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Arrfor 2 Guitars @ Derek Hasted 1998

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JHere is a super piece of music, the joy ofwhich doesn't only come from playing andlistening, but from studying the very cleverway that Bach could produce music againstthe most rigid constraints. Save paper too!Good old Bach!

This Crab Canon contains a lovely fugal theme, the accompaniment to whish is the same line played backwards.- Not a lot ofpeople are that skilled at tracking the page back to front, so I've wdtten it out agrin, ss ysu carrboth play from left to right.

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Anfor 2 Cntitars @ Derek Hasted 1998

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This is delightful piece. Although a duet, you can, of course, duplicate instruments on each part.

The most appealing part of this piece is that the second part is merely the tune displaced one bar to theright. Neither part is therefore "hardef' or "more importanf', and so it's an ideal ice-breaker for a newEnsemble group. lt's not a comptete "round", s no further replications cln be added. But the way inwhich the music extracts beautiful chord sequences from just two notes is nothing less than magical. Andso is the way that although every sequence appears first in the top part and then in the bottom, thechanging harmonies which accompany that sequence mean there is no hint of repetition or staleness.

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Mozart Ganon -P e3e2-(vo i , u t r " o )

This Canon for two violins fits perfectly on the guitar. The accompaniment issimply the tune played upside down.

Strictly, the music ought to have a clef at the both ends, but I think you canprobably do that yourself with a felt-tip pen.

More curious are the accidentals. No - you don't have to remember thatthey are after, rather than before, the note when the score is upside down.Instead, they affect the new note before which they appear. - Look atcomplete bar 10 - B, C, C# and D. When the page is inverted, the sharp isnow in front of a new note, and the accompaniment is G, A, A# and B.

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