m.arch work in rhino

Sinhgad College of Architecture Guide: Dr. Pankaja Bagul M.Arch Computer Applications DISSERTATION Anisha Jadhav

•The kinetics are so designed that they optimize their configuration in real time by responding to environmental changes.•The system is conceived as a series of blinds whose kinetics are designed that have the properties of twisting, sliding, rotating by being interactive with the ambient conditions.

I N T E R A C T I V E D E S I G N S

Twisting

Rotation and Twisting angle

ARCHITECTURAL COMPONENT

MECHANICAL CONCEPT

Louvre

Rotation

COMPOSITION

CONTROL MOVEMENT

MECHANISM

Motion/music, Ambient conditions(Luminosity, weather, etc)

INPUT

INPUT PROCESS OUTPUT

Motion/temperature/sound Sensor

Ambient conditions

Control of twisting/rotation angle of louvers according to input like luminosity, temperature, motion, sound

Twisting/rotation/sliding/translation

Sunlight

Response of Louvers

INTERACTIVE LOUVERS

STAGE 1 STAGE 2 STAGE 3 STAGE 4 STAGE 5

•The system is created in parametric components.•It responds to a collection of control points.•The system acts as a shutter composed of multiple strips.

•Each louver could twist independently of the others.•The twisting of the louver is caused by control points. •Each louver reacts individually, while creating an effect of movement in the whole facade.

Input:Program has to be made with following conditions-Amplitude of the blindsIncident light (detected by light sensors)No. of rotations/ twists (caused by servomotor)Time

•Designing a new generation of buildings that optimize their configuration in real time by responding to environmental changes.

•Here the configuration changes as person passes by… it follows the person

MECHANISM INVOLVED:Servo motors, gears, microcontroller, louvers

DEPLOYABLE KINETIC SYSTEMS•The deployable kinetic systems are usually easily constructed and deconstructed systems that exist in a temporary location.•These structures can have one or multiple functions and their movement can be controlled in different waysThese systems have the potential for mechanical movement but they do not have any direct control device or mechanism, they have a constructional internal control that allows it to move by rotating or sliding.



KINETIC SYSTEMSMECHANIC SYSTEMS

ORIGAMI’S GEOMETRYCREASE PATTERNSKINETIC POTENTIAL

INFORMATIC SYSTEMSDATA READERSSENSORSACTUATORS

MATERIALS

The kinetic adaptive enclosure was intended to create an interactive structure that could create spaces. It is notyet a building, but it may be the first step todefine a building that can be interactive as a whole.Aimed to create a system that could assume differentforms in order to configure different spaces,with a range of different areas and volumes and severaldifferent geometric configurations so it would beable to respond to several different needs of a user.

ADAPTIVE ENCLOSURE

Expansion


MECHANICAL CONCEPT

Foldable material, ballows, panels

Retraction

COMPOSITION

CONTROL MOVEMENT

MECHANISM

Proximity of people/occupantsINPUT

EXPANDRETRACT

2 main arch like supports acting as a guide on which the canopy would retract/ expand

STUDY MODEL


Motion, proximity of occupants

Expansion and retraction of the deployable kinetic system

Folding and unfolding of enclosureSunlight

Adaptive Space

STAGES OF EXPANSION AND RETRACTION

UNDERSTANDING THE BASIC GEOMETRY AND KINETICS

THE MECHANICAL SYSTEM

BASIC ORIGAMI FOLDSOverview of the direction of movement. The kinetic movement can be triggered either form horizontal or vertical points which allowed different type of scale in constructing this kinetic system

The advantage of this system is that it allows for constant movement in creating opening and closing of the system and the kinetic component can be add-on or subtract based on the site condition and needs.

APERTURE FAÇADE:Aperture is a façade installation with interactive and displaying modes. The aperture opens and closes imitating the movement of a person standing in front of them



The system is designed as a ceiling made from multi-coloured, translucent, modular panels. The panels act as gears, rotating in unison to control the amount of shade offered and the pattern of blended colours. Their movement is related to the ambient light intensity, movement of people creating more shade (and colours) when it is sunny and because of movement.

INTERACTIVE CEILING


MECHANICAL CONCEPT

Circular panels

Rotation

COMPOSITION

CONTROL MOVEMENT

MECHANISM

Motion/music, luminosityINPUT


Motion/light/sound Sensor

Control of rotational movement of panels

Rotation of circular panels

Sunlight Play of colorful light

A rotating ceiling was designed in response to the movement of the passerby.

Triangular metal grid on which the circular components would rotate also giving a background pattern

Initial concept was to develop a ceiling responding to music and motion with the play of ceiling lights passing through overlapping colorful translucent components

EXPERIENTIAL DESIGNS

INTERACTIVE LIGHT AND MUSIC COMPOSITION.In this configuration, it’s been

combined with an interactive

light sculpture that reacts

dynamically to the dB level of

the musical output thus

triggering light illumination

Anisha Jadhav M.Arch C.A.

Digital Design Studies (Studio-II)

Sinhgad College of Architecture

Studio Coordinator :Dr.Pankaja Bagul

Generative design:

Using cultural heritage as reference

FORM AND PATTERN DEVELOPMENT

TESSELLATION ITERATIONS:

SURFACE DEVELOPED USING A SIMPLE

CIRCULAR AND POLYGONAL GRID

TESSELLATED SURFACES





Generative design:



ITERATIONS OF THE PENDENTIVE FORM

CASE STUDIES: LOTUS TEMPLE,DELHI

One of the outstanding structures of the 20th

century is the Bahai Temple in Delhi,

popularly known as the Lotus Temple.

The temple manifests itself as a half open

lotus flower, afloat, surrounded by its leaves.

Designed by architect Fariburz Sahba

INTERIOR OF THE TEMPLE

The Baha’i faith is

said to embody in

itself the nine major

faiths of the world

and in order to

symbolise this, each

component of the

temple is repeated

nine times.

The conga room has been a los angeles

cultural landmark. The latin live music

and dance venue was la’s center for

salsa and rumba.

CONGA ROOM, LOS

ANGELES

In an effort to meet the client’s desires for

an aesthetic that reflected the vibrancy and

dynamism of Latin culture, the ceiling

surface, fashioned from a series of

Computer Numerically Controlled (CNC)-

milled, painted plywood panels, was created

from an assemblage of diamond patterns,

which were initially derived from the classic

Cuban Rumba dance step.





Generative design:



The honeycomb, a structure

of joined hexagons creates no

negative or additional space.

Further additions onto the

honeycomb require no new

development of geometry

The derived form of the module can be further generated for future

expansion horizontally or vertically.

Horizontally, the building will further generate following a radial grid.

RHOMBUS TESSELLATIONS TRIANGULAR TESSELLATIONS

HEXAGONAL TESSELLATIONS

SURFACE DEVELOPMENT AND FORM FINDING

SURFACE DEVELOPMENT AND FORM FINDING

•Polygonal geometries are frequently seen through Islamic

Architecture geometries.

•Tessellation iterations were done on rhombus, triangle and

hexagon.

•Rule: Niches in the ratio 1:2 were made on each face centrally,

alternately inside and outside.

SERIES OF VAULTS

MUQARNAS





GENERATIVE DESIGN:

USING CULTURAL HERITAGE AS REFERENCE

POLYCARBONATE SHEETS

FIXED ON FRAMING

MEMBERS

COMPONENTS FIXED ON

FRAMING MEMBERS

HOLLOW STEEL COLUMN

FRAMING MEMBERS

PLAN

VIEW

FRONT VIEW

1 MODULE

(6 UNITS)

m.arch work in rhino

Documents

deployable kinetic systems

n t e r

deconstructed systems

mechanical movement

different spaces

different forms

different ways

different needs