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Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier event or action (photographer) that is regarded as an example or guide to be considered in subsequent similar circumstances (your assignment)

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Page 1: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Lens: HakariDifferent approaches to theme

Different approaches to photography

Photographic Precedents(rather than artist models)

Precedent: An earlier event or action (photographer) that is regarded as an example or guide to be considered in subsequent similar circumstances (your assignment)

Page 2: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Lens: HakariDifferent approaches to theme

Different approaches to photography

MihimihiMihimihi examines the ideas of journey and arrival, of coming together, and of sharing in and contributing to building a rich and divergent collective identity. Mihimihi begins with the announcing of oneself. How do you announce yourself? Who are you; who are your people; where do you come from; what are your stories; what do you bring to this place and the people around you?

Page 3: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Wolfgang Tillmans

Page 4: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Edith Amituanai

Page 5: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Edith Amituanai

Page 6: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Dita Pepe

Page 7: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Dita Pepe

Page 8: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Thomas Ruff

Page 9: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Lens: HakariDifferent approaches to theme

Different approaches to photography

TūrangawaewaeTūrangawaewae begins with an understanding of place. What is this place you have come to, and how does it relate to your place, the place where you stand, your marae or home? Where do you stand relative to others and their belief systems and worldviews?

Page 10: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Joel SternfeldFrom the series On This Site

The Detroit River at General MacArthur Bridge, Detroit, Michigan January 1996On August 19th 1995 Deletha Word and Martell Welch had a minor traffic accident. Welch chased

Word, pulled her from her car and beat her for nearly half and hour. More than forty people, some of whom had cellular phones, watched as Welch struck her repeatedly with a tire iron, but no one called

the police. Word leapt from this bridge to escape her attacker. Two men jumped in the river to save her, but Word feared they would harm her as well and kept swimming; she eventually drowned.

Martell Welch has been charged with murder.

Page 11: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Joel SternfeldFrom the series On This Site

Central Park, looking towards the Plaza Hotel, New York, October 1994.In the December 1953 issue of Cancer Research, Dr Ernst Wynder presented the first definitive proof

that cigarette smoke causes cancer in laboratory animals. A few weeks later, the presidents of the major American tobacco companies met at the Plaza Hotel and agreed to begin an aggressive

advertising campaign to counter Wynder’s findings.

Page 12: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Laurence Aberhart

Page 13: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Laurence Aberhart

Page 14: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Laurence Aberhart

Page 15: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Andrew RossMein St Backyard, Wellington, 2005

Page 16: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Andrew RossRainbow Books, Newtown, Wellington, 2007

Page 17: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Martin ParrFrom the series Life’s a Beach

New Brighton, UK, 1985

Page 18: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Martin ParrFrom the series Life’s a Beach

New Brighton, UK, 1985

Page 19: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Martin ParrFrom the series Life’s a Beach

Lake Garda, Italy, 1999

Page 20: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Martin ParrFrom the series Life’s a BeachCopacabana, Rio, Brazil, 2007

Page 21: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Martin ParrFrom the series Life’s a Beach

Ocean Dome, Miyazaki, Japan, 1996

Page 22: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Martin ParrFrom the series Life’s a Beach

Goa, India, 1993

Page 23: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Ed Ruscha

Page 24: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Ed Ruscha

Page 25: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Lens: HakariDifferent approaches to theme

Different approaches to photography

ĀteaĀtea examines the corresponding ideas of encounters with places and people; conversations/discourse; challenges; process (tikanga – practices and rules) and the dynamic and at times challenging and confrontational spaces of meeting.

Page 26: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

John Miller

Page 27: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Beat Streuli

Page 28: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Beat Streuli

Page 29: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Beat Streuli

Page 30: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier

Garry Winogrand

Page 31: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier
Page 32: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier
Page 33: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier
Page 34: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier
Page 35: Lens: Hakari Different approaches to theme Different approaches to photography Photographic Precedents (rather than artist models) Precedent: An earlier