making the best pictures you could possibly make

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Making the best pictures You could possibly make

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Page 1: Making the best pictures You could possibly make

Making the best picturesMaking the best picturesYou could possibly makeYou could possibly make

Page 2: Making the best pictures You could possibly make

Digital CamerasDigital Cameras•Point and shoot•Point and shoot

Page 3: Making the best pictures You could possibly make

Digital CamerasDigital Cameras•dSLR - Digital Single Lens Reflex•dSLR - Digital Single Lens Reflex

Page 4: Making the best pictures You could possibly make

Comparative sensor sizes

Comparative sensor sizes

Page 5: Making the best pictures You could possibly make

CCD sensorsCCD sensors

Page 6: Making the best pictures You could possibly make

What a sensor seesWhat a sensor sees

Page 7: Making the best pictures You could possibly make

dSLRdSLR

Page 8: Making the best pictures You could possibly make

The sensorThe sensor

Page 9: Making the best pictures You could possibly make

Let's talk mega-pixelsLet's talk mega-pixels

Page 10: Making the best pictures You could possibly make

The trapThe trap

Page 11: Making the best pictures You could possibly make
Page 12: Making the best pictures You could possibly make
Page 13: Making the best pictures You could possibly make

Cropping in the fieldComposition withOUT

Photoshop

Cropping in the fieldComposition withOUT

Photoshop

Page 14: Making the best pictures You could possibly make

CompositionComposition

Page 15: Making the best pictures You could possibly make

CompositionComposition

Page 16: Making the best pictures You could possibly make

CompositionComposition

Page 17: Making the best pictures You could possibly make

Aperature - F/StopAperature - F/Stop

Page 18: Making the best pictures You could possibly make

Shutter SpeedShutter Speed

Page 19: Making the best pictures You could possibly make

Motion BlurMotion Blur

Page 20: Making the best pictures You could possibly make

Action-blur trickAction-blur trick

Page 21: Making the best pictures You could possibly make

Depth of fieldDepth of field

•Relies upon the Aperture. The smaller the f-stop number, the wider the lens opening, and the more NARROW the depth-of-field.

•Relies upon the Aperture. The smaller the f-stop number, the wider the lens opening, and the more NARROW the depth-of-field.

Page 22: Making the best pictures You could possibly make

Depth of fieldDepth of field

Page 23: Making the best pictures You could possibly make

Depth of fieldDepth of field

Page 24: Making the best pictures You could possibly make

Depth of fieldDepth of field

Page 25: Making the best pictures You could possibly make

Camera settings - Controls

Camera settings - Controls

Page 26: Making the best pictures You could possibly make

Camera settings - Controls

Camera settings - Controls

• M = Manual Mode, you control all the settings

• S = Shutter priority mode, you set the shutter-speed and the camera attempts to compensate with the Aperture

• A = Aperture priority mode, just the opposite than above

• P = Program Mode. The camera will set anything you don't. Sort of a "super auto" mode

• M = Manual Mode, you control all the settings

• S = Shutter priority mode, you set the shutter-speed and the camera attempts to compensate with the Aperture

• A = Aperture priority mode, just the opposite than above

• P = Program Mode. The camera will set anything you don't. Sort of a "super auto" mode

Page 27: Making the best pictures You could possibly make

Camera settings - Controls

Camera settings - Controls

•What do those weird icons really mean, anyway?

•What do those weird icons really mean, anyway?

Page 28: Making the best pictures You could possibly make

Portrait SettingPortrait Setting

•Automatically sets a wide aperture (small f-stop) to narrow the depth of field

•Automatically sets a wide aperture (small f-stop) to narrow the depth of field

Page 29: Making the best pictures You could possibly make

Landscape SettingLandscape Setting

•The opposite of Portait, shuts down the aperture to allow for a wide depth of field.

•The opposite of Portait, shuts down the aperture to allow for a wide depth of field.

Page 30: Making the best pictures You could possibly make

Action or 'Sports' SettingAction or 'Sports' Setting

•Sets the shutter-speed as high as it can to stop motion.

•Sets the shutter-speed as high as it can to stop motion.

Page 31: Making the best pictures You could possibly make

Night Mode setting Night Mode setting

•Sets the shutter-speed as slow as it can go.

•Sets the shutter-speed as slow as it can go.

Page 32: Making the best pictures You could possibly make

Macro Mode (Close-up)Macro Mode (Close-up)

•Allows for close-up focus

•Allows for close-up focus

Page 33: Making the best pictures You could possibly make

Lenses - 28mm vs 100mm

Lenses - 28mm vs 100mm

Page 34: Making the best pictures You could possibly make

Lenses change the picture

Lenses change the picture

Page 35: Making the best pictures You could possibly make

Flashaka evilFlash

aka evil

Only works for about 6 to 10 feet.

Can’t help in a dark room.

Only works for about 6 to 10 feet.

Can’t help in a dark room.

Page 36: Making the best pictures You could possibly make

Fill - FlashFill - Flash

Page 37: Making the best pictures You could possibly make

More than 10 feet...More than 10 feet...

Page 38: Making the best pictures You could possibly make

Speaking of exposure...Speaking of exposure...

ISO - What does it mean?

ISO 100 ISO 800

Page 39: Making the best pictures You could possibly make

ISO 800

If you can’t get detail in the brightest and darkest areas in the scene, you are better off

UNDEREXPOSING the scene by 1/2 to one stop.

If your whites are blown out (no detail) there is no way to ever

add information that isn’t already there.

In this picture it would be better to lighten the darker suit, than

it would be to darken the lighter suit. There are no details in

some areas of the white suit.

Page 40: Making the best pictures You could possibly make

File FormatsFile Formats• RAW: The RAW file format is digital photography's equivalent

of a negative in film photography: it contains untouched, "raw" pixel information straight from the digital camera's sensor.

• JPEG: Short for Joint Photographic Experts Group, and pronounced jay-peg. JPEG is a lossy compression technique for color images. Although it can reduce files sizes to about 5% of their normal size, some detail is lost in the compression.

• TIFF: Acronym for tagged image file format, one of the most widely supported file formats for storing bit-mapped images on personal computers. TIFF graphics can be any resolution, and they can be black and white, gray-scaled, or color.

• PSD: Photoshop's native, layered file format. The layers enable an photograph to be built with individual graphic elements that can be moved over and over to obtain a desired result. When the PSD format is converted into a TIFF, JPEG, GIF or other graphics format, the layering is "flattened" into one bitmapped image.

Page 41: Making the best pictures You could possibly make

I know you have questions...

I know you have questions...