lesson 8 • focus & lighting introduction

38
Today, I will learn… Ground plane Lighting types Focus Learning Goals

Upload: marcio-sargento

Post on 17-Jul-2015

336 views

Category:

Education


0 download

TRANSCRIPT

Page 1: Lesson 8 • Focus & Lighting Introduction

Today, I will learn…

� Ground plane

� Lighting types

� Focus

Learning Goals

Page 2: Lesson 8 • Focus & Lighting Introduction

Ground Planes

Page 3: Lesson 8 • Focus & Lighting Introduction

Ground Planes

� When thinking of your composition,

framing, and balancing your photograph;

you should take into consideration the

three distances or areas of the ground plane

to break up your photo appropriately

Page 4: Lesson 8 • Focus & Lighting Introduction
Page 5: Lesson 8 • Focus & Lighting Introduction

ForegroundBoats on

shore

ForegroundBoats on

shore

Middle ground

Water and boat in water

Middle ground

Water and boat in water

BackgroundMountains

and horizon

BackgroundMountains

and horizon

Page 6: Lesson 8 • Focus & Lighting Introduction

Lighting

� By changing the amount of light and shadow, a photographer can change the mood and create dramatic effects

� When the subject is behind a light source the viewer sees fine colour and detail.

Page 7: Lesson 8 • Focus & Lighting Introduction

Back Light“Good” Example

� Placing a subject in front of a light source (back light) can create a silhouette, emphasizing general shapes rather than detail

� Can create beautiful and dramatic effects if done correctly

Page 8: Lesson 8 • Focus & Lighting Introduction
Page 9: Lesson 8 • Focus & Lighting Introduction
Page 10: Lesson 8 • Focus & Lighting Introduction
Page 11: Lesson 8 • Focus & Lighting Introduction

Back Light“Bad” Example

� The photo is backlit by the natural lighting of the sun, however, the photographer hasn’t compensated with their exposure settings, nor used a front lighting source (i.e. flash, or reflectors)

Page 12: Lesson 8 • Focus & Lighting Introduction

Front Light“Good” Example

� A good cast of lighting from natural sources such as the sun, indirect lighting from reflectors, or diffused light

Page 13: Lesson 8 • Focus & Lighting Introduction
Page 14: Lesson 8 • Focus & Lighting Introduction
Page 15: Lesson 8 • Focus & Lighting Introduction

Front Light“Bad” Example

� No consideration of how shadows are cast

� Sometimes, subjects can be “washed out” due to harsh front light sources; loosing details and contours of objects and subjects

Page 16: Lesson 8 • Focus & Lighting Introduction

Side Light

� Light source is directed at the subject from either side

� Can create dramatic effects and moods for the audience

Page 17: Lesson 8 • Focus & Lighting Introduction
Page 18: Lesson 8 • Focus & Lighting Introduction
Page 19: Lesson 8 • Focus & Lighting Introduction

Bounce / Reflected Light

� Bounce light is an indirect light source

� Typically reflected or “bounced” off walls or reflectors, which helps diffuse light

� Creates a much softer casting of light, less harsh shadows and highlights

� Evens out harsh light sources

Page 20: Lesson 8 • Focus & Lighting Introduction
Page 21: Lesson 8 • Focus & Lighting Introduction

Artificial Lighting

� Commonly associated with studio photography

� Generated from a studio lights, and built-in or external flash.

� Artificial lighting provides a lot of flexibility and creative opportunities; you can control the effects created within your photographs

Page 22: Lesson 8 • Focus & Lighting Introduction

Focus

Page 23: Lesson 8 • Focus & Lighting Introduction

Focus

� By manipulating how sharp or blurry a

picture appears, a photographer can change

the mood of a photograph.

� We often think the best photos are those

where everything is in clear, sharp focus,

this is not always the case.

Page 24: Lesson 8 • Focus & Lighting Introduction

Soft Focus

� Photographers often deliberately blur the details of a

picture, either during shooting or during post-production

(editing), this is known as soft focus

� Soft focus is used to suggest a romantic, ideal, angelic, or

dreamlike quality

� Common in wedding photography & glamour shots (yay!)

Page 25: Lesson 8 • Focus & Lighting Introduction
Page 26: Lesson 8 • Focus & Lighting Introduction
Page 27: Lesson 8 • Focus & Lighting Introduction
Page 28: Lesson 8 • Focus & Lighting Introduction
Page 29: Lesson 8 • Focus & Lighting Introduction
Page 30: Lesson 8 • Focus & Lighting Introduction

Shallow Focus

� A narrow/shallow depth of field needed

(large aperture, small f-stop, i.e. f 2.8)

� Only a small area (foreground, middle

ground, or background) is in focus,

while the rest of the planes are out-of-

focus

� This can help emphasize and draw

importance to your subject and ensure

the audience is focused on your subject

Page 31: Lesson 8 • Focus & Lighting Introduction

Only the surfer in the background is in focus = shallow focusOnly the surfer in the background is in focus = shallow focusNarrow/shallow Narrow/shallow depth of field (small f-stop number)depth of field (small f-stop number)

In focus

Out-of-focus

Page 32: Lesson 8 • Focus & Lighting Introduction
Page 33: Lesson 8 • Focus & Lighting Introduction
Page 34: Lesson 8 • Focus & Lighting Introduction

Deep Focus

� A wide/deep depth of field needed

(small aperture, large f-stop, i.e. f 16)

� Foreground, middle ground, and/or

background can all be in focus

� This can help to ensure your audience

observes the photograph as whole

Page 35: Lesson 8 • Focus & Lighting Introduction

All of this is in focus = deep focusAll of this is in focus = deep focusDeep/wide Deep/wide depth of field (large f-stop number)depth of field (large f-stop number)

Page 36: Lesson 8 • Focus & Lighting Introduction
Page 37: Lesson 8 • Focus & Lighting Introduction

Practice

� Practice your composition & framing skills;

� Take photos of objects, buildings, people;

anything that catches your eye

� Move around; think about your composition and

how you position your subjects within your

camera frame

� Experiment with different camera shots, angles,

aperture settings (to get different DoFs/focuses),

and shutter speeds (to capture motion blur)

Page 38: Lesson 8 • Focus & Lighting Introduction

To Do

� Reflection #1 – Overdue

� Journal #1 (Rule-of-thirds) – Overdue

� ‘Composition…’ article questions – Overdue

� Camera techniques glossary – Due today!

� Journal #2 (Exposure) – Due today!

� Detailed instructions on Edmodo