Name: Louis Packer Candidate number:

Film Title: Cash In Page:

1

Slug Line: EXT. STREET. NIGHT

Action: Michael Mountain is walking home from a party at 2am, he is alone, and he is walking along a deserted street.

Camera: Camera tracks behind Michael as he wanders along. Long shot of the back of Michael.

Dialogue: /

Diegetic Sound: Michael is quietly humming a tune as he walks along.

Non-diegetic Sound: /

Transition: In: Fade Out: Cut

Duration: 9 seconds

2

Slug Line: EXT. STREET. NIGHT

Action: Michael continues to walk along the deserted street. As he continues to walk along a big black range rover begins to move slowly along next to him. Michael notices the car, stops and turns to look at it.

Camera: Mid-shot of the side of Michael walking along, the camera tracks with Michael.

Dialogue: Michael: “

Diegetic Sound: Sound of the car pulling up next to Michael. Sound of song ‘I Ran’ playing quietly from the car.

Non-diegetic Sound: Off kilter sound begins to drone as the car drives up next to Michael.

Transition: Cut

Duration: 10 seconds

3

3

Slug Line: EXT. STREET. NIGHT

Action: Michael puts his hand up and sarcastically waves to the car.

Camera: Mid-shot of Michael

Dialogue: Michael: Hello, anyone home?

Diegetic Sound: Michael sarcastically chuckles to himself.

Non-diegetic Sound: /

Transition: Cut

Duration: 8 seconds

4

Slug Line: EXT. STREET. NIGHT

Action: Michael continues to walk down the street. The car continues to move alongside him, Michael notices and becomes suspicious, he stops and looks at to the car again.

Camera: Over the shoulder shot, camera continues to move following Michael. Camera moves and the car is in focus, the camera then moves to a close of Michael’s face, he continues to walk, the camera moves as he walks, keeping his face in shot.

Dialogue: Michael: Not far to go now, just up here.

Diegetic Sound: Sound of the car moving alongside Michael.

Non-diegetic Sound: Off kilter sound begins to play as the car drives up next to Michael.

Transition: Cut

Duration: 10 seconds

5

Slug Line: EXT. STREET. NIGHT

Action: Michael turns around and begins to walk back the way he came and crosses the road, the car screeches to a sudden halt behind Michael.

Camera: Reverse over the shoulder shot

Dialogue: Michael: Alright Mike, just go back the way you came, just go back the way you came.

Diegetic Sound: Michael is breathing shallowly, the sound of the car screeching to a halt, Michael’s footsteps as he walks.

Non-diegetic Sound: /

Transition: Cut

Duration: 6 seconds

6

Slug Line: EXT. STREET. NIGHT

Action: The door of the car opens suddenly and Martin wearing all black and a mask, holding a large syringe, jumps out of the car.

Camera: Close up of Martin’s boot as he stomps out of the car.

Dialogue: /

Diegetic Sound: Sound of the car door flinging open and a leather boot stomping onto the ground.

Non-diegetic Sound: Sudden dramatic punctuation sound as the man stomps out of the car.

Transition: Cut

Duration: 5 seconds

Name: Candidate number:

Film Title: Page:

7

Slug Line: EXT. STREET. NIGHT

Action: Michael continues to walk away from the car, Martin begins to walk towards Michael with pace. Michael turns around and sees the leather man marching towards him.

Camera: Reverse over the shoulder shot of Michael, the focus starts on Michael’s face, as the leather man walks towards him the focus shifts from Michael’s face to the leather man.

Dialogue: /

Diegetic Sound: The sound of Martin’s footsteps.

Non-diegetic Sound: /

Transition: Cut

Duration: 8 seconds

8

Slug Line: EXT. STREET. NIGHT

Action: Michael turns around to see Martin walking towards him, an expression of shock and horror spreads across his face.

Camera: Close up of Michael’s face.

Dialogue: Michael: “Oh mother of God, shit!”

Diegetic Sound: Martin’s footsteps pounding as he runs towards Michael.

Non-diegetic Sound: Sudden dramatic punctuation sound.

Transition: Cut

Duration: 4 seconds

9

Slug Line: EXT. STREET. NIGHT

Action: Michael attempts to run away but slips to the ground, as the leather man catches up with him.

Camera: Long shot of Michael, handheld camera following him as he moves.

Dialogue: /

Diegetic Sound: Heavy breathing from Michael, the sound of him scrambling and his feet slipping, the sound of the leather man walking towards him.

Non-diegetic Sound: Consists of the same sudden dramatic punctuation sound being played repeatedly, increasing in speed as Michael scrambles away.

Transition: Cut

Duration: 5 seconds

Name: Candidate number:

Film Title: Page:

10

Slug Line: EXT. STREET. NIGHT

Action: Michael is on his back on the ground and is scrambling backwards to try and get away from Martin, who is still walking towards him.

Camera: Mid shot of Michael, also works as a high angle shot.

Dialogue: /

Diegetic Sound: Michael scrambling on the ground, the leather man’s footsteps.

Non-diegetic Sound: The same dramatic punctuation sound plays repeatedly very quickly.

Transition: Cut

Duration: 4 seconds

11

Slug Line: EXT. STREET. NIGHT

Action: Michael continues to scramble back to try and get away from Martin. Martin is at Michael’s foot and is looming over him. Michael tries to kick him away.

Camera: POV shot from Michael’s perspective, also works as a low angle shot of Martin.

Dialogue: Michael: “No, you bastard, get off, off!”

Diegetic Sound: Michael’s feet scrabbling on the floor, the sound of him kicking Martin. Close sonic perspective of Martin’s feet scrabbling on the floor. The faint sound of Martin breathing.

Non-diegetic Sound: /

Transition: Cut

Duration: 6 seconds

12

Slug Line: EXT. STREET. NIGHT

Action: Martin grabs Michael from the ground and holds him, Michael struggles but is has no affect.

Camera: Low angle over the shoulder shot of Martin reaching down to Michael from Michael’s perspective. When the leather man grabs Michael the camera moves with Michael and finishes as a close up of Michael’s face.

Dialogue: /

Diegetic Sound: Michael trying to scrabble away, Michael screaming and shouting, Martin leaning down and grabbing Michael’s shirt and pulling him up.

Non-diegetic Sound: /

Transition: Cut

Duration: 5 seconds

Name: Candidate number:

Film Title: Page:

13

Slug Line: EXT. STREET. NIGHT

Action: Martin pulls the large syringe out of a pocket and moves it towards Michael’s neck, Michael continues to struggle.

Camera: Mid shot of Michael being held by Martin.

Dialogue: /

Diegetic Sound: Michael continuing to scream and shout, Martin’s clothing rustling as he takes the syringe out.

Non-diegetic Sound: /

Transition: Cut

Duration: 4 seconds

14

Slug Line: EXT. STREET. NIGHT

Action: Martin plunges the syringe into Michael’s neck and injects it.

Camera: Close up of Michael’s neck

Dialogue: /

Diegetic Sound: Michael lets out a sudden yelp as the syringe is injected into his neck, sound of the syringe being put into Michael’s neck.

Non-diegetic Sound: Sudden dramatic punctuation sound as the syringe is put into Michael’s neck, the same dramatic punctuation sound again as it is injected.

Transition: Cut

Duration: 6 seconds

15

Slug Line: EXT. STREET. NIGHT

Action: Michael slowly falls unconscious, when he is fully unconscious Martin hoists Michael up over his shoulder and carries him to the boot of the Range Rover in an inconsiderate fashion.

Camera: Shot begins as a mid-shot of Michael slowly falling unconscious, when Michael is hoisted up and Martin is walking to the boot of the car the camera stays static as he walks away, turning into a long shot, as he reaches the car the shot is then an extreme long shot of him putting Michael in the boot of the car since it is very far away and the camera stays static for the whole shot.

Dialogue: Michael as he is falling unconscious: “No… please…”

Diegetic Sound: Sound of Martin hoisting Michael over his shoulder, sound of Martin walking to the car, opening the boot, shot ends as he slams the boot closed.

Non-diegetic Sound: /

Transition: Fade to black.

Duration: 18 seconds