march 2012: mr. watts and a world premiere at the atlanta symphony orchestra

Robert SpanoMusic DirectorDonald RunniclesPrincipal Guest ConductorMichael KrajewskiPrincipal Pops Conductor

MarchMarch 8/10Bach: St. Matthew PassionTheater of a Concert

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20 The Table Is Set A2012-13invitationtocomfort

food,spicysurprisesandsome homecookin’.

48 Krajewski … Michael Krajewski

TheOrchestra’sInternational Manof(Musical)Mysteryon “Bond&Beyond.”

50 an Educator’s heart Greatthingshappenwhen

studentmusicianshavethe opportunitytoworkwiththe world’stopartists.

departments12 President’s Letter 14 Orchestra Leadership 16 Robert Spano18 Musicians35 Contributors52 Calendar54 Administration56 General Info 58 Ticket Info60 Gallery ASO

features25This week’s concert and program notes

the music

March 2012encoreatlanta.com

contents

20

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8 AtlantaSymphonyOrchestra/aso.org

48

CoverwatercolorbyAnnePatterson,designeranddirectoroftheTheaterofaConcertpresentationofBach’sSt. Matthew Passion.

vp of creative/chief storyteller KristiCaseySanders

[email protected] director JennySchisler

[email protected] editor [email protected]

graphic designer [email protected]

production/marketing assistant SophiaChin

[email protected] writers

BretLove,AhmadMayesandMadelineRogers

atlanta symphony orchestradirector of publications RobPhipps

publications editor KarlSchnittkeprogram annotator KenMeltzer

publisher/sales SherryMadiganWhite404.459.4128

[email protected] executive

[email protected]

senior national accounts manager SandraOurusoff212.260.4883

marketing administrator StephanieSmith

[email protected]

ENCOREATLANTAispublishedmonthlybyAtlantaMetropolitanPublishingInc.

president TomCaseychairpersonDianeCasey

controller SuzzieAdamsGilhamvice president, sales and marketingEvanCasey

chief administrative officer ClaudiaMadigandirector of marketing LisaKraus

copyright 2012 aMP Inc. all rights reserved.Reproductioninwholeorinpartisstrictlyprohibited.EncoreAtlantaisaregisteredpublicationofAMPInc.Thepublishershallnotbeliableforfailuretopublishanad,fortypographicalerrorsorerrorsinpublication.Publisherreservestherighttorefuseanyadvertisingforanyreasonandtoalteradvertisingcopyorgraphicsdeemedunacceptableforpublication.

180AllenRoadNE,Suite200NorthAtlanta,GA30328Phone404.843.9800Fax404.843.9070www.encoreatlanta.com

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XX

WelcomeAnoft-quotedNigerianproverbsuggeststhat“ittakesavillagetoraiseachild.”Inasimilarvein,ittakesenoughpeopletopopulateasmallvillagetocreate thekindsofmemorableconcertexperiences thatyouand IenjoyweekafterweekwiththeAtlantaSymphonyOrchestra.

Yourconcertexperiencerests,primarily,withRobertSpano,withourincrediblygiftedmusicians,andwiththeworld-classguestsoloistsandconductorswhojointhemontheSymphonyHallstage—peoplesuchasAndreWatts,NicholasPhan,WyntonMarsalis,HeidiGrantMurphy,KellyO’Connor,ThomasCooley,StephenPowell,ThomasGlenn,DietrichHenschel,andLeonidasKavakos.Butothers,lessvisible,perhaps,playvitallyimportantrolesinyourexperience,too:thosewhostafftheboxoffice,theparkinggarageattendants,foodandbeverageservers,andthosewonderfulvolunteerswhoserveasushersateachofourconcerts.

Irecentlyreceivedaletteraboutwhatamarkeddifferenceourushersmakeinshapingyourconcertexperience:

“WehadawonderfulASOexperiencelastThursday,thanksinnosmallparttothekindnessandconsiderationofoneoftheASOushers.WetraveltoASOconcertsbyMARTA,andonthateveningwearrivedfifteenminuteslateduetoadelayattheMARTAAvondaleStation.Whilewewaited tobeadmitted to theconcert,theusheroverheardusmentionwehadcaughtMARTAattheAvondaleStation.Withouthesitation,theusherofferedtodriveusbacktotheAvondaleStationaftertheconcertsinceshe,too,livesinthatarea.Wewereflooredbyhergenerosity,andwegratefullyacceptedheroffer.Wesharedaverypleasantridehometogether.Sheevengaveusadviceonwheretopark,shouldwedecidetodrivetotheASO.

Themusicthateveningwassuperb,butwhatmadeourASOexperiencetrulymemorablewastheusher’skindness.Wearenownotonlysubscribers,weareASOfansforlife.”

I’mgratefultoourushersfortheirdedicationandcommitmenttotheAtlantaSymphonyOrchestra,tothiscommunity,andtocreatingmemorableconcertexperienceseachandeveryweek.MythankstoyouforsupportingyourAtlantaSymphonyOrchestra!

Wishingyouallthebest,

StanleyE.Romanstein,Ph.D.President


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2011-2012 BoaRD of DIREcToRS

BoaRD of counSEloRS

lIfE DIREcToRS

DIREcToRS

offIcERS JimAbrahamson

ChairKaroleF.Lloyd

Chair-Elect

MeghanH.MagruderVice Chair

D.KirkJamiesonVice Chair

JoniWinston†Secretary

ClaytonF.JacksonTreasurer

JimAbrahamsonPinneyL.AllenJosephR.Bankoff*NeilH.BermanPaulBlackneyJanineBrownC.MerrellCalhounDonaldP.CarsonS.WrightCaughman,

M.D.AnnW.Cramer†CarlosdelRio,M.D.RichardA.DorfmanLynnEdenDavidEdmistonGaryP.FayardDr.RobertM.

Franklin,Jr.

PaulR.GarciaCarolGreenGellerstedtThomasHootenTadHutcheson†Mrs.RoyaIrvani†ClaytonF.JacksonD.KirkJamiesonBenF.JohnsonIIIMarkKistulinecSteveKooninCarrieKurlanderJamesH.LandonMichaelLangDonnaLeeLucyLeeKaroleF.LloydKellyL.LoefflerMeghanH.Magruder

BelindaMassafra*PennyMcPheeVictoriaPalefskyLeslieZ.PetterSuzanneTuckerPlybonPatriciaH.ReidMargaretConantReiserMartinRichenhagen†JohnD.RogersStanleyE.

Romanstein,Ph.D.*DennisSadlowskiWilliamSchultzJohnSibleyH.HamiltonSmithLucindaB.SmithThurmondSmithgallPaulSnyder

GailRavinStarrMaryRoseTaylorJosephM.ThompsonLizTroyRayUttenhoveChiltonDavisVarner†S.PatrickViguerieRickWalkerThomasWardellMarkD.WassermanJohnB.White,Jr.†RichardS.White,Jr.†JoniWinston†PatriceWright-LewisCamilleYow

Mrs.HelenAderholdRobertM.BalentineElinorBremanDr.JohnW.CooledgeJohnDonnellJereDrummondCarlaFacklerArnoldoFiedotin

CharlesGindenJohnT.GloverFrancesB.GravesDonaHumphreysAaronJ.JohnsonHerbKarpJimKelleyGeorgeLanier

PatriciaLeakeMrs.WilliamC.LesterMrs.J.ErskineLoveCarolynC.

McClatcheyJoyceSchwobMrs.CharlesA.

Smithgall,Jr.

W.RhettTannerG.KimbroughTaylorMichaelW.TrappEdusWarrenAdairR.WhiteNeilWilliams

HowellE.Adams,Jr.BradleyCurrey,Jr.

Mrs.DrewFullerMaryD.Gellerstedt

AziraG.HillDr.JamesM.Hund

ArthurL.Montgomery

* ex officio† 2011-2012 sabbatical

leadership

AtlantaSymphonyOrchestraLeague


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Superior conservatory training at a world-class research university. Prestigious, resident faculty and exceptional student talent. It’s all here: www.music.umich.edu

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Music Director Robert Spano, currently in his 11th season as music director of the Atlanta Symphony Orchestra,

is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

Under Mr. Spano’s artistic leadership, the Orchestra and its audiences have together explored a creative mix of programming, including Theater of a Concert performances, which explore different formats, settings, and enhancements for the musical performance experience, such as the first concert-staged performances of John Adams’s Doctor Atomic in November 2008 and the production of Puccini’s Madama Butterfly in June 2011. The Atlanta School of Composers reflects

Mr. Spano’s commitment to nurturing and championing music through multi-year partnerships defining a new generation of

American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis, Michael Gandolfi and Adam Schoenberg. Since the beginning of his tenure (to date), Mr. Spano and the Orchestra have performed more than 100 concerts containing contemporary works (composed since 1950).

Mr. Spano has a discography with the Atlanta Symphony Orchestra of 19 recordings, six of which

have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall and

Lincoln Center, as well as the Ravinia, Ojai, and Savannah Music Festivals. Mr. Spano has led the New York and Los Angeles philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia symphony orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles. Mr. Spano was Musical America’s 2008 Conductor of the Year.

In March 2010, Mr. Spano began a three-year tenure as Emory University’s distinguished artist-in-residence, in which he leads intensive seminars, lectures, and presents programs on science, math, philosophy, literature and musicology.

In March 2011, Mr. Spano was announced as the incoming music director of the Aspen Music Festival. He was in residence in Aspen for the 2011 summer season as music director-designate and will assume the full role of music director in 2012.

Robert SpanoMuSIc DIREcToR

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Share your art and stories with us at Facebook.com/

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FIRST VIOLIN

David Coucheron ConcertmasterWilliam Pu Associate Concertmaster

The Charles McKenzie Taylor Chair*

Justin BrunsAssistant Concertmaster

Jun-Ching Lin Assistant Concertmaster

Carolyn Toll HancockJohn MeisnerAlice Anderson Oglesby

Lorentz OttzenChristopher PulgramCarol RamirezJuan RamirezOlga ShpitkoDenise Berginson SmithKenn WagnerLisa Wiedman Yancich

SECTION VIOLIN ‡

Judith CoxRaymond LeungSanford Salzinger

SECOND VIOLIN

David Arenz Principal The Atlanta Symphony Associates Chair*

Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*

Jay Christy Assistant PrincipalSharon BerensonDavid BraitbergNoriko Konno CliftDavid DillardEleanor KosekRuth Ann LittleThomas O’DonnellRonda RespessFrank Walton

VIOLA

Reid Harris Principal The Edus H. and Harriet H. Warren Chair*

Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair *

Catherine Lynn Assistant PrincipalWesley CollinsMarian KentYang-Yoon KimYiyin LiLachlan McBaneJessica OudinArdath Weck

CELLO

Christopher Rex Principal The Miriam and John Conant Chair*

Daniel Laufer Associate Principal The Livingston Foundation Chair*

Karen Freer Assistant PrincipalDona Vellek Assistant Principal Emeritus

Joel DallowJere FlintJennifer HumphreysLarry LeMasterBrad RitchiePaul Warner

BASS

Ralph Jones Principal The Marcia and John Donnell Chair *

Gloria Jones Associate PrincipalJane Little Assistant Principal Emeritus

Michael KenadyMichael KurthJoseph McFaddenDouglas SommerThomas Thoreson

Robert Spano Music Director The Robert Reid Topping Chair *

Donald RunniclesPrincipal Guest Conductor

The Neil and Sue Williams Chair *

Michael KrajewskiPrincipal Pops Conductor

18 Atlanta Symphony Orchestra/aso.org

encoreatlanta.com/Atlanta’s Performing Arts Publication 19

FLUTE

Christina Smith Principal The Jill Hertz Chair*Robert Cronin Associate PrincipalPaul BrittanCarl David Hall

PICCOLO

Carl David Hall

OBOE

Elizabeth Koch Principal The George M. and Corrie Hoyt Brown Chair *

Yvonne Powers Peterson

Associate PrincipalAnn Lillya †

CLARINET

Laura Ardan Principal The Robert Shaw Chair*

Ted Gurch Associate PrincipalWilliam RappaportAlcides Rodriguez

E-FLAT CLARINET

Ted Gurch

BASS CLARINET

Alcides Rodriguez

BASSOON

Carl Nitchie PrincipalElizabeth Burkhardt Associate PrincipalLaura NajarianJuan de Gomar

CONTRA-BASSOON

Juan de Gomar

HORN

Brice Andrus PrincipalSusan Welty Associate PrincipalThomas WitteRichard Deane Bruce Kenney

TRUMPET

Thomas HootenPrincipal The Madeline and Howell Adams Chair*

The Mabel Dorn Reeder Honorary Chair*

Karin Bliznik Associate PrincipalMichael TiscioneJoseph Walthall

TROMBONE

Colin Williams Principal Stephen Wilson Associate PrincipalNathan ZgoncGeorge Curran

BASS TROMBONE

George Curran

TUBA

Michael Moore Principal

TIMPANI

Mark Yancich Principal The Walter H. Bunzl Chair*

William Wilder Assistant Principal

PERCUSSION

Thomas Sherwood Principal The Julie and Arthur Montgomery Chair*

William Wilder Assistant Principal The William A. Schwartz Chair*

Charles Settle

HARP

Elisabeth RemyJohnson

Principal The Delta Air Lines Chair

KEYBOARD

The Hugh and Jessie Hodgson Memorial Chair*

Peter Marshall †Beverly Gilbert †Sharon Berenson

LIBRARY

Rebecca Beavers PrincipalNicole Jordan Assistant Principal Librarian

John WildermuthAssistant Librarian

‡ rotate between sections* Chair named in

perpetuity † Regularly engaged

musician Players in string sections

are listed alphabetically

Jere Flint Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra

The Zeist Foundation Chair*

Norman MackenzieDirector of Choruses The Frannie and Bill Graves Chair

JD S

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The table is set

Creating a season is like planning a wonderful

dinner party. The key is to balance things that are

familiar with those that are completely unknown,

in order to please and delight your guests,” says

Stanley Romanstein, the Atlanta Symphony

Orchestra’s President. He points to the 2012–13

season and the likes of Midori, Perlman, Lang

Lang, and Ax alongside tantalizing “must-tries”

with unfamiliar names such as Milos, Frang,

Gluzman, and Sudbin.

A 2012-13 invitation to comfort food, spicy surprises, and some home cookin’.

By Madeline Rogers


Moderation shmoderation.

Just blocks from the Fox Theatre at 40 7th Street NESun.-Thurs. 5:30-10pm | Fri.-Sat. 5:30-11pm | Bar open daily at 4pm

404.347.9555 | ecco-atlanta.com | @FifthGrouper | facebook.com/eccoatlanta

PRESENT YOUR TICKET STUB FOR 10% OFF YOUR MEAL!

Discover places to shop, dine and play in 4 easy steps

Have an Android phone? Follow these instructions.

+ Read show programs, find contests and deals on your phone!

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3. Add name 4. Enjoy the finer things in life!


Lang LangMidoriItzhak Perlman

EmanuEl ax

Romanstein and Vice President for Artistic Planning Evans Mirageas boast that serving up a great season is the work of many hands: Many orchestras, both men explain, tend to take a music director-centric approach to programming: “In contrast, in Atlanta the process is richly collaborative,” says Mirageas. Music Director Robert Spano and Principal Guest Conductor Donald Runnicles, musicians, and representatives from every administrative department gather together to shape the season, “and when we leave, Mirageas says, “everyone has ownership of the program.”

“We are always at pains to make sure that the people of Atlanta get to see the greatest stars in classical music, but it’s equally important to bring in new faces,” he adds. This season opens with one of the brightest lights in the classical firmament playing a beloved work: Midori and the Beethoven Violin Concerto in D Major (Oct. 4, 6 and 7). Other starry names include the pianists Lang Lang, who will appear for one night only, performing Beethoven’s Piano Concerto No. 5 (Nov. 17); and longtime audience favorite Emanuel Ax playing Brahms’s Piano Concerto No. 2 (Nov. 29-Dec. 1). Alisa Weilerstein, who

made headlines recently for winning a coveted MacArthur Fellowship, returns with one of the most challenging works in the repertoire, Shostakovich’s Cello Concerto No. 1 (April 11-13). When Itzhak Perlman takes the stage (April 25, 27 and 28), it will be to show off both his fiddling and his conducting prowess. He opens the program, violin in hand, for two movements of Vivaldi’s Four Seasons, and then takes up the baton to conduct a Mahler symphony — a first for this master musician.

While it’s thrilling to be in the presence of such established greatness, there will also be plenty of novelty. “A combination of superstars and newcomers gives our audiences what we call bragging rights,” says Mirageas. “They don’t have to go to New York; they can turn to each other and say, ‘I saw Frang in Atlanta first.’” The Frang in question is the Norwegian violin virtuoso Vilde Frang. She makes her Atlanta debut with Korngold’s Violin Concerto (Jan. 31 and Feb. 2). Joining her is conductor Gilbert Varga, who will also lead Grieg’s Two Elegaic Melodies and Schumann’s beloved “Rhenish” Symphony. Continued on page 44

Contact 404.733.4848 or [email protected] complete Dinner and a Concert details please visit www.atlantasymphony.org/dinnerandconcert

Dinner & a Concert with the Atlanta Symphony

Looking for a great night out? Enjoy dinner prior to performances by the Atlanta Symphony Orchestra and save

on concert tickets and dining! Make your plans now.

Packages start at just $43!

MOZART & BEETHOVENONE. MIDTOWN KITCHEN Dinner reservation times: 5:30 or 6 p.m.

MARCH

22-248 p.m.

YUJA WANG PERFORMS RACH IIISOUTH CITY KITCHEN Dinner reservation times: 5:30 or 6 p.m.

APRIL

19-218 p.m.

MUSIC OF MOTOWN FEATURING SPECTRUMSOUTH CITY KITCHEN Dinner reservation times: 5:30 or 6 p.m.

MAY

4&58 p.m.

SIBELIUS & TCHAIKOVSKYONE. MIDTOWN KITCHEN Dinner reservation times: 5:30 or 6 p.m.

MAY/JUNE

31 & 1-28 p.m.

BOND & BEYONDECCO Dinner reservation times: 5:30 or 6 p.m.

MARCH

16&178 p.m.

program

Robert Spano, Music DirectorDonald Runnicles, Principal Guest Conductor

Delta Classical Series ConcertsThursday and Friday, March 1 and 2, 2012, at 8:00 p.m. and Sunday, March 4, 2012, at 3:00 p.m.

Robert Spano, Conductor André Watts, Piano

ADAM SCHOENBERg (b. 1980)La Luna Azul (2012)

World Premiere, Commissioned by Robert Spano

EDVARD gRIEg (1843-1907)Concerto for Piano and Orchestra in A minor, Opus 16 (1868)

I. Allegro molto moderato II. Adagio III. Allegro moderato molto e marcato

André Watts, Piano

InTeRMISSIOn

CARL NIELSEN (1865-1931)Symphony no. 5 (1922)

I. Tempo giusto; Adagio non troppo II. Allegro; Presto; Andante un poco tranquillo; Allegro

“InsIde the MusIc” preview of the concert, thursday at 7 p.m., presented by Ken Meltzer, Atlanta symphony Orchestra Insider and Program Annotator.

the use of cameras or recording devices during the concert is strictly prohibited.


Contact 404.733.4848 or [email protected] complete Dinner and a Concert details please visit www.atlantasymphony.org/dinnerandconcert

Dinner & a Concert with the Atlanta Symphony

Looking for a great night out? Enjoy dinner prior to performances by the Atlanta Symphony Orchestra and save

on concert tickets and dining! Make your plans now.

Packages start at just $43!

MOZART & BEETHOVENONE. MIDTOWN KITCHEN Dinner reservation times: 5:30 or 6 p.m.

MARCH

22-248 p.m.

YUJA WANG PERFORMS RACH IIISOUTH CITY KITCHEN Dinner reservation times: 5:30 or 6 p.m.

APRIL

19-218 p.m.

MUSIC OF MOTOWN FEATURING SPECTRUMSOUTH CITY KITCHEN Dinner reservation times: 5:30 or 6 p.m.

MAY

4&58 p.m.

SIBELIUS & TCHAIKOVSKYONE. MIDTOWN KITCHEN Dinner reservation times: 5:30 or 6 p.m.

MAY/JUNE

31 & 1-28 p.m.

BOND & BEYONDECCO Dinner reservation times: 5:30 or 6 p.m.

MARCH

16&178 p.m.


SPOnSORS

is proud to sponsor this Delta Classical Concert of the Atlanta Symphony Orchestra.

Merlin Wealth Management Group is a wealth management firm under Morgan stanley smith Barney based in Atlanta, Ga. Led by Michael J. Merlin, the group’s consultative approach seeks to understand its client’s vision, preferences and unique circumstances prior to formulating wealth strategies to meet those needs. Members of the Merlin Wealth Management Group bring a combined total of 39 years of experience meeting the needs of high-net-worth individuals, their families and businesses. For more information, visit http://fa.smithbarney.com/mwmg/ .

is the Presenting Sponsor of the Atlanta School of Composers.

the Atlanta symphony Orchestra’s special artistic initiatives surrounding the Atlanta school of composers is generously funded in part by turner Voices. turner Voices is turner Broadcasting’s philanthropic initiative that focuses on building the next generation of storytellers in the arts and high school education arenas.

is proud to sponsor the Delta Classical Series of the Atlanta Symphony Orchestra.

delta is proud to be celebrating our 70th anniversary as Atlanta’s hometown airline. delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships.

delta is an active, giving corporate citizen in the communities it serves. delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to utilize many aspects of delta’s currency — our employees time and talent, our free and discounted air travel, as well as our surplus donations. together, we believe we can take our worldwide communities to new heights!

the Atlanta symphony Orchestra’s concert on november 5, 2011 at carnegie hall is made possible through the generous support of delta Air Lines, thurmond smithgall and the Massey charitable trust.

solo pianos used by the Atlanta symphony Orchestra are gifts of the Atlanta steinway society and in memory of david Goldwasser. the hamburg steinway piano is a gift received by the Atlanta symphony Orchestra in honor of Rosi Fiedotin.

the Yamaha custom six-quarter tuba is a gift received by the Atlanta symphony Orchestra in honor of Principal tuba player Michael Moore from the Antinori Foundation.

this performance is being recorded for broadcast at a later time. Atlanta symphony concert broadcasts are heard each week on Atlanta’s WABe FM-90.1 and Georgia Public Broadcasting’s statewide network.

the Atlanta symphony records for AsO Media. Other recordings of the Orchestra are available on the Argo, deutsche Grammophon, new World, nonesuch, Philips, telarc and sony classical labels.

Media sponsors: WABe, WsB AM, and AJc. trucks provided by Ryder truck Rental Inc.

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notes on the ProgramBy Ken Meltzer

La Luna Azul (2012)

ADAM SCHOENBERg was born in northampton, Massachusetts, on november 15, 1980. these are the world premiere performances of La Luna Azul. La Luna Azul is scored for piccolo, three flutes, three oboes, three clarinets, bass clarinet, three bassoons, four horns, three trumpets, two trombones, bass trombone, tuba, timpani, xylophone, marimba, crotales, aluphone (or bell tree), small triangle, medium triangle, two tom-toms, kick drum, hi-hat, ride cymbal, chime, finger cymbal, vibraphone, claves, five temple blocks, four cowbells, two conga drums, two bongo drums, orchestra bells, thai/nipple gongs, egg shaker, sizzle cymbal, harp and strings. Approximate performance time is thirteen minutes.

Adam Schoenberg

Adam schoenberg is the newest member of the Atlanta school of composers. Previous performances by the AsO and Robert spano of works by Mr.

schoenberg include Finding Rothko (October 1-3, 2009), and the fanfare, Up! (september 30, October 1-2, 2010). the latter composition was commissioned by the Atlanta symphony Orchestra as part of its celebration of the tenth anniversaries of Maestro spano’s tenure as Music director, donald Runnicles’s tenure as Principal Guest conductor (and their Artistic Partnership), and the Atlanta school of composers.

Recent commissions include compositions for the Kansas city symphony, Aspen Music Festival and school, Atlanta chamber Players, Quintet of the Americas, and the Blakemore trio. the American Brass Quintet released a cd of Mr. schoenberg’s Quintet as part of their 50th anniversary cd, and Jack sutte (cleveland Orchestra) released a recording of schoenberg’s trumpet sonata, Separated by Space.

Adam schoenberg will become the first composer-in-Residence for the Kansas city symphony under Michael stern’s tenure for the 2012-13 season. Mr. schoenberg is the 2012 BMI composer-in-Residence for the Blair school of Music at Vanderbilt university, and the 2010-2012 guest composer for the Aspen Music Festival and school’s M.O.R.e program. he was a 2009 and 2010 Macdowell Fellow, and was the First Prize winner at the 2008 International Brass chamber Music Festival for best Brass Quintet. In 2007, he was awarded AscAP’s Morton Gould Young composer Award, Juilliard’s Palmer-dixon Prize for Most Outstanding composition, and a Meet the composer Grant. he received the 2006 charles Ives scholarship from the American Academy of Arts and Letters and has garnered further acclaim from AscAP and the society for new Music.


Mr. schoenberg earned his doctor of Musical Arts degree at the Juilliard school where he studied with John corigliano and Robert Beaser. he also received his Master of Music degree from Juilliard and his Bachelor of Music degree from the Oberlin conservatory of Music.

A committed educator, Adam schoenberg is on faculty at ucLA where he teaches undergraduate orchestration. he has presented lectures and master classes at the Atlanta symphony Orchestra, the Juilliard school, university of Kansas, university of Missouri Kansas city, Oberlin conservatory of Music, Germantown Performing Arts centre, Blair school of Music, and the Aspen Music Festival & school. Mr. schoenberg currently resides in Los Angeles with his wife, playwright and screenwriter Janine salinas.

For more information, visit Mr. schoenberg’s website at: http://www.adamschoenberg.com.

La Luna Azul

these concerts feature the world premiere of Mr. schoenberg’s orchestral work, La Luna Azul, commissioned by Robert spano. the composer provided the following commentary:

La Luna Azul (The Blue Moon) was conceived in the form of an essay and tone poem. An essay in the sense that I wanted to study a musical idea that has been of recent interest to me, and a tone poem in that I aimed to create a narrative that could depict different scenes from a story that I wished to tell.

this work is about love, light, curiosity, innocence, and a glimpse into the unknown. the main material evolved from a piano trio, Luna y Mar, which was inspired by my wife, Janine. We met in the woods of new hampshire, at the Macdowell colony where we both had residencies. the moon (luna) and the color blue (azul), which also represents the ocean, have been very influential in her work as a poet, playwright, and screenwriter. I wanted to take these two ideas and see how they could inspire my own music.

the piece is divided loosely into three sections, slow and atmospheric; fast, playful and groove; and a delicate ending that’s based on two juxtaposing ostinati (i.e., an 8-note ostinato superimposed over a 5-note ostinato in 5/8 time) with a gently soaring oboe and cello solo that elevates the piece to a more sensitive space.

the first half is very ethereal and reflects a ruminative journey. the music begins spatially with a drone in Bb hinted throughout. A chord progression is soon introduced, and it later becomes the principal material for the second half of the piece. the first half slowly unfolds and gradually becomes more dissonant, leaving us with a question before jumping to the next section.

the second half of the piece is more rhythmic and playful, lending itself to the essay portion of the piece. I’ve been interested in exploring groove-

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oriented music, especially rhythms that can potentially be heard in a club. the first section of the second half contains some of the most irregular rhythmic writing I have ever composed. there is a sense of pulse, but the downbeats are never square (e.g., some of the passages move from 7/8 to 8/8 to 7/16). the music and rhythm are consistently unpredictable, but the percussion adds a line that makes the section feel more secure. the end of this section takes us into the next which uses the initial chord progression heard in the first half. this time, however, the progression is transformed into an experience that incorporates elements from the different musical influences that resonate with me (e.g., electronica, jazz fusion, minimalism, Afro-cuban and Latin music, etc.) as an artist.

the final moment is about transcendence. In many ways, the idea of a groove is still present because of the two ostinati, but this time the groove sits in the background, while the oboe and cello solo play in the foreground. this, for me, represents the intimate connection between the ocean and the moon.

A special thank you to Janine, my dear friends sam hyken and sage Lewis, and my parents, Jane and steven. this work is dedicated to Robert spano with profound gratitude and admiration.

— Adam schoenberg

Concerto for Piano and Orchestra in A minor, Opus 16 (1868)

EDVARD gRIEg was born in Bergen, norway, on June 15, 1843, and died there on september 4, 1907. the first performance of the Piano concerto in A minor took place in copenhagen, denmark, on April 3, 1869. In addition to the solo piano, the concerto is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani and strings. Approximate performance time is thirty-one minutes.

First ASO Classical Subscription Performances: January 30, 1949, Margarethe Parrott, Piano, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: October 14, 15 and 16, 2004, Orli Shaham, Piano, David Robertson, Conductor.

edvard Grieg’s beloved Piano concerto was the product of a particularly happy period in the norwegian composer’s life. In 1867, Grieg and his wife,

nina, were married. the following April, their daughter, Alexandra, was born. that summer, edvard, nina and Alexandra Grieg traveled to søllerød, located near copenhagen. the Grieg family vacationed in a rented cottage. there, edvard Grieg composed the A-minor Piano concerto.


the premiere of the concerto, which took place in copenhagen on April 3, 1869, was generally well received by the norwegian press. One critic viewed the work, which incorporated norwegian folk idioms, as presenting “all norway in its infinite variety and unity,” and compared the slow movement to “a lonely mountain-girt tarn that lies dreaming of infinity.”

not too long before the premiere of the Piano concerto, Grieg received perhaps an even more gratifying review of one of his compositions. It arrived in the form of a letter from pianist/composer Franz Liszt:

sir,

It is most pleasant for me to relate to you my sincere pleasure in reading your sonata (in F Major for Violin and Piano, Opus 8).

It testifies to a talent for composition that is strong, thoughtful, inventive, of excellent material — the kind that cannot help but follow its natural voice and ascend to a high rank. It pleases me to think that you will find in your country the success and encouragement that you deserve; you lack nothing else; and if you come to Germany this winter, I cordially invite you to stay a while in Weimar, so that we may become better acquainted. Please receive, sir, the assurance of my feelings of highest regard and most distinguished consideration.

29. decbr. 68, Rome

F. Liszt

Grieg finally met Liszt (in Rome, not Weimar) in early 1870. during one visit on April 9, Grieg presented the score of the A-minor concerto to Liszt, who played through the work, often shouting his approval. As Grieg related: “Finally, (Liszt) said in a strange, emotional way: ‘Keep on, I tell you. You have what is needed, and don’t let them frighten you.’” Liszt did suggest some changes to the score, finally published in 1872. Grieg himself was never totally satisfied with the concerto, and continued to pen revisions until the time of his death. despite the composer’s misgivings, the Grieg A-minor remains one of the most popular of piano concertos.

Musical Analysis

I. Allegro molto moderato — the Grieg Piano concerto features one of concert music’s most famous and dramatic openings. After a roll of the timpani, and a stunning orchestral chord, the soloist plays a series of descending octaves and rising arpeggios. the winds then play the dolce initial theme, soon repeated by the pianist. A dance-like animato section and a cantabile passage lead to the introduction by the cellos of the plaintive second theme, which the pianist soon plays in more ornate fashion and with increasing fire. the first five notes of the initial motif form the basis for the short development section. the pianist ushers in the recapitulation of the principal themes. A powerful orchestral restatement of the initial motif

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leads to a pause, followed by an extended and brilliant cadenza for the soloist. the movement concludes with a brief coda, featuring a reprise of the pianist’s grand entrance.

II. Adagio — An extended introduction spotlighting the muted strings precedes the soloist, whose presence dominates the remainder of this brief and affecting slow movement. A series of trills and a soft arpeggio by the soloist lead immediately to the finale.

III. Allegro moderato molto e marcato — A short introduction anticipates the soloist’s presentation of the main theme, a jaunty rhythmic passage based upon a norwegian folk dance known as the halling. the flute initiates a lovely contrasting tranquillo interlude, but the spirited halling motif soon returns. After another virtuoso cadenza by the soloist, the principal dance theme is transformed from the duple-time halling to a triple-time springdans. the closing pages present the orchestra’s majestic transformation of the tranquillo interlude, accompanied by the pianos’s grand flourishes.

Symphony No. 5 (1922)

CARL NIELSEN was born in sortelung, denmark, on June 9, 1865, and died in copenhagen, denmark, on October 3, 1931. the first performance of the symphony no. 5 took place in copenhagen on January 24, 1922, conducted by the composer. the symphony no. 5 is scored for piccolo, three flutes, two oboes, two clarinets, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, snare drum, offstage snare drum, triangle, suspended cymbal, tambourine, orchestra bells and strings. Approximate performance time is thirty-five minutes.

First ASO Classical Subscription Performances: December 1, 2 and 3, 1988, Hiroyuki Iwaki, Conductor.

carl nielsen’s symphony no. 4, completed in 1916, was the danish composer’s response to the horrors of the First World War. According to

nielsen, the work’s subtitle — “the Inextinguishable” — refers to “the elemental will to life.” nielsen believed that, even in the face of the most horrid destruction, this “will to life” would prevail: “soon the plants would begin to multiply, the breeding and screaming of birds would be seen and heard, human aspiration and yearning would be felt. these forces, which are inextinguishable, are what I have tried to represent.” And indeed, after much storm and strife throughout the work, nielsen’s “Inextinguishable” symphony concludes in triumphant fashion.

carl nielsen began his next symphony in February of 1921. the composer completed the Fifth on January 15, 1922, just nine days before he led the symphony’s premiere in copenhagen.

unlike the “Inextinguishable,” the symphony no. 5 carries no descriptive name. In an interview with journalist Axel Kjerulf that took place in advance of the Fifth’s premiere, nielsen commented that his symphony no. 4 concerned:

the only thing that music in the end can express: resting forces in contrast to active ones. If I could find a designation for my new Fifth symphony,


it would express something similar. I haven’t been able to come up with the word which would be characteristic and not too pretentious — so I’ve done without.

In the Kjerulf interview, nielsen discussed his new symphony’s departure from tradition:

this time I have changed the form and made do with two parts instead of the usual four movements. I’ve thought a lot about the fact that in the old symphonic form as a rule one said most of what one had to say in the first Allegro. then came the peaceful Andante, with the effect of contrast, then again the scherzo where one again reaches too high up and destroys the climax of the finale, where the ideas all too often run out … so this time I’ve divided the symphony into two large, broad sections — the first begins slowly and peacefully and the second is more active.

nielsen added: “they tell me my new symphony isn’t like my earlier ones. I can’t hear that. But maybe they’re right. I do know that it’s not so easy to grasp, nor so easy to play.”

to be sure, early performances of the nielsen Fifth inspired some potent reactions. the most infamous occurred during a performance in sweden on January 20, 1924. As one critic reported:

Midway through the first part with its rattling drums and “cacophonous” effects a genuine panic broke out. Around a quarter of the audience rushed for the exits with confusion and anger written over their faces, and those who remained tried to hiss down the “spectacle,” while the conductor Georg schnéevoigt drove the orchestra to extremes of volume.

As carl nielsen observed: “An artist always hopes for understanding!” And in time, nielsen’s Fifth gained recognition as one of the finest symphonies of the 20th century, a powerfully eloquent and, ultimately, optimistic depiction of mankind’s struggles.

Carl Nielsen Describes His Symphony No. 5

After completing the Fifth symphony, nielsen discussed the work’s meaning with his student, Ludvig dolleris:

I. Tempo giusto; Adagio non troppo —

I am out walking in the country — I’m not thinking of anything in particular, in fact I’m not paying much attention to what I see or come across. What was that now: a flower snapping, a little clod of earth falling? Was it an animal with bright eyes starting from a tuft of grass? (the various motifs are really chaotic, almost accidental — only one of them, the “evil” motif is used a lot.) then suddenly I become aware of myself as a musician: my thoughts take a definite form, impressions suddenly flood forth in me — and now everything is singing pleasantly”…“then, the “evil” motif intervenes — in the woodwind and strings — and the

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side drum becomes more and more angry and aggressive; but the nature-theme goes on, peaceful and unaffected, in the brass. Finally the evil has to give way, a last attempt and then it flees — and with a strophe thereafter in consoling major mode a solo clarinet ends this large idyll-movement, an expression of vegetative (idle, thoughtless) nature.

II. Allegro; Presto; Andante un poco tranquillo; Allegro —

the second movement is its counterpole: if the first movement was passivity, here it is action (or activity) which is conveyed. so it’s something very primitive I wanted to express: the division of dark and light, the battle between evil and good. A title like “dreams and deeds” could maybe sum up the inner picture I had in front of my eyes when composing.”

ANDRé WATTS, Piano

A ndré Watts burst upon the music world at the age of 16 when Leonard Bernstein chose

him to make his debut with the new York Philharmonic in their Young People’s concerts, broadcast nationwide on cBs. Only two weeks later, Bernstein asked him to substitute at the last minute for the ailing Glenn Gould in performances of Liszt’s e-flat concerto with the new York Philharmonic, thus launching Watts’ career in storybook fashion. More than 45 years later, André Watts remains one of today's most celebrated and beloved superstars.

A perennial favorite with orchestras throughout the united states, Mr. Watts is also a regular guest at the major summer music festivals, including Ravinia, the hollywood Bowl, saratoga, tanglewood and the Mann Music center. Recent and upcoming engagements include appearances with the Philadelphia and Minnesota orchestras, new York and Los Angeles philharmonics, and the st. Louis, Atlanta, detroit, dallas, cincinnati, houston, Baltimore, Indianapolis, seattle and national symphonies, among others. In celebration of the Liszt anniversary in 2011, Mr. Watts played all-Liszt recitals throughout the united states, while recent and upcoming international engagements include concerto and recital appearances in Japan, hong Kong, Germany and spain.

André Watts has had a long and frequent association with television, appearing on numerous programs produced by PBs, the BBc and the Arts and entertainment network, performing with the new York Philharmonic, Boston symphony, Philadelphia Orchestra, Mostly Mozart Festival Orchestra and the chamber Music society of Lincoln center, among others. his 1976 new York recital, aired on the program “Live From Lincoln center,” was the first full-length recital broadcast in the history of television, and his performance

André Watts


at the 38th casals Festival in Puerto Rico was nominated for an emmy Award in the category of Outstanding Individual Achievement in cultural Programming. Mr. Watts’ most recent television appearances are with the Philadelphia Orchestra for the orchestra’s 100th anniversary gala and a performance of the Brahms concerto no. 2 with the seattle symphony, Gerard schwarz conducting, for PBs.

Mr. Watts’ extensive discography includes works by Gershwin, chopin, Liszt and tchaikovsky for cBs Masterworks; recital cds of works by Beethoven, schubert, Liszt and chopin for Angel/eMI; and recordings featuring the concertos of Liszt, Macdowell, tchaikovsky and saint-saens on the telarc label. he is also included in the Great Pianists of the 20th century series for Philips.

A much-honored artist who has played before royalty in europe and heads of government in nations all over the world, André Watts was selected to receive the Avery Fisher Prize in 1988. At age 26, he was the youngest person ever to receive an honorary doctorate from Yale university; he has since received honors from highly respected schools including the university of Pennsylvania, Brandeis university, the Juilliard school of Music and his alma mater, the Peabody conservatory of Johns hopkins university. In June 2006, he was inducted into the hollywood Bowl of Fame to celebrate the 50th anniversary of his debut (with the Philadelphia Orchestra).

Previously artist-in-residence at the university of Maryland, Mr. Watts was appointed to the newly created Jack I. and dora B. hamlin endowed chair in Music at Indiana university in May, 2004.

support

Mrs. Thalia N. Carlos**Delta Air LinesThe Andrew W. Mellon Foundation

The Mabel Dorn Reeder FoundationThe Zeist Foundation, Inc.

Thalia & Michael C. Carlos Foundation

Fulton County Arts CouncilNational Endowment

for the Arts

UPS

Lynn EdenGE Asset ManagementAbraham J. & Phyllis Katz FoundationMr. & Mrs. Charles H. McTier

Turner Broadcasting SystemThe Vasser Woolley Foundation, Inc.Woodruff Arts Center

Madeline & Howell Adams, Jr.Mrs. Anne Cox Chambers

The Coca-Cola CompanyMrs. William A. Schwartz

$50,000+

$500,000+

$250,000+

$100,000+

$75,000+

$35,000+

$25,000+

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

AnonymousAT&T Real Yellow PagesGE EnergyThe Graves FoundationInterContinental Hotels Group

The Charles Loridans Foundation, Inc.

The Reiman FoundationMr. Thurmond SmithgallRobert SpanoSusan & Thomas Wardell

SunTrust BankSunTrust FoundationSunTrust Bank

Trusteed Foundation – Walter H. and Marjory M. Rich Memorial Fund

Georgia Natural GasMassey Charitable Trust

Porsche Cars North AmericaPublix Super Markets Charities

Patty & Doug ReidSutherland Asbill & Brennan LLP

Jim & Adele AbrahamsonSusan & Richard AndersonStephanie & Arthur BlankMr. & Mrs. C. Merrell CalhounMr. & Mrs. Bradley Currey, Jr.Marcia & John DonnellCatherine Warren DukehartGeorgia Council for the ArtsAnn & Gordon Getty Foundation

John H. & Wilhelmina D. Harland Charitable Foundation, Inc.

King & SpaldingLucy R. & Gary Lee, Jr.MetLife FoundationThe Sara Giles Moore

FoundationTerence L. & Jeanne P. Neal*

Victoria & Howard PalefskyMr. & Mrs. Solon P. Patterson*Printpack Inc. & The Gay

& Erskine Love FoundationRyder System, Inc.Mrs. Charles A. Smithgall, Jr.Adair & Dick WhiteAnn Marie & John B. White, Jr.*Sue & Neil Williams

The Atlanta Symphony Orchestra gratefully acknowledges the generous gifts of individuals, corporations, foundations, government and other entities whose contributions help the Orchestra fulfill its mission to be a vigorous part of the cultural fabric of our community. The following list represents the cumulative total of philanthropy of $1,750 and above to the Orchestra’s fundraising campaigns, events and special initiatives from 2011 and 2012.

(Please note that donor benefits are based solely on contributions to the annual fund.)


$15,000+

$10,000+

$5,000+

Pinney L. Allen & Charles C. Miller III

The Antinori Foundation

Lisa & Joe BankoffThe Boston Consulting

GroupMr. & Mrs. David

Edmiston

Admiral James O. Ellis, Jr. in memory of Polly Ellis

Mr. Donald F. FoxCharles & Mary GindenD. Kirk Jamieson,

Verizon WirelessAnn A. & Ben F.

Johnson III*Sarah & Jim Kennedy

Steve & Eydie KooninCarrie & Brian KurlanderMichael & Cindi LangDonna Lee & Howard

C. EhniMeghan & Clarke

MagruderNordstrom, Inc.Suzanne & Bill Plybon

Dr. Stanley & Shannon Romanstein

Joyce & Henry SchwobIrene & Howard SteinMary Rose TaylorMike & Liz TroyRay & John UttenhoveMr. & Mrs. Edus H.

Warren, Jr.

AnonymousAGCO Corporation,

Lucinda B. SmithMark & Christine ArmourThe Balloun FamilyMr. David BoatwrightThe Breman Foundation,

Inc.The John & Rosemary

Brown Family FoundationThe Walter & Frances

Bunzl FoundationCynthia & Donald CarsonDr. & Mrs. S. Wright

Caughman

Dr. John W. CooledgeTrisha & Doug CraftCari Katrice DawsonEleanor & Charles

EdmondsonRosi & Arnoldo FiedotinMr. & Mrs. Lawrence L.

Gellerstedt IIIMary D. GellerstedtGMT Capital CorporationNancy D. GouldJoe Guthridge

& David Ritter*Jan & Tom HoughMr. Tad Hutcheson

Roya & Bahman IrvaniRobert J. JonesAnne Morgan & Jim KelleyMr. & Mrs. Donald

R. KeoughJames H. LandonMr. & Mrs. John M. LawPat & Nolan LeakeThe Livingston

Foundation, Inc.Mike’s Hard LemonadeMorgens West FoundationPrimericaMargaret & Bob ReiserBill & Rachel Schultz*

Mr. John A. Sibley IIISiemens Industry, Inc.John SparrowCarol & Ramon Tome

Family Fund*Trapp FamilyTurner Foundation, Inc.Charlie Wade

& M.J. ConboyMark & Rebekah

WassermanNeal & Virginia WilliamsSuzanne Bunzl Wilner

The Aaron Copland Fund for Music, Inc.

Atlanta Federation of Musicians

Jeff & Ann Cramer*

Jere & Patsy DrummondMr. & Mrs. Jesse Hill, Jr.JBS Foundation

The Hellen Plummer Charitable Foundation, Inc.

Anonymous (2)Aadu & Kristi Allpere*Ms. Julie M. AltenbachArnall Golden Gregory LLPThe ASCAP Foundation

Irving Caesar FundMrs. Suzanne Dansby BollmanBubba Brands, Inc.Dr. Robert L. & Lucinda

W. BunnenCharles Campbell & Ann

Grovenstein-CampbellMary Helen & Jim Dalton

Richard A. & Lynne N. DorfmanChristopher & Sonnet

EdmondsDr. & Mrs. Carl D. FacklerDavid L. ForbesJames F. FraserThe Fraser-Parker

Foundation, Inc.Betty Sands FullerSally & Carl GableDick & Anne GoodsellMr. & Mrs. David GouldThe Robert Hall Gunn, Jr. Fund

The Jamieson FamilyPaul & Rosthema KastinPhilip I. KentGeorge H. LanierThe Sartain Lanier Family

Foundation, Inc.Links Inc., Azalea City

ChapterBelinda & Gino MassafraLinda & John MatthewsJohn F. & Marilyn

M. McMullanPenelope & Raymond McPhee*

Dr. & Mrs. Mark P. Pentecost, Jr.

Margaret H. PetersenHamilton & Mason Smith*Sandy & Paul SmithPeter James StellingMrs. C. Preston StephensTriska Drake & G.

Kimbrough Taylor, Jr.Ms. Kimberly Tribble

& Mr. Mark S. LangeRussell Williamson

& Shawn Pagliarini

$7,500+

$17,500+

Anonymous (2)The Arnold

Foundation, Inc. Kelley O. & Neil H.

BermanMr. & Mrs. Paul J.

Blackney

Janine Brown & Alex J. Simmons, Jr.

City of Atlanta Office of Cultural Affairs

Gary & Nancy FayardMr. & Mrs. Paul R. GarciaJane & Clay Jackson

Amy & Mark KistulinecKarole & John LloydKelly Loeffler & Jeffrey

C. SprecherMr. Kenneth &

Dr. Carolyn MeltzerLoren & Gail Starr

Alison M. & Joseph M. Thompson

Chilton & Morgan Varner

Patrick & Susie ViguerieCamille Yow

$3,500+

AnonymousMr. & Mrs. Dennis ChorbaMr. James L. Davis

& Ms. Carol Comstock*

Ellen & Howard FeinsandFour Seasons Hotel AtlantaHerbert & Marian

Haley Foundation

Steven & Caroline HarlessSally W. HawkinsMr. & Mrs. John

E. Hellriegel

Mr. & Mrs. Daniel H. Hollums

JoAnn Hall HunsingerDr. & Mrs. James T. Laney*


*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

$2,250+

$1,750+

Anonymous (3)Mrs. Kay Adams*

& Mr. Ralph PaulkJohn** & Helen AderholdMr. & Mrs. Phillip

E. Alvelda*Mr. & Mrs. Stephen D. AmboPaul & Marian AndersonJack & Helga BeamMs. Laura J. Bjorkholm

& Mr. John C. Reece IIRita & Herschel BloomEdith H. & James E. Bostic,

Jr. Family FoundationMargo Brinton & Eldon ParkJacqueline A. & Joseph E.

Brown, Jr.Dr. & Mrs. Anton J. BueschenMajor General & Mrs.

Robert M. BunkerDr. Aubrey M. Bush

& Dr. Carol T. BushThe Buss Family

Charitable FundMs. Marnite B. CalderMr. & Mrs. Beauchamp

C. CarrRalph & Rita ConnellChip & Darlene ConradMr. & Mrs. Thomas

G. CousinsMr. Robert Cronin

& Ms. Christina Smith

Sally & Larry DavisDrs. Carlos del Rio

& Jeannette GuarnerGregory & Debra DurdenMs. Diane DurginFrancine D. Dykes

& Richard H. DelayThe Robert S. Elster

Foundation John & Michelle FullerMr. & Mrs. Edward

T. GarlandDr. Mary G. George

& Mr. Kenneth MolinelliBen & Lynda GreerDr. & Mrs. Alexander GrossPaul B., Paul H.,

& M. Harrison HackettDarlene K. HensonMr. Thomas Hooten

& Ms. Jennifer MarottaMr. & Mrs. Harry C. HowardRichard & Linda HubertDr. William M. HudsonDr. & Mrs. James M. HundDorothy Jackson**Ms. Cynthia JenessMr. & Mrs. Robert

A. JohnsonMr. W. F. & Dr. Janice

JohnstonDr. Maurice J. Jurkiewicz**Hazel & Herb Karp

Mr. & Mrs. John H. KauffmanMr. & Mrs. L. Michael KellyDick & Georgia Kimball*Mr. & Mrs. Daniel J. KingDr. & Mrs. Scott I. LampertDr. Fulton D. Lewis III

& Mr. Neal RhoneyMr. & Mrs. Paul A. Lutz*Mr. & Mrs. Frederick

C. MabryBarbara & Jim MacGinnitieThe Devereaux F.

& Dorothy McClatchey Foundation, Inc.

Mr. & Mrs. Albert S. McGhee

Birgit & David McQueenGregory & Judy MooreMs. Lilot S. Moorman

& Mr. Jeffrey B. BradleyDr. & Mrs. R. Daniel NableMr. & Mrs. Robert OliveMs. Rebecca OppenheimerMr. & Mrs. Andreas PenningerSusan PerdewElise T. PhillipsMr. & Mrs. Rezin Pidgeon, Jr.Dr. & Mrs. W. Harrison

Reeves, Sr.Mr. & Mrs. Richard

L. RodgersMr. & Mrs. George

P. Rodrigue

John & Kyle RogersDr. Paul J. SeguinElizabeth S. SharpAngela & Morton SherzerKay R. ShirleyBeverly & Milton ShlapakHelga Hazelrig SiegelLewis SilverboardSydney SimonsBaker & Debby SmithAmy & Paul SnyderMr. & Mrs. Raymond F.

Stainback, Jr.Lynne & Steven Steindel*John & Yee-Wan StevensMr. & Mrs. George B.

Taylor, Jr.Mr. & Mrs. Mark TaylorAnnie-York Trujillo

& Raul F. TrujilloMr. William C. VossMr. & Mrs. Randolph O.

WatsonDr. & Mrs. Roger P. WebbDr. & Mrs. James O.

Wells, Jr.David & Martha WestMr. & Mrs. Peter

L. WhitcupMary Lou WolffJan & Beattie WoodMr. & Mrs. John C. Yates

AnonymousDr. David & Julie BakkenMr. & Mrs. Ron BellDr. & Mrs. Joel E. BerensonLeon & Linda BorchersMr.** & Mrs. Eric L. BrookerMr. & Mrs. Russell E. ButnerMr. & Mrs. Walter K. CanipeSusan & Carl CoferMr. & Mrs. R. Barksdale

Collins*Dr. & Mrs. William T. CookJean & Jerry CooperMr. & Mrs. Brant Davis*Mrs. H. Frances DavisPeter & Vivian de KokElizabeth & John DonnellyXavier Duralde & Mary BarrettCree & Frazer DurrettMary Frances EarlyRee & Ralph EdwardsHeike & Dieter Elsner

George T. & Alecia H. Ethridge

Bill & Susan GibsonCarol & Henry GradyMary C. GramlingMr. Lewis H. Hamner IIIThomas HighIn memory of Carolyn

B. HochmanStephanie & Henry HowellMr. & Mrs. William C.

Humphreys, Jr.Mary B. & Wayne JamesAaron & Joyce JohnsonBaxter P. JonesLana M. JordanMr. Thomas J. JungDr. Rose Mary KolpatzkiMr. & Mrs. David KrischerThomas C. LawsonMr. & Mrs. Craig

P. MacKenzie

Kay & John MarshallMartha & Reynolds

McClatcheyCaptain & Mrs. Charles

M. McCleskeyVirginia K. McTagueAngela & Jimmy MitchellMrs. Gene Morse**Barbara & Sanford OrkinDr. & Mrs. Keith D. OsbornDr. & Mrs. Bernard H. PalayMr. & Mrs. Emory H. PalmerMr. Robert PetersonDr. & Mrs. Frank

S. Pittman IIIThe Reverend Neal

P. Ponder, Jr.Provaré Technology, Inc.Mr. & Mrs. David M. RatcliffeMs. Susan Robinson

& Ms. Mary RoemerThe Gary Rollins Foundation

John T. RuffDr. & Mrs. Rein SaralAlida & Stuart SilvermanAlex & Betty Smith

Foundation, Inc.Johannah SmithMr. & Mrs. Gabriel SteagallDr. Elizabeth Glenn StowKay & Alex SummersPoppy TannerElvira TateMr. & Mrs. William

M. TippingDrs. Jonne & Paul WalterAlan & Marcia WattDrs. Julius & Nanette WengerWilliam & Rebecca White*Hubert H. Whitlow, Jr.Mrs. Frank L. Wilson, Jr.Charlie & Dorothy Yates

Family FundHerbert & Grace Zwerner

$3,500+ continued

Mr. & Mrs. William C. Lester*Deborah & William LissDr. & Mrs. James T. LowmanRuth & Paul Marston

Mr. & Mrs. Harmon B. Miller III

Walter W. MitchellLeslie & Skip Petter

Mr. & Mrs. Joel F. ReevesS.A. RobinsonNancy & Henry ShufordIn memory of Willard Shull

Elliott SopkinBurton TrimbleH. & T. Yamashita*

support



Henry Sopkin CircleHonoring the Atlanta Symphony Orchestra’s first Music Director, the Henry Sopkin Circle recognizes our friends who have planned bequests and other gifts to benefit the Orchestra’s future. We remain grateful to all Henry Sopkin Circle members – past and present – for their generosity, trust, and vision.

Madeline & Howell E. Adams, Jr.

Mr.* & Mrs. John E. Aderhold

William & Marion AtkinsDr. & Mrs. William BauerNeil H. BermanMr.* & Mrs. Sol BlaineW. Moses BondRobert* & Sidney BoozerElinor A. BremanWilliam Breman*James C. Buggs, Sr.Mr. & Mrs. Richard

H. BurginHugh W. BurkeWilber W. CaldwellMr. & Mrs. C. Merrell CalhounCynthia & Donald CarsonMargie & Pierce ClineDr. & Mrs. Grady

Clinkscales, Jr.Dr. John W. CooledgeJohn R. DonnellCatherine Warren DukehartMs. Diane DurginKenneth P. DutterArnold & Sylvia EavesElizabeth EtollRosi & Arnoldo FiedotinDr. Emile T. Fisher

A. D. Frazier, Jr.Nola FrinkBetty & Drew* FullerCarl & Sally GableWilliam H. GaikMr.* & Mrs. L. L.

Gellerstedt, Jr.Ruth Gershon & Sandy CohnMicheline & Bob GersonMr. & Mrs. John T. GloverRobert Hall Gunn, Jr.Billie & Sig* GuthmanBetty G.* & Joseph F.* HaasJames & Virginia HaleMiss Alice Ann Hamilton*Dr. Charles H. Hamilton*John & Martha HeadMs. Jeannie HearnRichard E. HodgesMr. & Mrs. Charles K.

Holmes, Jr.Mr.* & Mrs. Fred A.

Hoyt, Jr.Dr. & Mrs. James

M. HundMary B. JamesCalvert JohnsonHerb & Hazel KarpAnne Morgan

& Jim KelleyBob KinseyJames W. & Mary Ellen*

Kitchell

Paul Kniepkamp, Jr.Miss Florence KopleffOuida Hayes LanierMr. & Mrs. William LesterLiz & Jay* LevineJane LittleMrs. J. Erskine Love, Jr.Nell Galt & Will D. MagruderK Maier John W. Markham, IIIDr. Michael S. McGarryMr. & Mrs. Richard McGinnisJohn & Clodagh MillerMr. & Mrs. Bertil

D. NordinRoger B. OrloffDr. Bernard

& Sandra PalayDan R. PayneBill PerkinsMr. & Mrs. Rezin E.

Pidgeon, Jr.Janet M. PierceReverend Neal P. Ponder, Jr.William L. & Lucia

Fairlie PulgramThe Reiman FoundationVicki J. & Joe A. RiedelDr. Shirley E. RiversMr. & Mrs. Martin

H. SauserMr. Paul S. Scharff

& Ms. Polly G. Fraser

Edward G. Scruggs*Dr. & Mrs. George P. SessionsMr. & Mrs. H.

Hamilton SmithMrs. Lessie B. SmithgallElliott SopkinElizabeth Morgan SpiegelPeter James StellingBarbara Dunbar Stewart* C. Mack* & Mary

Rose TaylorJennings Thompson IVMargaret* & Randolph

ThrowerKenneth & Kathleen TiceSteven R. TunnellMary E. Van ValkenburghMr. & Mrs. John B.

White, Jr.Adair & Dick WhiteHubert H. Whitlow, Jr.Sue & Neil WilliamsMrs. Frank L. Wilson, Jr.Joni WinstonGeorge & Camille WrightMr.* & Mrs. Charles

R. YatesAnonymous (12)

*Deceased

Patron Partnership Thomas J. Jung, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

Appassionato Meghan Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the Southeast. Appassionato was inaugurated in 2000 and welcomes annual givers of $10,000 and above. Appassionato members provide the Symphony with a continuous and strong financial base in support of our ambitious aritistic and education initiatives.

additional supportBlonder Family Foundation William McDaniel Charitable

FoundationWilliam Randolph Hearst

Endowed Fund

Classical Series Title SponsorClassic Chastain Title Sponsor

Family and SuperPOPS Presenting Sponsor

RICHARD ANDERSONChief Executive Officer

Holiday Title Sponsor

MUHTAR KENTChairman of the Board

and Chief Executive Officer

DARRYL HARMONSoutheast Regional President

Atlanta School of Composers Presenting Sponsor

PHILIP I. KENTChairman and

Chief Executive Officer

Supporter of the AtlantaSymphony Orchestra Chorus

JERRY KARRSenior Managing Director

ThisprogramissupportedinpartbytheGeorgiaCouncilfortheArts(GCA)throughtheappropriationsoftheGeorgiaGeneralAssembly.GCAalsoreceivessupportfromitspartneragency,theNationalEndowmentfortheArts

MajorfundingforthisorganizationisprovidedbytheFultonCountyBoardofCommissionersundertheguidanceoftheFultonCountyArtsCouncil.

MajorsupportisprovidedbytheCityofAtlantaOfficeofCulturalAffairs.

AtlantaSymphonyOrchestraprogramsaresupportedinpartbyanawardfromtheNationalEndowmentfortheArts.

corporate & government support


2011-2012 boardBelinda Massafra

PresidentSylvia Davidson

President ElectSuzy Wasserman,

Leslie Petter, Camille Yow Advisors

Elba McCue Secretary

Sabine Sugarman Treasurer

Camille Kesler VP Administration

Dawn Mullican VP Public Relations

Paula Ercolini VP Youth Education

Ruth & Paul Marston VP Membership

Gayle Lindsay Parliamentarian

Ann Levin & Gail Spurlock Historians

Judy Schmidt Nominating Committee Chair

Amy Musarra, Chair, Decorators’ Show House & Gardens

Natalie Miller & Hillary Inglis Co-Chairs, Decorators’ Show House & Gardens

Janis Eckert, Nancy Fields & Gail Spurlock Chairs, ASA Fall Meeting

Poppy Tanner Chair, ASA Night at the ASO

Glee Lamb & Adele Abrahamson Chairs, ASA Spring Luncheon

Pat King ASA Notes Newsletter Editor

Jamie Moussa Chair, ASA Annual Directory

Nancy Levitt Ambassadors’ Desk

Helen Marie Rutter Bravo Chair

Elba McCue Concerto Chair

Joan Abernathy Encore Chair

Liz Cohn & Betty Jeter Ensemble Chairs

Karen Bunn Intermezzo Chair

Whitley Greene Vivace Chair

Atlanta Symphony AssociatesThe volunteer organization of the Atlanta Symphony Orchestra

Stanley RomanStein, atlanta Symphony oRcheStRa pReSident, and amy muSaRRa, decoRatoRS’ Show houSe and GaRdenS chaiR. Celebratingits42ndAnniversary,theAtlantaSymphonyOrchestraAnnouncesitsDecorators’ShowHouse&GardensatthemagnificentPhillipTrammelShutze’sKnollwoodEstatefromApril21throughMay13,2012.OrganizedbytheAtlantaSymphonyAssociates,proceedswillsupporttheAtlantaSymphonyOrchestra’s(ASO)EducationandCommunityEngagementprograms,includingtheAtlantaSymphonyYouthOrchestraandtheTalentDevelopmentProgram.Formoreinformationvisitdecoratorsshowhouse.org.


Terr

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Patron Circle of StarsBy investing $15,000 or more in The Woodruff Arts Center and its divisions — the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences — these outstanding Annual Corporate Campaign donors helped us raise more than $8.9 million last year. Thank you!

CHAIRMAn’S COunCIl

★★★★★★★★★★★★$500,000+

the coca-cola company Georgia Power Foundation, Inc.

uPs

★★★★★★★★★★★$450,000+cox Interests Atlanta Journal-Constitution,

James M. Cox Foundation, Cox Radio Group Atlanta, WSB-TV

Hon. Anne Cox Chambers

★★★★★★★★★★$300,000+deloitte LLP, its Partners

& employees

★★★★★★★★★$200,000+At&t the community Foundation

for Greater Atlanta, Inc. ernst & Young, Partners

& employeesthe home depot Foundation Jones day Foundation

& employees Pwc Partners & employees Mabel dorn Reeder Foundationsuntrust Bank employees

& trusteed Foundations Florence C. & Harry L. English

Memorial Fund Greene-Sawtell Foundation SunTrust Foundationturner Broadcasting system, Inc.

★★★★★★★★$150,000+delta Air Lines, Inc. equifax Inc. & employees

KPMG LLP, Partners & employees

the Rich Foundation, Inc. Wells Fargo

★★★★★★★$100,000+Alston & Bird LLP Bank of AmericaKaiser Permanente King & spalding Partners

& employees the Klaus Family Foundationthe Marcus Foundation, Inc. the sara Giles Moore Foundationnovelis Inc.Wal-Mart stores, Inc. the david, helen & Marian

Woodward Fund

★★★★★★$75,000+Airtran Airways holder construction companyKilpatrick townsend the sartain Lanier Family

Foundation, Inc.Regions Financial corporation

★★★★★$50,000+AGL Resources Inc. Lisa & Joe BankoffciscoAnn & Jay davisdoosan Infracore InternationalFederal home Loan Bank

of AtlantaFrank Jackson sandy springs

toyota and scionBeth & tommy holdernewell RubbermaidPrimerica

devyne stephens sutherland Asbill & Brennan LLPthe Zeist Foundation, Inc.

★★★★$35,000+Katharine & Russell Bellman

FoundationBryan cave LLPMr. & Mrs. Bradley currey, Jr. Ge energyGeorgia-Pacificthe Imlay Foundation, Inc. Invesco PLc norfolk southern, employees

& Foundation siemens Industry, Inc.Alex & Betty smith

Foundation, Inc.harris A. smithFrances Wood Wilson

Foundation, Inc

★★★$25,000+Accenture & Accenture

employeesAir serv corporationAtlanta Foundation Julie & Jim Balloun BB&t corporationLaura & stan BlackburncIGnA Foundationcousins Properties Incorporated crawford & company Ford & harrison LLPJack & Anne Glenn Foundation, Inc.GMt capital corporationInfor Global solutions InG sarah & Jim KennedyPhilip I. Kent Foundation the Ray M. & Mary elizabeth

Lee Foundation, Inc.


Lexisnexis Risk solutionsthe Blanche Lipscomb

Foundation Macy’s Foundation Katherine John Murphy

FoundationPatty & doug Reid Family

FoundationRocktenn scAnA energy southwire companysprint Foundationtowers Watsontroutman sanders LLP Waffle house, Inc. Gertrude & William c.

Wardlaw Fund

★★$15,000+A. e. M. Family FoundationAce charitable FoundationAlixPartnersAlvarez & MarsalArnall Golden Gregory LLPthe Partners & employees

of Atlantaequity InvestorsAtlanta Marriott MarquisBeaulieu Group, LLcsusan R. Bell & Patrick M. Morristhe Arthur M. Blank Family

Foundationthe Boston consulting Groupcatherine s. & J. Bradford

Branchthe capital Group companies

charitable FoundationRoxanne & Jeffrey cashdancenter Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman

chartischick-fil-A, Inc.cornercap Investment counselduke Realty corporationegon Zehnder Internationaleisner Family FoundationFeinberg charitable trustFifth third BankFirst data corporationGas south, LLcGenuine Parts companyGeorgia natural Gasdolores & Javier c. GoizuetaGrant thornton LLPharland clarkehd supplythe howell Fund, Inc.Ics contract services, LLcMr. & Mrs. M. douglas IvesterJamestownMr. & Mrs. tom O. JewellWeldon h. Johnson Family

FoundationIngrid saunders JonesJones day Foundation, in honor

of James h. LandonMr. & Mrs. Muhtar KentKurt P. Kuehn & cheryl davisLanier Parking solutionsthe Latham FoundationBarbara W. & Bertram L.

Levy FundLivingston Foundation, Inc.Karole & John LloydLockheed MartinMarsh-MercerMohawk Industries, Inc.

& Frank h. BoykinMueller Water Products, Inc.Gail & Bob O’LearyVicki R. Palmer

Paul, hastings, Janofsky & Walker LLP

Piedmont charitable Foundation, Inc.

Printpack Inc./the Gay & erskine Love Foundation

Mary & craig RamseyMr. & Mrs. david M. Ratcliffeemily Winship scott

Foundationskanska usA Building Inc.spencer stuartKaren & John spiegelsuperior essex Inc.sysco Atlantaunited distributors, Inc.WAtL/WXIA/Gannett Foundationsue & John WielandMr. & Mrs. James B. Williamssue & neil Williamscarla & Leonard Woodthe Xerox FoundationYancey Bros. co.Mr. & Mrs. Robert A.

Yellowlees

*Annual Campaign Donors from June 1, 2010 - May 31, 2011



Continued from page 22

The week before (Jan. 24 and 26), audiences will get a first look at another rising star, Israeli violinist Vadim Gluzman. His rendition of the Bruch Violin Concerto in G minor — which he will perform here with Kazushi Ono on the podium — was delivered, wrote one reviewer, “with more light and heat than I’ve ever heard.”

Audiences are sure to line up in droves in early February for the U.S. debut of guitarist, Milos Karadaglic. With more than 8,000 followers on Facebook, the smoldering good looks of a movie idol, and an intriguing back story that begins in the war-torn Balkans, it’s easy to overlook the fact that this 25-year-old has talent to burn. It will be fully on display in Rodrigo’s fiery Concierto de Aranjuez, on a program led by Xian Zhang that ncludes two works by Tchaikovsky: Romeo and Juliet Fantasy Overture and Symphony No. 2, “Little Russian” (Feb. 7, 8, 10).

The following month, the young Russian pianist Yevgeny Sudbin joins guest conductor Michael Morgan for Tchaikovsky’s Piano Concerto No. 1. With adjectives like “blistering,” “angst-fuelled,” and “spine-

tingling” routinely applied to Sudbin’s performances, audiences are in for some thrills. Shostakovich’s Symphony No. 6 precedes the concerto (March 28-30).

While the Orchestra prides itself on being a place where international stars love to strut their stuff, it also revels in showcasing its own formidable talent. Principal Clarinet Laura Ardan performs the world premiere of Michael Gandolfi’s Concerto for Clarinet and Strings (Jan. 10-12); Concertmaster David Coucheron plays the Mendelssohn Violin Concerto (March 7, 9 and 10); Principal Viola Reid Harris is featured in Schnittke’s Viola Concerto; and David Coucheron, Principal Cello Christopher Rex, and Robert Spano on piano join forces for Beethoven’s Triple Concerto, with Donald Runnicles conducting (May 9-11).

The world-renowned Atlanta Symphony Orchestra Chorus will be in its glory for the holiday season (Christmas with the ASO, Dec. 6-8; Messiah, Part I, Dec. 13 and 15); and the Duruflé Requiem (May 16 and 18). In between, the Chamber Chorus, joined by a bevy of top-notch soloists, will perform a pinnacle of the choral literature: J. S. Bach’s Mass in B minor (Feb. 28 and March 1), led by Robert Spano.

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Which brings us to another Atlanta signature: a deep commitment to nurturing the talents of today’s composers. “We are an orchestra that not only brilliantly plays the core repertoire, but has actually made the work of living composers a hot ticket,” says Mirageas.

In addition to the Gandolfi world premiere, new works will include Mathias Pintscher’s towards Osiris, conducted by the composer (Nov. 8-10); jazz great Marcus Roberts with the world premiere of his own Piano Concerto, teamed with a piece by the Orchestra’s bassist Michael Kurth and Christopher Theofanidis’s Rainbow Body, both conducted by Robert Spano (April 4-5); and Piano Concerto No. 3 by the much-heralded Scottish composer James MacMillan, with the brilliant French pianist Jean-Yves Thibaudet at the keyboard (May 30, June 1-2).

As he looks ahead to the new season, Evans Mirageas returns to the idea that the secret of the Orchestra’s success starts with inclusive, collaborative decision-making: “We do our work behind the scenes so that our players, audience, press, industry, all look to us and say, ‘I need to be in that theater.’ ”

Romanstein’s vision extends beyond the concert hall, to what the Atlanta Symphony Orchestra means to the city that has embraced it since 1945: “As our world becomes more virtual, and we spend more time interacting with screens, we have a growing thirst for the real, for the connective, for the human. There is nothing more connective or more human than having a live-music experience,” he declares. “Every once in a while an audience member leaves the hall angry. Does that bother me? No! It means the music caused the person to feel something. There’s nothing worse than having an audience member leave a hall feeling nothing. I hope when people come to us they leave feeling something.”

Madeline Rogers, a freelance writer and editor, is the former Director of Publications at the New York Philharmonic.

Laura ardan

Reid HaRRis

DaviD CouCheron

Christopher rex

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pag

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Our Professional EnsembleBruce V. Benator, CPA, Managing Partner

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Krajewski… Michael Krajewski

The Orchestra’s International Man of (Musical) Mystery on 'Bond & Beyond'

By Bret Love

Mic

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mar

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When Marvin Hamlisch canceled his March 16 and 17 SuperPOPS! concerts

due to illness, the Orchestra called in the perfect agent for the mission of filling the void: Michael Krajewski. The Principal Pops Conductor had the perfect secret weapon up his sleeve — an evening of spy-themed music — so we rang him up for a covert chat.

What is it about the music of the James Bond films that you love?

The James Bond phenomenon is iconic. It’s been around for 50 years now, and we’re all familiar with the movies, the characters, and the music. It’s an extra treat to hear the music played live by a symphony.

Who is your favorite 007?

Sean Connery is my favorite because I was around when those movies came out. None of the subsequent ones have ever matched him.

What are your favorite Bond songs?

We’ll be starting the concert with the “James Bond Theme,” which is the one that sticks with you the most. But I think the most famous title song is “Goldfinger,” and I like “Live and Let Die.”

What will (vocalist) Debbie Gravitte bring to the program?

She’s a Broadway veteran, and I’ve worked with her quite a bit over the years. When I was conceiving this program, I immediately thought of her because she has a real fancy way on the stage and a big voice. She’s not trying to imitate Shirley Bassey, but certainly these songs have that brash kind of delivery.

You’re known for a playful sense of humor. Might we see you as the next James Bond onstage?

(Laughs) That isn’t going to happen! But there are moments of levity here and there, including a James Bond quiz that I administer from the stage. We have fun with that, and there will be a few other fun surprises as well.

Atlanta-based freelancer Bret Love is the Music Editor of Georgia Music Magazine, National Managing Editor for INsite Magazine, and founder of Green Global Travel, a website devoted to ecotourism and global culture.

48 48 Atlanta Symphony Orchestra/aso.org

an educator’s heartBy Ahmad Mayes

Great things happen when student musicians have the opportunity to work with the world’s top artists.

This season the Atlanta Symphony Youth Orchestra has engaged in master classes, rehearsals, and reading sessions with violinists Gil Shaham and Leila Josefowicz (and Gil Shaham in April), and conductors Mei-Ann Chen and James Gaffigan, to name just a few.

Now, Music Director Robert Spano leads Sibelius’s Symphony No. 1 and narrates Copland’s Lincoln Portrait with the Youth Orchestra, Sunday, March 25, at 2 p.m. in Atlanta Symphony Hall. “Each student is having his or her own personal experience,” confides Youth Orchestra Music Director Jere Flint, “some of which they probably couldn’t articulate at this point. With different conductors, the students always end up at the same point, realizing the discipline it takes to play and contribute in making a great orchestra. Most will gain even more insight [in the Sibelius] as they explore some different interpretations from Robert.”

Concertmaster Micah Wallen is already sold. “Robert Spano’s level of musicianship and the intricacies that he notices in the music, even in rehearsal, inspire me to reach that level myself. I think our audience will see us playing things better than they thought we were capable of.”

Spano has worked with the Youth Orchestra before, but “this is the first time that he will be conducting our musicians exclusively in a major symphonic work,” notes Flint. “Robert has led a couple of reading rehearsals in the past years, and three ‘side-by-sides’ with the Orchestra — the 9/11 memorial concert, the 60- and 30-

year anniversary celebration concert of the Orchestra and Youth Orchestra, and the grand opening of Verizon [Wireless Amphitheatre in Alpharetta].

Spano is a born mentor, at home in learning environments around the country, from Brooklyn and Tanglewood to Aspen and Ojai, and continues to thrive at Emory University, where he will wind up a three-year residency this year.

“Robert is a genius in working with young students,” says Flint.“His great personality and charisma permeates the rehearsals, and he is nothing short of being very encouraging with each small progress. He demands excellence, and the students always rise to the occasion.”

The Youth Orchestra has risen to international prominence under the guidance of Jere Flint, recording with Atlanta rockers Collective Soul, performing a home and away concert series with its Berlin counterpart, and sending graduates to leading schools of music. “We have always strived to the greatest performance level possible, and the standard of performance and commitment for Robert will be no different,” Flint emphasizes. “What distinguishes the Atlanta Symphony Youth Orchestra is the power and excitement that comes from the stage as these student artists play from the heart.”

Ahmad Mayes is Community Programs Coordinator at the Atlanta Symphony Orchestra and a Youth Orchestra alumnus.


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calendar

Virtuosic shaham april 12/14/15 Delta classicalThu/Sat: 8pm/Sun: 3pmBach: sinfonia to cantata No. 29Bach: cantata No. 50Bach: Violin concerto No. 1straViNsky: Violin concertoPouleNc: Gloria

Robert Spano, conductor Gil Shaham, violinAilyn Pérez, sopranoAtlanta Symphony Orchestra Chorus

touchiNg schumaNN april 19/20/21 Delta classicalThu/Fri/Sat: 8pm kaBaleVsky: The ComedianstchaikoVsky: serenade for stringsrachmaNiNoV: Piano concerto No. 3

Roberto Abbado, conductorYuja Wang, piano

loVeD aND BaNNeD april 26/27/28 Delta classicalThu/Fri/Sat: 8pm mieczyslaw weiNBerg: Rhapsody on Moldavian ThemesmeNDelssohN: Piano concerto No. 1schuBert: symphony No. 8

Michael Christie, conductorBehzod Abduraimov, piano

Farkle sParkles! april 29 Family concertSun: 1:30pm & 3:30pmthe remarkaBle Farkle mcBriDe

Jere Flint, conductor

motowN may 4/5 superPoPs!Fri/Sat: 8pmthe music oF motowN featuring Spectrum

Michael Krajewski, conductor

Presented by: Supported by: Media Sponsors:

404.733.5000 | aso.org woodruff arts center Box office @15th and Peachtree

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Administrative StaffexecutiVe Stanley E. Romanstein, Ph.D. President

Brien Faucett Assistant to the President

aDmiNistratioNJohn Sparrow Vice President for Orchestra Initiatives & General Manager

Mala Sharma Assistant to the Vice President for Orchestra Initiatives & General Manager

Julianne Fish Orchestra Manager

Nancy Crowder Operations/Rental Events Coordinator

Russell Williamson Orchestra Personnel Manager

Susanne Watts Assistant Orchestra Personnel Manager

Paul Barrett Senior Production Stage Manager

Richard Carvlin Stage Manager

Lela Huff Assistant Stage Manager

artisticEvans Mirageas Vice President for Artistic Planning

Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor

Jeffrey Baxter Choral Administrator

Ken Meltzer ASO Insider & Program Annotator

David Zaksheske Artist Assistant

eDucatioN & commuNity eNgagemeNtMark B. Kent Senior Director of Education & Community Engagement

Ahmad Mayes Community Programs Coordinator

Nicole BirdEducation Program Coordinator

Janice CrewsProfessional Learning Teaching Artist

Tiffany I.M. JonesEducation Sales Associate

FiNaNce & aDmiNistratioNDonald F. Fox Executive Vice President for Business Operations & Chief Financial Officer

Shannon McCown Assistant to the Executive Vice President for Business Operations & Chief Financial Officer

Susan Ambo Vice President of Finance

Kim Hielsberg Director of Financial Planning & Analysis

April Satterfield Senior Accountant

Peter C. Dickson Staff Accountant

Michael Richardson Venues Analyst

Stephen Jones Symphony Store Manager

ASO PresentsClay Schell Vice President, Programming

Trevor Ralph General Manager and Senior Director of Operations

Holly Clausen Director of Marketing

Keri Musgraves Promotions Manager

Lisa Eng Graphic Artist

ASO Presents (cont.)

Chastain Park AmphitheaterTanner SmithProgram Director

Verizon Wireless Amphitheatre at Encore ParkKatie Daniel VIP Sales Manager

Jenny Pollock Operations Manager

Rebecca Simmons Box Office Manager

Deborah Honan Customer Service Manager & Venue Rental Coordinator

DeVeloPmeNtSandy Smith Vice President for Development

Rebecca Abernathy Development Services Coordinator

Zachary Brown Director of Volunteer Services

Corey Cowart Director of Corporate Relations

Janina Edwards Grants Consultant

Tegan Ketchie Development Coordinator

Ashley Krausen Special Events Coordinator

Sarah Levin Volunteer Project Manager

Stephanie Malhotra Director of Development & Education Services

Melissa Muntz Development Coordinator

Meredith Schnepp Prospect Research Officer

Tammie Taylor Assistant to the

VP for DevelopmentSarah Zabinski Individual Giving Manager

marketiNg & coNcert PromotioNsCharles Wade Vice President for Marketing & Symphony Pops

Alesia Banks Director of Customer Service & Season Tickets

Ted CaldwellGroup & Corporate Sales Assistant

Meko HectorMarketing Production Manager

Jennifer JeffersonDirector of e-Business & Interactive Media

Melanie KiteSubscription Office Manager

Shelby MoodyGroup & Corporate Sales Manager

Seth Newcom Database Administrator

Kimberly Nogi Publicist

Robert Phipps Publications Director

Melissa A. E. SandersSenior Director, Communications

Christine Saunders Group & Corporate Sales Associate

Karl Schnittke Publications Editor

Robin Smith Subscription & Education Sales

Bill TarulliMarketing Manager

Rachel TrignanoManager of Broad Based Giving

Russell Wheeler Director of Group & Corporate Sales

Christina Wood Director of Marketing

staff


general infolate seatiNgLatecomers are seated at the discretion of house management. Reserved seats are not guaran-teed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

sPecial assistaNceAll programs of the Atlanta Symphony Orchestra are accessible to people with disabil-ities. Please call the box office (404.733.5000) to make advance arrangements.

symPhoNy storeThe ASO’s gift shop is located in the galleria and offers a wide variety of items, rang-ing from ASO recordings and music-related merchandise to T-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

the roBert shaw roomThe ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and din-ing on concert evenings — private rentals available. Call 404.733.4860.

imPortaNt PhoNe NumBersConcert Hotline 404.733.4949(Recorded information)Symphony Hall Box Office 404.733.5000Ticket Donations/Exchanges 404.733.5000Subscription Information/Sales 404.733.4800Group Sales 404.733.4848Atlanta Symphony Associates 404.733.4865(Volunteers)Educational Programs 404.733.4870Youth Orchestra 404.733.5038Box Office TTD Number 404.733.4303Services for People 404.733-5000 with Special Needs 404.733.4800Lost and Found 404.733.4225Symphony Store 404.733.4345

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Atlanta’s Performing Arts Publication

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More than a program, it’s your ticket to the arts.

ticket infocaN’t atteND a coNcert?If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year.

siNgle tickets Call 404.733.5000 Mon.—Fri., 10 a.m.– 8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a best-available basis.

www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery. For orders received less than two

weeks prior to the concert, tickets will be held at the box office.

wooDruFF arts ceNter Box oFFiceMon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon–8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person. Please note: All single-ticket sales are final. No refunds or exchanges. All artists and programs subject to change.

grouP DiscouNtsGroups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848.

giFt certiFicates Available in any amount for any series, through the box office. Call 404.733.5000.

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galleryWinning Medley

JD S

cott

1 NOTEWORTHY. Principal Guest Conductor Donald Runnicles, who led Mahler’s

“Resurrection” Symphony in late January, extended his Orchestra contract for two years.

2 TREY TIME. Phish frontman Trey Anastasio launched his first-ever orchestral tour with a

Feb. 9 date with the Orchestra in front of a sold-out Atlanta Symphony Hall.

3 BANDING TOGETHER. Artists from all genres gathered for “Georgia Music Day,” Jan.

24. From left to right: Johnny Colt (Black Crowes, Train); State Sen. Jeff Mullis; John Hopkins

of the Zac Brown Band; Orchestra Music Director Robert Spano; Sugarland’s Brandon Bush;

singer Anthony David; Mac Powell of Third Day; Georgia Music Partners co-president Simon

Horrocks; and vocalist-guitarist Corey Smith.

Sam

uel

Sta

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gs

Jeff

Ro

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32

1

60

Schwartz Center for Performing Arts

Photo by Gary Heery

Dawn Upshaw,

soprano

Friday, April 6, 8 p.m.

Australian

Chamber Orchestra

Thursday, april 12, 8 p.m.

TICKETS ON SALE NOW! arts.emory.edu404.727.5050D

ario

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Live: 4.875” x 7.875” Trim: 5.375” x 8.375” Bleed: 5.625” x 8.625” Gutter: NoneMedia Type: Magazine Pubs: Encore Magazine Issue: 2010; AdSize: digest full Line Screen: Default Mech Scale: NoneAD: Jessica Giles CW: None ACCT: Jackie Ferrer PROD: Angel Pabon TRAF: Lynn Mathis Studio: Kevin Tinsley

Printed At: 4-1-2010 8:27 AM File Printed @ 100%

Images Used:RCS_Bkgnd_Mag_8x10_notexture_C_300_.tif CMYK 62.39%, 50.52% 480 ppi, 593 ppi SuperStudio:ART:MNH:Ruthschris:Filet_Solo:RCS_Bkgnd_Mag_8x10_notexture_C_300_.tifRCS_6ozFilet&ShrimpSOLO_C_300.tif CMYK 51.5% 582 ppi SuperStudio:ART:MNH:Ruthschris:Filet and shrimp:RCS_6ozFilet&ShrimpSOLO_C_300.tifRCS_SteakhouseSalad_C_300.tif CMYK 18.23% 1645 ppi SuperStudio:ART:MNH:Ruthschris:Appetizer/Sides:RCS_SteakhouseSalad_C_300.tifRCS_SymphonyDessert_9944_C_300.tif CMYK 18.16% 1652 ppi SuperStudio:ART:MNH:Ruthschris:Dessert:RCS_SymphonyDessert_9944_C_300.tifRCSH_USP_4CP_15.ai 102.5% SuperStudio:Logos:Ruths_Chris:_Official_Logos:StandardSpace:With_Stamp:RCSH_USP_4CP_15.ai

Colors Used: Cyan Magenta Yellow Black

Fonts: Mrs Eaves Petite Caps (Regular; Type 1)Mrs Eaves All Petite Caps (Regular; Type 1)Mrs Eaves Roman Lining (Regular; Type 1)Times (Regular; True Type)News Gothic BT (Bold; Type 1)

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march 2012: mr. watts and a world premiere at the atlanta symphony orchestra

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