lecture 13: class professor aaron baker. 2 previous lecture race in hollywood movies: stereotypes...
TRANSCRIPT
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Lecture 13: ClassLecture 13: Class
Professor Aaron Baker
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Previous LecturePrevious Lecture
Race in Hollywood Movies:
• Stereotypes and Role Models
• Whiteness
• Out of the Past, LA Confidential, Boyz n the Hood
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This LectureThis Lecture
• What is Class?• The Middle Class Norm• Class Voluntary• Pretty Woman (1990)
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One DefinitionOne Definition
• Class as Economic Status
Michael Douglas as corporate raider Gordon Gekko in Wall Street (1987)
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Three ClassesThree Classes• Upper Class: A small group with the most
wealth. They often own their sources
of income.• Lower or Working Class: They struggle to get
by. They often live amidst crime, violence, criminality.
• Middle Class: Regarded as most of American society. They have to work, but don’t struggle to get by.
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Roger and MeRoger and Me
shows a level of historical specificity about class unusual in most Hollywood films.Click on poster to see clip.
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Salt of the EarthSalt of the Earth 1954 1954
• is based on an actual strike in New Mexico.
• This clip shows prejudice, and
• how gender difference complicated the strike. Click on poster.
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American FilmAmerican Film• Often views lower and
middle class characters as successful as they move up to next class.
• e.g., Rocky goes from poverty to wealth, fame via boxing.
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Wall StreetWall Street (1987 ) (1987 )• Exception to idea of
class mobility as measure of worth
• Charlie Sheen’s character rejects corporate success because would harm his father, coworkers.
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Class VoluntaryClass Voluntary
• Like ability to move up, his choice to reject wealth typifies the idea of class in American film as voluntary.
• To emphasize free will, class in Hollywood films is often based on values and moral choices.
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Like WhitenessLike WhitenessHollywood shows • middle class an
invisible norm.• upper class greedy,
immoral, unhappy (Chinatown,top right)
• lower class desparate, criminal, violent (Training Day, lower right).
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Upper class characters…Upper class characters…• Often have no
family or love in their lives.
• Middle class are happier because of their strong friendships and family.
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Plain FolksPlain Folks
• Many Americans trace their roots not in aristocratic lineage but rather to
immigrant and/or settler experiences.
• This view of our past fits our love for individual responsibility.
• We want to see our ancestors as pulling themselves up by their bootstraps.
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George Washington Biopic?George Washington Biopic?
• Hollywood movies Hollywood movies reinforce this image reinforce this image of ourselves.of ourselves.
• Many movies about Many movies about cowboys, settlers, cowboys, settlers, immigrants.immigrants.
• Few about the Few about the aristocratic culture aristocratic culture of the founding of the founding fathers.fathers.
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Class StruggleClass Struggle• Unusual in
Hollywood Films• If shown, usually in
the past• Goal of a society of
middle class in which no further change is needed.
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Director John SaylesDirector John Sayles
Matewan (1987) and Eight Men Out
(1989) differ from this norm in showing
class as:
• Not Voluntary
• Basis for Economic Exploitation
• Not Changing for a Middle-Class Utopia
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MatewanMatewan
In this scene, we
see how class
warfare ends
without any gain for
West Virginia coal
miners.Click on the image to see clip.
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GenreGenre• Understanding class
helps show another dimension of some genre films.
• Horror is often about class conflict.
• Femme fatales in noir and gangsters want to move up.
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Horror Films Horror Films
• Texas Chainsaw Massacre (1974), Deliverance (1972): Middle class stray into working class environment.
• A Nightmare on Elm Street (1984): Working-class killer stalks a middle class neighborhood.
• Dracula, Frankenstein (1931): No middle class. Aristocrats menace peasants.
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Pretty WomanPretty Woman
• Typifies Typifies Hollywood View Hollywood View
• Class is VoluntaryClass is Voluntary• Middle Class Middle Class
Identity is BestIdentity is Best
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How about Class? How about Class?
• Richard Gere’s character, Edward, fits Hollywood’s portrayal of the upper class: wealthy, but unfulfilled.
• Vivian (Julia Roberts) is Hollywood working class by virtue of her economic desperation, criminal activity (prostitution) and vulnerability to violence.
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Pretty WomanPretty Woman exemplifies how exemplifies how Hollywood shows classHollywood shows class
• Vivian moves up by being with Edward
• He becomes moral by putting people before profit
• Both find middle class values: love, connection, concern for others.
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Money Isn’t Everything…Money Isn’t Everything…
• Both Edward and Vivian sacrifice money for love and family
• Film has it both ways: part of appeal is wealth and luxury of upper class
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Contradiction About Class Contradiction About Class
This clip from Pretty Woman illustrates such contradictions about class.
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Class and RaceClass and Race
• Both main characters chose to be more middle class.
• All the non-white characters are working class, shown happily serving Edward and Vivian.
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As in As in Notting Hill (1999), (1999), another Julia Roberts vehicle, Pretty Woman erases “class barriers in favor of love, but . . . it is the person with the [class] power who does it [Edward], thus reinforcing those barriers.”
(Lehman and Luhr, p. 324)
Pretty Woman Pretty Woman SummarySummary
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End of Lecture 13End of Lecture 13
Next Lecture: The Work of Film ProductionNext Lecture: The Work of Film Production