list of illustrations - princeton university press...
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sculpture and reliefs
archaeological and temple sites
Binglingsi, Yongjing, Gansu province. Buddha from Cave 169, dated 420. Sculpture and wall painting. 123
Liu Sheng, tomb of, 2nd century bce. Mancheng, Hebei province. Censer in the Form of a Cosmic Mountain. Bronze with gold. Hebei Provincial Museum. 71
Longmen, Luoyang, Henan provincePlinth of circumambulating monks, Kanjing Si, early 7th century.
Limestone. 225Seated Buddha from Guyang Cave, ca. 500. Limestone. 223Seated Buddha with attendants, 680. View of the main wall in
Wanfodong. 157Vairocana Buddha, Fengxian Si, dated 675. Limestone. 153
Longxing Monastery, Northern Qi, 6th century. Qingzhou, Shandong province. Śākyamuni Buddha. Stone with traces of gilt and polychrome pigments. Qingzhou Municipal Museum, Shandong. 85
Loulan, Xinjiang province. Manuscript, early 4th century. Ink on paper. 27
Qinshihuangdi, tomb of. Xi’an, Shaanxi province. Qin dynasty, 3rd century bce. General. Terracotta. Museum of Terracotta Warriors and Horses. 125
Ruruta in the Austral Isles, Polynesia. The Fractal God, A’a, before 1821. Wood. The British Museum. 33
Tianlongshan, Taiyuan, Shanxi province. Buddha, 8th century. West niche of Cave 16. Stone. 159
Wanfo Si, Chengdu, Sichuan provinceBuddha, dated 529. Stone. Sichuan Provincial Museum. 145Buddha, dated 537. Stone. Sichuan Provincial Museum. 131
List of Illustrations
Illustrations are indexed according to three categories: Sculpture and Reliefs; Calligraphy; and Painting and Graphic Illustrations. These categories are further subdivided by Archaeological and Temple Sites and then by Artist.
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illustrations
Yonghouling, the mausoleum of the Song emperor Yingzong. Gong County, Henan province. Dragon-Bird, 11th century. Stone. 175, 227
Yungang, Datong, Shanxi provinceBuddha from Cave 6, ca. 480. Sandstone. 37, 85, 119Buddha from Cave 20, ca. early 460s. Sandstone. 125
museum collections
Amitabha and Attendants, dated 593. Cast bronze altarpiece. Museum of Fine Arts, Boston. 153
Amitabha, Lord of the Western Paradise, ca. 575–590. Marble. Royal Ontario Museum, Toronto. 37, 119
Apollo of Piombino, ca. 5th century bce. Bronze. Musée du Louvre. 113
Apollo of Tenea, ca. 560 bce. Marble. Glyptothek, Munich, Germany. 113
Bodhisattva, early 8th century. Limestone with traces of pigment and gesso. Freer Gallery of Art, Smithsonian Institution. 37, 119
Bodhisattva Maitreya, Kushan period, late 1st–first half of 2nd century. Mathura region, North India/Uttar Pradesh. Red sandstone. Musée Guimet. 121
Buddha, dated 338. Gilt bronze. Asian Art Museum, San Francisco. 125
Buddha, early Tang dynasty, ca. 620. Hollow dry lacquer with traces of gilt and polychrome pigments. The Metropolitan Museum of Art. 159
Kritios Boy (or the Kritios Ephebe), ca. 480 bce. Marble. Acropolis Museum, Athens. 113
Maitreya Buddha, dated 524. Gilt bronze altarpiece. The Metropolitan Museum of Art. 145
calligraphy
AnonymousAdmonitions of the Instructress to the Court Ladies, rubbing of, from the
Collection of Model Calligraphies from the Xihongtang (Xihongtang fashu). Marquand Library of Art and Archaeology, Princeton University. 75
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illustrations
Buddhist scripture, dated 510. Ink on paper. Shodō Hakubutsukan, Tokyo. 79
Cao Zhen, Stele of, 235–236. Stele excavated in 1947, Xi’an, Shaanxi province. Ink rubbing on paper. Palace Museum, Beijing. 23
Gu Lang, Stele of, 272. Ink rubbing of the stone stele once preserved in the Du Fu Shrine, Leiyang, Hunan province. 25
Seal, “Deputy Commander of Military Vehicles of the Capital City Rigeng,” 4th century bce. Ink impression of a bronze seal. 21
Seal script, “Hou Mu Xin,” the “round” style. Ink rubbing of inscription on a fanglei bronze vessel belonging to Queen Fu Hao, ca. 1300 bce. Institute of Archaeology, Beijing. 21
Seal script, the “square” style. Ink rubbing of inscription on a fanglei ritual bronze vessel, 14th–13th century bce. Shanghai Museum. 21
Shiping Gong, Record of a Statue Donated by, dated 498. Ink rubbing of a stele from Longmen. Palace Museum, Beijing. 31
Stone Classic in Three Scripts, ca. 240–248. Ink rubbing of a stone stele originally erected in Luoyang, Henan province. 23
Zhang Menglong, Epitaph for, dated 522. Ink rubbing on paper. Shodō Hakubutsukan, Tokyo. 31
Chu Suiliang (596–658). Preface to Sacred Teaching, dated 653. Ming dynasty ink rubbing on paper. Palace Museum, Beijing. 75
Gu Kaizhi (ca. 344–ca. 406), attributed to. Admonitions of the Instructress to the Court Ladies, early Tang tracing copy (?). Ink and color on silk. The British Museum. 77
Huang Tingjian (1045–1105). Biographies of Lian Po and Lin Xiangru, ca. 1095. Ink on paper. The Metropolitan Museum of Art. 47
Huang Xiang (active ca. 220–279), attributed to. Rubbing of Stele of Prognos-tication of Gods Issuing from Heaven, dated 276. Ink on paper. 25
Mi Fu (1052–1107)Letter about a Coral Tree, ca. 1100. Ink on paper. Palace Museum,
Beijing. 49Poem Written in a Boat on the Wu River, ca. 1100. Ink on paper.
The Metropolitan Museum of Art. 47, 49
The Qianlong emperor (r. 1736–1795), after. Titlepiece, ca. 1746, to the Admonitions of the Instructress to the Court Ladies. Ink on paper. The British Museum. 105
Shitao (Zhu Ruoji, 1641/2–1707). Letter to Bada Shanren, ca. 1699. Ink on paper. Princeton University Art Museum. 399
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illustrations
Wang Xizhi (ca. 303–ca. 361)Ritual to Pray for Good Harvest. Tang dynasty tracing copy. Ink on paper.
Princeton University Art Museum. 27Copy after. Ritual to Pray for Good Harvest. Rubbing from Model Calligraphy
from the Yuqing Studio, 1614. 33Attributed to. Three Passages of Calligraphy: Ping’an, Heru, Fengju,
7th-century tracing copy. Ink on paper. National Palace Museum, Taipei. 29
Xu Bing (b. 1955)Book from the Sky, 1987–1991. Ink on paper. Princeton University Art
Museum. 409Landscript, 2002. Ink on paper. Princeton University Art Museum. 413Square Words — Little Bo Peep. Ink on paper. Collection of the artist. 409
Yan Zhenqing (709–785). Stele of the Yan Family Temple, dated 779. Ink rubbing on paper. Shodō Hakubutsukan, Tokyo. 31
Zhang Daqian (1899–1983). Letter to Bada Shanren, forgery of Shitao, ca. 1920. Ink on paper. Former collection of Nagahara Oriharu. 391
Zhiyong (active late 6th–early 7th century). Thousand-Character Essay, late 6th–early 7th century. Ink on paper. Ogawa Collection, Kyoto. 77
painting and graphic illustrations
works from archaeological and temple sites
Binglingsi. Yongjing, Gansu province. Buddha and attendants. Cave 169, dated 420. Wall painting. 127
Dunhuang (Mogao Caves). Gansu province. View of the Mogao Caves, 1943–44. Photograph. The Lo Archive, Princeton, NJ. 111
Dunhuang (Mogao Caves). Gansu province.Cave 45: Bodhisattva, 8th century. Central niche on the west wall. 162Cave 57: Bodhisattva,“Explaining the Law,” early 7th century. South
wall. 163Cave 61: Mount Wutai, 10th century. West wall. 177Cave 97: Sixteen Luohans, Western Xia dynasty (XiXia), early 10th century.
Upper portion of the north wall. 171Cave 103: Vimalakirti, mid-8th century. East wall. 169Cave 217: Illustration of The Lotus Sutra, early 8th century. South wall. 164
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illustrations
Cave 220: Imperial Donor attending the debate between Manjusri and Vimalakirti, dated 642. East wall. 162
Cave 249: Running Bull, first half of the 6th century. North side of ceiling. 97, 135
Cave 249: Dancers and Musicians, first half of the 6th century. Upper portion of east section of the south wall. 138
Cave 254: Scene from the Siva Jataka, second half of the 5th–early 6th century. North wall. 127
Cave 257: Jataka of the Nine-colored Deer, second half of the 6th century. West wall. 149
Cave 272: Bodhisattva, second quarter of the 5th century. West wall niche. 137
Cave 275: Bodhisattva Maitreya, second quarter of the 5th century. 123Cave 275: Scene from the Siva Jataka, second quarter of the 5th century.
West end of the north wall. 127Cave 285: Overview. 133Cave 285: Buddha and Bodhisattvas, with inscription dated 539. North
wall. 91, 131Cave 285: Story of the Five Hundred Robbers. South wall. 133Cave 285: Vishnu, ca. 538–539. West wall. 95Cave 288: Demon Warrior, first half of the 6th century. Lower portion
of the west wall. 138Cave 288: Receding-and-Projecting Flowers, first half of the 6th century.
Ceiling. 139Cave 296: Architectural Settings, Northern Zhou dynasty (557–581). East
slope of the ceiling. 151Cave 321: Overall view of niche on the west wall, early 8th century. 161Cave 321: Buddhist Assemblage, early 8th century. Niche on the west
wall. 161Cave 427: Triad of Standing Buddha and Bodhisattvas, Sui dynasty
(581–619). 150Cave 428: Concave-and-Convex Flowers, third quarter of the 6th century.
Ceiling. 93Cave 428: Receding-and-Projecting Flowers, third quarter of the 6th century.
Ceiling. 139Cave 428: Bodhisattvas, third quarter of the 6th century. Ceiling outside
south-facing niche. 140Cave 428: Parinirvana, third quarter of the 6th century. West wall. 141Cave 428: Mahāsattva Jātaka, third quarter of the 6th century. North
side of east wall. 141, 149
Fan Cui, tomb of. Northern Qi, 6th century. Anyang, Henan province.Earthenware jar (pianhu) with carved decor. 87
Fuping county, Tang tomb in, 8th–9th century. Shaanxi province. Landscape screen mural. 205
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illustrations
Helingol, Inner Mongolia Autonomous Region. A Walled City, 2nd century. Wall painting. 147, 259
Jiuquan, tomb in, 4th century. Man and Buffalo. Painted brick. Gansu Provincial Museum, Lanzhou. 135
Lelang, P’yŏngyang, North Korea. Painted Basket with Scenes of Filial Piety, Eastern Han dynasty (25–220), early 2nd century. Lacquered panels over bamboo basket. Central History Museum, Democratic People’s Republic of Korea. 61, 115
Lou Rui, tomb of, dated 570. Taiyuan, Shanxi province. Horsemen. Wall painting. Shanxi Provincial Museum. 89
Qixia Si, Nanjing, Jiangsu province. Landscape, 10th century. Stone relief. 175
Shōsōin, Nara, Japan.Hawk and Ducks; Sitting Alone under a Mountain; Tiger Hunt, 8th century.
Painting on leather plectrum guards of a biwa. 41, 181Mirror back covered with silver plate, 7th century. 80
Sima Jinlong, tomb of, before 484. Datong, Shanxi province. Story of Ban Zhao. Lacquer screen. Shanxi Provincial Museum. 65
Tepantitla, Teotihuacan, Mexico. Tlalocan. Stucco and pigments. 39
Wang Chuzhi, tomb of, dating to 924. Quyang, Baoding, Hebei province. Landscape. North wall of anterior chamber. 205
Wanfo Si, Chengdu, Sichuan province.Amitabha Pure Land Paradise with secular landscape, first half of the
6th century. Reverse of Stele 2. Sandstone. Sichuan Provincial Museum. 155, 185, 275
Maitreya Paradise, first half of the 6th century. Reverse of Stele 1. Sandstone. Sichuan Provincial Museum. 155
Wu Liang Shrine, Eastern Han dynasty, ca. 2nd century. Ink rubbing on paper dating to before 1907. Princeton University Art Museum
Banquet Scene, Playing a Game of Liubo. 147Horse from the Battle at the Bridge. 67, 117
Yingchengzi, tomb at, 2nd–3rd century. Liaoning provinceWall painting. 115
Yu Hong, tomb of, 592. Sarcophagus. Stone. Shanxi Provincial Museum, Taiyuan. 87, 143
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illustrations
Zhangjiadashan tomb, 3rd century bce. Changsha, Hunan province. Woman with a Phoenix and a Dragon. Ink and color on silk. Hunan Provincial Museum. 63, 115
works by individual artists
AnonymousAutumn Mountains at Dusk, 11th century (?), formerly attributed to Guan
Tong (active ca. 907–923). Ink on silk. National Palace Museum, Taipei. 361
Bizangquan, Landscape Illustrations and Fragmentary Text, 1108. Detail. Woodblock printed handscroll; ink on paper. Harvard Art Museums/Arthur M. Sackler Museum. 209
Buddha, mid-10th century. Stencil, ink on paper. The British Museum. 253Chess Party in the Mountains, ca. 940–985. Ink and color on silk. Liaoning
Provincial Museum. 207Life of the Buddha, 9th century. Ink and color on silk. The British
Museum. 173Lizong, Song emperor, Portrait of. Ink and color on silk. National Palace
Museum, Taipei. 293Rivers and Mountains after Snow, ca. 1100 (?), formerly attributed to Wang
Wei (701–761). Ink on silk. Ogawa Collection, Kyoto. 349Seeking the Dao in Autumn Mountains, 14th century (?), formerly attributed
to Juran (active ca. 960–995). Ink on silk. National Palace Museum, Taipei. 363
Snow Scene, ca. 1100 (?), formerly attributed to Juran (active ca. 960–995). Ink on silk. National Palace Museum, Taipei. 337
Chen Lian (ca. 1590s–ca. 1640s)Landscape after Fan Kuan’s Travelers among Streams and Mountains, leaf 2
from the album To See Large within Small, after 1627. National Palace Museum, Taipei. 339
Landscape after Juran’s Landscape after Juran’s Snow Scene, leaf 5 from the album To See Large within Small, after 1627. National Palace Museum, Taipei. 339
Landscape Dedicated to Wang Shimin, dated 1624. Ink on paper. Palace Museum, Beijing. 343
Chen Hongshou (1598–1652). A Morning Drink from Sixteen Views of Living in Seclusion, dated 1651. Ink and color on paper. National Palace Museum, Taipei. 103
Dong Qichang (1555–1636)In the Shade of Summer Trees, ca. 1635. Ink on paper. National Palace
Museum, Taipei. 52
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illustrations
Landscape in the Manner of Ni Zan, dated 1634. Ink on paper. Private collection, New York. 335
Landscape in the Style of Dong Yuan, from the album Landscapes, 1630. Ink on paper. The Metropolitan Museum of Art. 333
Landscape in the Style of Ni Zan, from the album Landscapes, 1630. Ink on paper. The Metropolitan Museum of Art. 333
The Qingbian Mountains, dated 1617. Ink on paper. The Cleveland Museum of Art. 317, 331
River and Mountains on a Clear Autumn Day, ca. 1624–27. Ink on paper. The Cleveland Museum of Art. 314–5, 327
Dong Yuan (active 930s–960s)Wintry Groves and Layered Banks. Ink and color on silk. Kurokawa
Institute of Ancient Cultures, Nishinomiya, Japan. 195, 213, 304, 325, 329
Attributed to. Riverbank. Ink and color on silk. The Metropolitan Museum of Art. 194, 197, 211, 302
Fan Kuan (ca. 960–ca. 1030). Travelers among Streams and Mountains, ca. 1000. Ink and color on silk. National Palace Museum, Taipei. 183, 193, 273, 337, 345
Gu Kaizhi (ca. 344–ca. 406), attributed to. Admonitions of the Instructress to the Court Ladies, early Tang tracing copy (?). Ink and color on silk. The British Museum. 35, 59, 63, 65, 69, 73, 77, 83, 129
Guanxiu (832–912), attributed to. Sixteen Luohans, 10th century. Ink and color on silk. Imperial Household Museum, Tokyo. 171, 221, 227, 229, 231, 235, 237, 241
Guo Xi (ca. 1000–ca. 1090). Early Spring, dated 1072. Ink and color on silk. National Palace Museum, Taipei. 43, 187, 277
Han Gan (active ca. 742–ca. 756). Night-Shining White. Ink on paper. The Metropolitan Museum of Art. 167
Huang Gongwang (1269–1354). Dwelling in the Fuchun Mountains, dated 1350. Ink on paper. National Palace Museum, Taipei. 305, 327
Emperor Huizong (r. 1101–1125)Finches and Bamboo. Ink and color on silk. The Metropolitan Museum
of Art. 188, 281Crows in Willows. Ink on paper. Shanghai Museum. 189, 281
Li of Shucheng (active ca. 1170). Dream Journey through the Xiao and Xiang Rivers, ca. 1170. Ink on paper. Tokyo National Museum, Japan. 198–99
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illustrations
Li Gonglin (ca. 1041–1106). Classic of Filial Piety, ca. 1085. Detail of Chapter 15, “Remonstration.” Ink on silk. The Metropolitan Museum of Art. 99
Li Ruiqi (ca. 1870–ca. 1940). Copy of Shitao’s Portrait of Tao Yuanming. Ink on paper. Princeton University Art Museum. 397
Li Tang (ca. 1070s–ca. 1150s). Wind in Pines among Myriad Valleys, 1124. Ink and color on silk. National Palace Museum, Taipei. 191, 193, 279
Li Yaofu (active ca. 1300). Bodhidharma Crossing the Yangzi River on a Reed, before 1317. Ink on paper. The Metropolitan Museum of Art. 247
Liang Kai (active first half of the 13th century). Śākyamuni Descending the Mountain after Asceticism, ca. 1204. Ink and color on silk. Tokyo National Museum. 257
Lin Tinggui (active late 12th century). Paintings from Five Hundred Luohans, a set of 100 paintings, ca. 1178–1188, with Zhou Jichang. Ink and color on silk. Freer Gallery of Art, Smithsonian Institution; Kyoto National Museum; and the Museum of Fine Arts, Boston. 255, 261
Liu Dan (b. 1953)Ink Handscroll, 1990. Ink on paper. San Diego Museum of Art. 420–21Preparatory Drawing for “Dictionary,” ca. 1991. Ink and color on paper.
Collection of Debbie and Marcus Flacks. 417Ten Differentiated Views of The Honorable Old Man, 2010. Installation with
nine hanging scrolls, handscroll, scholar’s rock. Paintings, collection of the artist; scholar’s rock, Museum of Fine Arts, Boston. 419
Wang River Villa, 2000. Ink on paper. Collection of Robert Rosenkranz and Alexandra Munroe. 415
Lu Xinzhong (active late 12th–early 13th century). Sixteen Luohans, late 12th century. Set of sixteen hanging scrolls, ink, color, and gold on silk. Museum of Fine Arts, Boston. 229, 231, 233, 235, 237, 239, 241, 243, 285
Ma Lin (ca. 1180–after 1256)Fragrant Spring, Clearing after Rain. Ink and color on silk. National Palace
Museum, Taipei. 290Layers of Icy Silk, 1216. Ink, color, and gold on silk. Palace Museum,
Beijing. 287Listening to the Wind in the Pines, datable to 1246. Ink and color on silk.
National Palace Museum, Taipei. 297Orchids. Ink and color on silk. The Metropolitan Museum of Art. 295Portrait of King Tang of Shang, ca. 1246. Ink and color on silk. National
Palace Museum, Taipei. 293
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illustrations
Scholar Reclining and Watching Rising Clouds. Ink on silk. The Cleveland Museum of Art. 299
Waiting for Guests by Candlelight. Ink and color on silk. National Palace Museum, Taipei. 291
Ma Yuan (active ca. 1190–1225)Apricot Blossoms. Ink and color on silk. National Palace Museum,
Taipei. 289Chan Monk Dongshan Wading across a Stream. Ink and color on silk.
Tokyo National Museum. 267On a Mountain Path in Spring. Ink and color on silk. National Palace
Museum, Taipei. 283Scholar Viewing a Waterfall. Ink and color on silk. The Metropolitan
Museum of Art. 265
The Qianlong emperor (r. 1736–1795). Orchid, 18th century. Painting on one of the border panels of Admonitions of the Instructress to the Court Ladies. Ink on silk. The British Museum. 107
Qian Xuan (ca. 1235–before 1307)Dwelling in the Floating Jade Mountains. Ink and color on paper.
Shanghai Museum. 303Wang Xizhi Watching Geese, ca. 1295. Ink and color on paper.
The Metropolitan Museum of Art. 269
Shangguan Zhou (1665–ca. 1750). Portrait of Gu Kaizhi from Wanxiaotang Huazhuan, 1743. Woodblock print. 103
Shitao (Zhu Ruoji, 1641/2–1707)Man in the Mountain. Leaf from an album of twelve leaves, late 1690s.
Ink and color on paper. The C. C. Wang Family collection, New York. 55, 381
Portrait of Tao Yuanming, from Album of Flowers and Figures, ca. 1695. Ink on paper. Princeton University Art Museum. 397
Returning Home, ca. 1695. Album of twelve leaves. Ink and color on paper. The Metropolitan Museum of Art. 53
Secluded Dwelling by a Mountain Chasm, from the album Landscapes and Flowers, dated 1682–83. Ink on paper. Location unknown, formerly Zhang Daqian Collection. 379
The Sixteen Luohans, dated 1667. Ink on paper. The Metropolitan Museum of Art. 373, 375, 403
(And unidentified portraitist?). Master Shi Planting Pine Trees, dated 1674. Ink and color on paper. National Palace Museum. 405
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illustrations
Wang Hui (1632–1717)The Colors of Mount Taihang, dated 1669. Ink and color on silk. The
Metropolitan Museum of Art. 358–59In Pursuit of Antiquity: Landscapes after Song and Yuan Masters, dated
1673. Album of twelve leaves. Ink on paper; ink and color on paper. Princeton University Art Museum. 364–69
The Kangxi Emperor’s Southern Inspection Tour, Scroll Three: Ji’nan to Mount Tai, datable to 1698. Ink and color on silk. The Metropolitan Museum of Art. 321
Landscape after Fan Kuan’s Travelers among Streams and Mountains, ca. 1671. Ink and color on silk. National Palace Museum, Taipei. 363
Landscape in the Style of Huang Gongwang, dated 1660. Ink on paper. Princeton University Art Museum. 355
Landscape in the Style of Juran, dated 1664. Ink on paper. Princeton University Art Museum. 357
Landscape in the Style of Wu Zhen, dated 1675. Ink on paper. Princeton University Art Museum. 371
Mist Floating on a Distant Peak, in Imitation of Juran, after 1672. Ink on silk. Princeton University Art Museum. 361
Snow Clearing: Landscape after Li Cheng, dated 1669. Ink and color on paper. The Metropolitan Museum of Art. 357
To See Large within Small, dated 1672. Album of twenty-three leaves. Ink and color on paper or silk. Shanghai Museum. 353
Wang Jian (1598–1677)Landscape after Fan Kuan’s Travelers among Streams and Mountains,
dated 1670. Ink and color on silk. Shanghai Museum. 347Landscape after Juran’s Snow Scene, dated 1670. Ink and color on silk.
Shanghai Museum. 347Landscape after Zhao Mengfu’s Mind Landscape of Xie Youyu, ca. 1670s.
Ink and color on paper. Private collection, New York. 351
Wang Meng (ca. 1308–1385).Dwelling in the Qingbian Mountains, dated 1366. Ink on paper. Shanghai
Museum. 313, 331Dwelling in Seclusion in the Summer Mountains, 1354. Ink and color on silk.
Freer Gallery of Art, Smithsonian Institution. 311Reading in Spring Mountains, 1365. Ink and color on paper. Shanghai
Museum. 313
Wang Shimin (1592–1680). Landscape after Huang Gongwang, dated 1666. Ink on paper. The Metropolitan Museum of Art. 341
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illustrations
Wang Wei (701–761), after. Wang River Villa. Ink rubbing on paper. Princeton University Art Museum. 165
Wei Xian (active ca. 960–975). The Lofty Scholar Liang Boluan, ca. 970. Ink and color on silk. Palace Museum, Beijing. 207
Wu Bin (active ca. 1583–1626). The Sixteen Luohans, dated 1591. Ink and color on paper. The Metropolitan Museum of Art. 377
Wu Zhen (1280–1354)Autumn Mountains, 1330s. Ink on silk. National Palace Museum, Taipei.
307Central Mountain, dated 1336. Ink on paper. National Palace Museum,
Taipei. 309Wintry Geese amid Reedy Banks, 1330s. Ink on silk. Palace Museum,
Beijing. 307
Xia Gui (active ca. 1195–ca. 1230). Streams and Mountains, Pure and Remote. Ink on paper. National Palace Museum, Taipei. 283
Yan Liben (ca. 600–673), attributed to. Emperor Wu of the Late Zhou Dynasty from the Thirteen Emperors scroll. Ink and color on silk. Museum of Fine Arts, Boston. 163
Zhang Daqian (1899–1983)Shitao’s Thatched Hut of Great Cleanliness, forgery of Bada Shanren
(colophon dated 1698). Ink and color on paper. Former collection of Nagahara Oriharu. 389
Splashed-Color Landscape, 1965. Ink and color on paper. The Metropolitan Museum of Art. 406–7
View from Tall Peaks of Luofu from the album Shitao Landscapes, forgery of Shitao, probably executed ca. 1920. Ink and color on paper. Princeton University Art Museum. 385
Attributed to. Through Ancient Eyes, after Shitao, ca. 1920–22. Ink and colors on paper. The Metropolitan Museum of Art. 387
Zhang Hong (1577–ca. 1652). Mount Qixia, dated 1634. Ink and color on paper. National Palace Museum, Taipei. 323
Zhao Gan (active ca. 961–975). First Snow along the River, 10th century. Ink and color on silk. National Palace Museum, Taipei. 198–99, 213
Zhao Mengfu (1254–1322)Autumn Colors on the Qiao and Hua Mountains, dated 1296. Ink and color
on paper. National Palace Museum, Taipei. 202–3, 269, 305, 329
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illustrations
Elegant Rocks and Sparse Trees, ca. 1300. Ink on paper. Palace Museum, Beijing. 45, 301
The Mind Landscape of Xie Youyu, ca. 1287. Ink and color on silk. Princeton University Art Museum. 101, 349
Twin Pines, Level Distance, ca. 1310. Ink on paper. The Metropolitan Museum of Art. 51, 301
Water Village, dated 1302. Ink on paper. Palace Museum, Beijing. 202–3
Zhou Jichang (active ca. 1178–1188). Paintings from Five Hundred Luohans, a set of 100 paintings, ca. 1178–1188, with Lin Tinggui. Ink and color on silk. Daitokuji, Kyoto; Freer Gallery of Art, Smithsonian Institution; and the Museum of Fine Arts, Boston. 219, 245, 247, 249, 251, 257, 263, 267
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