march newsletter 2014
DESCRIPTION
March 2014 NewsletterTRANSCRIPT
Cheryl Jacobs NicolaiPhotography
Featuring
by napcp
N A T I O N A L A S S O C I A T I O N O F P R O F E S S I O N A L C H I L D P H O T O G R A P H E R S
I N S P I R E DM A R C H 2 0 1 4
Industry News &Announcements,
Workshops,Updatesandmuch more!
TheLATEST
INSIDEA Look at Animoto Pro + Giveaway Details
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March has finally arrived – and that means spring is on the horizon! We’re
all ready to bid farewell to the freezing temperatures, slush, snow and overall
polar vortex that has been this winter. We’re looking forward to getting outside in
the beautiful weather, enjoying alfresco activities and capturing some sun-kissed
shots along the way.
The spotlight shines this month on the lovely Cheryl Jacobs Nicolai. A self-
proclaimed “dinosaur” - meaning that she works only in black and white film and
primarily with older cameras - Cheryl splits her time between photography and
singing in her band (yes, really!). She loves Cocoa Puffs and red wine, but never at
the same time. As one of the most enthusiastic educators in the industry, you can
often find her teaching independent workshops. Talented, soulful and just an all-
around cool person, we’re so excited she’s our member spotlight!
Stay tuned for the results of the NAPCP 2014 International Image Competi-
tion in early April - we had some truly remarkable entries! The judges have been
hard at work and will soon be wrapping up the scoring process.
The grass is always greener come spring…. so get ready, those sunny days
are right around the corner!
Hello friends!
SincerelyThe NAPCP Team
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TABLE OF CONTENTS
Pg. 5.Featured Photographer: Cheryl Jacobs Nicolai
Pg. 19 ..................................Camera Bag Essentials
Pg. 21 ............................................Video Resources
Pg. 22 ................................. Apply For Membership
Pg. 3 .......................................Image Competition
Pg. 4 ................................News & Announcements
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COMPETITION UPDATE
The February 2014 NAPCP International Image Competition closed last month
and we are finalizing the scores and preparing to announce our lovely winners
in the coming weeks. The purpose of NAPCP’s Image Competitions is to recog-
nize the accomplishments and creative excellence of our members, rewarding
their talent with medallions, priority listing on our directory, vendor endorse-
ments, member points, titles and professional recognition.
Thank you to everyone who submitted!
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NEWS & ANNOUNCEMENTS
We hope that everyone will continue
to partake in our NAPCP Facebook
Community page! Join now and get
involved with the latest discussions,
trending topics, news and updates,
and much more! Click here to
request to join today!
Facebook Community
COMPETITION UPDATE
Several of our amazing vendors have
contributed FREE downloads exclusively
for NAPCP members. These downloads
include template designs, educational
videos, and much more! We will be add-
ing new downloads every month so make
sure to check it out periodically! To view
all of our fabulour downloads simply
click on the "Resources" tab and select
"Vendor Downloads."
Vendor Download Page
Images by Cher yl Jacobs Nicolai of Cher yl Jacobs Nicolai Photography
FEATUREDPHOTOGRAPHERC H E R Y L J A C O B S N I C O L A I
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dedicated film shooter and lover of vintage cam-
eras, Cheryl Jacobs Nicolai epitomizes the “soulful” photog-
rapher. She is known for her incredible workshops, which
have been praised and followed since she taught her first
one outside London in 2005. Since then, she has instructed
hundreds of photographers, and her work has been featured
by the Analog Photography User Group (apug.org), Kodak’s
ProPass Magazine and Black and White Photography Maga-
zine. Turn the page to learn how Cheryl balances her time
between photography and singing. (Yes, singing! She’s in a
band – so cool, right?)
A
N A P C P N e w s l e t t e r M a r c h 2 0 1 4 | 0 8
Tell us your story. How you started and how your photography, brand, and
business transformed over the last few years?
Like so many, I started photography when my kids were very young, and grew
along with them. I had my first solo gallery show before I opened my portrait
business, and have always been glad I did. It forced me to know myself, my
style, and my message before accepting money to create an image. My work
has changed as my children have grown up, from working primarily with
young children, to working with teens and adults. I think we naturally learn
to relate to people who are the same age as are kids, so they've been a great
source of learning for me. I love photographing people of every age.
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We love that your medium of choice is film. Tell us why you decided to go
that route and how it's affected your business.
Film wasn't really a choice; I started with it when digital wasn't so prevalent,
loved it, and never felt the need or desire to change. I love the organic feel
of creating negatives with my own hands, of creating a physical thing in my
camera, of pulling film out of a tank of chemicals. Working with film forced
me to learn discipline, to really understand technique with dollar signs at-
tached; I couldn't afford to make the same mistakes over and over. It made
me learn pre-visualization and anticipation, which I think are two skills that
are becoming rare these days.
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What is one business lesson you wish you learned a long time ago?
I would have hired a business manager right off the bat! People who are as
right-brained and free-thinking as I am are rarely the ones you wanted organiz-
ing your business and running your finances. Best to leave that to the people
who are good at it.
What is the best advice you can pass along to newer photographers to help
them develop a better critical eye on their own work? You cannot effectively
assess your own work without first figuring out who you are and what story you
want to tell. Everything should support that story; if it doesn't add, it probably
takes away. It all starts with looking inward and figuring out what moves you
and how you want to convey that.
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Your style is very unique and raw, yet spontaneous and natural. Can
you tell us how you approach your sessions and capture your subjects
so beautifully? I've always made it my mission to approach my subjects
with the goal to develop a common ground, to find something deeply
meaningful that we have in common. That's the same whether that sub-
ject is two years old or ninety. The session has to be its own reward; I
want the subject to want to make a portrait with me, to collaborate to
say something significant about each of us in a single frame. Above all, I
want them to leave a session feeling valued and understood.
How has your business changed over the last few years? Tell us your
daily schedule and how you manage to make it all work!
I am a juggler. I make my living with a combination of commissioned
photography, art print sales, teaching, mentoring, writing, and three dif-
ferent musical projects. It's a crazy schedule along with raising teenagers
as a single mom, but I love my nutty life and the strange opportunities it
presents.
Where do you see your life 5 years from now?
I have no idea whatsoever. I had my kids very young, so it will my first
real chance to do whatever I want, as my kids will all be graduated from
high school and gone. Travel? Write? Focus on music? Move abroad? I
don't know. It's exciting.
To see more of Cheryl's work, please visit her site here!
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Thank you so much Cheryl!
1) Bronica SQ-Ai with 80mm 2.8 lens and a new 110 mm f/4
macro that I just picked up and haven't played with yet
2) Holga 120N toy camera
3) 1929 Agfa folding 6x9 camera, which is my point and shoot
4) 1930's Leica 35mm camera
5) Cheapie little Polaris handheld meter
6) Bag of various sizes and varieties of film
W I T H C H E R Y L J A C O B S N I C O L A I
E S S E N T I A L ST H E C A ME R A B AG
T H E C A M E R A B A G
7) A plastic ziploc bag that I sometimes shoot through for a bit of
artistic blur
8) My infamous Sh!t filter (a yellow filter smudged with dirt,
chapstick, vaseline, whatever is on hand) for diffusing images
9) Various assortment of chapstick, lip gloss, rubber bands, tape,
paper clips, hair ties, and spare change for meters
As many of you know, Animoto brings our industry a video creation service (online
AND mobile) that makes it easy and fun for us to create and share extraordinary
videos using own own photography, video, words and music. With Animoto Pro,
enjoy pro-exclusive styles designed with top photographers like Tamera Lackey
and Kelly Brown. They also boast a Triple Scoop Music library of over 1000+ songs!
You'll also love video quality at 720p and 1080p!
NAPCP is thrilled to host an exclusive Giveaway with Animoto for One Free Year of
Animoto Pro! Be sure to check back for full details on the NAPCP blog tomorrow!
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WORKSHOPS
NAPCP’s July 2012 International Image Com-
petition opened on Monday! The purpose of
NAPCP’s Image Competitions is to recognize the
accomplishments and creative excellence of our
members, rewarding their talent with medal-
lions, priority listing on our directory, vendor
endorsements, member points, titles and pro-
fessional recognition. Members each receive
a total of 2 Competition Credits per Competi-
tion with their Membership. Details are online!
They say a picture is worth a thousand words
… and yours may be featured in our next press
release. For the past two International Im-
age Competitions, the winners announcement
highlighted the names of the competition win-
ners and received great exposure – collecting
thousands of views, postings to other websites,
and search index hits. Wouldn’t you like to see
your name and photo sent over the wire too?
Members, you can start submitting your best
images here!
Start Submitting Now!
WORKSHOPS
please visit napcp.com or email us at [email protected] with questions or inquiries.
MembershipInterested in applying for
membership? Learn more
about the benefits of a NAPCP
membership on our site!
Directory
Looking for a photographer in
your area? Visit our exclusive
NAPCP Member Directory on
the site today!
DIRECTORYAPPLY NOW
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