lyon & turnbull contemporary & auctioneers …auctions.lyonandturnbull.com/pdf/458.pdf ·...

33 Broughton Place, Edinburgh EH1 3RRTel. +44 (0)131 557 8844Fax. +44 (0)131 557 8668Email. [email protected]

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78 Pall Mall, London SW1Y 5ESTel. +44 (0)20 7930 9115Fax. +44 (0)141 7930 7274

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RARY & PO

ST-WAR ART 16TH

MARCH

, 2016

Contemporary & Post-War Art

Wednesday, 16th March, 201633 Broughton PlaceEdinburgh EH1 3RR

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Wednesday, 16th March, 2016at 11amSale Number LT458

Viewing TimesSunday, 13th March 12 noon - 4pmMonday, 14th March 10am - 5pmTuesday, 15th March 10am - 5pmMorning of sale strictly by appointment only

EnquiriesLyon & Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668Email. [email protected]

Catalogue: £15

Front CoverLot 168 (detail)

Inside Front CoverLot 127 (detail)

Inside Back CoverLot 170 (detail)

Contemporary 1.qxp_Layout 1 16/02/2016 08:12 Page 1

Buyer’s Premium & Other ChargesThe buyer shall pay the hammer pricetogether with a premium, at thefollowing rate, thereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premium atthe rate imposed by law (see ourConditions of Sale).

Additional VAT † VAT at the standard rate payable at thestandard rate on the hammer price

* 5% import VAT payable on thehammer price

No VAT is payable on the hammer priceor premium for books bought atauction.

Droit de Suite§ indicates works which may be subjectto the Droit de Suite or Artist’s ResaleRight, a royalty payment for all qualifyingworks of art. Under new legislationwhich came into effect on 1st January2012, this applies to living artists andartists who have died in the last 70years. This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. It willnot apply to works where the hammerprice is less than €1,000 (euros). Thecharge for works of art sold at andabove €1,000 (euros) and below €50,000(euros) is 4%. For items selling above€50,000 (euros), charges are calculatedon a sliding scale.

More information on Droit de Suite isavailable at www.dacs.org.uk

RegistrationAll potential buyers must register priorto placing a bid. Registrationinformation may be submitted in personat our registration desk, by email, by faxor on our website. Please note that allfirst time bidders at Lyon & Turnbull willbe asked to supply the followingdocuments in order to facilitateregistration:

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We may, at our option, also ask you toprovide a bank reference and/ ordeposit.

By registering for the sale, the buyeracknowledges that he or she has read,understood and accepted ourConditions of Sale (available at the back of every catalogue and on ourwebsite).

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Removal of PurchasesResponsibility for packing, shipping andinsurance shall be exclusively that of thepurchaser.

Buyer’s GuideThis sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).If you have not bought at auction before we will be delighted to advise you.

Catalogue descriptionsAll item descriptions, dimensions andestimates are provided for guidance only.It is the buyer’s responsibility to inspect alllots prior to bidding to ensure that thecondition is to their satisfaction. Ifpotential buyers are unable to inspect lotsin person (public viewing times listed inevery catalogue), our specialists will behappy to prepare detailed conditionreports and additional images. These arefor guidance only and all lots are sold ‘asfound’, as per our Conditions of Sale.

Import/ExportProspective buyers are advised thatseveral countries prohibit the importationof property containing materials fromendangered species, including but notlimited to; rhino horn, ivory, coral andtortoiseshell. Accordingly, prospectivebuyers should familiarise themselves withall relevant customs regulations prior tobidding if they intend to import lots toanother country. It is the buyer’s soleresponsibility to obtain any relevantexport or import licence. The denial of anylicence or any delay in obtaining licencesshall neither justify the recession of anysale nor any delay in making full paymentfor the lot.

Endangered Species Please be awarethat lots marked with the symbol Ycontain material which may be subject toCITES regulations when exporting outsidethe EU. For more information visithttp://www.defra.gov.uk/ahvla-en/iimports-exports/cites


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4 Lyon & Turnbull

1§ HD78/7JOHN G. BOYD R.G.I.(SCOTTISH 1940-2001)STILL LIFE WITH OIL LANTERNSigned, oil on canvas62cm x 72cm (24.5in x 28.25in)

£800-1,200

3§ HD78/9ALISTAIR GRANT(SCOTTISH 1925-1997)MOONLIT INTERIORSigned, oil on canvas49cm x 59cm (19.25in x 23.25in)

£500-700

2§ HD497/1MARION DRUMMOND(SCOTTISH b. 1958)MARTINMASSigned, oil on board60cm x 89cm (23.5in x 35in)

£1,000-1,500


Contemporary & Post-War Art 5

4§ HD78/3ERNEST BURNETT HOOD (SCOTTISH 1932-1988)BOATS AT LOW TIDESigned, oil on canvas34cm x 45cm (13.5in x 17.75in)

£500-700

6§ HD772/1NAEL HANNA (IRAQI/SCOTTISH b. 1959)HORIZON OVER THE NORTH SEASigned, oil on canvas30cm x 40cm (11.75in x 15.75in)

£500-700

7§ SV0244/11MARDIE BARRIE R.S.W. (SCOTTISH 1931-2004)BLUE ESTUARYSigned, oil on board33cm x 40cm (9in x 16in)

£500-700

5§ HD78/6JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)BASS ROCK, DUSKSigned and inscribed with title and numbered 12/35 inpencil to margin, colour lithograph65cm x 81cm (25.5in x 32in)

£400-600


6 Lyon & Turnbull

8§ HD370/12DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)SKETCH FOR BLACK STUDIOOil on board18.5cm x 23cm (7.25in x 9in)Exhibited:Aitken Dott, Edinburgh, FestivalExhibition, 1969

£400-600

10§ HD370/17DENIS PEPLOE R.S.A.(SCOTTISH 1914-1993)MOON OVER CORNFIELDSigned, signed and inscribedwith title artist’s label verso,oil on board26cm x 34cm (10.25in x 13.5in)

£800-1,200

9§ HD370/13DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)SKETCH FOR MEN WITH NETSSigned, oil on board27cm x 36cm (10.5in x 14in)

£500-700



13§ HD778/9SIR WILLIAM GEORGE GILLIES C.B.E., A.R.A., R.S.A., R.S.W.(SCOTTISH 1898-1973)THE BORDERSSigned, watercolour25cm x 31cm (10in x 12in)

£600-800

11§ FD693/103BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007)NIGHT ON THE FLOWSigned, gouache25cm x 35cm (9.75in x 13.75in)Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

14§ HC869/2MARDI BARRIE R.S.W. (SCOTTISH b. 1931)STILL LIFE WITH JUGSigned, oil on canvas63cm x 75cm (24.75in x 29.5in)

£300-500

12§ HD468/3JACK KNOX R.S.A., R.G.I., R.S.W. (SCOTTISH 1936-2015)6 RUE DES BARDONSSigned, dated 1990 verso, pastel25.5cm x 35.5cm (10in x 14in)Provenance:The Fleming-Wyfold Art Foundation (676)

£400-600


8 Lyon & Turnbull

Widely renowned for hisability to effectively conveyraw emotion, and his uniquefigurative style, PeterHowson’s works are instantlyrecognisable. Howsonstudied at the Glasgow Schoolof Art in the 1970s andquickly gained recognitionthroughout the art world witha series of commissions andexhibitions. In 1993, Howsonwas appointed by theImperial War Museum to theposition of British Official WarArtist during the Bosnian CivilWar. Howson himself hasdescribed this time in Bosniaas being ‘wrought withdifficulty’, as he struggled toconvey the horror of what hewitnessed in his works andmake them resonate with aBritish audience.

Included in this sale areHowson works from thisBosnian period previouslyexhibited by Flowers Galleryin London. ‘Mascotte’, ‘WhamBaam Maam 3!’, and ‘BoarHunt’, were all completed in1994 using pastel on paper.As is typical of Howson, themain focus within theseworks is upon the humansubjects depicted, indeed, theonly use of warm colour bythe artist in these works is tohighlight the subject’s faces.Not only does this limited useof colour serve to contrastwith the cool, blue tonedpaper and instantly draw theviewer’s eyes to the human

subjects, it serves to highlighta difference between theindividuals’ wretchedsurroundings, and thesubjects themselves. Othersubject matter included inthese works serve to conveyfurther the predominantfeeling of wartimemelancholy, particularly theinclusion of ammunitions,decapitated boar’s heads, andskulls and crossed bones.Howson was widely praisedfor his work as Official WarArtist, and all three of theseworks for sale are typicalexamples of his work fromthis formative and definingperiod of his career.

PETER HOWSON

15§ HC140/3PETER HOWSON(SCOTTISH b. 1958)BOAR HUNT, 1994Signed and dated ‘94, pastelon paper52cm x 78cm (20.5in x 30.75in)Exhibited:Flowers East, London

£2,000-3,000



16§ HC140/1PETER HOWSON(SCOTTISH b. 1958)WHAM BAAM MAAM 3!Signed and dated ‘94, pastelon paper78cm x 52cm (30.5in x 20.5in)Exhibited:Flowers East, London

£2,000-3,000

17§ HC140/2PETER HOWSON(SCOTTISH b. 1958)MASCOTTE 1Signed and dated ‘94, pastelon paper50cm x 65cm (19.75in x 25.5in)Exhibited:Flowers East, London

£2,000-3,000


10 Lyon & Turnbull

18§ HD789/2JAMES FULLARTON (SCOTTISH b. 1946)A TUSCAN VILLAGESigned, oil on paper29cm x 39.5cm (11.5in x 15.5in)

£300-500

19§ HD778/1GEORGE DONALD R.S.A., R.S.W. (SCOTTISH b. 1943)MOONDOOR, SUZHOUMixed media and collage48cm x 55cm (19in x 21.5in)

£400-600

20§ HD67/22GEOFF UGLOW (BRITISH CONTEMPORARY)PARK CIRCUS, GLASGOWOil on board44cm x 52cm (17.25in x 20.5in)

and a further print by the same hand (2)£400-600

21§ HD789/1ANN ORAM R.S.W. (SCOTTISH b. 1956)UNTITLEDSigned, oil on canvas58cm x 79cm (22.75in x 31in)

£600-800



22§ HB644/1SIR ROBIN PHILIPSON R.A.,P.R.S.A., F.R.S.A., R.S.W.,R.G.I., D.LITT., L.L.D.(SCOTTISH 1916-1992)THE GEOMETRIC FENCESigned and dated 1989 on thebackboard61cm x 61cm (24in x 24in)Provenance:Browse & Darby London 1989

£2,000-3,000

23§ HB644/2SIR ROBIN PHILIPSON R.A.,P.R.S.A., F.R.S.A., R.S.W.,R.G.I., D.LITT., L.L.D.(SCOTTISH 1916-1992)FIGURES AT A TABLESigned and dated 1987, oil oncanvas71cm x 80cm (28in x 32in)

£3,000-5,000


12 Lyon & Turnbull

24§ HB845/7PAT DOUTHWAITE(SCOTTISH 1934-2002)STRIPPER COCKERELSigned, titled and dated ‘90,charcoal and pastel on paper82cm x 58cm (32.25in x 23in)

£400-600

26§ HB845/12PAT DOUTHWAITE(SCOTTISH 1934-2002)PET CATSigned and dated ‘88, pastel100cm x 70cm (39.5in x 27.5in)

£600-800

25§ HB845/3PAT DOUTHWAITE(SCOTTISH 1934-2002)CHRIST FIGURESigned and dated ‘87, redchalk on paper84cm x 59.5cm (33in x 23.25in)

£300-500



29§ HD800/1SANDRA BLOW R.A. (BRITISH 1925-2006)UNTITLEDA/P, signed and dated 2000 and numbered XII/XX in pencil tomargin, screenprint50cm x 65cm (19.75in x 25.5in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15Academicians. London, 2000

£300-500

27§ HD800/3IVOR ABRAHAMS R.A. (BRITISH b. 1935)UNTITLEDA/P, signed and numbered XIX/XX in pencil to margin,photolithograph50cm x 65cm (19.75in x 25.5in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15Academicians. London, 2000

£300-500

30 § HD800/4RICHARD DEACON C.B.E. (WELSH b. 1949)UNTITLEDFrom an edition of 100, photographic screenprint50cm x 64cm (19.75in x 25.25in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15Academicians. London, 2000

£250-350

28§ HD800/2BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH b. 1943)ANASAZI HUNTERSigned, inscribed with title and numbered XIII/XX in pencil tomargin, etching50cm x 65cm (19.75in x 25.5in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15Academicians. London, 2000

£300-500


14 Lyon & Turnbull

31§ HD377/1ALEXANDER MOFFAT(SCOTTISH b. 1943)PICNICSigned and dated 1963,signed and dated verso, oil onboard122cm x 183cm (48in x 72in)Note:From a series of six panels Moffatproduced as an art student in 1963,famously exhibited to the public onthe railings of Castle Terrace. Theartist holds the first in the series inhis collection and another is in thecollection of Edinburgh College ofArt.

£3,000-5,000

32§ HD138/1JOHN BELLANY C.B.E., R.A.,H.R.S.A.(SCOTTISH 1942-2005)EAST COAST HARBOURSigned, oil on canvas,unframed100cm x 120cm (39.5in x47.25in)

£3,000-5,000



33§ HD252/4DAVID MICHIE O.B.E., R.G.I.(SCOTTISH 1928-2015)ON THE BEACH AT GOLFE-JUANSigned, oil on canvasboard24cm x 29cm (9.5in x 11.5in)Exhibited:The Scottish Gallery, Edinburgh,November 1980

£400-600

35§ HD252/3DAVID MICHIE O.B.E., R.G.I.(SCOTTISH 1928-2015)NESTING TERNSigned, oil on canvas49.5cm x 60cm (19.5in x 23.5in)

£600-800

34§ HD252/2DAVID MICHIE O.B.E., R.G.I.(SCOTTISH 1928-2015)COWS BY THE LEADERWATER,1981Signed, oil on canvasboard19cm x 24cm (7.5in x 9.5in)

£300-500


16 Lyon & Turnbull

McFadyen’s work has had aseries of different focuspoints: moving from the wittyconjectures he made in ArtCollege, to the population ofLondon East End waifs andstrays of the 1980s before hestarted to produce lessfigurative work in the 1990sas the urban landscapebecame his predominantsubject.

Throughout his career, as wellas exhibiting prolifically,McFadyen has been involvedin a wide range of interestingcommissions andcollaborations. This beganwith his appointment as Artistin Residence at the NationalGallery in London in 1981,which was the catalyst of hismove to observed working, ofwhich the East End waifs andstrays were the result. In theearly 1990s he wascommissioned by the ImperialWar Museum to record eventsaround the dismantling of the

Berlin Wall before working onthe set and costumes forballet performances at theRoyal Opera House.

McFayen has claimed that hispainterly influences includeSickert, Whistler and Lowrybut for the most part he findshis inspiration in 1970s realistfilm and contemporary novelsand music rather than art. Asa result he has worked incollaboration with a range ofwriters including Iain Sinclair,Howard Jacobson and WillSelf. In 2005, he took hiscollaborative efforts a stepfurther by founding The GreyGallery, with his wife, themusician Susie Honeyman. It

is a nomadic entity whichworks with artists, writers andmusicians on a project basis,with the intention of workingacross disciplines and outsideof existing frameworksestablished by dealers andcurators.

McFadyen’s talent has beenconsistently recognised andcelebrated, through his high-profile commissions as well aswith the inclusion of his workin 30 public collections, aswell as private collectionsworldwide. He was elected aRoyal Academician in 2012,confirming his place withinthe British artisticestablishment.

36§ HD814/3JOCK MCFADYEN R.A.(SCOTTISH b. 1950)SHELTERSigned and dated ‘91,gouache76cm x 58cm (30in x 23in)

£1,000-1,500

JOCK MCFADYEN



37§ HD814/5JOCK MCFADYEN R.A.(SCOTTISH b. 1950)BOOTH, BERLIN, 1991Signed, inscribed with titleand date, gouache75cm x 56cm (29.5in x 22in)

£1,000-1,500

39§ HD814/6JOCK MCFADYEN R.A.(SCOTTISH b. 1950)OFFSTAGE, 1990Gouache75cm x 56cm (29.5in x 22in)

£1,000-1,500

38§ HD814/4JOCK MCFADYEN R.A.(SCOTTISH b. 1950)CRAMOND 2Signed, dated ‘92 andinscribed with title in pencilto margin, numbered 27/30,etching48cm x 41cm (19in x 16in)

£300-500


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41§ FD693/181BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007)EQUIDISTANTSigned, inscribed with title and dated ‘December 1964’verso, mixed media on paper62cm x 49cm (24.5in x 19.25in)Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

40§ SV0244/20SIR ROBIN PHILIPSON, R.A., P.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992)GARDEN IN FRANCEPen and ink36cm x 41cm (14in x 16in)

£300-500

43§ FD693/173BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007)IN THE DEPTH OF WINTERSigned, watercolour10cm x 10cm (4in x 4in)Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

42§ FD693/177MICHAEL AYRTON (BRITISH 1921-1975)PAROS - JUNE 1975A/P, signed and inscribed with title in pencil tomargin, aquatint30cm x 25cm (11.75in x 10.75in) (plate only)Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300



44§ FD693/159PETER HOWSON(SCOTTISH b. 1958)WALKING HOMESigned, oil on card56cm x 43cm (22in x 17in)Provenance: From the Estate of the Late Mr CyrilGerber

£1,200-1,800

46 § FD693/224PETER HOWSON(SCOTTISH b. 1958)FIGURESigned, pastel29cm x 21cm (11.5in x 8.25in)Provenance: From the Estate of the Late Mr CyrilGerber

£400-600

45§ FD693/115PETER THOMSON(SCOTTISH b. 1962)TATTOO, 1996Signed and inscribed withtitle frame verso, oil on board41cm x 48cm (16in x 19in)Provenance: From the Estate of the Late Mr CyrilGerber

£300-500


20 Lyon & Turnbull

47§ HB826/6JOAN MIRÓ(SPANISH 1893-1983)COMPOSITION, 1973 (LILURE)Signed and inscribed ‘H.C.’ inpencil to margin, uniqueetching, aquatint andcarborundum35cm x 43cm (13.75in x 17in)

£600-800

48§ HB826/7JOAN MIRÓ(SPANISH 1893-1983)MONTROIG 2Signed in pencil andnumbered VIII/XX, colourlithograph76cm x 57cm (30in x 20.5in)

£1,500-2,000



49§ HD826/1LÉONARD TSUGOUHARUFOUJITA (JAPANESE/FRENCH 1886-1968)HOUSE OF FOUJITASigned and dated 1932, titledupper centre in Japanese,gouache, watercolour andpencil on buff colouredsketchbook pages laid down on board69cm x 79cm (27in x 31in)Provenance:Shinobu Suzuki, Japan (gift from artist).By descent from the above

Exhibited:Pola Museum of Art, HakoneSeptember 2002 - June 2004, no. 134Galerie Tamènaga, Tokyo

£10,000-15,000

In Japan, the country of hisbirth, Foujita is one the mostfamous artists. Yet his careerwas formed in the West, inMontparnasse, Paris duringthe early decades of thetwentieth century. At his peakhe was more successful thanhis good friend Picasso, andwas a formative influence onhis studio mate Modigliani.Fame and wealth cameswiftly and within a dozenyears of his arrival in Paris hehad received the Legion ofHonor, as well as the BelgianOrder of Léopold I. That hisname does not inspire thesame level of recognition ashis peers is in part due to thishigh level of early success.His work was and remainskeenly collected and as suchfew of our national

institutions hold a significantbody of his work, meaningthat apart from briefappearances on the openmarket, he remainssomewhat elusive to gallery-goers.

Foujita’s work was asidiosyncratic as the manhimself. The archetypicalbohemian, he adopted adistinctive aesthetic; a helmetof hair inspired by Egyptiansculpture, earrings, Grecianrobes and round rimmedglasses. He had a tattoo of awristwatch and on occasioncould be seen wearing alampshade as a hat. Yet, all ofthis was pulled off with aminimalist, sophisticatedpanache. His personality andstyle, both highly original andcarefully considered, was

reflected in his work. Anadvocate of line over colour,Foujita employed the delicacyand simplicity of traditionalJapanese artistic methods tocreate meticulous, delicateinterpretations of his studio,the alleys of Montparnasseand his muses - both femaleand feline!

The quirky work offered herefor sale consists of gentlyobserved caricatures andcartoonish sketches, and is acharming insight into thisfascinating artist’s world. Itwas executed in 1932, theyear Foujita was to leaveParis for new adventures inSouth America where hemounted exhibitions of hiswork that were met with wildsuccess.


22 Lyon & Turnbull

50§ HD827/2ERIC HOLT(BRITISH 1944-1997)PARSNIP GATHERINGSigned and dated ‘80, eggtempera on panel32cm x 26cm (12.5in x 10.25in)

£800-1,200

51§ HD827/1ERIC HOLT(BRITISH 1944-1997)LEGIONSigned and dated 1974,signed and inscribed with titleand dated verso, egg temperaon panel51cm x 38cm (20in x 15in)Exhibited:April/May 1977, The PiccadillyGallery, London

£1,000-1,500



52§ HD481/1LEON MORROCCO R.S.A.(SCOTTISH b. 1942)EATING SPAGHETTI, NAPLESSigned, oil on board20cm x 22cm (8in x 8.75in)

£800-1,200

54§ HD481/2LEON MORROCCO R.S.A.(SCOTTISH b. 1942)FISH SUPPER, ROMESigned and dated ‘06, oil onboard20cm x 20cm (8in x 8in)

£800-1,200

53§ HD491/1BARBARA RAE C.B.E., R.A.,R.S.A. (SCOTTISH b. 1943)MAYO CLIFFS, 2002Signed and inscribed withtitle, mixed media on paper29cm x 29cm (11.5in x 11.5in)

£800-1,200


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55§ SV0244/27DAVID DONALDSON R.S.A., L.L.D. (SCOTTISH 1916-1996)FIGURE OF A BUTTERFLYSigned, oil on canvas24cm x 24cm (9.5in x 9.5in)

£600-800

56§ HD472/1DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W.,R.G.I. (SCOTTISH b. 1931)ROMAN CATSSigned and numbered 7/20 in pencil to margin, inscribed withtitle in plate, stamped margin bottom right, etching22cm x 23cm (8.5in x 9in)

£300-500

57§ HD472/2ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I.(SCOTTISH b. 1931)STUDY OF CATSSigned and numbered 15/20 in pencil to margin, etching35cm x 37cm (13.75in x 14.5in)

£300-500

58§ SV0244/17EARL HAIG O.B.E., R.S.A. (SCOTTISH 1918-2009)STUDY FOR THE ACCADEMIA BRIDGE, VENICESigned, oil on board29cm x 39cm (11.5in x 15.5in)

£700-1,000



59§ HD168/1ETHEL WALKER(SCOTTISH b. 1941)MISTY BLUE LOCH ARDSigned, oil on board76cm x 79cm (30in x 31in)

£1,000-1,500

61§ HD168/3ETHEL WALKER(SCOTTISH b. 1941)MISTY GLENSigned, oil on board33cm x 44cm (13in x 17.25in)

£500-700

60§ HD168/2ETHEL WALKER(SCOTTISH b. 1941)LOCH SIDE AT CORRIENESSANSigned, oil on board65cm x 55cm (25.5in x 21.5in)

£800-1,200


26 Lyon & Turnbull

62§ HD113/1CRAIG MULHOLLAND (SCOTTISH CONTEMPORARY)AFTER CHARDIN - LE SOUFFLEUR DE BULLES DE SAVONOil on board25cm x 25cm (9.75in x 9.75in)Exhibited:Duncan Miller Fine Arts, London

£600-800

64§ HD149/2JOHN BYRNE(SCOTTISH b. 1940)FIGURE WITH OWL ONSHOULDER - C.1968-72Signed, oil and collage oncanvas90cm x 90cm (35.5in x 35.5in)Note: The artist has dated this painting forus to the period 1968-72. The owl onthe figure's right hand shoulder wasinspired by Antoni Clavé, a Catalanartist who he admired. The workuses many of Byrne's recurringmotifs, including the "still-life ormoon section" above the left handshoulder, designed to tip the pictureplane and very common in hispractice at this time. The scumblypaint surface texture is also typical ofthis period.

£4,000-6,000

63§ HD113/2CRAIG MULHOLLAND (SCOTTISH CONTEMPORARY)AFTER EDUOARD MANET - LES BULLES DE SAVONOil on board25cm x 25cm (9.75in x 9.75in)Exhibited:Duncan Miller Fine Arts, London

£600-800



65§ HD697/1DAVID BOWIE(BRITISH 1947-2016)DHEADSigned with initials and dated'97 verso, acrylic andcomputer collage on canvas26cm x 20.5cm (10.25in x 8in)Exhibited:‘ARTAID ‘98’, selling exhibition at theCity Art Centre, Edinburgh

£3,000-5,000

Few have so successfullymanaged to embody theword ‘artist’ as wholly oruniquely as the polymathicDavid Bowie. Best known ofcourse as a singer/songwriter,Bowie’s entire career wasspent actively blurring thelines between the art formsof music, performance anddesign; the visual playing asbig a part as the aural.

Famously modest, the extentof Bowie’s skill as a painterand passion for collecting islittle known amongst thegeneral public. He, like somany of the influential bandsthat formed in the late 1960sand early 1970s, was aproduct of an art schooleducation. As well aspractising art, he also readwidely on the subject, evenbecoming well-regarded as acritic in the 1990s. His ownpersonal collection featuresmany Modern British artistsincluding Ben Nicholson,Stanley Spencer, DavidBomberg, Frank Auerbach,Patrick Caulfield and PeterLanyon, as well as DamienHirst and Scottish artist PeterHowson. He was particularlydrawn to figuration in all ofits 20th century guises, andhis own art is largely formedof abstracted head studies.His style references some ofthe bizarreness andesotericism of 1930s eraGerman Expressionist art,unsurprising given the dark

and atmospheric impact thatthe city of Berlin had on hismusical output.

Though painting and art wasa huge part of Bowie’s life, hiswork is extremely scarce tomarket, and Lyon & Turnbullare excited to offer this self-portrait by the artistic legend,its title ‘DHEAD’ being eerilyprescient given the timing ofits arrival at auction. The artwork was philanthropicallydonated by Bowie to a large

fund-raising exhibition called‘ARTAID ‘98’, held at the CityArt Centre in Edinburgh inthat year. Here his work washung alongside artistsincluding Craigie Aitchison,Howard Hodgkin, Gilbert andGeorge and Ken Currie.Bowie, perhaps aware thathis legacy as a musical geniuswas likely to foreverovershadow his output as avisual artist (or for thatmatter, as an actor), he

seldom exhibited his artworkand his last solo show was inthe 1990s. Examples of hisBerlin-era portraiture werefeatured in the 2013blockbuster exhibition ‘DavidBowie Is’ at the Victoria andAlbert Museum in London,where they received criticalacclaim in their own right.


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66§ HD778/6HENRY FRASER (SCOTTISHCONTEMPORARY)PIECE OFFERING (EGGMAYONNAISE)Signed with initials and dated‘06, signed and date andinscribed with title verso,acrylic on canvas40cm x 30cm (15.75in x 11.75in)

and a smaller work, ‘TheYellow Cardinal’, by the samehand (2)£300-500

67§ SV0244/35JOSEPH URIE (SCOTTISH b. 1947)BIRDMANSigned, inscribed and dated 1990verso, oil on paper72cm x 48cm (28.25in x 19in)

£1,200-1,400

68§ HD807/1ALEX POLLARD (BRITISH b. 1977)CLOWN - 2007Oil on canvas76cm x 71cm (30in x 28in)Note:A graduate of the Glasgow School of Art and a longtermresident of the city, Pollard represented Scotland at theVenice Biennale in 2005 and since then has shown hiswork in Europe, USA and Australia. This includes hiscontribution to the Santorini Biennale in 2012 and in hisparticipation in ‘The Irregular Correct – New Art fromGlasgow’ at the Freemantle Art Centre in Australia,2012. He is now currently a practice based PhDcandidate at Goldsmiths College, London.

£500-700



69§ HD495/1PETER HOWSON(SCOTTISH b. 1958)NIGHT SHOUTSigned, pastel29cm x 23cm (11.5in x 9in)

£500-700

71§ HD495/2PETER HOWSON(SCOTTISH b. 1958)FIGURE WITH CHURCH SPIRESigned, pastel30cm x 22cm (11.75in x 8.75in)

£500-700

70§ HD495/3HEATHER NEVAY (SCOTTISH b. 1965)THE FINAL KISSOil on canvas laid on board, oval25cm x 19.5cm (9.75in x 7.75in)

£600-800


30 Lyon & Turnbull

72§ HC61/1JIM LAMBIE(SCOTTISH b. 1964)UNTITLED (SID VICIOUS)Oil on canvas collaged onpaper46cm x 30cm (18in x 12in)

£5,000-7,000

The Scottish contemporary artscene is thriving, a fact longrecognised on theinternational stage. Glasgowwas recently named one ofthe top five centres forcontemporary art worldwideand has contributed no lessthan six winners to theprestigious Turner Prize andcountless nominees. Inacknowledgment, the cityhosted the 2015 awards.Edinburgh remains thecountry’s commercial centreand is of course also home tothe world’s largest artsfestival which takes place inAugust.

‘The New Glasgow Boys’ PeterHowson, Steven Campbelland Ken Currie claimed thespotlight in the 1980s andwere swiftly taken up byLondon and New York-basedcollectors. In the 1990s, thelikes of Douglas Gordon,David Shrigley and ChristineBorland influenced much ofthe artistic dialogue in the UK.This was largely off the backof the success of GlasgowSchool of Arts innovative andhighly regardedEnvironmental Art course, thefocus of which is to create artfor a public - be it urban orrural - environment, asopposed to a traditionalinstitutional space.

Turner prize nominated artistJames ‘Jim’ Lambie is one ofthe stalwarts of theburgeoning Scottish art sceneand a Glasgow man born and

bred. His work, perhaps moreso than any of hiscontemporaries, encapsulatesthe best features of theScottish art scene; it isinclusive, unpretentious,pleasurable and energetic. Herevels in the sensory andemotional impact of hisartworks as opposed toplaying intellectual games,and this makes his workpopulist (in the very bestsense of the word) andaccessible to all.

The piece represented herefor sale is emblematic of oneof Lambie’s core themes: hislove of music and his interestin conveying what he sees asthe symbiotic relationshipbetween both artisticmediums. Collage andembellishment play arecurrent role in his practiseand he takes pleasure inexposing the mechanics of hisprocess to his audience. Thework is part of a series whichjuxtaposes images of famous

rock stars with anachronistic,finely painted floral motifs inoils. Here we see themfiguratively blossoming out ofthe mouth of Sid Vicious, theill-fated punk musician of theSex Pistols. Iconoclastic butlight-hearted; it is a thing ofbeauty, black humour and asincere homage to a rock ’n’roll idol.



73§ HC707/1PETER MCLAREN(SCOTTISH b. 1964)ROTORMixed media on paper33.5cm x 52cm (13.25in x 20.5in)

£600-800

75§ HD491/5SIR EDUARDO PAOLOZZIK.B.E., R.A., H.R.S.A.(SCOTTISH 1924-2005)THE PUZZLE OF FEMALEPLEASURENo. 739 from the ‘GeneralDynamic F.U.N.’ portfolio(1965-70), 31/350, screenprint25cm x 38cm (9.75in x 15in)

£150-250

74§ HD223/1SIR EDUARDO PAOLOZZIK.B.E., R.A., H.R.S.A.(SCOTTISH 1924-2005)CARPlaster, signed and dated 1997on base20cm x 8cm x 9cm (8in x 3.25in x 3.5in)

£500-800


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76§ HD723/1PATRICK HERON(BRITISH 1920-1999)FROM ‘THE BRUSHWORKSERIES’ NO. 3, 1998–9From an edition of 38, colouretching, published by ParagonPress45cm x 60cm (17.75in x 23.5in)

£400-600

78§ HD723/2PATRICK HERON(BRITISH 1920-1999)FROM ‘THE BRUSHWORKSERIES’ NO. 2, 1998–9From an edition of 38, colouretching, published by ParagonPress45cm x 60cm (17.75in x 23.5in)

£400-600

77§ HD800/11SIR TERRY FROST R.A.(BRITISH 1915-2003)UNTITLED (CORNISH SUN)Signed and numbered XIX/XXin pencil to margin,screenprint64cm x 50cm (25.25in x 19.75in)Note:From the Royal Academy ‘MembersPortfolio’ of prints by 15Academicians. London, 2000

£300-500



79§ HD138/4WILLIAM GEAR R.A., F.R.S.A.(SCOTTISH 1915-1997)HEAD GROUPSigned and dated ‘47 in plate,signed and numbered 11/200in pencil to margin,lithograph, unframed28cm x 44cm (11in x 17.5in)

£150-250

80§ HB860/1JOSEPH BEUYS (GERMAN 1921-1986)HONEY IS FLOWING, 1974Signed, silkscreen on pvc,from a limited edition, pub.Staeck10.5cm x 15cm (4.25in x 6in)

£500-700

81§ HD465/3WILLIAM GEAR R.A., F.R.S.A.(SCOTTISH 1815-1997)BOATS ON A BEACH, 1947Signed and numbered 11/200in pencil to margin, lithograph50cm x 72cm (19.75in x 28.25in)

£400-600


34 Lyon & Turnbull

82§ HD138/7DAVID HOCKNEY O.M., C.H., R.A.(BRITISH b. 1937)THE CHURCH TOWER AND CLOCKSigned and numbered 43/100 inpencil to margin, from‘Illustrations for Six Fairy Tales forthe Brothers Grimm’, published byPetersburg Press,196945cm x 39cm (17.75in x 15.25in)

£600-800

84§ HD138/5BEN NICHOLSON O.M.(BRITISH 1894-1982)TURKISH SUNDIAL AND TREESigned and dated ‘67 in pencilto margin, numbered 29/50,stamped, etching64cm x 54cm (25.25in x 21.25in)

£1,400-1,800

83§ HD138/2VICTOR PASMORE C.H.,C.B.E. (BRITISH 1908-1998)POINTS OF CONTACT -VARIATIONS IISigned with initials and dated‘72 in pencil to margin,numbered 14/60, from the setof seven printed by KelpraStudios and published byMarlborough Gallery,screenprint74cm x 51cm (29in x 20in)

£500-700



85§ HD124/1JAMES CUMMING R.S.A.,R.S.W. (SCOTTISH 1922-1996)SLOT FOCUS (GRID)Signed, oil on board57cm x 56cm (22.5in x 22in)

£400-600

87§ HC869/1JAMES CUMMING R.S.A.,R.S.W. (SCOTTISH 1922-1996)POINT OF CONTACTSigned, oil on board57cm x 56cm (22.5in x 22in)

£600-900

86§ HD788/23ALISTAIR GRANT R.B.A.,R.S.A., F.R.C.A.(BRITISH 1925-1997)BROWN DAY, LE TOUQUETSigned and inscribed with titleverso, oil on canvas30cm x 41cm (12in x 16in)

£600-800


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88§ HB826/8SEAN SCULLY (IRISH b. 1945)WALL OF LIGHT - DEEP REDSigned, inscribed with titleand dated 2.16.05,watercolour76cm x 56cm (30in x 22in)Exhibited:The Ingleby Gallery, Edinburgh

£15,000-20,000

One of Ireland’s best knownand most influential artists,throughout the course of hiscareer the Dublin-born Scullyhas achieved phenomenalsuccess and internationalrecognition. His work can befound in world-classcollections including TheMetropolitan Museum of Art,New York, The Guggenheim,New York, The Smithsonian,Washington D.C., and TateModern, London to name buta few. Though he took upresidence in New York in theearly 1970s, his appeal hasnot diminished in Ireland andthe British Isles and over theyears Scully has seen himselfnominated for the prestigiousTurner Prize on two separateoccasions, 1989 and 1993.

Best described as aModernist painter, Scully’s

relationship with the U.S.A.can assist our reading of hiswork, connected as it is to thelegacy of AbstractExpressionism. His trademarkstripes, squares andrectangles meet andintercept; their relationship toone another conveying asense of movement. Thetonal harmonising andinterplay of colour and formengages our emotions, theirmeditative quality evocativeof the work of the great MarkRothko. Subtle and reflective,

Scully’s works speak to theirviewers with a quiet, nuancedpower. While he layers hisoils densely, his watercolours,like the example we arepleased to offer here for sale,have a more elusive,ephemeral quality. Thecolours interact; gentlydrifting forward andsimultaneously recessing,quietly intense and coollycalm. Scully’s work isabsorbing and symphonic inits simplicity.


38 Lyon & Turnbull

89§ HD788/26IAN HAMILTON FINLAY(SCOTTISH 1925-2006)‘P’ - FROM ‘THE ALPHABET BOOK’unique, signed to mount, gelatin print40cm x 30cm (15.75in x 11.75in)Note:Original one-off gelatin silver print by Ian HamiltonFinlay, photographer David Paterson, circa 1975-76,plates later reduced and printed as pages in the ‘A Boy’sAlphabet Book’ published 1976. The models for theboats illustrated were made at Little Sparta in Finlay’sworkshop and are part of a larger number of similarmodels made for the same purpose.

£500-700

91§ HD788/27IAN HAMILTON FINLAY(SCOTTISH 1925-2006)‘I’ - FROM ‘THE ALPHABET BOOK’unique, signed to mount, gelatin print40cm x 30cm (15.75in x 11.75in)Note:Original one-off gelatin silver print by Ian HamiltonFinlay, photographer David Paterson, circa 1975-76,plates later reduced and printed as pages in the ‘ABoy’s Alphabet Book’ published 1976. The modelsfor the boats illustrated were made at Little Spartain Finlay’s workshop and are part of a largernumber of similar models made for the samepurpose.

£500-700

90§ HD463/2IAN HAMILTON FINLAY(SCOTTISH 1925-2006)POEM/PRINT NO. 11 (WITHJOHN FURNIVAL)Printed by Wild HawthornPress April 1969, screenprint49cm x 70cm (19.25in x 27.5in)

£400-600



94§ HD463/3IAN HAMILTON FINLAY(SCOTTISH 1925-2006)PENNY BROWNSWith Ian Gardner, publishedby Wild Hawthorn Pressc.1980, print11cm x 26cm (4.5in x 10.25in)

£100-150

92§ HC561/2GEORGE RALSTON WYLLIE(SCOTTISH 1921-2012) 'ARRY overpainted wrought ironsculpture, welded inscription to theflag ARRY

208cm long, 200cm high

£2,000-3,000

93§ HD463/1IAN HAMILTON FINLAY(SCOTTISH 1925-2006)EVENING/SAIL1st edition, 1970, screenprint71cm x 20cm (28in x 8in)

£600-800


40 Lyon & Turnbull

95§ HD814/1HENRY KONDRACKI (SCOTTISH b. 1953)DODOSigned, watercolour and gouache40cm x 30cm (15.75in x 12in)

£250-350

96§ HD814/2PAUL RICHARDS (BRITISH b. 1949)RAINBOW TROUTSigned and dated ‘93, watercolour30cm x 50cm (11.75in x 14.75in)

£300-500

97§ FD693/184BET LOW A.R.S.A., R.S.W. (SCOTTISH 1924-2007)CONTINUUM, NO.6Signed, signed and inscribed with title and dated 1963 verso,mixed media on paper37cm x 49cm (14.5in x 19.25in)Provenance: From the Estate of the Late Mr Cyril Gerber

£200-300

98§ HD432/2ANN ORAM R.S.W. (SCOTTISH b. 1956)FLOWERSSigned and dated ‘86, watercolour72cm x 51cm (28.5in x 20in)

£500-800



99§ HD500/1DAME ELIZABETHBLACKADDER O.B.E., R.A.,R.S.A., R.S.W., R.G.I.(SCOTTISH b. 1931)BLACK CAT STILL LIFESigned and dated 1976,watercolour57cm x 77cm (22.5in x 30.5in)

£4,000-6,000

100§ HD719/1JOHN HOUSTON O.B.E., R.S.A.,R.S.W., R.G.I. (SCOTTISH 1930-2008)BASS ROCK, EVENINGSigned, inscribed with title and dated1995-6 stretcher verso, oil on canvas40cm x 102cm (16in x 40in)

£2,000-3,000


42 Lyon & Turnbull

101§ HD78/8GEORGE DEVLIN(SCOTTISH b. 1937)TOWARDS BALVICARSigned, oil on canvas66cm x 66cm (26in x 26in)

£1,000-1,500

102§ SV0244/2JAMES MORRISON R.S.A.,R.S.W., L.L.D.(SCOTTISH b. 1932)SKY WITH WINDSigned, oil on board50cm x 75cm (20in x 30in)

£800-1,200

103§ HD473/6SIR WILLIAM MCTAGGARTP.R.S.A., R.S.W.(SCOTTISH 1903-1981)WINTER WOODLANDSigned, oil on board28cm x 33cm (11in x 13in)Provenance:Sir William MacTaggart Studio Sale,Christies, Edinburgh No.11

£1,000-1,500



105§ SV0244/22JAMES MORRISON R.S.A.,R.S.W., L.L.D.(SCOTTISH b. 1932)MARCH AND TREESSigned, oil on panel30cm x 40cm (12in x 16in)

£800-1,200

104§ HD493/1DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)WHITE BIRD AND PIANOSigned and dated ‘81, mixedmedia on paper (elements oflithography, watercolour andcollage)47cm x 54cm (18in x 21.25in)Provenance:From the artist’s estate

£700-900

106§ HD493/2DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)FLORENCEMixed media on paper47cm x 66cm (18.5in x 26in)Provenance:From the artist’s estate

£600-800


44 Lyon & Turnbull

107§ HC215/1ETHEL WALKER(SCOTTISH b. 1941)STILL LIFE OF ANEMONES,1994Signed, oil on board58cm x 51cm (23in x 20in)

£2,000-3,000

108§ HC437/177GERALD JARMAN(BRITISH b. 1930)SHROPSHIRE LANDSCAPESigned, oil on canvas105cm x 116cm (41.5in x45.75in)Provenance:Private Collection, Surrey

£2,000-3,000



109§ SV0244/3DAVID MCCLURE R.S.A.,R.S.W., R.G.I.(SCOTTISH 1926-1998)STILL LIFE OF DRIED FLOWERSSigned, inscribed and dated1961, oil on board34cm x 22cm (13.5in x 8.5in)

£700-1,000

111§ HD468/1DAVID MCLEOD MARTINR.S.W., R.G.I., S.S.A.(SCOTTISH b. 1922)THREE ROSESSigned, oil on board24cm x 16.5cm (9.5in x 6.5in)Exhibited:The Torrance Gallery, EdinburghThe Wallington Gallery, Corbridge

£600-800

110§ HC940/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)STILL LIFE WITH POPPYSigned, oil on canvas60cm x 50cm (23.75in x 19.75in)

£1,500-2,000


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112§ HC25/1JAMES FULLARTON (SCOTTISH b. 1946)YACHTSSigned, oil on canvas59cm x 64cm (23.25in x 25.25in)

£2,000-3,000

115§ HD716/1JACK MORROCCO (SCOTTISH b. 1953)SHADED CAFE, CASSIS - 2006Signed, oil on canvas39cm x 39cm (15.5in x 15.5in)

£1,000-1,500

113§ HD252/5CHRISTINE WOODSIDE R.S.W., R.G.I. (SCOTTISH b. 1946)HILLY LANDSCAPESigned and dated ‘82, oil on canvas71cm x 91cm (28in x 35.75in)

£300-500

114§ HD252/1JAMES MORRISON R.S.A., R.S.W. (SCOTTISH b. 1932)LANDSCAPE, ANGUSSigned and dated 1977, oil on board75cm x 102cm (29.5in x 40in)

£2,000-3,000



116§ HD78/5JOHN CUNNINGHAM R.G.I.(SCOTTISH 1926-1998)RAISED BEACHES, COLONSAYSigned, signed and inscribedwith title artist’s label verso,oil on canvas75cm x 83cm (29.5in x 32.75in)

£5,000-7,000

117§ HD331/1ETHEL WALKER(SCOTTISH b. 1941)GLEN ROSASigned, oil on board120cm x 120cm (47.5in x 47.5in)Exhibited:The Thackeray Gallery, 2005, London

£3,000-5,000


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118§ HD353/1SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W., R.G.I.(SCOTTISH 1916-1992)UNTITLEDSigned, oil on canvas51cm x 61cm (20in x 24in)

£3,000-5,000

120§ HD360/9SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W., R.G.I.(SCOTTISH 1916-1992)ODALISQUESigned, inscribed with title oldartist’s label verso, oil on canvas16cm x 34cm (6.25in x 13.25in)

£500-700

119§ HD353/2HAMISH LAWRIE(SCOTTISH 1919-1987)THE SPIRESSigned, mixed media onpaper55cm x 44cm (21.5in x 17.25in)

£300-500



121 HD778/3SIDNEY NOLAN O.M., A.C.(AUSTRALIAN 1917-1992)AFRICAN LANDSCAPE WITHELEPHANT AND ANTELOPESigned, ripolin and enamel oncomposition board62cm x 49cm (24.5in x 19.25in)

£4,000-6,000

‘Art was always a means to meof getting in contact withanother world . . . you couldnever see that other world andwere never told about it, butart seemed to always be kindof touching it’

Sidney Nolan is Australia’smost honoured andinternationally acclaimedmodern painter. He was amajor figure in the modernistmovement and is consideredto have shapedcontemporary Australian art,through his involvement withthe Angry Penguins; acollection of painters whosought to modernise thecreative scene and challengeexisting traditions. Nolan firstattracted attention for hisseries of paintings inspiredby the life of the outlaw NedKelly, which remain a keygroup of works in theAustralian art oeuvre.

Nolan became a full-timepainter at 21, after attendingart night classes. For themost part, he foundtraditional art schooling dulland preferred to follow hisown nose at the local library,as a voracious reader. In hisyouth, he lived and workedwithin the vibrant artisticcommunity in Melbourneand was supported andencouraged by patrons andpublicists, Sunday and JohnReed, whose house becamea focus of many artisticcircles.

Travel became a hugelyimportant part of Nolan’s lifeand work. He travelledthroughout Australia,revelling in the rugged andextreme beauty of theinterior, which was to remainan inspiration throughout hiscareer and a place to whichhe always returned tomarvel. A move to London in1951, facilitated wide travel

throughout Europe, before atravelling scholarship tookhim to America at the end ofthat decade. He alsotravelled to China, Africa andAntarctica in his lifetime.

‘African Landscape withElephant and Antelope’ wasinspired by one such travelexperience to the Africancontinent and the animals heencountered there. In

keeping with Nolan’s spirit ofexperimentation, it waspainted using ripolin, abranded fast-drying, fluidcommercial enamel paint. Inthis case, the striking colourand distinctive textureconvey the extreme heat and light of the Africanlandscape - the elephant andantelope’s natural habitat.


50 Lyon & Turnbull

123§ HD78/1JAMES DOWNIE ROBERTSONR.S.A., R.S.W.(SCOTTISH 1931-2010)ABSTRACT WINTERLANDSCAPESigned, oil on canvas115cm x 145cm (45.25in x 57in)

£1,000-1,500

122§ HC991/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)BEFORE THE STORM,AUDIERNESigned and dated 1961,watercolour49cm x 76cm (19.25in x 30in)

£800-1,200



124§ FD693/193JOHN BELLANY C.B.E., R.A.,H.R.S.A. (SCOTTISH 1942-2013)THE OLD MAN AND THE SEASigned, titled, charcoal andwatercolour77cm x 56cm (30.25in x 22in)Provenance: From the Estate of the Late Mr Cyril Gerber

£1,200-1,800

126§ HC751/1SOPHIE RYDER(BRITISH b. 1963)THE MINOTAUR AND THEHARE, SITTINGSigned and dated ‘92, acrylicand collage115cm x 84cm (41.25in x 33in)

£1,500-2,500

125§ HD788/12JOHN BELLANY C.B.E., R.A.,H.R.S.A.(SCOTTISH 1942-2003)PORTRAIT SKETCHSigned, inscribed ‘PhillipRawson, a dear friend’ anddated ‘85, graphite on paper73cm x 54cm (28.75in x 21.25in)

£300-500


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127§ HD704/1SIR ROBIN PHILIPSON R.A.,P.R.S.A, R.S.W., R.G.I.(SCOTTISH 1916-1992)CATHEDRAL INTERIORSigned verso, inscribed with titleand dated 1963 on artist’s labelverso, oil on board74cm x 74cm (29in x 29in)

£8,000-12,000



128§ HD696/1DAVID MICHIE O.B.E., R.S.A.,R.G.I. (SCOTTISH 1928-2015)FIGURES ON THE SHORESigned, oil on board68cm x 90cm (26.75in x 35.5in)

£1,500-2,500

129§ HD711/1LEON MORROCCO R.S.A.(SCOTTISH b. 1942)TWO FIGURE WITH NETSSigned, inscribed with titleverso, oil on board70cm x 73cm (27.5in x 28.75in)

£3,000-5,000


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130§ HD464/1JOHN LOWRIE MORRISON O.B.E.(SCOTTISH b. 1948)AUTUMN LIGHTS, TORLOISK OAKS, MULLSigned, signed and inscribed with titleand dated 2007 verso, oil on canvas22cm x 22cm (8.5in x 8.5in)

£800-1,200

132§ HD464/4JOHN LOWRIE MORRISON O.B.E.(SCOTTISH b. 1948)TWO BIG PEAT STACKS, KYLES SCALPAYSigned, signed and dated 2009 andinscribed with title verso, oil on canvas39cm x 39cm (15.5in x 15.5in)

£2,000-3,000

131§ HD464/2JOHN LOWRIE MORRISON O.B.E.(SCOTTISH b. 1948)BIG OAK, TORLOISK, MULLSigned, signed and dated 2007 andinscribed with title verso, oil on canvas21cm x 22cm (8.25in x 8.5in)

£800-1,200



133§ HB845/6PAT DOUTHWAITE(SCOTTISH 1934-2002)INSECT ON A TWIGSigned and dated ‘87,charcoal and chalk on paper100cm x 70cm (39.25in x 27.5in)

£400-600

135§ HD149/1PAT DOUTHWAITE(SCOTTISH 1934-2002)STRIPEY CLOAKSigned and dated ‘89, pastel42cm x 29cm (16.5in x 11.5in)

£600-800

134§ HD778/8PAT DOUTHWAITE(SCOTTISH 1934-2002)TIGER PUSSInscribed with title,watercolour on irregularedged sketchbook paper28cm x 19cm (11in x 7.5in)

£500-700


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136§ HD788/18PETER HOWSON (SCOTTISH b. 1958)OLD MANSigned and inscribed with title and dated ‘90 inpencil to margin, numbered 18/56, etching55cm x 46cm (27.75in x 18in)

£300-500

139§ HD788/17PETER HOWSON (SCOTTISH b. 1958)CENTURIONSigned and inscribed with title and dated ‘90in pencil to margin, numbered 13/50, etching53cm x 45cm (20.75in x 17.75in)

£300-500

137§ HD788/22JOCK MCFADYEN R.A. (SCOTTISH b. 1950)SPAZOSigned and inscribed with title in pencil to margin, numbered3/15, colour lithograph75cm x 56cm (29.5in x 22in) (including margins)

£300-500

138§ HD788/21JOCK MCFADYEN R.A. (SCOTTISH b. 1950)BOSSFrom ‘The Canal Series’, signed and inscribedwith title in pencil to margin, numbered 8/15,colour lithograph57cm x 47cm (22.5in x 18.5in)

£300-500



140§ HD800/5BRENDAN NEILAND (BRITISH b. 1941)UNTITLEDSigned and dated XIX/XX, screenprint51cm x 64cm (20in x 25.25in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15Academicians. London, 2000

£300-500

143§ HD800/8ALBERT IRVIN O.B.E. (BRITISH 1922-2015)OVAL IVA/P, signed and dated 2000, inscribed with titleand numbered XIX/XX in pencil to margin50cm x 64cm (19.75in x 25.25in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15Academicians. London, 2000

£500-700

141§ HD800/6TOM PHILLIPS C.B.E., R.A. (BRITISH b. 1937)MOMENT MUSICALESigned, inscribed with title, A/P, numbered XIII/XX in pencil tomargin, etching50cm x 64cm (19.75in x 25.25in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians.London, 2000

£300-500

142§ HD800/7DAVID MACH (SOTTISH b. 1956)UNTITLED (VOLCANIC CROWD), 2000A/P, signed and numbered XIX/XX in pencil to margin,screenprint50cm x 65cm (19.75in x 25.5in)Note:From the Royal Academy ‘Members Portfolio’ of prints by 15 Academicians.London, 2000

£200-300


58 Lyon & Turnbull

Eduardo Paolozzi

( J.G. Ballard on EduardoPaolozzi, 1971)

‘I think the biggest need ofthe painter or writer today isinformation. I’d love to have atickertape machine in mystudy constantly churning outmaterial: abstracts fromscientific journals, the latestHollywood gossip, thepassenger list of a 707 thatcrashed in the Andes, thecolour mixes of a newautomobile varnish. In fact,Eduardo and I in our differentways are already gatheringthis kind of information, butwe are using the clumsiestpossible tool to do it: our ownhands and eyes’

‘It’s always struck me thatEduardo’s studio is lavishlyequipped with photographicand recording equipment ofvarious kinds. He spends alarge part of his time oninformation collection andsorting’

144 HD788/4SIR EDUARDO PAOLOZZIK.B.E., R.A., H.R.S.A.(SCOTTISH 1924-2005)WHO’S AFRAID OF SUGAR-PINK AND LIME-GREEN?Signed and dated 1971 inpencil to margin, numbered2/100, screenprint, printed byAdvance Graphic, London,1971152cm x 110cm (60in x 43in)

£600-800

We are delighted to offer a collection of prints that were produced for the exhibition‘Fourteen Big Prints’, organised by Bernard Jacobson and held in his gallery in 1972.

Jacobson had decided to invite a variety of contemporary artists who he had knownfor a long time, and whose work he thought would look good on a large scale. Hisintention was that the exhibition would draw a new audience to contemporary art, inthe hope that ‘perhaps one day the general public will realise that art didn’t in factend with Van Gogh.’

The catalogue included comments and correspondence from each of the artists ortheir peers on their artistic process and included works.



Peter Blake

‘This print is the most recentin a long line of pictures usingpost-cards as an image, andoften making some sort ofcomment on “reality.”

‘A glimpse at the usuallyprivate world of the artistsstudio.’

145§ HD788/2PETER BLAKE C.B.E., R.A.(BRITISH b. 1932)STUDIO TACK-BOARDA/P, signed in pencil, offsetlithograph, from an edition of100 with 15 A/Ps, publishedby Curwen Press, London,197296cm x 135cm (37.75in x 53in)

£600-800

Ludwig Sander

(Sander’s correspondence withJacobson, focused on his mainhobby when not painting – thegarden)

‘The fruits of Kate’s gardeningin the small intensivelycultivated plot are beautiful’(Kate was the artist’s wife).

146 HD788/5LUDWIG SANDER(AMERICAN 1906-1975)MOHICANSigned in pencil to marginand numbered 5/100,screenprint, AdvancedGraphics, London, 1972106.5cm x 158.75cm (42in x 62.5in)

£800-1,200


60 Lyon & Turnbull

Robyn Denny

‘In the production of a printthere need be no gapbetween the idea and itsrealisation – there is no . . .physical presence of theartist, it is almost untouchedby human hand, and yet mayremain both intimate andintense’

147§ HD788/3ROBYN DENNY(BRITISH 1930-2014)DREAMA/P, signed and dated ‘72 inpencil, edition of 10,screenprint101.5cm x 152.5cm (40in x 60in)

£800-1,200

Peter Stroud

‘Working regularly in the printmedium has allowed me bothto extend my working methodand to move into new areasof art more quickly. Many ofmy prints have becomepoints of departure for thedevelopment of a painting ora series of paintings . . .

‘With this large print, theproblem was essentiallydifferent – one of thetransformation of a painterlyconcept into a non-painterlymedium with reduced size.’

148§ HD788/6PETER STROUD(BRITISH 1921-2012)LARGE BLUE CROSS-OVER1972, edition of 100 with 15A/P’s, printed by AdvanceGraphics, London, screenprint110.5cm x 110.5cm (43.5in x 43.5in)

£600-800



149§ HD370/8ALAN DAVIE C.B.E., H.R.S.A.(SCOTTISH 1920-2014)MAGIC PICTURESigned and dated ‘77 inpencil, numbered 157/500,lithograph56cm x 77cm (22in x 30.25in)

£300-500

151§ HD491/3ALAN DAVIE C.B.E., H.R.S.A.(SCOTTISH 1920-2014)BIRD THROUGH WALLSigned and numbered 87/90in pencil to margin, from the‘Penwith Portfolio’, publishedCurwen Press 1973,lithograph53cm x 72cm (21in x 28.5in)

£500-700

150§ HD788/20ALAN DAVIE C.B.E., H.R.S.A.(SCOTTISH 1920-2014)CELTIC DREAMBOAT IISigned and dated ‘65 in pencilto margin, numbered 69/75,lithograph57cm x 47cm (22.5in x 18.5in)

£400-600


62 Lyon & Turnbull

152§ HD788/9PETER STROUD (BRITISH 1921-2012)THE CLIFFORD SUITEComprising six parts, all O/P, signed anddated ‘72 in pencil to margin, screenprint37cm x 42cm (14.5in x 16.5in) (6)

£400-600

153§ HD788/13MICHALE HALE(BRITISH b. 1934)BROWN, BLACK AND SILVERA/P, signed and inscribed withtitle and dated ‘78 in pencil tomargin, screenprint62cm x 48cm (24.5in x 19in)

and another print by thesame hand (2)£400-600



154§ HD465/1SIR HOWARD HODGKINC.B.E. (BRITISH b. 1932)ICESigned with initials and dated2013 in plate, numbered201/350, screenprint75cm x 59cm (29.5in x 23.25in)

£2,000-3,000

156 HD786/2CLARE WARDMAN (BRITISH CONTEMPORARY)SEEKER 5Signed and inscribed with titleand dated ‘96/7 verso, oil oncanvas29cm x 24cm (11.5in x 9.5in)

£300-500

155§ HD40/1ELSPETH LAMB (SCOTTISHCONTEMPORARY)ANCHINAESigned and inscribed with titlein pencil, screenprint on twosheets of paper conjoined121cm x 184cm (47.5in x 72.5in)

£300-500


64 Lyon & Turnbull

158§ HD788/1BRUCE MCLEAN(SCOTTISH b. 1944)ABSTRACTSigned and dated 1986 inpencil, serigraph105cm x 74cm (41.25in x 29in)

£400-600

159§ HD788/8PATRICK CAULFIELD C.B.E.,R.A. (BRITISH 1936-2005)FOR JOHN CONSTABLE1976, edition of 100,screenprint100cm x 76cm (39.5in x 30in)

£800-1,200

157§ HD138/3SIR EDUARDO PAOLOZZI K.B.E.,R.A., R.S.A.(SCOTTISH 1924-2005)UNTITLEDSigned and dated 1974 in pencilto margin, numbered 89/100,screenprint, unframed80cm x 59cm (31.5in x 23in)

£200-300



160§ HD491/6MARGARET HUNTER (SCOTTISH b. 1948)IDEA 6Signed and dated ‘95, mixed media on paper25cm x 19cm (9.75in x 7.5in)

£200-300

163§ HD800/9ALLEN JONES R.A. (BRITISH b. 1937)UNTITLEDA/P, signed and dated 2000 and numberedXIX/XX in pencil to margin, lithograph65cm x 50cm (25.5in x 19.75in)Note:From the Royal Academy ‘Members Portfolio’ of printsby 15 Academicians. London, 2000

£400-600

161§ HD491/2HENRY MOORE O.M., C.H., F.B.A.(BRITISH 1898-1986)THREE RECLINING FIGURES - 1973Signed and numbered 47/75 in pencil tomargin, lithograph65cm x 50cm (25.5in x 19.75in)

£500-700

162§ HD808/1SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A.(SCOTTISH 1924-2005)UNTITLED (MICKEY MOUSE)Signed and dated ‘November 1968’, felt tip onpaper33cm x 24cm (13in x 9.5in)

£500-700


66 Lyon & Turnbull

164§ HD788/25PAUL NEAGU (BRITISH/ROMANIAN 1938-2004)A SELECTION OF VARIOUS ITEMS BYAND RELATED TO THE ARTISTIncluding ‘From ‘Blind’s Bite’ Into‘Horizontal Rain’, Towards ‘GraduallyGoing Tornado’, signed and inscribed‘C/O GAG’ in pencil and dated 1975,numbered 9/30, bears ‘Generative ArtGroup’ stamp, hand-colouredlithograph, unframed (80cm x 60cm);untitled etching from The StonemanPrint Collection, signed and dated 1977in pencil to margin and numbered13/30, unframed; Poster for ‘NineCatalytic Stations’, a 20th anniversaryexhibition of Neagu at the DemarcoGallery, 1988, signed and dated inpencil, unframed; an original designstudy for ‘Hyphen’, signed andinscribed with title and dated 1989,pencil, unframed; various Neagurelated pieces of ephemera including two exhibition cards and two original photographs of the artistinteracting with his sculpture (qty)£2,000-3,000

165§ HD790/1OSVALDO MARISCOTTI(ARGENTINIAN/AMERICANb. 1949)BOOK OF COLOUR 1, 2014Signed, oil and enamel onwooden panel62cm x 46cm (24.5in x 18in)closed / 62cm x 92cm (24.5in x36.25in) openProvenance:A gift from the artist to the presentowner

Exhibited:Venice Biennale and also at theGalata Museo del Mare in Genoa aspart of a group exhibition.

£600-800



166 HD788/10LUDWIG SANDER (AMERICAN 1906-1975)UNTITLEDSigned and numbered 7/90 in pencil tomargin, screenprint65cm x 59cm (22.5in x 23.25in)

and a further print by the same hand (2)£400-600167 HD788/11

LUDWIG SANDER (AMERICAN 1906-1975)UNTITLEDSigned and numbered 2/90 in pencil to margin,screenprint65cm x 60cm (25.5in x 23.5in)

and a further print by the same hand (2)£400-600


68 Lyon & Turnbull

168§ HD788/16GERALD LAING(BRITISH 1936-2011)DECELERATION ISigned and inscribed with titleand dated 1968 in pencil tomargin, numbered 37/150,studio stamped, screenprint58cm x 56cm (23in x 22in)

£400-600

170§ HD788/24IAN HAMILTON FINLAY(SCOTTISH 1925-2006)SEA POPPY TWOPublished by Wild HawthornPress, 1965, screenprint33cm x 30cm (13in x 12in)

£500-700

169§ HC819/4WILLIAM GEAR(SCOTTISH 1915-1997)UNTITLED, 1967Signed and dated ‘67, mixedmedia31.5cm x 52.5cm (15.5in x20.5in)

£800-1,200



171§ HC819/2WILLIAM GEAR(SCOTTISH 1915-1997)UNTITLED 1967Signed and dated ‘67, mixedmedia38cm x 52.5cm (15.5in x 22in)

£800-1,200

173§ SV0244/14ROBERT TURNBULL HAIGSMITH (SCOTTISH 20THCENTURY)FISH LADDERMixed media45cm x 33cm (17.75in x 13in)

£200-400

172§ HD788/19JOHN MCLEAN(SCOTTISH b. 1939)CIRCULAR FORMSSigned and numbered 26/27 inpencil to margin, screenprint51cm x 46cm (20in x 18in)

and another print by the sameartist (2)£400-600


70 Lyon & Turnbull

174 HD474/1DONALD MANSON(SCOTTISH CONTEMPORARY)BRAMBLES AND BOATSSigned, acrylic on canvas38cm x 49cm (15in x 19.25in)

£300-500

176 HD474/2DONALD MANSON(SCOTTISH CONTEMPORARY)WINDFALLSSigned, acrylic on canvas70cm x 110cm (27.5in x 43.25in)

£600-800

175 HD474/2DONALD MANSON(SCOTTISH CONTEMPORARY)STILL LIFE WITH MIDNIGHTSNOW Signed, acrylic on canvas

96.5cm x 66cm (38in x 26in)

£700-900



177§ HD432/5CHRISTINE MCARTHURR.S.W., R.G.I.(SCOTTISH b. 1953)SHIRLEY POPPIES,STRAWBERRIES AND GOLDENPEARSigned, mixed media88cm x 100cm (34.5in x 39.5in)

£1,500-2,500

178§ HD432/4CHRISTINE MCARTHURR.S.W., R.G.I.(SCOTTISH b. 1953)TIGER LILIES AND PEARSSigned, mixed media88cm x 100cm (34.5in x 39.5in)

£1,500-2,500


72 Lyon & Turnbull

179 HD815/1PETER MCLAREN(SCOTTISH b. 1964)SKIPI GEO, ORKNEYSigned and dated 2014 andinscribed with title verso, oilon board122cm x 167cm (48in x 65.5in)

£6,000-8,000



180§ HD813/1PERPETUA POPE(SCOTTISH 1916-2013)FIELD TRACKSigned, oil on canvas76cm x 59cm (30in x 23.5in)

£800-1,200

182§ HD813/3PERPETUA POPE(SCOTTISH 1916-2013)FIELDSigned, oil on canvas76cm x 61cm (30in x 24in)

£600-800

181§ HC131/1PERPETUA POPE(SCOTTISH 1916-2013)CRASHING WAVESSigned, oil on canvas50cm x 68cm (19.5in x 26.75in)

£700-900


74 Lyon & Turnbull

183§ HD785/1ANNE REDPATH O.B.E., A.R.A., R.S.A.(SCOTTISH 1895-1965)WINDSOR FLOWERSSigned in margin and numbered 10/75,stamped, lithograph, unframed37cm x 54cm (14.5in x 21.25in)

£300-500

186§ HD370/10JOHN MINTON (BRITISH 1917-1957)THE STREETSigned and dated 1946 in pencil, lithograph22cm x 27cm (8.75in x 10.5in)

£120-180

184§ HD432/3CAROLINE MCNAIRN(SCOTTISH 1955-2010)BORDER LANDSCAPE IIPastel51cm x 76cm (20in x 30in)Exhibited:369 Gallery, Edinburgh, November 1984The Scottish Gallery, Edinburgh

£400-600

185§ HD468/2JAMES DOWNIE ROBERTSON M.B.E., R.S.A.,R.S.W., R.G.I., P.A.I. (SCOTTISH 1931-2010)CARRUTHMUIR WOODSigned, gouache42.5cm x 52.5cm (16.75in x 20.27in)Exhibited:The New Academy Gallery, LondonWilliam Hardie Gallery, Glasgow

£400-600



187 HD482/1GEMMA DOLBEAR(SCOTTISH CONTEMPORARY)THROUGH THE WINDOW:PERSPECTIVESigned, mixed media oncanvas179cm x 163.5cm (70.25in x64.5in)

£500-700

188 HD482/2GEMMA DOLBEAR(SCOTTISH CONTEMPORARY)UNDER THE ARCHSigned, mixed media oncanvas181x116cm (71.5in x 47.75in)

£400-600


76 Lyon & Turnbull

189§ HB823/3ANN ORAM R.S.W.(SCOTTISH b. 1956)NARROW STREET IN VEJERSigned and dated ‘88, oil onboard66cm x 47cm (26in x 18.5in)

£600-800

191§ HD432/1ANN ORAM R.S.W.(SCOTTISH b. 1956)YORK MINSTERSigned and dated ‘86, mixedmedia on paper76cm x 50cm (30in x 20in)

£500-800

190§ HB823/4ADAM BRUCE THOMPSONO.B.E., R.S.A., P.R.S.W.(SCOTTISH 1885-1976)WINTER TWILIGHTSigned, tempera50cm x 61cm (19.75in x 24in)Exhibited:The Scottish Gallery, ‘SummerExhibition, July 1996’, Edinburgh

£1,000-1,500



192§ FD693/236JEAN LESLIE (SCOTTISH fl. 1954-1978)SEA MINESigned, oil on board59cm x 104cm (23.25in x 41in)Provenance: From the Estate of the Late Mr Cyril Gerber

£300-500

195§ HD813/2PERPETUA POPE (SCOTTISH 1916-2013)PRIMROSE BANKSigned, oil on canvas36cm x 46cm (14in x 18in)

£500-700

193§ SV0244/6EARL HAIG O.B.E., R.S.A.(SCOTTISH 1918-2009)TRAGHETTOSigned and dated ‘83, inscribed verso,watercolour27cm x 37cm (10.5in x 14.5in)

£300-500

194§ HD800/10NORMAN ACKROYD C.B.E., R.A.(BRITISH b. 1938)BLACKSOD BAYSigned, dated ‘00, inscribed with title andnumbered 100/100 in pencil to margin, etching50cm x 65cm (19.75in x 25.5in)Note:From the Royal Academy ‘Members Portfolio’ of prints by15 Academicians. London, 2000

£300-500


78 Lyon & Turnbull

196§ HD78/2GEORGE DEVLIN(SCOTTISH b. 1937)TRIO OF SUNSET VIEWSSigned, watercolourLargest measures 32cm x 26cm (12.5in x 10.25in) (3)

£600-800

197§ FD693/233IAN MCKENZIE SMITH O.B.E.,R.S.A., P.R.S.W.(SCOTTISH b. 1935)MORNING HARBOURSigned and inscribed with titleframe verso, oil on canvas90cm x 92cm (35.5in x 36.25in)Provenance: From the Estate of the Late Mr CyrilGerber

£300-500



198§ HD788/14WILLIAM CROSBIE R.S.A.(SCOTTISH 1915-1999)STILL LIFE OF WILD FLOWERSSigned and dated LXXIX,watercolour on buff paper38cm x 27cm (15in x 10.5in)

£700-900

199§ HD778/5MOYNA FLANNIGAN(SCOTTISH b. 1963)ICE CREAM PARLOURSigned and inscribed with titleand dated ‘87 verso, oil oncanvas44cm x 33cm (17.25in x 13in)

£800-1,200


80 Lyon & Turnbull

200§ HD829/1ELISABETH FRINK C.H.,D.B.E., R.A.(BRITISH 1930-1933)RECLINING HORSE1975, from an edition of 25,handwoven tapestry178cm x 251.5cm (70in x 99in)

£3,000-5,000



201§ HD829/2WILLIAM SCOTT(BRITISH 1913-1989)STILL LIFE WITH ORANGENOTES1980, from an edition of 25,handwoven tapestry152.5cm x 175cm (60in x 69in)

£3,000-5,000


82 Lyon & Turnbull

202§ HD829/3PETER BLAKE C.B.E., R.A.(BRITISH b. 1932)I LOVE YOU1982, from an edition of 30,handwoven tapestry201cm x 175cm (79in x 69in)

£3,000-5,000

203§ HD138/6IAN DAVENPORT(BRITISH b. 1966)NINE ARCH SERIESPrinted 2005 in an edition of30, screenprint on Somersetpaper26cm x 26cm (10in x 10in)

£500-700



204 HC139/1ROBERT MOTHERWELL(AMERICAN 1915-1991)OCTAVIO PAZ SUITEH/C, signed with initials inpencil, from an edition of 50with 7 A/Ps and 4 H/Cs,lithograph45cm x 37cm (17.75in x 14.5in)

£1,500-1,800

206§ HD826/2MARINO MARINI(ITALIAN 1901-1980)RITRATTO DI MARINASigned, conté, pencil and inkon paper28cm x 19cm (11in x 7.5in)Provenance:Fondazione Marino Marini, Pistoia,No. 712Americo Molinar Gallery, No. 121Odon Wagner Gallery, Toronto, No. 10114

£2,000-3,000

205§ HD159/1SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W., R.G.I.(SCOTTISH 1916-1992)UNTITLEDSigned, ink and watercolour27cm x 13cm (10.5in x 5in)

£500-700


84 Lyon & Turnbull

207 HD786/1IAIN ROBERTSON (BRITISH CONTEMPORARY)ANCIENT SIGNSSigned and inscribed with titleand dated 1996 verso, oil oncanvas76cm x 38cm (30in x 15in)

£400-600

209§ HD788/15AINSLIE YULE (SCOTTISHCONTEMPORARY)COLLAGESigned and inscribed with titleand dated 1980, mixed media57cm x 80cm (22.5in x 31.5in)

£300-500

208§ HD468/4JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)NIGHT SKY OVER THE BASSROCKSigned and inscribed with titlein pencil to margin, numbered57/100, screenprint25cm x 36.5cm (9.75in x 14.25in)

£300-500



210§ HD756/1PETER HOWSON(SCOTTISH b. 1958)THE FISTSigned, pastel62cm x 47cm (24.5in x 18.5in)

£1,500-2,000

212§ HD491/4EILEEN COOPER R.A.(BRITISH b. 1953)TEA TIMEProof, signed and dated 2004in pencil, screenprint57cm x 76cm (22in x 30in)

£250-350

211§ HD465/2DONALD HAMILTON FRASERR.A. (BRITISH 1929-2009)FLOWERS, 1995A.P. from an edition of 175,signed in pencil to margin,screenprint65cm x 56cm (25.5in x 22in)

£400-600


86 Lyon & Turnbull

213 FD693/160BALRAJ KHANNA (INDIA b. 1940)ABSTRACTSigned and inscribed ‘For Cyril and Betty,London 5.2.1970’ verso, mixed media on canvas77cm x 76cm (30in x 30.25in)

and another smaller work by the same hand (2)Provenance: From the Estate of the Late Mr Cyril Gerber

£1,500-2,500

214§ HD793/1BARBARA “BABS” REDPATH(SCOTTISH b. 1924)TORCHSigned and inscribed with titleartist’s label verso, oil onboard60cm x 105cm (23.5in x 41.5in)

£400-600



216 HD690/1ROBERT SILVERS(AMERICAN b. 1968)L’ECOLE DE FONTAINEBLEAU1996, from an edition of 6,photomosaic on aluminium81cm x 116cm (32in x 145.5in)

£2,000-3,000

215§ HD722/2ADRIAN WISZNIEWSKIA.R.S.A. (SCOTTISH b. 1958)GIRL WITH A FLUTESigned and dated ‘83, pastel39cm x 53cm (15.5in x 21in)

£600-800


88 Lyon & Turnbull

218§ HD722/1EARL HAIG O.B.E., R.S.A.(SCOTTISH 1918-2009)THREE NUDESSigned, dated 1967 stretcherverso, oil on canvas withabstract oil sketch verso92cm x 71cm (36.5in x 28in)

£1,000-1,500

217§ HD64/1EDWARD KAY(BRITISH b. 1980)THINKING FIGURE2005, oil on board, unframed45cm x 35cm (17.75in x 13.75in)

£1,000-1,500



220§ HD778/4HENRY KONDRACKI(SCOTTISH b. 1953)AUTUMN WIND, EDINBURGH,1994Signed in plate, edition of 40,etching38cm x 57cm (15in x 22.5in)Exhibited:Flowers East, London

£200-300

221§ FD693/228JAMES MORRISON R.S.A.,R.S.W. (SCOTTISH b. 1932)LANDSCAPE, ANGUSSigned, oil on board17cm x 20cm (6.75in x 8in)Provenance: From the Estate of the Late Mr CyrilGerber

£100-150

219§ HD788/7FRED CRAYK(SCOTTISH b. 1952)MISERYSigned and dated ‘91, mixedmedia on paper95cm x 138cm (37.5in x 54.25in)

£400-600


90 Lyon & Turnbull

222§ HD78/4DONALD MANSON(SCOTTISH b. 1948)STILL LIFE WITH SPOTTYTABLECLOTHSigned, oil on board104cm x 91cm (41in x 35in)

£600-800

END OF SALE


IndexAbrahams, I., 27Ackroyd, N., 194Ayrton, M., 42

Barrie, M., 7, 14Bellany, J., 32, 124, 125Beuys, J., 80Blackadder, Dame E., 56, 57,

99Blake, P., 145., 202Blow, S., 29Bowie, D., 65Boyd, J.G., 1Byrne, J., 64

Caulfield, P., 159Cooper, E., 212Crayk, F., 219Crosbie, W., 198Cumming, J., 85, 87Cunningham, J., 116

Davenport, I., 203Davidson, D., 55Davie, A. 149, 150, 151Deacon, R., 30Denny, R., 147Devlin, G., 101, 196Dolbear, G., 187, 188Donald, G., 19Douthwaite, P., 24, 25, 26,

133, 134, 135Drummond, M., 2

Finlay, I., 89, 90, 91, 93, 94,170

Flannigan, M., 199Fraser, D.H., 211Fraser, H., 66Frink, E., 200Frost, Sir T., 77

Fullarton, J., 18, 112

Gear, W., 79, 81, 169, 171Gillies, Sir W.G., 13Grant, A., 3, 86

Haig, E., 58, 193, 218Hale, M., 153Hanna, N., 6Heron, P., 76, 78Hockney, D., 82Hodgkin, Sir H., 154Holt, E., 50, 51Hood, E.B., 4Houston, J., 5, 100, 110, 122,

208Howson, P., 15, 16, 17, 44, 46,

69, 71, 136, 139, 210Hunter, M., 160

Irvin, A., 143

Jarman, G., 108Jones, A., 163

Kay, E., 217Khanna, B., 213Knox, J., 12Kondracki, H., 95, 220

Laing, G., 168Lamb, E., 155Lambie, J., 72Lawrie, H., 119Leslie, J., 192Low, B., 11, 41, 43, 97

Mach, D., 142Manson, D., 174, 175, 176,

222Marini, M., 206

Mariscotti, O., 165Martin, D.M., 111McArthur, C., 177, 178McClure, D., 8, 9, 104, 106,

109McFadyen, J., 36-39, 137, 138McLaren, P., 73, 179McLean, B., 158McLean, J., 172McNairn, C., 184McTaggart, Sir W., 103Michie, D., 33, 34, 35, 128Minton, J., 186Miró, J., 47, 48Moffat, A., 31Moore, H., 161Morrison, J., 102, 105, 114,

221Morrison, J.L., 130, 131, 132Morrocco, J., 115Morrocco, L., 52, 54, 129Motherwell, R., 204Mulholland, C., 62, 63

Neagu, P., 164Neiland, B., 140Nevay, H., 70Nicholson, B., 84Nolan, S., 121

Oram, A., 21, 98, 189, 191

Paolozzi, E., 74, 75, 144, 157,162

Pasmore, V., 83Peploe, D., 10Philipson, Sir R., 22, 23, 40,

118, 120, 127, 205Phillips, T., 141Pollard, A., 68Pope, P., 180, 181, 182, 195

Rae, B., 28, 53Redpath, A., 183Redpath, B. "Babs", 214Richards, P., 96Robertson, I., 207Robertson, J.D., 123, 185Ryder, S., 126

Sander, L., 146, 166, 167Scott, W., 201Scully, S., 88Silvers, R., 216Smith, I.M., 197Smith, R.T.H., 173Stroud, P., 148, 152

Thompson, A.B., 190Thomson, P., 45Tsugouharu, L., 49

Uglow, G., 20Urie, J., 67

Walker, E., 59, 60, 61, 107, 117Wardman, C., 156Wiszniewski, A., 215Woodside, C., 113Wyllie, G., 92

Yule, A., 209


The following expressions with their accompanying explanations are used by Lyon & Turnbullas standard cataloguing practice. Our use of these expressions does not take account of thecondition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves. Written condition reports areusually available on request.

Name(s) or Recognised Designation of an Artist withoutany Qualification In our opinion a work by the artist

Attributed to...In our opinion probably a work by the artist in whole or in part.

Studio of ... / Workshop of ...In our opinion a work executed in the studio or workshop ofthe artist, possible under his supervision

Circle of ...In our opinion a work of the period of the artist and showinghis influence.

Follower of ...In our opinion a work executed in the artist’s style but notnecessarily by a pupil.

Manner of ...In our opinion a work executed in the artist’s style but of alater date

After ...In our opinion a copy (of any date) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work has been signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion the signature/date/inscription appears to be bya hand other than that of the artist.

Dimensions are given height before width.

Glossary of Cataloguing Terms


1. DEFINITIONSIn these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or itsauthorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possiblebid or offer accepted by the auctioneer, and/or suchperson’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by theBuyer on the Hammer Price at the rates set out in theSale Catalogue Guide to Prospective Buyers and anamount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by theauctioneer by the fall of the hammer or in the case of apost-auction sale, the agreed sale price; “Item” means each and every item consigned for salefollowing express written agreement between Lyon &Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon &Turnbull; “Lower Estimate” means the low estimate provided byLyon & Turnbull to the Seller in relation to each Item, orin relation to any Item which Lyon & Turnbull holds onbehalf of the Seller; “Lyon & Turnbull” means the company which has itsregistered office at 33 Broughton Place, Edinburgh, EHI3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, lesscommissions and other charges, of the Lot sold, to theextent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through whichthe items will be sold on “Purchase Price” is the Hammer Price and applicableBuyer‘s Premium; “Reserve” means the lowest price below which an itemcannot be sold; “Upper Estimate” means the high estimate provided byLyon & Turnbull to the Seller in relation to each Item, orin relation to any Item which Lyon & Turnbull holds onbehalf of the Seller; “Terms of consignment” means the stipulated terms andrates of commission on which the Auctioneer acceptsinstructions from Sellers or their agents; “You”, “Your” means the seller. The Seller means you arethe owner of the lot or, if you are not the owner of thelot (whether or not you have notified us that you areacting as an agent for a principal), you are dulyauthorised by the owner of the lot to sell it.“Without reserve” where there is no minimum price atwhich a lot may be sold (whether at auction or byprivate treaty).“Us”, “Our”, “We” etc refers to Lyon & Turnbull LtdThe singular includes the plural and vice versa asappropriate.

2. WARRANTY OF TITLE AND AVAILABILITY

The Seller warrants:-(a) that you are the true owner of the propertyconsigned or are properly authorised by the true ownerto consign it for sale and are able to transfer good andmarketable title to the property free from any third partyclaims.(b) that all requirements have been complied with, legalor otherwise, relating to any export or import of theproperty consigned, all duties and taxes in respect ofthe export or import of the lot have (unless agreed inwriting with us) been paid and, so far as you and anyprincipal for whom they are acting in relation to the lotare aware, all third parties have complied with suchrequirements in the past.(c) that you have provided Lyon & Turnbull with anyand all information concerning the item’s provenanceor any concerns expressed by third parties concerningits ownership, condition, authenticity, attribution, andexport or import history; and(d) Unless the Seller advises Lyon & Turnbull in writingto the contrary on delivery of the item to Lyon &Turnbull, there are no restrictions on Lyon & Turnbullrights to reproduce photographs or other images of theitem in connection with the sale or any other marketingwhich will be done in accordance with good taste anddecency.

3. PREPARATION FOR SALE(a) Lyon & Turnbull shall decide the way in which a lotmay be included in the sale, how any lot is describedand illustrated in the catalogue or any report, and themarketing, promotion, date, place and conduct of thesale. (b) Lyon & Turnbull will instruct, consult with, and relyon, any outside experts or restorers, agents or otherthird parties, and carry out such other due diligence,inquiries, research or tests in relation to the propertyor its provenance, either before the Proposed Sale as itmay deem appropriate in its reasonable discretion.(c) Any oral or written estimate or evaluation or reportprovided by Lyon & Turnbull is a genuinely heldopinion only. It may not be relied on as a prediction ofthe selling price or value of the Item, and may in Lyon &Turnbull’s absolute discretion be revised at any time.(d) The Seller acknowledges that attribution of Items is amatter of opinion and not of fact, and is dependentupon (amongst other things) information provided bythe Seller, the condition of the property, the degree ofresearch, examination or testing that is possible orpractical in the circumstances, and the status ofgenerally accepted expert opinion at the time ofcataloguing

4. TERMS OF SALEThe Seller acknowledges that lots are sold subject tothese Conditions and on the Terms of Consignment asnotified to the consignor at the time of the entry of thelot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)(1) Commission: 15% is charged on the selling price ofeach lot, (subject to a minimum charge of £30). Loss anddamage warranty: 1.5% on value of lots sold.Photography: min charge £30. Online Listing: £10 perlot.(2) Transport: Items for sale must be consigned to thesale room by any stated deadline and at your expense.We may be able to assist you with this process. Whenorganised on the Seller’s behalf the provision oftransport will be contracted to third parties. Fees fortransport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will beborne by the Seller , unless agreed otherwise prior. Thecopyright in respect of such illustrations shall be theproperty of us, the auctioneers, as is the text of thecatalogue.

6. RESERVES(a) You are entitled to place, prior to the auction, areserve on any lot consigned, being the minimumhammer price at which that lot may be sold. Reservesmust be reasonable and we may decline to offer goodswhich in our opinion would be subject to anunreasonably high reserve. The lot will be sold withoutreserve unless a reserve has been agreed.(b) Firm reserves may be no greater than lower pre-saleestimate level.(c) A reserve once set cannot be changed except withour agreement.(d) You may not bid or instruct or permit any otherperson to bid on your behalf on your own property. Ifthe Seller breaches this prohibition, Lyon & Turnbullmay treat the Seller as bound as Seller and as Buyerbut without the benefit of Lyon & TurnbullAuthenticity Guarantee or the reserve, and/or pursueother remedies.(e) We may sell lots below the reserve provided weaccount to you for the same sale proceeds as you wouldhave received had the hammer price been the reserve.

7. LOSS & DAMAGE WARRANTY(a) Subject to condition 7(c) below Lyon & Turnbull willassume liability for loss or damage to an item,commencing at the time that item is taken into physicalcontrol and possession by Lyon & Turnbull and ceasingon the earliest date of; (i) when risk passes to the Buyer of the lot following itssale; (ii) for unsold lots, when the lot is released to the Seller,or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &

Turnbull for items still in the possession of Lyon &Turnbull but not consigned for sale (unless part of along-term storage agreement).(b) Lyon & Turnbull shall charge a loss and damagewarranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot duringthe period identified in paragraphs (a) above, Lyon &Turnbull’s liability to compensate the Seller in respect ofthat loss shall be restricted to a maximum of the upperestimate, or actual loss incurred, whichever is lower.This compensation will be subject to a deduction of a1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS(1) If an item is unsold it may, with your consent, be re-offered at a future sale. Where in our opinion an item isnot suitable for a future sale we may either request (a)you collect such items from the saleroom promptly onbeing so informed. We shall be entitled to charge youfor storage costs, charges shall be made at a reasonabledaily rate;or (b) suggest that the item be transferred to asecondary saleroom for sale without reserve. Alltransferred lots will be sold for the best price on theday, this may not bear any reflection on the item’soriginal estimate. Lyon & Turnbull are not liable for anyitems (whether it be selling price or loss & damage)when transferred. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at theagreed reserve price or above, for up to 48 hours afterthe original auction. In which case the same charges willbe payable as if such lots had been sold at auction andso far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, awithdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale,this will be charged at 10% of the mid estimate alongwith any ancillary charges incurred (such asphotography), all subject to VAT at the current rate.(b) if withdrawn within 28 working days of the sale, thiswill be charged at 20% of the mid estimate along withany ancillary charges incurred (such as photography), allsubject to VAT at the current rate.(c) Lyon & Turnbull may withdraw a lot from theproposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is anydoubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of theSeller’s warranties; or (iii) the Seller breaches any provisions of the Conditionsof Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not inthe state in which it was when Lyon & Turnbull tookdelivery of it. (d) if an item is withdrawn from sale under Condition9(c) (i), or (iv), the Seller shall not be charged awithdrawal fee and the item shall be returned to theSeller or dealt with pursuant to Clause 8, as the Sellerdecides.

10. AUTHORITY TO DEDUCT COMMISSION ANDEXPENSES AND RETAIN PREMIUM AND INTEREST.The Seller authorises us to deduct commission at thestated rate, and all expenses incurred for your accountfrom the hammer price, and consents to our right toretain beneficially the premium paid by the Buyer inaccordance with these Conditions of Sale and anyinterest earned on the sale proceeds until the date ofsettlement.

11. NON-PAYMENT BY THE BUYER(a) Lyon & Turnbull will, where it considers appropriate,take reasonable steps to investigate the ability ofbidders to pay for lots and will use reasonableendeavours, in consultation with the Seller, to enforcepayment of the Hammer Price by any Buyer.(b) Lyon & Turnbull, in consultation with the Seller, willdecide whether to pursue any of the remedies availableto it, including those set out in Condition 10 of theCondition of Sale (Buyers) including the right to cancel thesale and return the property to the Seller. Lyon &Turnbull will inform the Seller of any action which itcontemplates taking against the Buyer.

Conditions of SaleSELLERS


(c) lf the Seller elects to take action against any Buyer onits own behalf Lyon & Turnbull will provide the Sellerwith such assistance as may be reasonably necessary topursue that action.(d) The Seller hereby agrees to inform Lyon & Turnbullof any action which it chooses to take against the Buyerto enforce payment of the amount due to the Seller.(e) In the event that a Buyer fails to pay for a lot inaccordance with the Conditions of Sale for Buyers, thatlot will be treated in the same way as an unsold orcollected lot.

12. SETTLEMENT PAYMENTSSubject to full payment by the Buyer, payment of the netproceeds of sale due to you will be made over to you 28working days following a sale. Provided we have receivedcleared funds. Payment will be made by cheque orBACS (if requested).

13. SALE BY PRIVATE TREATY(a) The same Conditions of Sale (Sellers) shall apply tosales by private treaty. (b) Private treaty sales made under these Conditions aredeemed to be sales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller ofany offers it receives in relation to an item prior to anyProposed Sale, excluding the normal method ofcommission bids.(d) For the purposes of a private treaty sale, if a lot issold in any other currency than Sterling, the exchangerate is to be taken on the date of sale.

14. THIRD PARTY LIABILITYAll members of the public on our premises are there attheir own risk and must note the lay-out of theaccommodation and security arrangements. Accordinglyneither the auctioneer nor our employees or agentsshall incur liability for death or personal injury (except asrequired by law by reason of our negligence) or similarlyfor the safety of the property of persons visiting prior toor at a sale.

15. GENERAL(a) We shall have the right at our discretion, to refuseadmission to our premises or attendance at ourauctions by any person.(b) Any notice to any Buyer, Seller, bidder or viewer maybe given by email, or if not available then first class mail,in which case it shall be deemed to have been receivedby the addressee 48 hours after posting.(c) Notices to Lyon & Turnbull should be in writing andaddressed to Nick Curnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting the reference numberspecified at the beginning of the sale catalogue.(d) Should any provision of these Conditions of Sale beheld unenforceable for any reason, the remainingprovisions shall remain in full force and effect.(e) These Conditions of Sale are not assignable by eitherparty without the other’s prior written consent, but arebinding on the seller’s successor and representatives.No act, omission or delay by Lyon & Turnbull shall bedeemed a waiver or release of any of its rights.(f) The contract between the parties may be varied bythe parties by agreement and in writing.

16. AGENCY Lyon & Turnbull acts as agent solely for and in theinterests of the Seller. We do not act for Buyers in thisrole and does not give advice to Buyers. When Lyon &Turnbull make a statement about a lot it is doing so onbehalf of the Seller of the lot. The Auctioneer normally acts as agent only anddisclaims any responsibility for default by Sellers orBuyers.

17. DATA PROTECTIONIn connection with the management and operation ofour business and the marketing and supply of Lyon &Turnbull’s services, or as required by law, we may askthe Seller to provide personal information aboutthemselves or obtain information about the Seller fromthird parties (e.g. credit information). Lyon & Turnbullwill not give out personal information except as may berequired by law. If you would like further information on Lyon & Turnbullpolicies on personal data, or to make corrections toyour information, please contact us on +44 (0)131 5578844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions of Sale and allaspects of all matters, transactions or disputes to whichthey relate or apply shall be governed by, andinterpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts ofScotland are to have exclusive jurisdiction to settle alldisputes arising in connection with all aspects of allmatters or transactions to which these Conditions ofSale relate or apply.

BUYERS

The Auctioneer carries on business with bidders, Buyersand all those present in the auction room prior to, or inconnection with, a sale on the following GeneralConditions and on such other terms, conditions andnotices as may be referred to herein..

1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or itsauthorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (ator above any reserve) when the Auctioneer brings downthe hammer; "Lot" means each Item offered for sale by Lyon &Turnbull; "Purchase Price" is the Hammer Price and applicableBuyer's Premium; "Reserve" means the lowest price below which an itemcannot be sold; "Total amount due" means the hammer price in respectof the lot sold together with any premium, Value AddedTax or other taxes chargeable and any additionalcharges payable by a defaulting Buyer under theseConditions; “You”, “Your” means the Buyer“Us”, “Our”, “We” etc. refers to Lyon & Turnbull LtdThe singular includes the plural and vice versa asappropriate.

2. AGENCYLyon & Turnbull acts as agent solely for and in theinterests of the Seller. We do not act for Buyers in thisrole and does not give advice to Buyers. When Lyon &Turnbull make a statement about a lot it is doing so onbehalf of the Seller of the lot.

The Auctioneer normally acts as agent only anddisclaims any responsibility for default by Sellers orBuyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particularsbefore bidding and to satisfy any security and creditreferences or arrangements before entering the auctionroom to view or bid; (b) The maker of the highest bid accepted by theAuctioneer conducting the sale shall be the Buyer andany dispute shall be settled at the Auctioneer's absolutediscretion.

(c) Once made, no bid may be withdrawn. (d) Our right to bid on behalf of Sellers is expresslyreserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved.(f) Commission Bids: While prospective Buyers arestrongly advised to attend the auction and are alwaysresponsible for any decision to bid for a particular lotand shall be assumed to have carefully inspected andsatisfied themselves as to its condition we shall, if soinstructed, clearly and in writing execute bids on theirbehalf. Neither the Auctioneer nor our employees noragents shall be responsible for any failure to do so.Where two or more commission bids at the same levelare recorded we reserve the right in our absolutediscretion to prefer the first bid so made.

(g) Telephone Bids: If a prospective Buyer makesarrangements with us prior to the commencement ofthe sale we will use reasonable efforts to contact themto enable them to participate in bidding by telephone.We do not accept liability for failure to do so or forerrors and omissions in connections.

(h) Online Bidding: We will use reasonable efforts tocarry out online bids and do not accept liability forequipment failure, inability to access the internet orsoftware malfunctions related to execution of onlinebids/ live bidding.

4. INCREMENTSBidding increments shall be at the Auctioneer's solediscretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% ispayable on the first £50,000 of the hammer price, 20%thereafter. VAT at the appropriate rate is charged on theBuyer's Premium. No VAT is payable on the hammerprice or premium for printed books or unframed mapsbought at auction.Live online bidding is subject to an additional 3%premium (charged by the live bidding service providerInvaluable). This additional premium is subject to VAT atthe appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rateprevailing by law at the date of sale and is payable byBuyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on thehammer price is imposed by law on all items affixed with

a dagger (†). This imposition of VAT maybe because theSeller is registered for VAT within the European Unionand is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value AddedTax on the hammer price of 5% is payable. Thisindicates that a lot has been imported from outwith theEuropean Union. This reduced rate is applicable toAntique items. (3) Lots affixed with [Ω]: Standard rate of Value AddedTax on the hammer price and premium is payable. Thisapplies to items that have been imported from outwiththe European Union and do not fall within the reducedrate category outlined above.

7. DROIT de SUITEThis symbol § indicates works which may be subject tothe Droit de Suite or Artist's Resale Right, which tookeffect in the United Kingdom on 14th February 2006.We are required to collect a royalty payment for allqualifying works of art. Under new legislation whichcame into effect on 1st January 2012 this applies toliving artists and artists who have died in the last 70years. This royalty will be charged to the Buyer on thehammer price and in addition to the Buyer’s premium. Itwill not apply to works where the hammer price is lessthan €1,000 (euros). The charge for works of art sold atand above €1,000 (euros) and below €50,000 (euros) is4%. For items selling above €50,000 (euros), charges arecalculated on a sliding scale. All royalty charges are paidto the Design and Artists Copyright Society (‘DACS’) andno handling costs or additional fees are retained by theauctioneer. Resale royalties are not subject to VAT.Please note that the royalty payment is calculated onthe rate of exchange at the European Central Bank onthe date of the sale. More information on Droit de Suiteis available at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by suchother method as is agreed by us. We accept cash, banktransfer (details on request), debit cards and Visa orMasterCard credit cards. We do not accept AmericanExpress.(b) Please note there is a surcharge of 2% when usingcredit cards. (c) Please note that under The Money LaunderingRegulations 2007 we cannot accept cash payments over€15,000 (euros). (2) Any payments by you to us may be applied by us


towards any sums owing by you to us howsoeverincurred and without agreement by you or your agent,whether express or implied..

9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not passto you until you have made payment in full to us of thetotal amount due. (2) You shall at your own risk and expense take away anylots that you have purchased and paid for not later than7 working days following the day of the auction or uponthe clearance of any cheque used for paymentwhichever is later. We can provide you with a list ofshippers. However, we will not be responsible for theacts or omissions of carriers or packers whether or notrecommended by us. (3) No purchase can be claimed or removed until it hasbeen paid for. (4) It is the Buyer’s responsibility to ascertain collectionprocedures, particularly if the sale is not being held atour main sale room and the potential storage chargesfor lots not collected by the appropriate time.(5) Export of goods: Buyers intending to export goodsshould ascertain (a) whether an export licence isrequired and (b) whether there is any specificprohibition on importing goods of that character, e.g.items that may contain prohibited materials such asivory or rhino horn. It is the buyer’s sole responsibilityto obtain any relevant export or import licence. Thedenial of any licence or any delay in obtaining licencesshall neither justify the recession of any sale not anydelay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TOCOLLECT PURCHASES (1) If any lot is not paid for in full and taken away inaccordance with these Conditions or if there is anyother breach of these Conditions, we, as agent for theSellers and on their behalf, shall at our absolutediscretion and without prejudice to any other rights wemay have, be entitled to exercise one or more of thefollowing rights and remedies: (a) to proceed against you for damages for breach ofcontract; (b) to rescind the contract for sale of that lot and/or anyother lots sold by us to you; (c) to resell the lot (by auction or private treaty) in whichcase you shall be responsible for any resulting deficiencyin the total amount due (after crediting any partpayment and adding any resale costs). (d) to remove, store and insure the lot in the case ofstorage, either at our premises or elsewhere and torecover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% permonth above the current base rate on all sumsoutstanding for more than 7 working days after the sale;(f) to retain that or any other lot sold to you until youpay the total amount due; (g) to reject or ignore bids from you or your agent atfuture auctions or to impose conditions before any suchbids shall be accepted; (h) to apply any proceeds of sale of other lots due orwhich become due to you towards the settlement of thetotal amount due by you and to exercise a lien over anyof your property in our possession for any purpose untilthe debt due is satisfied.satisfied.

11. DESCRIPTIONS AND CONDITION(1) Whilst we seek to describe lots accurately, it may beimpractical for us to carry out exhaustive due diligenceon each lot. Prospective Buyers are given ampleopportunities to view and inspect before any sale andthey (and any independent experts on their behalf) mustsatisfy themselves as to the accuracy of any descriptionapplied to a lot. Prospective Buyers also bid on theunderstanding that, inevitably, representations orstatements by us as to authorship, genuineness, origin,date, age, provenance, condition or estimated sellingprice involve matters of opinion. We undertake that anysuch opinion shall be honestly and reasonably held andonly accept liability for opinions given negligently orfraudulently. Subject to the foregoing neither we theauctioneer or our employees or agents accept liabilityfor the correctness of such opinions and no warranties,whether relating to description, condition or quality oflots, express, implied or statutory, are given. Please notethat photographs/images provided may not be fullyrepresentative of the condition of the lot and should notbe relied upon as indicative of the overall condition ofthe lot.

(2) Condition reports: Condition reports are providedon our website or upon request. The absence of areport does not imply that a lot is without imperfections.Large numbers of such requests are received shortlybefore each sale and department specialists andadministration will endeavor to respond to all requestsalthough we offer no guarantee. Any statement inrelation to the lot is merely an expression of opinion ofthe Seller or Lyon & Turnbull and should not be reliedupon as an inducement to bid on the lot. Lots areavailable for inspection prior to the sale and you arestrongly advised to examine any lot in which you areinterested prior to the sale. Our condition reports arenot prepared by professional conservators, restorers orengineers. Our condition report does not form anycontract between Lyon & Turnbull and the Buyer. TheCondition Reports do not affect the Seller’s obligationsin any way. (3) Estimates: Estimates are placed on each lot to helpBuyers gauge the sums involved for the purchase of aparticular lot. Estimates do not include the Buyer’sPremium or VAT. Estimates are a matter of opinion andprepared in advance. Estimates may be subject tochange and are for guidance only and should not berelied upon.(4) Catalogue Alterations: Lot descriptions andestimates are prepared in advance of the sale and maybe subject to change. Any alterations will be announcedon the catalogue alteration sheet, made available priorto the sale. It is the responsibility of the Buyer to makethemselves aware to any alterations which may haveoccurred.(5) Electrical Goods: are sold as “works of art” only andif bought for use must be checked over for compliancewith safety regulations by a qualified electrician first. Useof such goods is entirely at the risk of the Buyer and nowarranties as to safety of the goods are given.(6) Upholstered items: are sold as “works of art” onlyand if bought for use must be checked over forcompliance with current safety regulation. Use of suchgoods is entirely at the risk of the Buyer and nowarranties as to safety of the goods are given. Lyon &Turnbull provide no guarantee as to the originality ofany wood/material contained within the item. (7) Special terms may be used in catalogue descriptionsof particular classes of items (Books, Jewellery, Paintings,Guns, Firearms etc.) in which case the descriptions mustbe interpreted in accordance with any glossaryappearing in the catalogue. These notices and terms willalso form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES(1) Books-Collation: If on collation any NAMED item inthe sale catalogue proves defective, in text or illustrationthe Buyer may reject the lot provided he returns itwithin 21 days of the sale stating the defect in writing.This, however, shall not apply in the case of unnameditems, periodicals, autographed letters, music M.M.S.,maps, drawings NOR in respect of damage to bindings,stains, foxing, marginal worm holes or other defects notaffecting the completeness of the text NOR in respect ofDefects mentioned in the catalogue, or at the time ofsale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, andthe absence of any reference to the condition of a clockor watch does not imply the lot is in good condition andwithout defects, repairs or restorations. Most clocks andwatches will have been repaired during their normallifetime and may now incorporate additional/newerparts. Furthermore, Lyon & Turnbull makes norepresentation or warranty that any clock or watch is inworking order. As clocks and watches often contain fineand complex mechanisms, Buyers should be aware thata general service, change of battery or further repairwork, for which the Buyer is solely responsible, may benecessary. Buyers should also be aware that Lyon &Turnbull cannot guarantee a watch will remainwaterproof if the back is removed. Buyers should beaware that the importing watches such as Rolex, FrankMuller and Corum into the United States is highlyrestricted. These watches cannot be shipped to the USAand only imported personally.

13. CITESPlease be aware that all lots marked with the symbol Yare subject to CITES regulations when exporting theseitems outside the EU. These regulations may be foundat http://www.defra.gov.uk/ahvla-en/ imports-exports/cites/ Lyon & Turnbull accepts no liability for any lots whichmay be subject to CITES but have not be identified assuch.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply tosales by private treaty. (b) Private treaty sales made under these Conditions aredeemed to be sales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller ofany offers it receives in relation to an item prior to anyProposed Sale, excluding the normal method ofcommission bids.(d) For the purposes of a private treaty sale, if a lot issold in any other currency than Sterling, the exchangerate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there attheir own risk and must note the lay-out of theaccommodation, safety and security arrangements.Accordingly, neither the Auctioneer nor our employeesor agents shall incur liability for death or personal injuryor similarly for the safety of the property of personsvisiting prior to, during or after a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuseadmission to our premises or attendance at ourauctions by any person.(b) Any notice to any Buyer, Seller, bidder or viewer maybe given by email if not available then first class mail inwhich case it shall be deemed to have been received bythe addressee 48 hours after posting.(c) Notices to Lyon & Turnbull should be in writing andaddressed to Nick Curnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting the reference numberspecified at the beginning of the sale catalogue.(d) Should any provision of these Conditions of Sale beheld unenforceable for any reason, the remainingprovisions shall remain in full force and effect.(e) These Conditions of Sale are not assignable by eitherparty without the other's prior written consent. No act,omission or delay by Lyon & Turnbull shall be deemed awaiver or release of any of its rights.(f) The contract between the parties may be varied bythe parties by agreement and in writing.

17. DATA PROTECTION In connection with the management and operation ofour business and the marketing and supply of Lyon &Turnbull's services, or as required by law, we may askthe Buyer to provide personal information aboutthemselves or obtain information about the Buyer fromthird parties (e.g. credit information). Lyon & Turnbullwill not give out personal information except as may berequired by law. If you would like further information on Lyon & Turnbullpolicies on personal data, or to make corrections toyour information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon &Turnbull of the Buyer’s name and contact details to theseller or the seller’s solicitor in the event of any disputebetween Lyon & Turnbull and the Buyer and/or Lyon &Turnbull and the Seller. Lyon & Turnbull will give priorwritten notice of the release of any such details to theSeller of the Seller’s solicitor.

18. FORCE MAJEURELyon & Turnbull shall be under no liability if they shall beunable to carry out any provision of the Contract of Salefor any reason beyond their control including (withoutlimiting the foregoing) an act of God, legislation, war, fire,flood, drought, failure of power supply, lock-out, strike orother action taken by employees in contemplation orfurtherance of a dispute or owing to any inability toprocure materials required for the performance of thecontract.

19. LAW AND JURISDICTION(a) Governing Law: These Conditions of Sale and allaspects of all matters, transactions or disputes to whichthey relate or apply shall be governed by, andinterpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts ofScotland are to have exclusive jurisdiction to settle alldisputes arising in connection with all aspects of allmatters or transactions to which these Conditions ofSale relate or apply.


RegistrationAll potential buyers must register priorto placing a bid. Registrationinformation may be submitted in personat our registration desk, by email, by faxor on our website. Please note that allfirst time bidders at Lyon & Turnbull willbe asked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement).

We may, at our option, also ask you toprovide a bank reference and/ ordeposit.

By registering for the sale, the buyeracknowledges that he or she has read,understood and accepted ourConditions of Sale.

BiddingAt the Sale Registered bidders will beassigned a bidder number and given apaddle for use at the sale. Once the firstbid has been placed, the auctioneer asksfor higher bids in incrementsdetermined by the auctioneer. To placeyour bid, simply raise your paddle untilthe auctioneer acknowledges you.Please ensure that the auctioneerrepeats your bidder number correctlywhen confirming the sale. If there is anydoubt at this stage as to the hammerprice or buyer it must be brought to theauctioneer’s attention immediately. Alllots will be invoiced to the name andaddress given on your registration form,which is non-transferable.

By phone A limited number oftelephone lines are available for biddingby phone through a Lyon & Turnbullrepresentative. Phone lines must bereserved in advance. All bid requestsmust be received an hour before thesale. All telephone bids must beconfirmed in writing, listing the relevantlots and appropriate number to becalled. We recommend that a coveringbid is also left in the event that we areunable to make the call. We cannotguarantee that lines will be available, orthat we will be able to call you on theday, but will endeavor to undertake suchbids to the best of our abilities. Thisservice is available entirely at ourdiscretion and at the bidder’s risk.

In writing Bid forms are available at thesale and/or the back of the catalogue.These should be submitted in person, bypost, or by fax as soon as possible priorto the sale and we will bid on yourbehalf up to the limit indicated. In theevent of receiving two identical bids thefirst one received will take precedence.All bids must be received an hour beforethe sale. This service is entirely at thebidder’s risk.

On the internet A fully-illustratedcatalogue is available on our website.Registered bidders may leave absenteebids through the website and willreceive email confirmation of their bid.Live online bidding (powered byInvaluable) is also available, accessibleeither through our website or atwww.invaluable.com. Please note thatan additional 3% premium is charged byInvaluable for this live online service.

PaymentPayment is due within seven (7) days ofthe sale. Lots purchased will not bereleased until full payment has beenreceived. Payment may be made by thefollowing methods:

Bank Transfer Account details areincluded on any invoices we issue orupon request from our accountsdepartment.

Credit or Debit Cards Payment can bemade by Visa Debit, Maestro,Mastercard or Visa Credit cards. Pleasenote there is a 2% surcharge on creditcard payments and we do not acceptAmex.

Online Card Payments We no longeraccept card payments by phone. Pleaseuse our online payment service(provided by Cardstream/Credorax. Youwill find a link to this service in any emailinvoice issued or you can visit thepayments section of our website.

Cheque Cheques should be madepayable to Lyon and Turnbull Ltd. Wereserve the right to wait until chequeshave been cleared by our bankersbefore releasing bought goods. Chequescan be cleared prior to sale on request.Cheques drawn by third parties cannotbe accepted. If paying by post pleaseinclude the slip from your invoice.

Cash Cash payments can be made atthe accounts desk during or after a sale.Cash payments limited to €15,000(euros).

Guide to Bidding & Payment

© Lyon & Turnbull Ltd. 2016. All rights reserved. No part of this publication may be reproduced, stored in a retrieval systemor transmitted by any form or by any means without the prior written permission of Lyon & Turnbull Ltd.


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33 Broughton Place, Edinburgh EH1 3RRTel. +44 (0)131 557 8844Fax. +44 (0)131 557 8668Email. [email protected]

182 Bath Street, Glasgow G2 4HGTel. +44 (0)141 333 1992Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel. +44 (0)20 7930 9115Fax. +44 (0)141 7930 7274

LYON

& TU

RNBU

LL AUCTIO

NEERS ED

INBU

RGH

CON

TEMPO

RARY & PO

ST-WAR ART 16TH

MARCH

, 2016


Wednesday, 16th March, 201633 Broughton PlaceEdinburgh EH1 3RR

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