less 1,2,5,12,17proof - ideunom.ac.in fine.pdf · part - i 1. exercises in two speeds in the...

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmdSCHEME OF EXAMINATION

FIRST YEAR

Paper Paper Title Duration Max.No Hours marks

Core Courses - Main Subjects

I PracticalFoundation Exercises & Songs 1 100

II Theory :Introduction to Theory 3 100

Core Course - Allied Subject

I Practical -Subsidiary Vocal / Instrument-I 1 100

SECOND YEAR

Core Courses - Main SubjectsIII Practical -

Higher Level Musical Forms -1 1 100

IV Practical -Higher Level Musical Forms-2 1 100

V Theory - Part I :Tamil Prosody and Music 3 100Part II : Physics of Music

VI Theory -Advanced Theory 3 100

Core Course - Allied SubjectII Practical -

Subsidiary Vocal / Instrument -II 1 100

3

THIRD YEARPaper Paper Title Duration Max.

No Hours marks

Core Courses - Main Subjects

VII Practical -Advanced Musical Forms -1Kirttanais-2 Songs from 1 100cankam and Bhakti Literature -1

VIII Practical -Advanced Musical Forms -Kirttanais-2 Songs from Cankam 1 100and Bhakti Literature-2

IX Theory - History of Music - 1 1 100

X Theory - History of Music - 2 3 100

Application Oriented SubjectMusic in Other Arts 3 100

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd

INSTITUTE OF DISTANCE EDUCATIONBACHELOR OF MUSIC (B.Mus.) DEGREE COURSE

SYLLABUSFIRST YEAR

PAPER - I : LANGUAGECourse prescribed for B.Com., / B.B.A./B.B.M.

PAPER - II : ENGLISHCourse prescribed for B.Com./B.B.A./ B.B.M

PAPER - III

PAPER 1 - PRACTICAL - FOUNDATIONEXERCISES AND SONGS

Part - I

1. Exercises in two speeds in the following

Alaguk Kovai-varisaikalSaman Mandia Kovai Varisaikal (Madhyasthayi-Sarali)Valivu Mandila Kovai Varisaikal (Mel-sthayi)Melivu Mandia Kovai Varisaikal (Kizh-Sthayi)Irattai Kovai Varisaikal (Janta)Taandu Kovai Varisaikal (Daatu)

2. Ezutala Adukkani (Saptatala alankara-s) to be renderedin two speeds.

5

3. Gitam-s- Total : Six, 3 Tamil and 3 Others4. Corkattuk Kovai (Jatisvaram) - composed by Tanjai Nalvar

- One

Part - II

1. Rendering the following exercises in akara in two speedsby vocal students and suitably adapted by those optinginstruments.


2. Kovaic corkattu (Svarajati)... composed by Tanjai Nalvar- One

3. Pan-nirangal (Varnams) : One Tamil varnam and oneother.

(i). Anname-Arabhi-Adi-Tiger K. Varadachariar

(ii). Sami nine - Sankarabharanam - Adi - VeenaiKuppaiyer

4. One Kirttanai each in the following Raga-s : 2 Tamil and2 Others.

1. Mohanam

2. Mayamalavagaula (Pan Indalam)

3. Kalyani

4. Bilahari

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd5. Identifying the 12 Kovai-nilai-s (svarasthana-s) when plain

kovai-nilai-s are sung in akara form or played instruments.6. Identifying the duration (kaaravi) of Kovai-s in a passage

of Kovai-s sung to a tala7. Rendering Saman Mandila (Sanali) exercises in Mummai

nadai (tisra gati) with 3 pulses to one unit of tala (3/1)

PAPER - IVPAPER 2 -THOERY - INTRODUCTION TO THEORY1. Greatness and Power of Music

Basic technical terms in music

Isai-Oli (Nada), Mandilam (Sthayi), Kovai (Svara), Kovai-nilai (svarasthana), Alagu (Sruti), Inai, Kilai, Pagai, Natpu

Names of Isai-Kovai

2. Distincitive features of South Indian Music

3. 32 Palai-s (Mela-s) and their derivative Raga-s

4. Classification of Raga-s

i) Pann (Sampumam), Panniyam (Shadavam), Tirum(Audavam), Tirattiram (Svarantaram)

ii) Uriya-kovippann (upangam) - kalappu-kovaippann(Bhashangam)

iii) Tara-irudippann (Nishadantya), Vilari-irudippann(dhaivatantya), lli-irudippann (Panchamantya)

5. Classification of raga-s- on the basis of eru (Arohanam)and Irangu Nirals (Avarohanam)

i) Kuraikkovaippann (Varja-raga-s)ii) Pirazchikkovaippann (Vakra-raga-s)

7

6. Pani (Tala) -

Technical terms - Mattirai (Matra), Ennikkai (Akshara)Ceyka (kriya), Layam Vattam (Avartha),Nadai (gati), Eduppu (Graha)Seven Pani-s and Thiry-five Pani-s

7. Varieties of Saippu Pani

1. Aimmai alavu (Khanda-Capu)

2. Ezumai alavau (Misra-Capu)

3. Onpanmai-alavu (Sankima-Capu)

1. Knowledge of the various lllakkanam-s underlying a Pann.

2. llakkanam-s of the following Pann-s

1. Mohanam

2. Mayamalavagaula

3. Kalyani

4. Bilahari

3. Method of writing of Musical Notation

4. Nattuppura Isai - An Introduction

5. Musical Instruments

1. Classification of Musical Instruments

2. Knowledge of the construction of

1. Vina 2. Gottuvadayam 3. Tambura

6. Biograhy of the following Composers and theircontribution of music.

1. Tanjai Naalvar 2. Tanjai Ponnayaa Pillai 3. LakshmanaPillai 4. Papanasam Sivan 5. M.M. Dandapani Desikar6. Periyasami Turan 7. Subramanya Bharatiyar8.Bharatidasan 9. Thiruppamparam Swaminatha Pillai10.Tiger Varadachariar

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmdPAPER V

ALLIED PAPER 1 - PRACTICAL - SUBSIDIARYVOCAL/INSTRUMENT - 1

Note : Subsidiary Vocal for the students opting forinstrument under Main Practical.

OR

Subsidiary Instrument for the students opting for Vocalunder Main Practical.

1. Exercises in two speeds


2. Ezutala Adukkani (Saaptatala alankara-s) to be renderedin two speeds.

1. Rendering the following exercises in akara in twospeeds by vocal students and suitably adapted bythose opting instruments.


2. Tamil Gitam-s- Six, Tamil Three and Three Others

9

3. Corkattuk Kovai (Jatisvaram) ... composed by TanjaiNalvar - One

4. Kovaic Corkattu (svarajati) ... composed by Tanjai Nalvar- One

PAPER VIPAPER 3 - PRACTICAL HIGHER LEVEL

MUSICAL FORMS - 1

1. Advanced varisi-s-to be rendered in three speeds.

Irattai kovai (Janta) - 1. ss - rr - gg - ss - rr - gg -mm2. s, ss -r, rr-g, gg-m, mm3. s, sss-r, rrr-ggg-mmm

Tandu varisai (Datu) - 1. sgm rmgp

2. gsrm mrgp

Others 1. s, rs, s,,, - r, gr r,,,

2. sr sgrs rg rg rmgr

2. Rendering Ezhutala Adukkani

1) to be rendered in three speeds and in Mummai nadai(3/1)

2) to be rendered in Kalani, Sriranjani, Mohanam.

3. Pan-niram (Vamam-s) : 2 Tamil Varnams and 1 other1. Anai mugane Hamsadhvani Khanda - Ata

Kurainattu Natesa Pillai2. Manamirangatha theno sahana Adi

Tiger varadachariar3. Sami daua - Kedara goulai - Adi - Tiruvottiyur

Tyagaiyer

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmdNote : These three varnams should be rendered in one

speed in Idaippatta Kalam (medium speed).

4. Ability to render in two speeds, the following two varnam-s learnt in practical - I

1. Anname-Araghi - Adi Tiger k Varadachariar

2. Sami nine - Sankarabharanam - Adi - VeenaiKuppaiyer

Note: Varnam-s should be rendered as KOvai(svara),corpakuti (sahitya) and akara (for singers).

1. Following kirttanai-s to be learnt - 4 Tamil and 3 others.1. Sankarabharanam

2. Bhairavi

3. Dhanyasi

4. Muruga muruga Saveri Misra Capu P e r i a s a m iThuran

5. Ananda Natamaduvar Purvakalyani RupakamNilkanta Sivan

6. Tharisanam Seyvene Vasantha AdiMuthuthandavar

7. Orukkal siva chidambaram Arabhi AdiMarimutha Pillai

2. Rendering of the Iniya Kovai Vazakku-s (RanjakaPrayoga) for the following Raga-s.

1. Sankarabharanam2. Kalyani3. Anandabhairavi4. Sahana

Students should have the notations of the Iniya KovaiVazakku-s.

11

3. Rendering of Karpanaikkovai in the first speed forKirttanai-s in the following Raga-s.

1. Mohanam2. Mayamalavagaula3. Kalyani4. Bilahari

4. Learning to render in Kovai form ‘a-kara’ phrases sungin Raga-s prescribed for this paper.

5. Rendering of musical phrases illustrating the followingNun-asaivu-s (gamaka-s).

1. Kampitam2. Spuritam3. Nokku4. Ravai5. Khandippu6. Vali7. Jaru8. Odukkal9. Orikai.

PAPER VIIPAPER 4 - PRACTICAL - 4 HIGHER LEVEL

MUSICAL FORMS - 21. To render one tana-Panniram (tana-varnam) in Kovai

(svara) and Cor-pakuti (sathiya) forms in three speeds(4/1, 8/1, 16/1) and in Mummai Nadai (12/1) (both).

2. One Tana-Panniram and One Pada-Panniram out of thefollowing :

Tana-Panniram : (Tana-varnam)

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd1. Aalilaimel Mohanam Adi tala Tiger Varadachariar

Pada Panniram : (Pada-vamam)

1. Mohamana Bhairavi Rupakam Ponnayya Pillai

2. Samiyai Azaithu Kalyani Adi tala Ponnayya Pillai

3. Kirttanai-s in the following Raga-s Three Tamil and threein other language.

1. Kambhodi2. Todi3. Anandabhairavi4. Sriranjani5. Sahana6. Kedaragaulai

Composers

1. Gopalakrishna Bharati2. Vedanayakam Pillai3. Nilakanta Sivan4. Ramasami Sivan5. Kotisvara Ayyar6. Namakkal Ramalingam Pillai7. Desika Vinayagam Pillai8. Papavinasa Mudaliar9. Periasami Thuran10. Tyagaraja11. Muthuswamy Diksitar12. Syama Sastri13. Patnam Subramani Iyer.14. Ramnad Srinivasa Iyengar15. Mysore Vasudevachar.

13

1. Kirttania-s in the following Raga-s -2 Tamil Two in otherlanguage.

1. Begada2. Kharaharapriya3. Sama4. Natakurinji

Composers

1. Gopalakrishna Bharati2. Vedanayakam Pillai3. Nilakanta Sivan4. Ramasami Sivan5. Kotisvara Ayyar6. Namakkal Ramalingam Pillai7. Desika Vinayagam Pillai8. Papavinasa mudaliar9. Periasami Thuran10. Tyagaraja11. Muthuswamy Diksitar12. Syama Sastri13. Patnam Subramani Iyer.14. Ramnad Srinivasa Iyengar15. Mysore Vasudevachar.

2. Rendering of Iniya Kovai Vazakku in the following Raga-s.

1. Kambodhi2. Todi3. Begadai4. Saveri5. Bhairavi6. Purvakalyani

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd3. Rendering of KarÆnaikkovai for Kirttanai-s in the

following Raga-s in the first speed.

1. Kambodhi2. Todi3. Saveri4. Bhairavi5. Kedaragaula

4. Learning to tune a Tambura.

5. Reciting the following jsti-syllables as makutams(rendered thrice) in Adiï Rupakam, Ezumai-Saippu andAimmai-Saippi tala-s and for different eduppu-s.

1. ta di ki na tom (5 units)

2. ta din, ki na tom (6 unit-s)

3. ta, din, ki na tom (7 unit-s)

PAPER - VIIIPAPER V - THEORY - PART 1 TAMIZ PROSODY

AND MUSICPART II - PHYSICS OF MUSIC

Tamiz Prosody and Music

1. Uruppiyal - Ezuttu, Asai, Cir, Talai, Ati, Totai

2. Ceyyuliyal - Varities of Paa; Venpa, Asiriyappa, Kalippa,Vanjippa

3. General Characteristics of the songs of isaittamiz andtheir varieties.

4. Vannappadalgal

15

5. Cinduppadalgal

6. Uruppatikal (Kittanaigal)

7. Edugai, Monai, lyaibu, Mutugiyal and other characteristicsin the songs of Isaittamiz.

Physics of Music

1. Principles of Sound, Distinction between Musical Soundand Noise.

Pitch, Intensity and Timbre of Sound, Duration of Sound

Consonant, Assonant and Dissonanat sounds;Consonance and Dissonance.

2. Laws of Vibration of Stringed and Wind Instruments

3. Musical Intervals in Indian Music

Tuning of Pitches - Equal temperament, Just Intonation

Absolute Pitch; Relative Pitch;

Sympathetic Vibration; Harmonics;

Echo : Beats

4. Discussion of 22 Alaku-s;

Intervals of Fifths and Fourths;

Cycle of Fifth and Fouth

5. Outline knowledge of the Human Voice Box and the Ear.

6. Outline knowledge of the principles underlying theworking of the following equipments.

Radio; Audio & Video Recording; Cinema; Television,Compact Disc; Computer

7. Accoustics of Music Halls.

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmdPAPER IX

PAPER VI - THEORY - ADVANCED THEORY

1. Comparatives of South Indian Music with other systemsof Music.

2. a) llakkanam of Karpita Musical Forms -

1. Gitam

2. Corkattuk Kovai

3. Kovaic Corkattu

4. Tana-panniram

5. Pada-panniram

6. Kirttanai

b) Anikal (Auxiliary or Decorative elements) in MusicalCompositions

3. Forms belonging to Devotional Music

4. Forms in Isaittamiz - With Tala and without Tala

5. The origin of different kinds of Chandappadal.The varieties of Chandam seen in the Tiruppugaz ofArunagirinathar.

6. Ten vital elemnts of Pani

7. Study of Pann-S-

1. Evolution of Ezisai

2. 103 Pann-s

3. 23 Pann-s-in Tevaram; Equivalent Raga-s for the pann-s

4. Pann-s and the time of their singing

17

1. Knowledge of the construction of the following musicalinstruments

1. Nagasvaram

2. Clarinet

3. Flute

4. Violin

5. Mrdangam

6. Tavil

2. Comparative study of Vocaland Instrumental Music

3. Merits and Demerits in Modern Music

Defects seen in the rendering of Isaittamiz songs.

The do-s and don’t-s for a singer

4. Ilakkanam of the following Raga-s

1. Dhanyasi

2. Sriranjani

3. Kambodi (Takkesi)

4. Sahana

5. Sama (Andaikkuranji)

6. Begadai

7. Bhairavi (kausikam)

8. Anandbhairavi

9. Kedaragaula (Gandharapancamam)

10. Arabhi

11. Todi

12. Sankarabharanam (Pazampancuram)

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd13. Kharaharpriya

14. Vasantha

15. Saveri

16. Purvakalyani

17. Natakurinji

5. Biography of the following Composers and theircontribution to music

1. Kavi Kunjara Bharati

2. Annamalai Reddiyar

3. Papavinasa Mudaliyar

4. Kavimani Desika Vinayakam Pillai

5.Namakkal Ramalingam Pillai

6. Acchuta Dasar

7. Gopalakrishna Bharati

8. Mayuram Vedanayakam Pillai

9. Vaidisvarankoil Subbaramayyar

10. Muttuttandavar

11. Marimuttappillai

12. Arunachalakavirayar

13. Ramalinga Adigalar

14. Syama Sastri

15. Tyagarajar

16. Muttusvami Dikshitar

19

PAPER XALLIED PAPER II - PRACTICAL - SUBSIDIARY

VOCAL / INSTRUMENT - 2

Note : Subsidiary Vocal for the students opting forInstrument under Main Practial

OR

Subsidiary Instrument for the students opting forVocal under Main Practical.

1. Pannirangal (Varnames) :

1. Anname - Arabhi - Adi - Tiger K. Varadachariar

2. Sami ninne - Sankarabharanam - Adi - Veenai Kuppaiyer.

3. Anai mugane - Hamsadvani - Khanda-Ata - KurainattuNatesa Pillai

4. Sami Daya - Kedaragaulai - Adi - Tiruvotriyur Tyagaiyer.

Note : Subsidiary Vocal for the students opting forInstrument under Main Practical.

OR

Subsidiary Instrument for the students opting forVocal under Main Practical.

1. One kirttanai each in the following Raga-s

1. Mohanam2. Mayamalavagaula (Indala)3. Kalayani4. Bilahari5. Vasantha6. Arabhi

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmdTHIRD YEAR

PAPER XIPAPER 7 - PRACTICAL- ADVANCED MUSICAL

FORMS - 1KIRTTANAI-S - 1, SONGS FROM CANKAM AND

BHAKTI LITERATURE - 1

Advanced Musical Forms - 1

1. Vilambakala Tamiz - kirttanai-s in the following Raga-s.

1. Todi2. Saveri3. Mohanam4. Purvakalyani5. Bhairavi

Composers

1. Muthu Tandavar2. Marimutha Pillai3. Arunachala Kavirayar4. Kavi Kunjara Bharati5. Danapani Desikar6. Papanasam Sivan7. Thanjai Nalvar8. Mayuram Visvanatha Sastrigal9. K.N. Dandayuthapani Pillai10. C. S. Natarajasundaram Pillai11. Muthuswamy Diksittar12. Syama Sastri

21

13. Patnam Subramani Iyer.14. Ramnad Srinivasa Iyengar.15. Mysore Vasudevachar16. Swati Tirunal.

2. Ability to translate into kovai-s, akara or corpakuti of musicrendered in Raga-s already learnt.

Ability to sing or play new songs with the help of notation.The songs should be in Raga-already learnt.

Kirtanai-s - 1

One sone must be learnt in each of the following Raga-s. The songs should be sent in Tamiz and should over differenttala-s

Group-1 : (Mel-uzai Palai-raga-s/Suddhamadhyama-melaraga-s) : 4 Tamil and 4 others.

1. Gaurimanohari2. Kiravani3. Chakravakam4. Sarasangi5. Charukesi6. Harikambodi7. Natabhairavi8. Kokilapriay

Group - 2 : (Tiram/Audava raga-s) : 3 Tamil and 3 others.

1. Suddhadhanyasi2. Hindolam3. Suddhasaveri (Pazantakka ragam)

22

D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd4. Abhogi

5. Madhyamavati (Centurutti)

6. Hamsadhvani

Songs from Bhakti Literature-1Songs from Panniru Tirumurai,

1. Pidiyadan Uru Umai 1

2. Tirujnanasambandar - Thirukadaikkappu 6

3. Tirunavukkarasar (Tevearam) 3

Tirunerisai 1Tiruvirutham 2Tirutandakam 1

4. Sundarar Tiruppattu 3

5. Manikkavacakar Tiruvacakam, Tiruvembavai 3

6. Ninth ThirumuraiNinth Nayanmars 3

Song of Tirumalikaittevar including Thiruppallandu 2

7. Thirumular (Tirumandiram) 2

8. Eleventh Thirumuria(Twelve Nayanmars inlcuding Tiruvalavayudaiyar) 2

9. Sekkizhar (Perriyapuranam) 3

All the above have to be rendered only in the ancientPann mode.

23

PAPER XIIPAPER VIII - PRACTICAL - ADVANCED MUSICAL

FORMS - 2KIRTTANI-S-2 SONGS FROM CANKAM AND

BHAKTI LITERATURE - 2

Advanced Musical Forms - 2

1. Aalathi (Alapana), Niraval and Karpanaikkovai in thefollowing Raga-s

1. Todi2. Saveri3. Mohanam4. Purvakalyani5. Bhairavi

2. Pallavis

Alatti (Alapana), Tanam, Pallavi, Niraval andKarpanaikkovai Two Pallavi-s in Tamiz must be learntand they should be in th different Raga-s and tala-s

Kirttanai-s - 2

Group-1 : (Val-uzai Palai-raga-s / Pratimadhyama-melaraga-s) : 5 Tamil and 5 Others.

1. Simhendramadhyamam2. Vachaspathi3. Hemavathi4. Dharmavathi5. Ramapriya6. Latangi

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D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd7. Pantuvarali

8. Shanmukhapriya

9. Subhapantuvarali

10. Bhavapriya

Group-2 : (Kovai-vazakku chaarnda raga-s / Svara-sanchara based raga-s) 4 Tamil and 3 Others.

1. Mukhari

2. Ritigaula

3. Yadukulakambodi (Cevvazi)

4. Devagandhari

5. Darbar

6. Athana

7. Kanada

Songs from Bhatti Literature - 2

1. Divyaprabanadham - Tiruvaimozhi, Tirumozi, Tiruppavai 6

2. Tiruppugaz of Arunagirinathar 2

3. Thirukkural Kirttani 1

5. One songe each from the following devotions songs.

1. Cilappatikara Varippadal

2. Kuravanji

3. Chindu

4. Sidhar Padagal

5. Thayumanavar Padal

6. Pattinathar Padal

25

6. Bhajana Sampradaya -

1. Astapati2. Tarangam3. Abhang4. Devaranama5. Annamacharya Kirtana6. Sadasiva Brahmendra7. Divyanama8. Utsava Sampradaya Kritis9. Lalli and Unjal.

PAPER XIIIPAPER IX - THEORY - HISTORY OF MUISC-1

1. Panniru Tirumurai and Composers

2. Musical Forms belonging to the realm of Karpansi Isia.Alatti, Tanam, Pallavi, Niraval, Karpanaik-Kovai

3. Principal Seats of Music in South India

4. llakkanam of following Raga-s

1. Mukhari2. Ritigaula3. Yadukulakambodi (Cewazi)4. Devagandhari5. Darbar6. Athana7. Kanada8. Harikambodi

26

D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd9. Kharaharapriya

10. Shanmukhapriya

11. Pantuvarali (Sadari)

5. Biography of the following authors and Musicians andtheir contribution to music.

1. Karaikkal Ammayar

2. Appar

3. Sambandar

4. Sundarar

5. Manikkavacakar

6. Twele Azvars

7. Tayumanavar

8. Arunagirinathar

9. Siddhars

10. Pattinathar

11. Jayadeva

12. Narayana Theerta

13. Abhang composers

14. Dasakutas

15. Annamacharya

16. Sadasiva Brahmendra

27

PAPER XIVPAPER X - THEORY - HISTORY OF MUSIC-2

1. Sources of the writing of the History of South Indian MuiscImportant Landmarks in the History of South Indian MusicThe Tamizisai Movement; The contribution of RajaAnnamalai Chettiyar

2. 1. Muttamiz - the three tamiz-s Cilappatikaram - AMuttamiz Literary Work

2. Isaittamiz and Tamizisai - Distinction

3. Literary and Technical works pertaining to Isaittamiz

3. Knowledge of the following information form Tamiz works-

1. Technical details about music and musical instruments2. Technical terms in music

Note : Information relating to music should be drawn from -

1. Tolkappiyam

2. Sangam Literature

3. Cilappatikaram

4. Perunkatai

5. Civaka Cintamani

6. Kamba Ramaynam

7. Periyapuranam

8. Kalladam

9. Nigantu-s

4. Study of Yazh; varieties of Yazh; Parts of YazhExplanation of following Tozhikkrai -

28

D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd1. Vaarthal2. Vadiththal

3. Undal

4. uraztal

5. Uruttal

6. Theruttal

7. Allal

8. Pattadai

5. History of Palai (Mela) system

6. Samskrita terms corresponding to technical terms ofAncient Tamiz music

7. Appreciation of Musical compositions - Writing ofAppreciaiton Essays.

PAPER XVAPPLICATION ORIENTED SUBJECT - MUSIC IN

OTHER ARTS - 1

The role of music, the role of musicians, Musical formsand Musical Instruments in the following arts

1. Dance2. Villuppattu3. Harikathai4. Cinmea

The role of music, the role of musicians, Musical formsand Musical Instruments in the following arts.

29

1. Terukkuttu

2. Bhagavatmela Natakam

3. Kurvanji Natakam, Pallu Natakam

4. Dramas of Sankaradas Svamikla

Recommended Books

1. Cinduppadalkalin - Dr. Ira. TirumuruganYappilakkanam

2. Cinduppaviyal - Dr. Ira. Tirumurugan

3. Cindu Ilakkiyam - Dr. Ira. Tirumurugan

4. Cilappatikaram Tamizan - Dr. Ira. TirumuruganPadaitta Kalaikkaruvulam

5. Isaiyum Yazum - A Raghavan

6. Cilappatikarattu Isaittamiz - Dr. S. Ramanathan

7. Nandanar Carittirakkirttanaikal - Dr. S. Ramanathanof Gopalakrishna Bharati

8. Isaittamiz Ilakkana Vilakkam - V a . S u . G o m a t h iSankara Ayyar

9. Kavadiccindum Kavijnan - Aranga SrinivasanVaralarum

10. Pazantamiz Ilakkiyattil Issyiyal - Dr. Vi Pa Ka Sundarm

11. Isaiyiyal - Verriccelvan

12. Tolkappiyattil Isaikkurippukal - Dr.Vi Pa Ka Sundaram

13. Talamuzakkiyal - Dr.Vi Ra Ka Sundaram

14. Isaitturait Tamizc Corkal - M.M.DandapaniDesikar

30

D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd15. Isaittamizp Paamaalai - M.M.Dandapani

Desikar

16. Tamizil Kirttanai Ilakkiyam - Dr.S.Soundarapandiyan

17. Panar Kaivazi Yaznul - A.A.VaragunaPandiyan

18. Yaz Nul - Vipulananda Adigal

19. Viruttappaaviyal - VirabhaddiraMudaliyar

20. Pannirutirumurai Varalaru - Ka. Vellai Varanan

21. Sarvasamayasamarasak - MayuramKirttanaikal Vedanayakar Pillai

22. Tamizisai Ilakkana Marapu - Dr. SalemS. Jayalakshmi

23. Cilappartikaram with - ed. U.Ve. SaminathaCommentaries Ayyar

24. Tirukkutraalakkuravanji - Tirikuda RasappaKavirayar

25. Panchamarapu of Arivanar - DeivaikamaniGaundar

26. Paripaadal - ed. U.Ve., SaminathaAyyar

27. Tamizisaikkalaik Kalanjiyam - Dr. Vi Pa KaSundaram

28. Tamizai Iyakkam - Ira Ilankumaran

29. Isai Manjari - Periyasami Turan

30. Dravidar Issai - Pa Dandapani

31

31. Tirrmuraiyum Tamizissiyum - PulavarSenduraimuthu

32. Isai Marapu - Ka Sankaranar

33. Bharata Isai Marapu - Dr. Jnana Kulendran

34. Aindisaippan - Pa. Sundaresan

35. Kanalvari - Va. Su. GomathiSankarayyar

36. Tennaga Issiyiyal - Dr. P.T. Chelladurai

37. Purvika Sangita Unmai - Ponnusami Pillai

38. Cilappatikarattil - Dr.SalemIsaiccelvangal S. Jayalakshmi

39. Tamizisaip Padalgal - Annamalai UniversitySeries - 23 volumes

40. Tamizisai Nunukkam - Isaipperarinjar Ko.Shamugasundarm

41. Sirkezi Tamizissai - Isaipperarijnar Ko.Muvar Padalgal Shanmugasundarm

42. Muvar Tevarappadalgal - Isaipperarijnar Ko.Shanmugasundarm

43. Kuttanul - Sattanar

44. Karunamirtha Sagaram - Abraham Pandithar

45. Pazantamizissai - Ku KothandapaniPillai

46. Kavadiccindu - Dr. S. Ramanathan

47. Tevaram, Divyaprabandham - Dr. S. Ramanathan

32

D:rainbow\B.A.\Tamil\less 1,2,5,12,17proof.pmd48. Tevara Divyaprabandhap - M.M. Dandapani

Padalgal Desikar

49. Isai Malai Kottu - T.M. Tyagarajan

50. Tamizarisai - D.R. A.N. Perumal

51. Isaittamiz - Ka Vellai Varanan

52. Putiya Ragangal - Professor Ku AThanapandiayn

53. Nunnalagukalum - Professor KuRagangalum Athanapandiyn

54. Tiruppugaz Padalgalil - Dr. E. AngayarkkanniCandakkurugal

55. Tiruppugazisai - Dr. E. Angayarkkanni

56. Tirujnanasambandar - Dr. E. AngayarkkanniTevara Padalgalil Isai

57. Isaiyum Ilakkiyamum - Dr.E. Angayarkkanni

58. Panchamarapil Isai Marapu - Dr. E. Angayarkkanni

59. Cilappatikarattil - Dr. E. AngayarkkanniKanappadum Isaippadalgal

60. Kathakalakshepa A Study - Dr. PremeelaGurumurthy

less 1,2,5,12,17proof - ideunom.ac.in fine.pdf · part - i 1. exercises in two speeds in the...

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