUSCH: The role of the saxophone in classical music. Lecture-recital.

Room 4.42

13:00-13:30 Andrea Guterres. COMMUNICATING CONCEPTS: The Importance of Establishing Aesthetic Agency in 21st-Century Electroacoustic Music. Research lecture.

Room 4.45

09:00-09:30 Chonglian Yu. COMPUTER-AIDED COMPOSITION IN OPENMUSIC, and Related Works and a compositional toolset in Max/Msp based on OpenMusic and Bach project. Research lecture.

10:00-10:45 João Mendes Canelas. CREATING A BRIDGE: Orchestral Etudes for Tenor Trombone. Lecture recital.

11:15-11:45 Xinjian Du. SIMILARITIES AND DIFFERENCES BETWEEN OBOE AND SUONA. Thesis presentation with lecture

Room 8.03

16:00-16:45 Melle Heij. DER HIMMELWANDERER: Creating a libretto about afterlife. Research lecture.

FRIDAY 13 MARCH

Sweelinckzaal

09:00-09:30 KyuHyoung Cho. MAIN EMBOUCHURE TRAINING IN TRUMPET PLAYING: Research into existing methods and exercises for using mouth muscles. Thesis presentation with lecture.

10:00-10:30 Ivo van Gennip. BASICS FOR BRASS: A research into the most commonly used basic methods and the use of basic exercises for small brass. Thesis presentation with lecture. (In Dutch)

12:00-12:30 María Jesús Moreno Ciudad. THE INFLUENCE OF OBOE MECHANIZATION IN RIGHT-HAND DISORDERS: The role of the thumb rest. Thesis presentation with lecture.

13:00-13:30 Emilio Aguilar Balbuena. SINGING THE SYNTHESIZED VOICE: Prosody Transfer and the Denaturalization of Speech. Thesis presentation with lecture.

14:00-14:45 Sofia Rodrigues Bastos da Graça Pedro. THE PORTUGUESE LANGUAGE OF THE CANCIONEIROS: Reconstructing 16th-century pronunciation. Lecture-recital.

15:15-16:00 Fabio Forgiarini. HEINICHEN AND VIVALDI: HORN FRIENDS? Exploring the possible connections and relations between the works of the two baroque composers. Lecture-recital.

17:00-17:30 Pedro Miguel Pacheco Victorino. SOCIAL MOBILITY THROUGH CLASSICAL MUSIC COMPETITIONS. Thesis presentation with lecture.

Amsterdam Blue Note

09:00-09:45 Lorenz Rommelspacher. INSTRUMENT_N, DESIGNING A HYBRID: How to build an acoustic instrument and turn it into a MIDI-controller. Lecture-recital.

10:15-11:00 Gediminas Stepanavicius. ALIVE ELECTRONICS: Artifical intelligence and MIDI recorders. Lecture recital.

11:30-12:15 Michele Mazzini. BUILDING COMMON GROUND: History and strategies of group improvisation for classical and jazz musicians. Lecture-recital.

13:00-13:45 Hila Hutmacher. AUTHENTIC VOCAL IMPROVISATION: Sound and articulation in Vocal improvisation in jazz before and after the 1950s. Lecture-recital.

14:15-14:45 Viola Brambilla. THE ROYAL CONCERTGEBOUW ORCHESTRA FLUTE TEAM: How flutists with different approaches can play together and match perfectly in performance. Thesis presentation with lecture.

15:15-15:45 Martina Lampis. THE TONGUE IN FLUTE PLAYING: A look into the history and current practice of tonguing. Thesis presentation with lecture.

Ensemblezaal

13:00-13:45 Alberto Granados Reguilón. HOW TO ‘PLAY’ MUSIC? Designing game strategies to stimulate a creative process. Lecture-recital.

Room 4.45

09:00-09:30 Sara Mazzarotto. FEAR VS FLOW: A practical guide to freedom in performance for classical musicians. Thesis presentation with lecture.

16:00-16:30 Pablo Romanillos Corte. THE PROBLEM OF AIR LEAKING THROUGH THE NASAL CONDUCTS IN OBOE PLAYING: Techniques and exercises based on professional experience. Thesis presentation with lecture.