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20050410_ethnoworld3completebooklet15.qxp 03.06.2005 11:48 Seite 2

Welcome to the Kompakt-Instrument Ethno World 3 Complete by Marcel Barsotti

INTRODUCTIONMarcel Barsottis Ethno World 3 Complete is one of thebiggest ethno libraries and contains 30 new rare ethnicinstruments plus the complete content of Ethno World1 and Ethno World 2. A total sum of about 170 instru-ments. This collection sets new standards in soundquality and in the technical playing styles of ethnicinstruments. Within more than 5 Gigabytes of samplematerial, you will find instrument sounds in a variety ofplaying styles, loops in different tempi, licks and anenormous selection of special effects.

EthnoWorld 3 Complete has amazing sound quality.Many renowned and famous instrumental artists fromall over the world have added their talent and skills tocreate this library. Great care has been exercised totransmit the sound of the instruments as naturally aspossible.

Ethno World 3 Complete - one of the world´s largestcollections of ethnic instruments from: Africa, Ameri-ca, Asia, Australia, Bali, Bengal, Bhutan, Brasil, Burma,Ceylon, China, Cuba, Egypt, Europe, Germany, LaGomera, Greece, Guinea & Mali, Hawaii, Himalaya,India, Indonesia, Iran, Ireland, Italy, Japan, Kenja,Korea, Lombok, Mexico, Mongolia, Morocco, Nepal,Nigeria, Persia, Peru, Russia, Senegal, Slowakia, SouthAfrica, South America, Spain, Lanzarote, Sri Lanka,Taiwan, Tansania, Thailand, Tibet, Tunesia, Turkey, USAand Vietnam.

ABOUT THE PRODUCERSEthno World´s producers are

Marcel Barsotti and Andreas Hofner. Living in Munich, Marcel Barsotti has for many yearsbeen composing film scores. He wrote the music formore than 40 films including "The Miracle of Bern -Das Wunder von Bern" (Soenke Wortmann), „KebabConnection“, "The Poet" (Paul Hills), "Sirga" (Luc Bes-son production), "Dolphins", "Green Desert" and"Always and Always". He was nominated for the Ger-man Television Award in 2004. Among many CDreleases and music for commercials, he released hisfirst CD-ROM library Ethno World in 1999. This productbecame one of the best selling ethnic CD-ROM libra-ries world wide.

Andreas Hofner is renowned as a composer of manyradio jingles and film scores for feature films and docu-mentaries. He now works as a professional producerand is an excellent musician in his own right.

THE SOUND CONCEPTThe library contains more than 5 Gigabytes of ethnicinstruments. Almost all instruments were recorded instereo with different velocities. For sound reasons (nopun intended...), several flutes were sampled in mono.Very often flutes do sound smoother and richer inmono. All instruments have been recorded with thefinest state-of-the-art tube technology and thenmastered with professional high quality plug-ins. Greatcare has been exercised to transmit the authenticity ofthe instruments. This has sometimes meant that origi-nal tunes are sampled with some unavoidable soundsand noises. The reference tuning is set at 440 Hz.

Fabian RoemerRaoul Alvarellos

Xizhi Nie

Andreas Hofner

Marcel Barsotti - Producer

CreditsProduced by Marcel Barsotti and Andreas Hofner. Photos by BAM Music. Recorded and mastered at BAM Music & Artman Music. Design & graphic realisation by Marcel Barsotti & pro-arte Richard Aicher© 2005 best service. All rights reserved.

Musicians: Marcel BarsottiAndreas Hofner Stringed instruments, drums & percussion,

flutes and key instrumentsXizhi Nie Erhu, Gaohu, Jinghu, Bawu, Sheng, Hulusi, MelodicaEnrique Ugarte Accordion, ShenaiRaoul Alvarellos Shiva flute, Tenor RecorderPepe Rochas Kena, Mocéno BassfluteFabian Roemer Moorin Khur, Egyptian violinDavid Junior World percussion and drumsAndreas Zoellner Rag Dun horns, Hawaiian Shell hornWolfgang Lohmeier Drums, Percussion, Monochord on EW3Andreas Weidinger Flutes on EW1Tom Hake Overtone Whistles and Uilleann Pipes on EW3Seref Dalyanoglu Saz, Oud, Cümbüs & Tanbur on EW3Claus Gstatter Western Fiddle on EW3Wolfgang Kotzowilis Drums on EW1

Special thanks to:Klaus Kandler, Gundi, Regina, Roland, Richard, the Music Shop crew, Andi, Christof and all the great musicians!

Tom Hake

Seref Dalyanoglu

Wolfgang Lohmeier

HOW TO USE THE INSTRUMENTSThe Virtual Instrument "Ethno World 3 Complete" isavailable for Mac and PC/Win and includes a specialversion of Native Instrument´s KOMPAKT Sampler. Youcan use the instruments like in a "normal" orchestra,that´s why there are different groups like bell typeinstruments, bowed instruments, construction sets,gongs and bowls, key instruments, metal type instru-ments, stringed instruments, woodwind and brass,world drums and world percussion. The instruments dosound extremely dynamic and natural. You will hear theswish of vibrating strings and in addition there is aneffects bank that lets you combine the specific noisesof an instrument with the basic instrument sound.

In the main program many instruments are equippedwith dimension keys. Via keys they let you select thedifferent playing styles of the instrument. Some of theinstruments (e.g. the Erhu) are programmed with up to11 dimension keys and playing styles. For a certaininstrument, the dimension keys let you change theplaying styles like piano/forte, marcato, pizzicato, tre-molo, glissandi, slides, mordent, trills and many more.Given precise programming, one can no longer diffe-rentiate the Ethno World Volume 2 instruments fromthe "real" instruments.

In addition there is a lot of different loops, licks andeffects in tempi from 60 to 140 bpm. Ethno World 3Complete can be used in many different styles like folk,mainstream, film scores, avantgarde, ethno music andpop/rock music.

ABBREVIATIONS:CH ChordsDT Double ToneESP EspressivoF ForteFG FingerstyleFX EffectGL GlissandoLK LickLP Looped ProgramsMT MarcatoNV Non VibratoORIG Original TuneP PianoPL played with PlectrumPLF Plectrum FortePLP Plectrum PianoPS Playing StylesPT Pitched VersionPZ PizzicatoS SoloSD Slide DownSL SlidesSP SlapsSTAC StaccatoSTF Staccato ForteSTK played with SticksSTP Staccato PianoSU Slide upTR TremoloTRL TrillV Version/VibratoVB VibratoVF Vibrato ForteVP Vibrato Piano

Enrique Ugarte

David Junior


Shanghai Baby Piano (China)

Here are some veryunusual instruments fromaround the world. Theyall have varying dyna-mics, playing styles,loops and pitched pro-

grammes. In the pitchedversion some of theinstruments sound likelarge Tibetan bowls,gongs or church bells.

The Saron is a Gamelan

Glockenspiel from Lom-bok (1 octave).

The Kalimbas (Africanplucked instruments,here with 5 and 15 smallmetal rods) have pro-

grammes in the originaltuning and in the Europe-an half tone tuning.

A selection of ethnic bellinstruments is availableas well as Tibetan sin-

ging bells, which areplayed with a rubber-coated stick.

There are temple cym-bals from China andTibet and bells fromBurma.

You will find Europeaninstruments, such as aMetallophone, a chroma-tic 2 octave Glocken-spiel, and small tubularbells.

These too have varyingdynamics. A few moreunusual instruments arethe Shanghai baby piano(its little wooden clappersfall onto longer metalrods), a bamboo vibra-

phone with syntheticallyproduced tremolo and aGamelan crashbell,where four firmly fixedcymbals are hit by twocymbals.

BELL & METAL TYPE INSTRUMENTS

Tibetan Singing Bells (Nepal)

Kalimba Kibirizi, Tuning Plates (Kenja)

Belltre + Fingercymbals (Iran) + Windbells

1) Gamelan Crash Bells (Lombok). 2) Saron (Gamelan Glockenspiel/Lombok),3) Gamelan Wood Cowbell (Indonesia)

1) Metallophon (Germany). 2) Chromatic Glockenspiel (Germany), 3) Small Bamboo Vibraphon (Synth.Tremolo)

Tibetan Temple Cymbals (Nepal)

1) Small Tubular Bells (Asia). 2) Chi Gong Balls (China)3) Hand Cymbals (Europe), Headless Tambourine (Germ.),

Big African Rice Shaker (Kenja), Drum Pots (Europe)4) Traditional Cowbells 1 (Europe), Castanets (Spain)

2

Hugh Tracey Kalimba (South Afrika)

Gamelan Crash Bells (Lombok)


From the instrumentfamily of the Gongsthere are instrumentslike the Wuhan TamTam from China, theJava Gong with a dia-meter of 80 Centimeters(approx. 31 inches) andthe Tam Tam Besarfrom Indonesia.

There is also a largecollection of SingingBowls at your dispo-sal: Big Rako Bowls,Big Tibetan SingingBowls from Tibet andRin Bowls from Japanin different playing sty-les and sizes.

From Indonesia is theGong Besar with adeep curve at theback, and the Dream-catchers, very muchlike windchimes.

In China the Erhu,Gaohu and Jinghu(Chinese opera violin)are traditional bowedinstruments.

The Erhu is a two-string violin tuned infifths. It has no fretsand no fingerboard andis being played with afixed bow stick.

The Gaohu is a higherpitch sounding Erhuand the little Jinghu isa Chinese soprano vio-lin which is used in Bei-jing opera music.

The Morin Khuur isalso called the Mongoli-an horse head violin. Itoriginates from Mongo-lia and is very similar toour cello. This lowsounding violin has twostrings made fromhorse hair, again it hasno frets and no finger-board.

The Fiddle is a bowedinstrument very similarto the Violin. The Fiddleis different from theclassical Violin in theway it is played and inthe musical style play-ed on this instrument.

BOWED INSTRUMENTSGONGS & BOWLS

Big Tibetan Singing Bowls

Big Rako Bowls

Tam Tam Besar & Wuhan Tam Tam & Java Gong

Gong Besar 18" (Indonesia)

Rin Bowls

1) Small Erhu Plectrum Violin (China. 2) Erhu Plectrum Violin (China). 3)Ceylon Guitar (Ceylon)

Jinghu Opera Violin

Erhu & Gaohu

Egyptian Fiddle


Stringed instrumentshave been recorded inwhole and half tonesteps and consist of twostereo layers, tapering upto 15 seconds. The bassneck of the contra guitarwas recorded pluckedand also played with aplectrum. The Chinese Erhu violin(2 strings) was playedwith a plectrum and isplayed in two differentways: on the left half ofthe keyboard (E1 to C3)you can hear the firststring with varying dyna-mics, from C1 to D1 thedrone can be played; onthe right half of the key-board (D3 to A4) you canplay the melody line onthe second string. The Small Erhu plec-trum violin and the Cey-lonese guitar (2 stringswith fingerboard) behavesimilarly, but they wouldbe used better for anArabian style. The Kantele (developedfrom the dulcimer) has 15strings, and it has an Ftuning. It is played byplucking or tapping withsticks (this goes for thesmall Kantele too). There is also a banjo anda Truxa mandolin, whichcan be used for EastAsian, European andArabian styles. Finally there is a six-stringed steel guitarwith slide notes.The Zheng Harp (Chine-se curved base Zither)

is similar to the JapaneseKoto. It is a harp with asize of approx. 2 Meters(6 ft.) and its 21 stringsare tuned diatonically.The Zheng´s specificvibrato is produced withthe left hand close to thebridge. The Bouzouki fromGreece is a four voiceguitar which is wellknown for its tremolo.The Zsoura is a smallthree voice Bouzoukiwhich is very well suitedas a solo instrumentbecause of its higherpitch. The Sitar and the Tam-pura are the mostfamous stringed instru-ments from India. Thestandard Sitar has 7main strings and 11 free-ly vibrating drone-stringsfor harmonics. The Tam-pura, used as an accom-panying instrument forRaga singing or togetherwith Sitar, consists of 5strings without a finger-board. It is played with aglissando chord andtuned to key note andfifth (fourth). The Dra-Ngen is a 7string kerb lute with mat-ching half octave stringoriginating from Bhutan. The Oud originallycomes from the Persiangeographical area and isa short neck lute with upto 6 voices. Due to itsfretless fingerboard it canbe played in micro inter-vals.

The Balalaika and theDomra both are fromRussia. The Balalaika istuned in E-E-A and ismostly played with a tre-molo. The accompani-ment, the Domra, origi-nally comes from Mon-golia. It is a small pluk-ked guitar tuned infifths. It is built in severaldifferent versions.The Timple is the tradi-tional 5 string guitar fromLanzarote. It shows simi-larities with the Ukulele. The Ukulele fromHawaii is a small 4string guitar tuned to A-D-F#-B (featured hereas a soprano version). The Banjolin, since1885 also known as theBanjo Mandolin, is a 4voice mandolin tuned toG-D-A-E. It is playedwith a banjo corpus. The 72 string Santoor isa 4 voice zither from Per-sia and it is played withtwo hammers over atonal range of 3 octa-ves. The Cora , a stringedinstrument from WestAfrica, depending on itsversion, features 8 to 16strings that can be tunedover a bridge. Without afingerboard, the stringsare fixed and are pluk-ked with several fingers. The Vester Acoustic-bass with its 4 strings istuned to E-A-D-G. A Resonator Guitarmade by Continentalfrom Germany is a tinguitar which is brought

to resonance with the"cone". Its sound isslightly t inny andaggressive. The instru-ment often is playedwith the slide technique.The Tanbur , a long-neck lute from theMiddle East, is playedwith a pick (plectrum)just like a Mandolin.

The Saz or Baglama isa Turkish long-neck lutewith seven strings andfrets. Despite its shapewhich is similar to theGreek Bouzouki, it is dif-ferent in construction,size and sound. The Sazis the most popularstring instrument in Tur-key. The word "Saz" ori-ginates in the Persianlanguage and simplymeans "musical instru-ment". It is the traditio-nal accompanyinginstrument of the bardswho are called Asik inAnatolia and the Cauca-sian regionand is playedin an open tuning."Slaps" is a further play-ing style available here.

Monochord - Thesound bench on thisrecording is being usedin the areas of relaxationand wellness, birth pre-paration, in kindergar-dens and schools. The50 strings running overtwo well rounded fretsfound their way from theCembalo makers intothis instrument; theyguarantee a very warm,pleasant and deepsound with rich harmo-nics.

STRINGED INSTRUMENTS

Dra-Ngen & Morin Khuur

Tanbur & Oud Sitar & Tampura

1) Banjo Framus, 2) Saz Seven Strings

1) Mandolin Truxa. 2) Steel String Guitar Falcon 3) Contra Guitar F - Bass, 4) Saz Seven Strings . 5) Banjo Framus

5

1) Kantele. 2) Small Kantele

Cora Ukulele & Banjolin

Santoor Saberi Bouzouki & Zsoura Zheng Harp Vester Acousticbass Timple & Domra Grand Monochord


All the woodwind instrumentshave tapered notes, somewith and some without vibra-to. The following instrumentsare included: an Indian and aCeylonese snake charmerand a double neck recordermade from a pumpkin, whichalways plays two notes atonce like a bagpipe.

There is, however, a program-me that lets you play on justone recorder neck at a time.With its loop version you canimitate Irish pipes.

There is a big bamboo flutefrom Indonesia for warmsounds and for a strong eth-nic flute character, a Mexicanpiccolo, an Irish aluminiumlow whistle in D, a Susatotin whistle from the USA, aclay ocarina from Peru, aDagoba (temple) flute fromSri Lanka and an alto recor-der in F.

In addition, there is a goodselection of flute phrasesand effects for the musicalregions of East Asia andSouth America.

The Bawu is a smooth andmellow sounding Chinesebamboo flute with 5 holes. Itssound is produced by a cop-per reed.

The Sheng, also known asmouth organ, comes fromChina as well, and its soundis similar to a blow organ. The

sound is produced by 30bamboo tubes with valves.The Sheng covers a tonalrange of approx. 3 octaves.

The Chinese Hulusi is a 6hole double tube flute with abamboo body in the shape ofa pumpkin. Its sound is warmand clear.

The Kena and the MocenoBassflute both are SouthAmerican kerb flutes fromBolivia. Their characteristical-ly powerful and airy sound isa bit similar to the Shakuha-chi.

The Peruvian Ocarinas aremade from clay and are, astheir name implies, from Peru.

The Shiva Flute is played byIndian preachers. This brassflute has a very transparentand high pitch sound.

The Slovakian Fujara - likemany flutes an instrument ofthe cattle drovers - is madefrom elder. After removing thesoft pulp, the two elder tubes(one up to 170 cm/67 incheslong, the other significantlyshorter) are attached to eachother. The long tube is fittedwith a labium and three gri-pholes, the shorter tube getsa mouthpiece which is usedto blow the flute.

The European Tenor Recor-der starts at C minor andbelongs to the instrumentfamily of recorders.

WOODWIND AND BRASS

Chinese Bawu

ShengRag Dun Horn

Mexican Piccolo Flute

1) Bamboo Flute (Indonesia) 2) Irish Low Whistle (Ireland) 3) Recorder Alto F (Germany) 4) Dagoba Flute (Sri Lanka)

5) Susato Tin Whistle D (USA)

Uilleann Pipes Irish & Overton Whistles

Dung Dkar Conch Trumpet & Bhutan Bells

The Hawaiian Shellhorn is ashell-l ike horn flute fromHawaii.

The Rag Dun Horn is oftenplayed at ceremonies. Itcomes from the Himalayasand shows similarities withthe European Alphorn, but itsounds much louder andmore metallic than its Euro-pean counterpart. There areRag Dun Horn versions of upto 3 Meters (approx. 9 ft.)length.

The Dung Dkar ConchTrumpet from the Himalayasis a shell-like trumpet withrich ornamentation.

The Indian Shenai is a doublereed flute and it is very similarto the Schalmei from Moroc-co. It starts at G# and soundsvery loud and harsh.

The Zukra Bagpipe, a Tunisi-an bagpipe, is a double reedflute with a kid-leather body.By powerfully blowing intothe instrument it works like abagpipe.

Overton Whistles are hand-made Irish aluminium whistles.Three whistles are combinedto one instrument to achieve agreater range.

The Tin Whistle developedfrom the Fipple Flute, whichgot its name from its mouth-piece (fipple). It directs a nar-row air stream to a sharp edge.

Uillean Pipes is the name forthe Irish bagpipe. Uillean isthe gaelic word for elbow.The name came from the factthat the Uillean Pipes getsupplied with air not with themouth, but by a bellow whichis compressed with theelbow.

The Cümbüs is a Turkishlong-neck lute with a circularmetal bowl resonator coveredwith a screw-tensioned hidesoundtable. It resembles aBanjo, only with a deeperbowl resonator and a widerunfretted neck; its sound isdeeper. It has six doublecourses (pairs) of metalstrings attached to metalmachine tuning heads. It istuned (and played) with a quillor a plectrum, like the oud.

The Pan Flute - named afterPan, god of the sheperds. Thesound of this instrument origi-nates from an airstream whichis directed to a sharp edgethat cuts this airstream (on itscutting edge). All over theworld Pan Flutes developed indifferent cultures more than6000 years ago. Today thevery airy sounding Pan Flutesfrom South America arefamous, especially the onesfrom the Andes with theirtubes aligned in one row.

Pan Flute

Zukra Bagpipe

Chinese Bawu

Indian Snake Charmer

Chinese Hulusi

1

2

3

4

5


WORLD

Surdo Tunis Ceremony Drum & Tunis Tamburin & Bendir

Water Drums

Kanjira

Bass Cajon

Pitched Timbales (Taiwan) Military Snaredrum (USA)

Madal Drum (Ceylon/Nepal)Big African Donn Donn Drum (Tansania)

Derbuka & Small Derbuka & Iran Bongos 1) Talking Drum. 2) Dolek 3) Fujara Flute

Flat Udo Indian Tablas (India)

Moroccon Conga & Djembe & Cuica

All drums have two dynamics oneach key of one programme.There are programes for playingtechniques and pitched pro-grammes and different loop andbeat versions. Many program-mes contain single samples inadditon to playing styles to imi-tate a phrase realistically, i.e. themilitary snare or the Darabuka.

The African Donn Donn is a tindrum with a cow hide skin and isespecially recommended for Afri-can and Indian grooves.

The Madal drum originallycomes from Nepal. It has diffe-rent sized drum skins on eachside and can be tuned with woo-den keys on interlaced skins.

From Bali comes the ceremonialdrum. Iranian bongos are very smalland made from solid wood. Theirsound is loud and high pitchedand they are played with sticks.

For typical ethnic grooves thereis a metal Darabuka from Tur-key, not to be mistaken for Der-bukas, which are from Moroccoand have a clay body (generallyhigher pitched).

The Small Cassa has a very lowand mighty sound, well suited toproduce big drum grooves of allstyles. There is also the bighand drum for all playing styles,a tambourine drum and aheadless tambourine with rollsand crescendi, brass tablasfrom India, low pitched timbalesand grooves, etc.

The Bendir from Tunisia is simi-lar to the Irish Bodhran. Its cha-

racteristic sound is produced bytwo cords inside the drum.

Also from Tunisia are the TunisCeremony Drum and the TunisTamburin.

The Gopichand is a pluckeddrum from Bengal. It is made oftwo longitudinal wooden sticksand a body which changes itspitch whenever an internal stringis being compressed.

The Balafon and the AfricanXylophone both are from Sene-gal, they are the counterpart tothe European Xylophone. TheBalafon exists in versions of dif-ferent size. The resonance of thesound boards is transmitted overpumpkins cut in half.

The Bass Cajon and the Yambuare two large drums from Peruand Cuba which both have awooden head. They were usedto urge slaves to work.

The Djembe is a drum origina-ting from Guinea and Mali. It hasa batter head made from goatskin and it offers a rich soundpalette.

KKaannjjiirraa - a simple South Indianframe drum which is hit only withthe right hand. Nevertheless itprovides an astounding variety ofsounds. By keeping the skin moistone gets a remarkable basssound.

Surdo - the big Samba drumfrom Brazil is played with heavysticks. It provides the basicrhythm for the Samba and isconstructed from a large alumini-um kettle, stringed with two pla-stic skins.

DRUMS


Here are some veryunusual instruments likethe Angklung from Indo-nesia. Varying woods indiatonic tuning areshaken to achieve akind of tremolo sound.This instrument cansound quite East Asian,

but can also be used fora kind of Russian bala-laika.

Furthermore there is thewide selection of play-ing techniques andloops of shaker-like per-cussion instruments like

the African rice shaker(a rice filled rectangularbamboo board), an Afu-che Cabasa with metalchains, South Ameri-can rainmakers in vary-ing sizes, chicken eggsand maracas from Afri-ca and America.

Qi Gong balls fromChina, which are tradi-tionally used for handmeditation, a Gamelanwooden bell, two handcymbals from Europeand many other percus-sion instruments fromaround the world.

The Scale Changer Harmonium was firstintroduced to India by the missionaries. It isbrought to resonance with a beam of air. Thewhole keyboard can be shifted, and therebythe key note is adjustable from G# to E. Anorgan sound can also be added.

The Dallape Accordion from Italy is a 3 octa-ve wide accordion with keys.

The Hohner Melodica is a keyboard-like reedinstrument from Germany and features a scaleof 2 octaves.

WORLD PERCUSSION KEY INSTRUMENTSAdditional instruments are: Moroccon Conga,Military Cassa and Cymbals from Italy, MiniBells, Schellenkranz (Jingle Ring), Shell She-kere, Gon Bops Cuica, Wrist Jingles, a BassSkin Udu from Nigeria, Log drum, Oceandrums with steel bullets, Bhutan and Vietnambells, Wooden bells, Bass Kalimba from Africa,Tamborcito from Peru and Spring Drums.

I hope all users will find a lot of enjoyment,plenty of inspiration and musical creativityin the musical transformation of ethnic andother styles.

Marcel Barsottiwww.marcelbarsotti.com www.bestservice.de

Baobab Shaker & Cola Shaker & Rattle Shakers & Eggs & Wood Shaker & Small Maracas & Metal Guiro Shaker

Mixed Wood

Military Cymbals

Gran Military Cassa

1) Rainmakers (South America/Bali).2) Chicken Eggs (Europe). 3) Afuche Cabasa (Europe). 4) Various Maracas (Global),

Scale Changer Harmonium

Hohner Melodica

Dallape Akkordion

Xylophon & Balafon

Bass Kalimba & Gopichand & Tamborcito


BURMA BELLS LP C0-C7BURMA BELLS PT C0-C7BURMA BELLS S1 C0-C7BURMA BELLS S2 C0-C7BURMA BELLS S3 C0-C7BURMA BELLS V2 C3-G4 SMALL TUBULAR BELLS (Asia) 1TUB BELLS D4-D5 G3-G5 33TUB BELLS PT C2-D6TIBETAN TEMPLE CYMBALS (Nepal) 1TIB-CYMBALS C3-E4 29TIB-CYMBALS PT C0-C7TIB-CYMBALS S1 C0-C7TIB-CYMBALS S2 C0-C7TIB-CYMBALS S3 C0-C7TIB-CYMBALS V2 C2-A4TIBETAN SINGING BELLS (Nepal) 1TIBETAN SINGING BELLS C3-D4 32.2TIB. SINGING BELLS LOOPS C3-F4 ca. 158/121/3x123/120/112/123/122/2x164TIBETAN SINGING BELLS PT C2-D4 TIBETAN SINGING BELLS S1 C0-C7TIBETAN SINGING BELLS S2 C0-C7TIBETAN SINGING BELLS S3 C0-C7VIETNAM BELLS (Vietnam) C3-B5 18,5 2VIETNAM BELLS HIGH C3-B5VIETNAM BELLS LOOP 1 C0-C5VIETNAM BELLS LOOP 2 C0-C5WINDBELLS (Tibet) C3-D4 16,4 3WINDBELLS PLAY C1-C5WINDBELLS LAYER D0-C7

BOWED INSTRUMENTS Instrument Otiginal Tune Range Size EW Volume

EGYPTIAN FIDDLE (Egypt) D2-D4 E1-E4 15,9 2EGYPTIAN FIDDLE LOOPS 100-140 C3-D4ERHU (China) B2-B4 A2-C5 69,9 2KEY: VP / ESP / VF / TRL / LK / SU / SU2 / SD / STP / STF / PZERHU KEY+VELKEY: VP-VF / ESP-VF / ESP-LK / VF-TRL / SU-LK / SU2-LK / SD-SU2 / STP-STFERHU LICKS ALLERHU LICKS 100 C3-B3ERHU LICKS 120 C3-A#3ERHU LICKS 140 C3-D#3GAOHU (China) A3-D5 G3-D5 77,3 2KEY: VP / VF / ESP / LK / TRL / SU / SD / SD / PZGAOHU ALL LICKS C1-C#5GAOHU LICKS 100 C3-F#3GAOHU LICKS 120 C3-G#3GAOHU LICKS 140 C3-D4JINGHU OPERAVIOLIN (China) A3-G5 A3-A5 25,9 2KEY: V / NV / LK / PT / MT / ST / V-LK / MT-STJINGHU OPERAVIOLIN ALL LICKS C3-A#5JINGHU OPERAVIOLIN LICKS 100 C3-C4JINGHU OPERAVIOLIN LICKS 120 C3-D4JINGHU OPERAVIOLIN LICKS 140 C3-F#3MORIN KHUUR (Mongolia) A1-E3 G1-E3 40,4 2KEY: P-F / STMORIN KHUUR DOUBLE TONES C3-D5

B E L L T Y P E I N S T R U M E N T SInstrument Otiginal Tune Range Size EW Volume

BAMBOO VIBRAPHON 1BAMBOO VIBRA C3 - C#4 G1-D4 11BAMBOO VIBRA 2 G1-D4 BAMBOO VIBRA PT C1-C6BAMBOO VIBRA STK G1-D4 BELLTREE (Tibet) F1-A4 31,4 3BELLTREE TUNED PLAY A1-G6BHUTAN BELLS (Bhutan) G2-A5 15,3 2BHUTAN BELL TUNED 1 C0-C6BHUTAN BELL TUNED 2 C0-C6BHUTAN BELL TUNED 3 C0-C6CHINA FINGER CYMBALS (China) 1CHINA FG CYMBALS C3-A3 6CHINA FG CYMBALS PT C0-C7CHINA FG CYMBALS S1 C0-C5CHINA FG CYMBALS S2 C0-C5CHINA FG CYMBALS V2 C0-C5 DREAM CATCHER (Windchimes/Asia) !DREAMCATCHER C3-G5 27.6DREAMCATCHER FDREAMCATCHER PT C0-C7DREAMCTCH STKWINDCHIMES LOOPS D#4 - C5 C3-D4WINDCHIMES LP 1 C0-C7WINDCHIMES LP 2 C0-C7WINDCHIMES LP 3 C0-C7GAMELAN CRASH BELLS (Lombok) 1GAMELANBELLS C2-A3 7.9GAMELANBELLS PT C2-A3 GAMELANBELLS S1 C0-F5GAMELANBELLS S2 C0-F5GAMELANBELLS S3 C0-F5GAMELANCRASH C0-F5GLOCKENSPIEL, CHROMATIC (Germany) 1GLOCKENSPIEL G3 - G5 C3-C6 36.1GLOCKENSPIEL GL C3-F3 GLOCKENSPIEL PT C0-C6GLOCKENSPIEL STK C3-C6 IRAN FINGERCYMBALS (Iran) C3-C5 23,5 3METALLOPHON (Germany 1METALLOPHON C3 - Bb4 C2-D5 55.5METALLOPHON PT C1-C6METALLOPHON STK C2-D5 METALLOPHON F C2-D5 METALLOPHON P C2-D5 MINI BELLS (Morocco) C3-A4 15,6 2MINI BELLS LOW C3-A4SARON (Gamelan Glockenspiel/Lombok) 1SARON C#4 - F#5 C3-A5 11.3SARON GL C3-E3SARON PT C0-C7SARON STK C3-A5 SHANGHAI BABY PIANO (China) 1BABYPIANO E3 - E5 C3-E5 25.4BABYPIANO PT C1-C6SMALL BURMA BELLS (Burma) 1BURMA BELLS C3-A3 7.2


BOUZOUKI CHORDS + LOOPS 80-140 C2-A#4BOUZOUKI SAKIS FX C-F4CEYLON GUITAR (Ceylon) 1CEYLON GUITAR Ab3 - Gb4 R:D3-C5 13.5(left + right String) L:C1-C3Ceylon Guitar Loops E ca. 149/118/101/93 E5-A5Original Tune: Ab3 - Gb4 / Well suited for Arab MusicstyleCONTINENTAL RESONATOR GUITAR (Germany) E1-A#4 A0-C6 86,5 2KEY: P-F / SL / SD / P-F-SL-SDRESONATOR GUITAR LOOPS 80-120 C3-C4RESONATOR GUITAR FX C3-D4CONTRA GUITAR F - BASS (Germany) 1CONTRAGUITAR F1 - F2 D1-A2 32CONTRAGUITAR FG D1-A2 CONTRAGUITAR PL D1-A2 CORA (Sansibar) F#2-D#3 C0-G#4 15,6 2CORA LOOPS 100-120 C3-G#3CORA FX C3-F#4CÜMBÜS (Tukey) E1-E4 D1-D5 78,8 3CUMBUS LICKS 80-140 C2-D5CUMBUS OPEN STRINGS C1-D5DOMRA (Russia) D2-B4 C1-G5 61,3 2KEY: FGP-FGF / PLP-PLF / TR / PLP-TR DOMRA CHORDS + LOOPS 80-140 C3-G5DOMRA FX C3-G3DRA-NGEN (Bhutan) A1-C4 C0-C#6 35,5 2DRA-NGEN LOOPS 60-120 C3-D#4DRA-NGEN FX C3-A#4GRAND MONOCHORD (Germany) C#1 67,0 3GRAND MONOCHORD PLAY LAYER G0-C7GRAND MONOCHORD PLAY 1 G0-C7GRAND MONOCHORD PLAY 2 G0-C7GRAND MONOCHORD GLISS C1-G#5GRAND MONOCHORD GLISS PT G0-F#6GREG BENNETT UKULELE (Indonesia) C3-A4 C1-B5 49,4 2UKULELE CHORDS + LOOPS 100-140 C2-B5KANTELE (Russia) 1KANTELE FG F3 - F5 C3-C6 78.4KANTELE PT C1-C6KANTELE STK C3-C6 KANTELE GLISS C3-G4 Kantele Loops ca. 97/139/181/x/116/116MANDOLIN TRUXA (Ireland) 1MANDOLIN E2 - G4 E2-B4 16.8OUD (Iran) F1-D#4 C0-G5 36,3 3OUD LOOPS 80-140 C3-G3OUD FX C3-C#4OUD LICKS (Turkey) F1-D#4 41,1 OUD LICKS 80-140 C1-F#5SANTOOR SABERI (India) D#2-E4 C2-F#4 66,4 2SANTOOR SABERI FX C2-G4SAZ LICKS (Turkey) E1-E4 C1-C#6 39,3 3SAZ LICKS ALL 80-140 F0-C7SAZ LICKS C 80-140 C1-C5SAZ LICKS G 80-140 C1-G#4SITAR (India) D2-D#4 C1-F#6 81,8 2KEY: P-F / SL / SD / P-SL / P-SD / F-SL / F-SD / P SITAR VEL (P- F - SU -SD) C1-F#6SITAR GLISS + FX C2-F4

MORIN KHUUR ALL LOOPS C2-F#5MORIN KHUUR LOOPS 80-100 C3-A#4MORIN KHUUR LOOPS 120 C3-F#4WESTERN FIDDLE (USA) G1-A4 57 3(C-tunes start C1, G-tunes start C3)WESTERN FIDDLE LICKS 80 (C start C2) C2-G3WESTERN FIDDLE LICKS 100 C1-C#4WESTERN FIDDLE LICKS 120 C1-B4WESTERN FIDDLE LICKS 140 C1-B4

CONSTRUCTION SETSInstrument Otiginal Tune Range Size EW Volume

MID EAST SETSContain Drums & Percussion-Loops (start C2), Saz, Cümbüs & Tanbur-Licks in G (start C3)Saz, Cümbüs, Tanbur & Oud-Licks in C (start C4)MID EAST SET 80 C1-G#5 35,6 3MID EAST SET 100 C3-C#6 35,5 3MID EAST SET 120 C1-B5 23,2 3MID EAST SET 140 C1-G#5 28,6 3

CHINA SETSContain Drums & Percussion-Loops (start C2), Zheng Harp Loops (start C3)Erhu, Gaohu or Bawu-Licks (start C4)CHINA SET 100 C2-A#4 22,1 3CHINA SET 120 C2-F5 24,8 3CHINA SET 140 E2-A4 18,9 3

KEY INSTRUMENTSDALLAPE ACCORDION (Italy) C1-A5 B1-B5 73,4 2KEY: P+F / ST / ESP / ESP + FHOHNER MELODICA (Germany) B2-B4 A2-C4 38,2 2KEY: ESP+V / NV / ST / NV+V SCALE CHANGER HARMONIUM (India-Kalkutta) A#1-D6 G1-C5 14,8 2HARMONIUM + REGISTER A#1-D6 G0-C5

S T R I N G E D I N S T R U M E N T S Instrument Otiginal Tune Range Size EW Volume

BALALAIKA (Russia) A1-E4 C1-G#5 45,0 2KEY: P-F / TR / P-TR / P-F-TRBALALAIKA LOOPS 80-120 C3-G#3BALALAIKA FX C3-B3BANJO A FRAMUS (Germany) 1BANJO FRAMUS A1 - Db5 A1-D5 47.9BANJO FRAMUS FX C3-E5BANJOLIN (Ex DDR) E2-G#4 E1-F6 44,1 2BIG ERHU PLECTRUM VIOLIN A (China) 1BIG ERHU PL Eb3 - D4 R: D3-A4 17.9(Playing Styles: C1+D1 / left + right String) L: C1-C3BOUZOUKI SAKIS (Greece) C2-A#4 C1-B5 92,2 2KEY: P-F / TR / SU / TRL / P-SU / P-TRL / P-TR / F-TRBOUZOUKI SAKIS VEL (P / F / SU / TR) C1-B5


FLUTE PHRASES C1-D6 31 1FUJARA FLUTE (Slowakia) F2-F4 C1-C6 7,2 3KEY: NV / V / NV-V FUJARA STEREO C1-C6FUJARA FX C3-G4HAWAIIAN SHELLHORN (Hawaii) A#2-A3 C2-C4 19,2 2KEY: V / NV / NV-VHAWAIIAN SHELLHORN LICKS C3-G3HULUSI (China) G3-A4 C2-C5 35,2 2KEY: V / NV / LK / DT / DT LK / DT STHULUSI VEL (V-LK) C2-C5HULUSI LICKS C3-F3INDIAN SNAKE CHARMER DB (India) 1SNAKECHARMER Dd3 - A3 A2-C4 31.6SNAKECHARMER LP A2-C4 SNAKECHARMER LAYER C2-C4 SNAKECHARMER ORIG A2-A3IRISH LOW WHISTLE VB (Ireland) 1LOW WHSTLE VB D3 - C#5 C3-D5 28LOW WHSTLE VB+STAC C3-D5 LOW WHSTLE VB STAC C3-D5 Irish Low Whistle AT (Ireland) LOW WHSTLE D3 - C#5 C3-D5 23.5LOW WHSTLE STAC C3-D5 LOW WHSTLE+STAC C3-D5 KENA (Peru) E3-A5 C1-B5 57,7 2KEY: V1 / V2 / NV / ST / TRL / NV-V1 / V1-V2 / V2-TRLKENA LICKS C3-D#4MEXICAN PICCOLO FLUTE F# (Mexico) 1MEXICAN PICCOLO F#4 - C#5 E4-G5 8.1MEXICAN PICCOLO+STAC E4-G5 MEXICAN PICCOLO STAC E4-G5 MOCENO BASSFLUTE (Peru) F2-D3 A1-G4 13,7 2KEY: V / NV / TRL / V-TRLMOCENO BASSFLUTE SLOW A1-G4KEY: V- TRL / NV-VMOCENO BASSFLUTE LICKS C3-G3OCARINA (Peru) 1OCARINA VB D3 - A4 C3-D5 15.6OVERTON WHISTLE LICKS (Ireland) D3-C5 122,9 3IRISH WHISTLE LICKS NO BPM C1-F#4IRISH WHISTLE LICKS 80 C2-G#3IRISH WHISTLE LICKS 100 C1-F#5IRISH WHISTLE LICKS 120 C1-B4IRISH WHISTLE LICKS 140 C1-B4OVERTON IRISH WHISTLE (Ireland) A2-C5 C1-G5 49,9 3KEY: NV / SU / LK / ST PANFLUTE (Peru) F#1-C4 F1-D4 95,7 3KEY: NV / V1 / V2 / STPANFLUTE LICKS 80-140 C1-B5PERUVIAN DOUBLE OCARINA (Peru) C#4-E4 C1-C5 11,6 2PERUVIAN DOUBLE OCARINA FX C3-D5PERUVIAN OCARINA (Peru) G2-F3 F2-C4 20,6 KEY: V / NV / STPERUVIAN OCARINA FX C3-F#4RAG DUN HORNS (Tibet) C1-C#3 C1-C5 14,3 2RAG DUN BASS HORN C1-D4 F#1-F2RAG DUN TENOR HORN C1-C5 C1-C#3RAG DUN ALT HORN E2-A4 D2-F#3

SMALL ERHU PLECTRUM VIOLIN A+LOOPS (China) 1SM. ERHU A3 - E4 R: E3-C5 12.5(Playing Styles: C1+ D1 / left + right String) L: C1-D3Small Erhu Loops A ca. 156/159/126/130STEEL STRING GUITAR FALCON (Japan ) 1FALCON GUITAR E1 - A4 E1-B4 72FALCON GUITAR FG E1-B4 SMALL KANTELE E (Hungaria) 1SMALL KANTELE E4 - D5 A3-D5 24.2SMALL KANTELE GLISS C3-F4SMALL KANTELE LOOPS C3-G4ca. 127/100/76/142/162 127/104/141/162/162/125/102TAMPURA P. & BROTHERS (India) G1-G2 F1-G4 42,7 2TAMPURA P & BROTHERS SLOW F1-G4TANBUR (Turkey) A1-A3 F#0-G#4 74,1 3TANBUR LICKS 80-140 G0-D5TIMPLE (Lanzarote) G2-E4 C2-G5 18,2 2TIMPLE LOOPS 100-120 C3-G3TURKEY SAZ, SEVEN STRINGS 1SAZ A1 - C4 E1-E4 42SAZ LOOPS+CHORDS ca. 76/59/93/92/66/67/112 C3-A4Saz Chords in EVESTER ACOUSTIC BASS (Korea) E1-C#4 D1-E5 90,8 2KEY: FGP-FGF / PLP-PLFACOUSTIC BASS FINGERED D1-E5 ACOUSTIC BASS PLECTRUM D1-E5ZHENG HARP (China) G0-G4 A0-C#6 110,7 2KEY (C0 - D#0): P-F / V / SU / SDZHENG HARP VEL (P / F / V / SU) A0-C#6ZHENG ORIGINAL TONES ( P / F / V / SU) G1-C#6ZHENG HARP LOOPS 60 - 100 C3-C4ZHENG HARP GLISS C3-C#4ZSOURA SAKIS (Greece) C2-E4 C1-C#6 60,1 2KEY: P-F / TR / P-TR / P-F-TRZSOURA CHORDS + LOOPS 100-140 C3-C#6ZSOURA FX C3-E4

WOODWIND AND BRASS Instrument Otiginal Tune Range Size EW Volume

BAMBOO FLUTE G (Indonesia) 1BAMBOO FLUTE G3 - A4 D3-E5 25.6BAMBOO FLUTE STAC D3-E5 BAMBOO FLUTE VB 2 C3-A4BAWU (China) D3-E4 C2-F4 36,4 2KEY: V / ESP / NV / LK / TRL / SU / SD / STBAWU KEY VEL C2-F4KEY: ESP-V-LK / ESP-V-SUBAWU LICKS C3-A#3CEYLON SNAKE CHARMER (Ceylon) 1CEYLON SNAKECHARMER Gb3 - G4 C3-A4 13.3DAGOBA FLUTE D (Sri Lanka) 1DAGOBA FLUTE D3 - Ab3 F2-E4 10.5DAGOBA FLUTE LP F2-E4DUNG DKAR CONCH TRUMPET (Tibet) F#3-C4 E2-A4 4,1 2KEY: P-F / F-SLFlute Phrases (Ethnic) & Effects(Phrases + Effects from various Flutes)


139/137/137/135/135/136/136/131/134/90 (9/8-8/8)/90 (9/8-8/8)/129/127/129/143/143/142/128CEREMONY DRUM (Indonesia/Bali) 1CEREMONYDRUM C2-B4 22CEREMONYDRUM LOOPS ca. 95/94/94/125/142/ C3-A479/80/180/69/69/70/72/99(The Ceremony Drum has a left and a right Drumpad)DARABUKA (Turkey) 1DARABUKA C1-C6 40DARABUKA PT C1-C6DARABUKA V2 A-0-B5DARABUKA LOOPS ca. 152/101/129/102/ C3-A4118/122/117/131/135/136/100/101/102DERBUKA (Morocco) 1DERBUKA C2-A5 29.2DERBUKA LOOPS ca. 121/119/99/99/ C3-G5101/132/135/131(13/8)/133/93/93DJEMBE (Guinea) C1-E4 21,2 2DJEMBE LOOPS 80-140 C3-D#4DOLEK (Sri Lanka) C1-C6 21,1 3DOLEK LOOPS 80-140 C3-G4FLAT UDU (Australia) C1-D6 18,2 3FLAT UDU LOOPS 80-140 C3-G4GRAN MILITARY CASSA (Italy) C1-B5 54,3 2GRAN MILITARY CASSA LOOPS 60-100 C3-B3INDIAN TABLAS (India) 1INDIAN TABLAS C2-B5 19.7IRAN BONGOS (Iran) 1IRAN BONGOS C2-E3 15IRAN BONGOS LOOPS C3-C4ca. 143/130/103/108/162/167/168/139/IRAN BONGOS PT C2-E3KANJIRA (India) C1-C6 12,9 3KANJIRA LOOPS 80-140 C3-F4MADAL DRUM (Ceylon/Nepal) 1MADALDRUM C1-C6 19.8MADALDRUM LOOPS C3-G3ca. 138/82/160/172/72(The Madal Drum has a low left- and a high right Drumpad)MILITARY SNAREDRUM (USA) 2D 1MILITARY SNARE D1-B4 12MOROCCON CONGA (Morocco) C1-B6 25,1 2MOROCCON CONGA LOOPS 80-140 C3-G4OCEANDRUM (Africa) C1-F5 26,2 2OCEAN SHAKER C3-F4OCEAN WAVES C3-B3PICCOLO MILITARY SNAREDRUM (Japan) 1PICCOLO MILITARY SD C2-G4 8PITCHED TIMBALES (TAIWAN) 1PT TIMBALES C1-D6 39.5PT TIMBALES V1 C1-D6PT TIMBALES V2PT TIMBALES LOOPS C2-D5ca. 140/141/146/119/151/151/151/153/152/151/149/99/103/104/104/107/110/110/111/106/106/153 SMALL CASSA (Taiwan) 1SMALL CASSA C2-G5 63.2SMALL CASSA HIGH C3-D4SMALL CASSA PTSMALL CASSA S1-S7 F2-C4SMALL CASSA V1 F0-C7

Recorder Alto F (Germany) No VIB 1RECORDER F F3 - G4 D3-D5 18.8Recorder Alto F (Germany) VIBRECORDER VIB F3 - D5 F3-G5 23.1RECORDER VIB+STAC F3-G5 RECORDER STAC F3-G5 SHENAI (India) F#2-F#3 C1-G#4 46,2 2KEY: V / NV / TRL / STSHENAI LICKS C3-B4SHENG (China) B2-F#5 C1-G5 62,3 2KEY: V / NV / ST / DT / DT VSHENG KEY VEL C1-G5KEY: NV-V / V-STSHENG LICKS 120-140 C3-G4SHIVA FLUTE (India) C4-C6 C2-D6 37,9 2Key: V / NV / ST / Smooth VSHIVA FLUTE LICKS C3-B4SUSATO TIN WHISTLE D (USA) No VB 1SUSATO D D4 - C#6 C4-D6 29.5SUSATO D+STAC C4-C6 SUSATO D STAC C4-C6 Susato Tin Whistle D (USA) VBSUSATO VB D4 - B5 C4-C6 18.9SUSATO VB+STAC C4-C6 SUSATO VB STAC C4-C6 TENOR RECORDER (Germany) C3-D5 C1-D5 42,8 2KEY: V / NVTENOR RECORDER LICKS C3-G#4ULLEANN PIPES (Ireland) D1-B4 G0--C5 53,8 3KEY: ATT / LEG / LKULLEANN PIPES LICKS 80-100 D1-B3ULLEANN PIPES LICKS 120-140 D1-D#5ZUKRA BAGPIPE 1 (Tunesia) A2-E3 G#0-C#5 10,2 2ZUKRA BAGPIPE 2 G#0-C#5ZUKRA BAGPIPE 3 G#0-C#5ZUKRA ONEPIPE C3-C#5

WORLD DRUMSInstrument Otiginal Tune Range Size EW Volume

African Donn Donn Drum (Tansania) 1DONN DONN C1-D5 37.8DONNDONN PT F2-G5DONN DONN LOOPS C2-G5ca. 150/115/115/99/144/144/71/111/148/150/60/61/147/149/131/133/101/112/105/108/110/109/132/127/100/81/160BASS CAJON (Cuba) C1-A5 15,6 2BASS CAJON LOOPS 80-140BASS SKIN UDU (Nigeria) C0-B5 22,2 2BASS SKIN UDU LOOPS 80-140 C3-E4BENDIR (Tunesia) C1-G5 43,6 2BENDIR DRUM C1-F#6Left Hand Samples - Right Hand SamplesBENDIR LOOPS 60-140 C2-F#4BIG HAND DRUM (Germany) 1HANDDRUM C2-B5 49.1HANDDRUM PT C2-B5HANDDRUM LOOPS ca. 98/98/104/ C2-G5128/129/130/125/127/98/129/129/129/129/129/139/


BAMBOO WINDCHIMES (Bali) 1BAMBOO WINDCHIMES C2-C5 5.8BAMBOO WINDCHIMES LOOPS C0-C7BAMBOO WINDCHIMES PT C0-C6BAOBAB SHAKER (Gomera) C1-B3 10,8 3BAOBAB SHAKER LOOPS 80-140 C3-G4CASTANETS (Spain) 1CASTANETS C3-C4 0.9CHI GONG BALLS (China) 1CHIGONG C3-F3 12.1CHIGONG LOOP1 C0-C7CHIGONG LOOP2 C0-C7CHIGONG LOOP3 C0-C7CHIGONG LOOPS C3-F4CHIGONG PT C0-C7CHICKEN EGGS (Europe) 1CHICKENEGGS C2-E4 18.1CHICKENEGGS PS1 C0-C7CHICKENEGGS PS2 C0-C7CHICKENEGGS LOOPS C2-E5ca.98/102/100/115/132/141/99/116/132/146/103/112/125/145/130/147/148/109/109/140/155/174/PS/PSCOLA SHAKER (USA) C3-C#5 5,6 3COLA SHAKER LOOPS 80-140 C3-C#4DRUM POTS (Europe) 1DRUMPOTS +LOOPS F2-A4 3,3ca. 150/124/151/147/147/150DRUMPOTS PLAY C1-C6DRUMPOTS PT C0-C6GAMELAN WOODEN COWBELL (Indonesia) 1GAMELANCOWBELL C3-D4 3GAMELANCOWBELL PLAY C0-C7GAMELANCOWBELL PS C0-C7GAMELANCOWBELL PT C0-C7GLASSES (Global) 1GLASSES C2-G5 8.5GLASSES PT C0-C7GLASSES S1 C0-C7GLASSES S2 C0-C7GLASSES S3 C0-C7GON BOPS CUICA (Brasilia) C3-G5 14,4 2GON BOPS CUICA DRUMS A2-D#5GOPICHAND (India) C1-E5 27,2 2KEY: P+F / SU / P+F+SUGOPICHAND LOOPS 80-120 C3-G3GOPICHAND FX C3-B3HEADLESS TAMBOURINE (Germany) 1HEADLESS TAMB + LOOPS C2-F4 4.6ca.110/111/90/134/155/164LOGDRUM KEY (Africa) C1-D#6 21,7 2KEY: P+F / TRL / P+F+TRL / P+F HardsticksLOG DRUM LOOPS 100-140 C3-C#4LOG DRUM FX C3-C#4METAL GUIRO SHAKER (USA) C1-A#3 6,7 3METAL SHAKER LOOPS 80-140 C3-C#4MIXED WOOD (Global) C3-D#4 5,9 3NUT SHAKER (Nigeria) C3-F4 5,0 3RAINMAKERS (South America/Bali) 1RAIMAKERS C2-G4 26.1RAIMAKER FX C0-C7

SMALL CASSA V2 F0-C7SMALL CASSA LOOPS C3-A3ca. 80/105/131/85/SMALL DERBUKA (Morocco) 1SMALL DERBUKA C3-G5 17.5SMALL DERBUKA LOOPS C3-C4ca. 105/105/105/142/142/99/98/100SURDO (Brasilia) C1-D#55 30,2 3SURDO LOOPS 80-140 C1-B4TALKING DRUM (Nigeria) C1-C#6 11,7 3TALKING DRUM LOOPS 80-140 C3-C4TAMBOURINE DRUM (Thailand) 1TAMBOURINE DRUM F2-D5 12.1TAMBOURINE DRUM LOOPS C3-D4ca. 105/105/105/142/104/74/62/127/145TRADITIONAL BONGOS (China) 1TRAD BONGOS C3-B3 4TRADBONGO PT C3-E3TUNIS CEREMONY DRUM (Tunesia) C1-D#5 19,6 2Left Hand Samples - Right Hand SamplesTUNIS CEREMONY DRUM LOW C1-D#5TUNIS CEREMONY DRUM LOOPS C3-G#4WATERDRUMS (America) C1-C#44 11,6 3WATERDRUMS LOOPS 80-140 C3-C4YAMBU (Cuba) C1-E5 17,1 2YAMBU LOOPS 80-140 C3-F#4

WORLD PERCUSSIONInstrument Otiginal Tune Range Size EW Volume

AFRICAN RICE SHAKER (Kenja) 1AFRICAN RICESHAKER C2-C5 13.8African Rice Shaker Loops ca. 93/99/132/122/132/133/152/123/135/152/109/116/116/AFRICAN XYLOPHONE (Nigeria) G#3-E5 C1-F#6 11,2 2KEY: P+F / P+F+TRL / TRLAFRICAN XYLOPHONE ORIGINAL TUNE KEYKEY: P+F / P+F+TRL / TRL G#3-E5 C1-F#6AFRICAN XYLOPHONE LOOPS 100-140 C3-C#4AFRICAN XYLOPHONE FX C3-F#3AFUCHE CABASA (Europe) 1AFUCHE CABASA+LOOPS C3-C5 8.3ca. 100/124/126/116/117/136/160/196/119/119/152/167/PS/PS/PSAMERICAN WOODBLOCKS (USA) 1AM WOODBLOCKS C3-B3 3ca. 109/158/122AM WOODBLOCKS PT C1-C6A-WOODBLOCK S1 C0-C7ANGKLUNG GAMELAN (Indonesia) 1ANGKLUNG C3 - C4 A2-C4 16.2ANGKLUNG LOOP C1-C4ANGKLUNG STAC A2-C4BALAFON (Africa) C3-G#4 C1-D#5 15,2 2KEY: P+F / P+F+TRL / Soft P + Soft F + F / TRLBALAFON ORIGINAL TUNE KEY C3-G#4 C1-D#5KEY: P+F / P+F+TRL / SOFT P + SOFT F + F / TRLBALAFON LOOPS 100-140 C3-C4BALAFON FX C3-D#3


JAVA GONG (Indonesia) C3-C6 31,4 1JAVA GONG LOW C2-E3RIN SINGING BOWLS (Japan) C1-F#4 68,7 2RIN SINGING BOWL TUNED 1 C0-G6RIN SINGING BOWL TUNED 2 C0-G#6RIN SINGING BOWL TUNED 3 C0-C7TAM TAM BESAR (Indonesia) C1-C#6 45,4 2TAM TAM BESAR LOOPS 80-120 C3-C4TAM TAM BESAR FX C3-C#4THAI GONG 14" (Asia) 1THAI GONG C3-G4 26.3THAI GONG 1 C0-C7THAI GONG 2 C0-C7THAI GONG 3 C0-C7THAI GONG LOOPS C3-B3ca. 134/134/131/127/126/127/PS LoopTHAI GONG PT C0-C7WUHAN TAM TAM (China) C2-D6 69,5 2WUHAN TAM TAM LOOPS 80-120 C3-B3WUHAN TAM TAM FX C3-A3

METAL TYPE INSTRUMENTSInstrument Otiginal Tune Range Size EW Volume

BASS KALIMBA (Tansania) D2-D3 C1-B6 23,7 2BASS KALIMBA FX C3-B3BASS KALIMBA LOOPS 80-140 C3-G3HAND CYMBALS (Europe) 1HANDCYMBALS C3-D5 38HANDCYMBALS LOOPS C3-A3HANDCYMBALS PT C1-C7HUGH TRACEY KALIMBA (S-Africa) A2-A4 C1-A6 26,4 3KEY: NV / V KALIMBA LOOPS 80-140 C3-D4KALIMBA KIBIRIZI 5 TUNING PLATES (Kenja) 1KALIMBA 05 C3 - A3 C2-C4 7KALIMBA 05 FX C0-C7KALIMBA 05 ORIG C3-G3Kalimba Kibirizi 15 tuning Plates (Kenja) KALIMBA15 D#2 - G#3 A1-D4 11 1KALIMBA15 FX C2-F2 KALIMBA15 ORIG C3-C5METAL SQUARES (Europe) 1METALSQUARES C3-D4 3METALSQUARES PT C1-C7METALSQUARES S1 C0-C7METALSQUARES S2 C0-C7LOOPS ca. 118/128/96 MILITARY CYMBALS (Italy) C1-A6 86,6 2MILITARY CYMBALS ROLLS C3-A3

RAIMAKER LOOPS C2-D5ca. 96/109/118/134/98/117/127/81/83/99/117/130/111/128/140/126/109134/152/109/130/159/155RATTLE SHAKER (Brasil) C1-C#4 7,6 3RATTLE SHAKER LOOPS 80-140 C3-B4SCHELLENKRANZ Germany) C1-F5 23,5 2SCHELLENKRANZ HIGH C1-F5SCHELLENKRANZ LOOPS 80-140 C3-F4SHAKER SET 80 (Global) C2-C#4 9,1 3SHAKER SET 100 (Global) C2-D#4 9,7 3SHAKER SET 120 (Global) C2-G4 10,0 3SHAKER SET 140 (Global) C2-G4 9,7 3SHELL SHEKERE (Africa) C1-C6 16,1 2SHELL SHEKERE LOOPS 80-140 C3-A4SMALL CHICKEN EGGS (Germany) C1-A#3 6,7 3SMALL CHICKEN LOOPS 80-140 C3-F4SMALL MARACAS (USA) C1-B3 6,9 3SMALL MARACAS LOOPS 80-140 C3-F#4SPRING DRUMS (USA) F0-B5 40,3 2SPRING DRUMS LOW FX F0-F6TAMBORCITO (Peru) C1-G6 11,5 2TAMBORCITO LOW C1-G6TRADITIONAL COWBELLS (Europe) 1TR COWBELLS 1 C1-C5 7.6TR COWBELLS 2 C1-C5TR COWBELLS 3 C1-C5TR COWBELLS LOOPS C3-G3ca. 153/135/137/128/123TUNIS TAMBURIN (Tunesia) C1-D6 22,4 2TUNIS TAMBURIN LOOPS 60-140 C3-G4VARIOUS MARACAS (Global) 1MARACAS C3-D5 20.3MARACAS LOOPS C3-G5ca. 97/116/145/163/94/117/125/137/140/96/110/132/120/137/149/92/97/130/129WOOD SHAKER (USA) C1-F4 9,1 3WOOD SHAKER LOOPS 80-140 C3-D#4WOODEN BELLS (USA) C1-C#6 5,8 2WOODSTICK 1 C1-G4WOODSTICK 2 C1-G4WOODEN BELL LOOP C1-G6WRIST JINGLES (Germany) C3-G#5 14,0 2WRIST JINGLES LOW C3-G#5

GONGS AND BOWLSInstrument Otiginal Tune Range Size EW Volume

BIG RAKO BOWLS (Tibet) C3-A4 42,9 2BIG RAKO BOWLS TUNED B1-C#5BIG TIBETAN SINGING BOWLS (Tibet) C2-F#5 109,3 2BIG TIBETAN BOWLS TUNED 1 C0-G#5BIG TIBETAN BOWLS TUNED 2 C0-C6BIG TIBETAN BOWLS TUNED 3 C0-D6GONG BESAR 18" (Indonesia) 1GONGBESAR C3-G4 36.5GONGBESAR 1 C0-C7GONGBESAR 2 C0-C7GONGBESAR PS+LOOPS C3-A4Loops ca. 137/118/122/164/112/112/145


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