looking at: renaissance surgery and pare’s work in a little more detail. from the fabric of the...
TRANSCRIPT
Looking at:
Renaissance Surgery
and
Pare’s Work
In a little more detail.
Fro
m T
he F
abric
of
the
Hum
an B
ody
Renaissance Anatomy and Surgery Timeline
Image courtesy of the U.S. National Library of Medicine
Battlefield Wounds
Evidence Exercise, Recap and Revision
Pain, Infection and Bleeding
Examples of Pare’s ‘other’ work
Please ‘click’ on one of the following buttons
Gunshot wounds
During The Renaissance muskets were being used more and more during battles.
Gunshot wounds therefore became an increasing problem for surgeons.
Can you think of any problems associated with gunshot wounds that
surgeons during The Renaissance would have to deal with?
1
2
3
Gunshot wounds
The scale of damage caused by musket balls
entering and exiting the body
(Shattered bone, ripped muscle and tissue, etc)
1
2
3
During The Renaissance muskets were being used more and more during battles.
Gunshot wounds therefore became an increasing problem for surgeons.
Can you think of any problems associated with gunshot wounds that
surgeons during The Renaissance would have to deal with?
Gunshot wounds
Musket balls carrying infection deep inside the
body. Musket balls dragged dirt, material and
lead with them as they entered the body
The scale of damage caused by musket balls
entering and exiting the body
(Shattered bone, ripped muscle and tissue, etc)
1
2
3
During The Renaissance muskets were being used more and more during battles.
Gunshot wounds therefore became an increasing problem for surgeons.
Can you think of any problems associated with gunshot wounds that
surgeons during The Renaissance would have to deal with?
Gunshot wounds
Musket balls carrying infection deep inside the
body. Musket balls dragged dirt, material and
lead with them as they entered the body
The scale of damage caused by musket balls
entering and exiting the body
(Shattered bone, ripped muscle and tissue, etc)
New methods of surgery had to be learnt to deal with the new types of
wounds being encountered
1
2
3
During The Renaissance muskets were being used more and more during battles.
Gunshot wounds therefore became an increasing problem for surgeons.
Can you think of any problems associated with gunshot wounds that
surgeons during The Renaissance would have to deal with?
Using hot oil
Pare used the accepted treatment for gunshot wounds used
by surgeons at the time – cauterisation - until he stumbled
across a new method for treating these injuries.
Cauterisation involved burning the wound, either with a red
hot cautery iron, or by pouring boiling hot oil (sometimes
mixed with treacle) into the wound.
Pare knew that this method of treating wounds caused the patient great
pain, but did as the other surgeons did, applying the oil as hot as possible to
burn away any possible infection that had set in. Then, one day he ran out of
oil and was forced to use an alternative.
Click here to find out what that alternative was
Egg Yolk Rose Oil TurpentinePare had published his idea for treating gunshot wounds in 1545. The
account of how he made his discovery was not published however until 1585
in The Apology.
I wonder what Pare may have been apologising for?
Pare describes how he ran out of oil and was ‘forced to use an ointment
made from yolks of eggs, oil of roses, and turpentine’. Pare feared that this
mixture may cause the soldiers he was treating more pain as infection set
into the wound. He also feared that he would return to his patients the next
day to find many of them dead. The patients however told Pare the next
morning that the swelling around their wounds had gone down and that they
felt little pain. Those who had been treated before the oil ran out were much
worse off. They were in pain and many were ‘feverish with….swelling about
the edges of their wounds.’
PAIN
INFECTIONBLEEDINGIn order for surgery to be successful the surgeon has to combat
the problems of Pain, Infection and Bleeding. Pare knew this and
through his work tried to tackle and combat the problems
associated with each.
Click on each image for more information
With a lack of anaesthetics before and during The Renaissance, doctors
and surgeons knew that their patients could suffer a great deal from the pain
that they felt when injured or wounded. They were also aware of the dangers
involved in operating upon patients. Without adequate anaesthetics (patients
were often given wine or were knocked out) there was the risk that the
patient would feel a great deal of pain and would be conscious for much of
the during the operation.
Patients were also as likely to die of shock on the operating table as from the
infection that set in the wound after the operation was over.
Anaesthetics – Something, usually a drug, that causes a loss of sensation (such as feeling or pain).
With a lack of antiseptics before and during The Renaissance, doctors and
surgeons knew that their patients could suffer a great deal from the infection
that set into a wound before an operation.
They were also aware of the dangers involved in operating upon patients.
Without adequate antiseptics there was a risk that the surgeon would put
germs into the wound himself, sealing the infection deep within the patient.
Because there was no knowledge of germs, medical instruments were not
always cleaned thoroughly and surgeons themselves often failed to ensure
that their hands were clean of dirt and bacteria. It would be some time – long
after The Renaissance - before doctors wore masks and gowns and sterilised
their equipment.
Antiseptics – Substances that help to prevent infection.
If patients lost a lot of blood, either during an operation or from a particularly bad wound,
they were in great danger of not only losing their strength, but of their body not being
able to function properly. In short, they were in all probability going to die. Surgeons
during this time could not, as we do today, transfuse blood or put it back. Some doctors
had experimented with blood transfusions, trying to replace a human’s lost blood (usually
with an animal’s), but patients rarely lived for long afterwards.
Doctors and surgeons did not know, as we do today, about such important factors that
influence blood transfusions, such as how to store blood and knowledge of blood groups.
Pare, like most surgeons, realised that veins and arteries had to be tied up speedily so
that bleeding could be stopped. Pare therefore used a Crow’s Beak (an instrument that
looks like a set of pliers) to pull out the arteries and silk thread to sew them up.
What are these objects and how do
you think they work?
This image courtesy of the Clendening History of Medicine Library,
University of Kansas Medical Centre
Images courtesy of the U.S. National Library of Medicine
Prosthetic limbs like these
were made (or designed) by
Pare in the sixteenth century.
Hands like the one above were operated by a series of
catches and springs. Such a hand was designed for a
French Army Captain who went on to use it in battle.
Pare also invented leg prosthesis.
Pare would have worked with armourers to make and develop
these replacement limbs.
You could use the Whiteboard Pen and Highlighter here
Questions
Image courtesy of the U.S. National Library of Medicine
Questions
Next Question
Image courtesy of the U.S. National Library of Medicine
Questions:
1) Note down the objects that have been placed within this picture.
Questions:
1) Note down the objects that have been placed within this picture.
2) Explain the significance of each of these objects in relation to the work of Ambroise Pare.
Saw Gun Books
Trephined Skull Drill
Jars on the shelf
Next Question
Image courtesy of the U.S. National Library of Medicine
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