margie deeb - beaded art & jewelry - jewelry design - color · 2014. 5. 23. · created date:...
TRANSCRIPT
www.MargieDeeb.com
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APEYOTEPRIMERby Margie Deeb
www.MARGIE DEEB.comThe Art of Color for Bead Artists
©2008 Margie Deeb. All rights reserved.
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“Arabian Nights”design by Margie Deeb; color choices by SaraBeth Cullinan,created in peyote stitch by SaraBeth Cullinan.
Pattern available for loom or peyote, square or brick stitch in the PDF Patterns Store atwww.MargieDeeb.com
2-drop peyote braceletby Margie Deeb
www.MargieDeeb.com
3www.MargieDeeb.com
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1. Loop thread around bead 1 twice to keep it in place and use the “tail” to adjust tension as you work the first few rows. (For simplicity, the illustration shows only one loop.) Later you will remove this loop and weave its tail into the beadwork. Thread an even amount of beads onto the thread to begin your first two rows.
2. After picking up bead 7, pass needle through 5. Continue picking up a bead and passing the needle through a bead until you pass back through the first bead. Pull thread snug, so the beads touch each other.
You now have three rows are ready to begin the fourth row.
3. Continue each row as described in step 2. If your first two rows are loose or uneven, pull the tail of the thread you looped around bead 1 to tighten the tension.
4. When all the weaving is complete, tie off your thread tails by weaving them into the beadwork in a circular path, hidden within the beads.
You final weaving should look like this.
PEYOTE STITCH (EVEN-COUNT)
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1. Begin with the loop as shown in step 1 of the even-count peyote. (For simplicity, the loop around the first bead is not shown in this diagram.)
Place an odd number of beads onto the thread to begin your first two rows. Thread all but the last bead of row 3 into place. Pass thread through beads 1 and 2. Put bead 11 on the thread.
2. After you’ve passed back through beads 1 and 2 and picked up bead 11, you are going to make a figure-eight path with the thread to begin the fourth row. Pass thread through beads 2, 3, 10, 2, and 1, and then back through 11. If your needle’s final exit bead is 11, and the beads on the left end are fit snugly together, you’ll know your figure-eight path was suc-cessful.You won’t have to do this fancy move again until you start a new project using the odd-count peyote.
3. From here on out, each row that begins on the left has a more complex turn than the row beginning on the right. After picking up bead 18, pass the thread through beads 11, 12, 2, and 11, and back through 18 to begin the next row.
PEYOTE STITCH (ODD-COUNT)
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1. To increase by an odd number larger than one bead, pick up the number of extra beads plus one. Counting backward from the last bead threaded, skip two and pass needle through the third, bead 14.
2. Add bead 17. Thread through bead 7 and secure the new rows by threading into the ex-isting weaving, following the path shown. Exit bead 16. Pick up bead 18, pass through 17, and continue with regular peyote stitch.
INCREASING PEYOTE STITCH BY AN ODD NUMBER OF BEADS
6www.MargieDeeb.com
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2. Secure the new row by threading into the existing weaving, following the path shown. Continue with regular peyote stitch.
1. Pick up two beads. Go back through the last bead that is attached to the weaving, 7.
INCREASING ODD NUMBERED ROWS OF PEYOTE STITCH BY ONE BEAD
7www.MargieDeeb.com
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1. At the end of a row, pick up an even num-ber of beads. Pick up another bead to become the first bead of the next row. Thread through the first bead you just picked up.
2. See how the additional beads have increased the width? Keep stitching as usual.
INCREASING PEYOTE STITCH BY AN EVEN NUMBER OF BEADS
8www.MargieDeeb.com
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1. After exiting a bead within the piece, pick up two beads (14 and 15) and continue with regular peyote stitch.
2. When you stitch the next row, place one bead (bead 19) between the two increase beads. Continue stitching as regular. The in-crease beads will push the other others beads diagonally, and the width will increased two vertical rows.
INCREASING PEYOTE STITCH WITHIN THE WEAVING
9www.MargieDeeb.com
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To decrease, do not add the bead that be-gins the next row on the outside edge as you normally would. In this case, the place where bead 19 belongs is skipped over.
As you exit from the right of bead 13, you’ll need to get your needle in position to enter bead 18 from the left of bead 13. Do this by following the thread path shown, starting from bead 13 heading back up into the bead just above it, bead 7. Follow this thread path for every decrease on an outside edge.
DECREASING PEYOTE STITCH ON THE EDGES
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1. To decrease within the weaving itself, omit a bead on a row and stitch on. In this case, bead 17 has been omitted from its regular place. Pull the thread tight to close the gap created. You’ll see the weaving begin to taper where you’ve decreased.
2. On the next row, add one bead in the gap.
DECREASING PEYOTE STITCH WITHIN THE WEAVING
11www.MargieDeeb.com
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Margie’s Blog:colorforbeadartists.comThe Beader’s Color Palette
Artist, designer, musician,
and color expert Margie
Deeb is the author of several
beading books, including
the popular The Beader’s
Guide to Color and The
Beader’s Color Palette. She
was invited to discuss her
approach to color on a 2008
episode of the PBS TV show
“Beads, Baubles and Jewels.”
Margie teaches color courses for artists, interior designers,
and beaders. Her free monthly color column, “Margie’s
Muse,” is available on her website. She produces a free
graphically enhanced podcast, “Margie Deeb’s Color
Celebration,” available on iTunes. Subscription to her free
monthly e-newsletter is available on her website.
Her articles have appeared in Bead & Button and
Beadwork magazines, and she writes a regular color
column in Step-by-Step Beads. Visit Margie’s website for
her books, patterns, jewelry, inspiration, and more:
www.MargieDeeb.com
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in any medium - by introducing you to
color combinations you’ve never used
or even seen before. These seasonal
PDFs contain over 40 palettes, descrip-
tions, photos, gemstone and Delica
bead suggestions, and ideas based on
Pantone’s fashion color report.
One of the most fun aspects of creativ-
ity is color: using new colors and har-
monies. If you’re like me, your bead-
work soars when you’re challenged and
inspired. And it becomes exponentially
more fun.
It thrills me to work with colors I’ve
never seen or tried. Watching how the
hues interact with each other and how
I interact with them gives me such joy.
And I want to learn more, go further,
reach higher and create more.
Join me in exploring the exciting new
colors of each season.
Responses to Margie’s Color Report for Bead Artists:
“I really like the color report - particu-larly because there are colors that I probably would not have considered or noticed and this gives new directions to travel. I also REALLY appreciated the listing of the gemstones.” - Kathy L.
“Very helpful. I tend to work in certain palettes over and over again, but see-ing a different palette helps me move out of my comfort zone.” - Susan K.
“I appreciated the fact that you men-tioned your initial reaction to some of the Pantone colors for this season and yet after exploring them, your reaction to them changed. It reminds me to be open to colors I might not usually consider for jewelry (or wearing).” - Rosalynn B.
“I know I will not care for every season’s colors but The Color Report for Bead Artists still gives me an idea of what to look for when designing for the next season. It is very helpful knowing that what I make will work with what is in the stores for those months.” - Betty
How Have You Lived without the Color Report for Bead Artists?
Learn the most critical secret to making dynamic, powerful color combinations. A 33-page PDF for instant purchase and download
Click for details...
13www.MargieDeeb.com
MARGIEDEEB.COMThe Art of Color for Bead Artists
Out On A Loom is a creative journey through color, design, and form for the beginning to intermediate level seed bead artist. The softcover book features 32 full-color pages of detailed instructions, patterns, illustrations, and diagrams for creating loom woven bracelets, mini-tapestries and split loom necklaces. Professional and creative finishing techniques are provided so each finished project can be a work of art.(Paperback, 36 pages)
$19.95 US Dollars
Beading Her Image illustrates the power and beauty of the feminine in 15 seed bead patterns for peyote, brick, square stitch, and loomwork. Women from a wide range of times and cultures are woven into tapestries, necklaces, and bracelets. The stun-ning and gorgeous color palettes that artist Margie Deeb is known for adorn each piece.
Includes loom building instructions, finishing split loom necklace instructions, and peyote, brick, and looming instructions. (Paperback, 44 pages)
$19.95 US Dollars
The only book of its kind written specifically for bead artists, The Beader’s Guide to Color teaches beaders of all levels everything they need to know about color to create unique and vibrant bead-work designs. Margie discusses psychological and symbolic color associations, and ways in which color can be used to create and accentuate pattern, rhythm, and movement. 21 color schemes are de-scribed and illustrated in detail with accompanying projects for all skill levels. (Paperback, 144 pages)
$21.95 US Dollars
The Beader’s Color Palette: 20 Creative Projects and 220 Inspired Combinations for Beaded and Gemstone Jewelry opens the door to worlds of color inspiration. Gather from history, culture, and our planet to create stunning color schemes for beaded creations. Gorgeous beaded jewelry illustrating 220 specific palettes for glass and gemstone beads make The Beader’s Color Palette a coffee table book of inspiration for color lovers working in every medium. Includes detailed instructions for stringing, finish-ing, looming, and off-loom stitches. (Paperback, 192 pages)$24.95 US Dollars
Margie’s Blog:colorforbeadartists.com