le porte - infissiburzicchi.com
TRANSCRIPT
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catalogo generalegeneral catalogueoбщий каталог
LE PORTE
made in italy
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The long artisanal tradition of the warehouse begins in the early ‘50, when the founder Eugenio realized oak casks, fra-mes and custom-made forniture, all exclusively hand made.Over the years, the artisanal laboratory grows, differentiating itself thanks to the valuable and refined wood works. From father to son were transmitted not only the wise directions about the processing technique, but especially the pas-sion and the love for the wood.Tradition and innovation merge themselves to create products of new design but at the same time they preserve the taste of yesteryear to offer the best solutions suitable to every customer need.
история нашего предприятия началась в 50-х годах прошлого столетия, когда основатель компании, эудженио, обладающий богатым опытом работы с деревом, начал производить бочки для винодельческой промышленности, а затем , окон и дверей под заказ, исполняемых исключительно вручную.шли годы, производство расширялось, отличаясь неизменным качеством и изысканностью своих произведений, опыт и секреты мастерства передавались от отца к сыну, а в месте с ними передавалась и любовь к работе с деревом.традиции и инновации слились воедино, чтобы дать жизнь изделиям с новым концептуальное наполнением и хранящим в себе особый аромат прошедших времен с тем, чтобы предлагать лучшие решения и соответствовать всем требованиям клиента.
La lunga tradizione artigianale della bottega inizia nei primi anni ‘50, quando il fondatore Eugenio, realizzava botti in rovere, infissi e arredamento su misura, tutto esclusivamente fatto a mano.Con il passare degli anni, il laboratorio artigiano cresce, si contraddistingue per le pregiate e ricercate opere in legno, da padre in figlio si sono trasmessi non solo sapienti indicazioni sulla tecnica di lavorazione, ma soprattutto la passione, l’amore per il legno.Tradizione ed innovazione si fondono per dar vita a prodotti di nuova concezione ma allo stesso tempo mantengono il sapore dei tempi passati per offrire le migliori soluzioni adatte ad ogni esigenza del cliente.
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divinadiamanteoperacristallocomplementi d’arredo
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144156188
IndiceContentsИндекс
CollezioneCollectionКоллекция
Sono quattro, oggi le nostre linee di produzione: divina, diamante, opera, cristallo.Nelle nostre collezioni potete spaziare nei diversi stili, dagli invecchiati ai laccati ai decorati, dal mo-derno al classico al rustico, fino alle porte d’arredo in cristallo.
мы рады представить вашему вниманию четыре актуальные на сегодняшний день линии продукции: divina, diamante, opera, cristallo.наши коллекции дают возможность реализации проектов в различных стилях - от современного до классического и рустикального, а также, декоративных дверных панелей из стекла.
Le nostre linee racchiudono tutti i nostri modelli di porte realizzate in legno di diverse essenze, tutte trattate secondo metodi di lavorazione artigianali dall’invecchiamento alla spazzolatura alla laccatura ai decori.
наши коллекции включают в себя модели дверей, выполненных из дерева различных пород, с применением традиционных методов ремесленной обработки, от имитации старения и до браширования, от лакировки и до ручной росписи дверного полотна.
La linea divina in particolare rappresenta l’apice della potenzialità artigianale dell’azienda, si tratta infatti di una collezione di porte dove non solo la qualità del legno a definire il valore, ma anche, e soprattutto, l’accuratezza artigianale e artistica con cui vengono eseguiti i decori. Cornici in foglia oro e argento, finiture in gesso pennellato e una sapiente alternanza di colori portano alla realizzazione di infissi unici e di grande pregio, particolarmente adatti per interni di lusso, di cui sono in grado di valorizzare lo stile e i materiali complementari fra cui parquet, marmorino e affreschi.
линия divina представляет собой вершину производственного потенциала нашей компании. речь идет о коллекции дверей, в которых не только качество дерева определяет ценность изделия, но, прежде всего, высокое художественное мастерство исполнения декоров. фризы с отделкой золотой и серебряной фольгой, роспись кистью по гипсу, а также, умелое сочетание цветов делают исполнение входной группы уникальным и придают ей особую ценность при использовании в интерьерах высокого уровня, где каждый применяемый материал, такой, как паркет,декоративный камень и фрески, великолепно подчеркиваются нашими изделиями.
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CollezioneCollectionКоллекция
divina
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divina
8
BRUNELLESCHI
9
finiturafinishотделкаL06
coprifilostaff beadналичникиC102
foglia argento - laccato invecchiatosilver leaf - aged laqueredсеребрянная фольга - окраска с эффектом старения
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divina
10
CANOVA
11
finiturafinishoтделкаL06
coprifilostaff beadналичникиC103
laccato invecchiatoaged laqueredокраска с эффектом старения
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divina
14
FIUME
15
finiturafinishoтделкаL07
coprifilostaff beadналичникиC126
rivestimento in pelleleather liningoтделка кожей
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divina
16
SABA
17
finiturafinishoтделкаL07
coprifilostaff beadналичникиC127
laccato - foglia oro laquered - gold leafокраска - золотая фольга
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BORROMINIORO
19
finiturafinishoтделкаL08
coprifilostaff beadналичникиC108
gesso pennellato - foglia oropainted chalk - gold leafгипс окрашенный кистью - золотая фольга
finiturafinishoтделкаL08
coprifilostaff beadналичникиC108
gesso pennellato - foglia argentopainted chalk - silver leafгипс окрашенный кистью - серебрянная фольга
BORROMINIARGENTO
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divina
22
TIZIANO
finiturafinishoтделкаlaccatolaqueredокраска
coprifilostaff beadналичникиC128
decoro dipinto a mano - foglia orohand painted decoration - gold leafдекор - ручная роспись - золотая фольга
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divina
24
BERNINI
25
finiturafinishoтделкаlaccatolaqueredокраска
coprifilostaff beadналичникиC129
decoro dipinto a mano - foglia orohand painted decoration - gold leafдекор - ручная роспись - золотая фольга
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divina
26
UNGARETTI
finiturafinishoтделкаL09
coprifilostaff beadналичникиC103
laccato - foglia oro laquered - gold leafокраска - золотая фольга
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divina
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BOCELLI
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finiturafinishoтделкаI09
coprifilostaff beadналичникиC137
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divina
32
DA VINCI
33
finiturafinishoтделкаlaccato invecchiatoaged laqueredокраска с эффектом старения
coprifilostaff beadналичникиC130
foglia argento - decoro dipinto a manosilver leaf - hand painted decorationсеребрянная фольга - декор - ручная роспись
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divina
34
CANALETTO
35
finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC106
gesso pennellato - painted chalk -- гипс окрашенный кистью
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divina
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BURRI
finiturafinishoтделкаL10
coprifilostaff beadналичникиC119
laccato invecchiatoaged laqueredокраска с эффектом старения
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divina
40
COLOMBO
finiturafinishoтделкаL11
coprifilostaff beadналичникиC119
laccato - foglia argento laquered - silver leafокраска - серебрянная фольга
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divina
42
MAGELLANO
43
finiturafinishoтделкаlaccatolaqueredокраска
coprifilostaff beadналичникиC131
foglia argentosilver leafсеребрянная фольга
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divina
44
BOTTICELLI
45
finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC123
foglia argento - decoro dipinto a manosilver leaf - hand painted decorationсеребрянная фольга - декор - ручная роспись
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divina
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PERUGINO
47
finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC115
foglia oro - decoro dipinto a manogold leaf - aged laqueredзолотая фольга - окраска с эффектом старения
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divina
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GIOTTO
49
finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC104
foglia oro - decoro dipinto a manogold leaf - aged laqueredзолотая фольга - окраска с эффектом старения
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divina
50
CIMABUE
51
finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC115
foglia oro - decoro dipinto a manogold leaf - aged laqueredзолотая фольга - окраска с эффектом старения
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divina
52
DELLA FRANCESCA
53
finiturafinishoтделкаL09
coprifilostaff beadналичникиC132
laccato - foglia orolaquered - gold leafокраска - золотая фольга
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divina
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RAFFAELLO
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finiturafinishoтделкаlaccatolaqueredокраска
coprifilostaff beadналичникиC112
decoro dipinto a manohand painted decorationдекор - ручная роспись
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diamante
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CollezioneCollectionКоллекция
diamante
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diamante
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DANTE
finiturafinishoтделкаI09
coprifilostaff beadналичникиC114
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diamante
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VERGA
61
finiturafinishoтделкаI09
coprifilostaff beadналичникиC114
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diamante
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MODUGNO
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finiturafinishoтделкаI09
coprifilostaff beadналичникиC135
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diamante
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D’ANNUNZIO
65
finiturafinishoтделкаI10
coprifilostaff beadналичникиC133
foglia oro - anticatura spugnagold leaf - sponge antiquingзолотая фольга - cтарение с применением губки
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diamante
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diamante
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PIRANDELLO
69
finiturafinishoтделкаL04
coprifilostaff beadналичникиC103
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diamante
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CARAVAGGIO
71
finiturafinishoтделка
coprifilostaff beadналичникиC122
decoro dipinto a manohand painted decorationдекор - ручная роспись
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diamante
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LEOPARDI
finiturafinishoтделкаI07
coprifilostaff beadналичникиC114
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diamante
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PAGANINI
77
finiturafinishoтделкаI08
coprifilostaff beadналичникиC111
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diamante
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PUCCINI
finiturafinishoтделкаI04
coprifilostaff beadналичникиC106
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diamante
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PAVAROTTI
finiturafinishoтделкаI06
coprifilostaff beadналичникиC119
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diamante
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VIVALDI
finiturafinishoтделкаI08
coprifilostaff beadналичникиC118
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diamante
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ROSSINI
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finiturafinishoтделкаI06
coprifilostaff beadналичникиC125
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QUASIMODO
finiturafinishoтделкаI05
coprifilostaff beadналичникиC121
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diamante
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CALVINO
95
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diamante
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BOCCACCIO
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FOSCOLO
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coprifilostaff beadналичникиC106
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diamante
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MONTALE
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finiturafinishoтделкаI05
coprifilostaff beadналичникиC109
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diamante
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PLATONE
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laccato invecchiatoaged laqueredокраска с эффектом старения
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diamante
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CARTESIO
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gesso pennellatopainted chalkгипс окрашенный кистью
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diamante
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ARISTOTELE
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SOCRATEMIELE
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SOCRATEBIANCA
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diamante
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diamante
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MEUCCI
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coprifilostaff beadналичникиC113
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diamante
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MARCONI
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123
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diamante
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MONTESSORI
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coprifilostaff beadналичникиC120
125
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diamante
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TORRICELLI
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diamante
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MODIGLIANI
131
finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC117
decoro dipinto a manohand painted decorationдекор - ручная роспись
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diamante
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PINTURICCHIO
133
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decoro dipinto a manohand painted decorationдекор - ручная роспись
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diamante
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diamante
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FERMI
137
finiturafinishoтделкаlaccato invecchiatoaged laqueredокраска с эффектом старения
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diamante
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GUTTUSO
139
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decoro dipinto a mano - foglia argentohand painted decoration - silver leafдекор - ручная роспись - серебрянная фольга
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diamante
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DE TIVOLI
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finiturafinishoтделкаgesso pennellatopainted chalkгипс окрашенный кистью
coprifilostaff beadналичникиC105
decoro dipinto a mano - foglia orohand painted decoration - gold leafдекор - ручная роспись - золотая фольга
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diamante
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TINTORETTO
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decoro dipinto a mano - foglia orohand painted decoration - gold leafдекор - ручная роспись - золотая фольга
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CollezioneCollectionКоллекция
opera
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opera
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LOREN
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opera
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FELLINI
149
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rivestimento in pelleleather liningoтделка кожей
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opera
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BENIGNI
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opera
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MORRICONE
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cristallo
Doha, Qatar. Palace.Vetrofusione temperata 8 mm dipinta a mano con oro.
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Vetrofusioni - “Una Rievocazione della storia”
La tecnica di fusione è noto per la più antica tra tutte le tecniche nella storia d’arte del vetro , ci sono prove archeologiche che gli La tecnica di fusione del vetro, ha origini antichissime, ci sono reperti archeologici che dimostrano che gli antichi egiziani avevano familiarità con questa tecnica già nel 2000 a.c. ma coloro che hanno sviluppato maggiormente la fusione del vetro sono stati gli antichi romani, vetrai davvero prolifici.Numerose ciotole bellissimi gioielli sono stati creati mediante la tecnica della fusione del vetro fino al 500 d.c. ma dopo questo periodo, questa tecnica, viene un po’ accantonata per dar seguito alla “soffiatura” del vetro. La vetrofusione ebbe così un pe-riodo di minor produzione, dovuto alla sua applicazione prettamente artistica, è all’inizio del XX secolo che questa tecnica ha ripreso vigore grazie al proliferare della produzione di vetrate artistiche.La vetrofusione, ai giorni nostri, è una tecnica che consiste nel fondere a forno vetri, graniglie di vetro, compatibili con la base, o dipinti, tramite ossidi in polvere, ad una temperatura di 800°C. Il vetro cotto viene poi raffreddato lentamente per non far subire al vetro uno stress termico.Per lavorare la superfice del vetro, si utilizzano stampi refrattari, che permettono di creare effetti di movimento del disegno scelto.
Fused Glass - “A Modern Resurrection Of History”
The fusing technique is known for oldest among all of techniques in the history of glass art industry , there is archeological evidence that the Egyptians were familiar with techniques ca. 2000 BCE. However it is proved that the earliest fusing techniques were first developed by the Romans, who were much more prolific glas-sworkers.While glass working in general enjoyed a revival during the Renaissance, fusing was largely ignored during this period. Fusing began to regain popularity in the early part of the 20th century. The Technique depends on the idea of melting the particles of the glass at a temperature of 800 ° C , as the glass grits compa-tible with the base plate and powdered oxides.Using refractory molds and dust separator to changethe surface of the glass, giving it a motion effectdifferent for each design.The fused glass is then made to cool slowly to avoid pressure & cracking, as subsequently, the glass is tempered.
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Doha, Qatar. Palace. 2015cm 559x420
Vetrofusione temperata 8 mm dipinta a mano con oro.
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Vetrofusione temperata retroverniciata bronzo, dipinta con oro.
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Vetrofusione temperata neutra, decoro stile natura. Vetrofusione temperata neutra, decoro stile natura.
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Vetrofusione temperata neutra,decoro stile natura.
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Porta in vetrofusione temperata neutra a doppia anta,decoro stile natura, montata con guida a scorrimento in acciaio satinata.
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Vetrofusione temperata neutra,decoro stile Matisse.
Porta in vetrofusione temperata neutra una anta,decoro stile natura montata con guida a scorrimento in acciaio lucido.
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Vetrofusione temperata neutra dipinta in oro.
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Vetro rilegato a piombo con decori.
Rilegati - Il Narratore Della Storia
Nel corso della storia, il termine “rilegati” è stato associato alle vetrate di Cattedrali, Chiese ma anche Moschee. In Europa soprattutto nel medioevo, periodo nel quale l’uso di vetrate colorate e rilegate a piombo, ha avuto la sua massima espansione.La vetrata rilegata a piombo, è un insieme di vetri tenuti uniti tramite un reticolo di profili in piombo saldati tra loro, i pezzi di vetro colorati e rilegati vanno a formare un disegno o decoro, come le tessere di un mosaico. Le tessere vitree vengono deco-rate partendo da un disegno di base, effettuando prima contorni e ombre e successivamente aggiungendo il colore di pittura a grisaglia o smalti che vengono poi cotti a 620°C. La tecnica viene definita “ad asporto” perché si ottiene tramite l’asporto del colore in eccesso, rimosso con pennelli o graffiti. Con questa tecnica si potrà anche dare un effetto d’invecchiamento dato che le vetrate rilegate sono spesso un richiamo di uno stile in uso nei secoli precedenti.Molteplici sono i fattori da considerare quando si crea una vetrata rilegata, innanzi tutto dovrà inserirsi perfettamente nello spazio a lei dedicato, resistere ai diversi fattori climatici esterni e dovrà sostenere il proprio peso, è quindi molto importante la precisione del telaio in piombo che supporta le tessere vitree e la considerazione del suo peso e forma e ancora, la giustapposi-zione delle tessere inserite e fissate nel telaio, così che possano resistere alla dura prova del tempo, come le grandi vetrate delle Basiliche medioevali, che sono arrivate fino ai giorni nostri.Le vetrate rilegate colorate sono state definite anche “decorazioni murali luminose” questo perché come un muro possono occultare ciò che si trova al di fuori o all’interno di esse ma allo stesso tempo lasciano filtrare la luce e quindi illuminare l’am-biente da esse protetto.La tecnica della vetrata rilegata ha visto una forte diffusione durante i primi anni del XX secolo, quando con l’art nouveau ed il liberty trovò impiego nelle vetrate di abitazioni private. Oggi è prevalente in case lussuose ed eleganti, edifici commerciali e luoghi di culto.
Stained Glass - The History Narrator
Throughout its thousand-year of history, the term has been applied almost exclusively to the windows of churches, mosques and other significant buildings. As a material stained glass is colored by adding metallic salts during its manufacture. The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design and granting it an aging effect. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the enginee-ring skills to assemble the piece.A window must fit snugly into the space for which it is made, also must resist wind and rain, and also, especially in the larger windows, must support its own weight. Many large windows have withstood the test of time and remained substantially intact since the late Middle Ages. In Western Europe they constitute the major form of pictorial art to have survived. In this context, the purpose of a stained glass window is not to allow those within a building to see the world outside or even primarily to admit light but rather to con-trol it. For this reason stained glass windows have been described as ‘illuminated wall decorations’.Stained glass is still popular today, but often referred to as art glass. It is prevalent in luxury homes, commercial buildings, and places of worship.
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Vetro rilegato a piombo con decori. Vetro rilegato a piombo.
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Porta vetro tecnica mista vetrofusione neutrae sabbiatura.
Guida a scorrimento in acciaio e maniglia in vetrofusione.
Sabbiati - L’arte del Vento e della Sabbia
Questa tecnica si effettua spruzzando sabbia o ossido di alluminio sulla lastra di vetro ricoperta da una carta adesiva, su questa carta il disegno è stato eseguito e inciso precedentemente e asportata la parte che abbiamo scelto di sabbiare, dopo di ché il vetro verrà temperato.
Sandblasting - The Art of Wind & Sand
A modern technique developed since 1870 as a phenomenal inspiration of the desert violent winds effect on rocks and mountains, This technique is carried out by spraying the sand or aluminum oxide, on the glass plate covered with an adhesive paper, on this card design has been performed and recorded previously and removed the part that we chose to be blasted, after which the glass will be tempered.
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Restauro - Viaggiare indietro nel tempo
La tecnica si basa sul recupero delle vetrate in degradazione e tessere vitree fuori sede, la luminosità e la sicurezza che sono state compromesse dall’usura del tampo saranno riportate allo stato originale.
Restoration - Traveling back in Time
The technique is based on retrieving the windows in degradation and weaving glass parts that are off site, also granting the fragments & pieces the brightness and glazing that was compromised by the wear of time to restore it to its original state.
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Particolare di restauro di vetrata a piombo.
Restauro di vetrata a piombo.
before after
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Restauro di vetrate a piombo.
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CollezioneCollectionКоллекция
complementi d’arredo
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diamante
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diamante
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TUTTI I PRODOTTI ILLUSTRATI NEL PRESENTE CATALOGO SONO PROTETTI DA COPYRIGHT.È VIETATA LA RIPRODUZIONE TOTALE O PARZIALE DEI MEDESIMI.
All the products illustrated in this catalogue are protected by copyright. Total or partial reproduction is forbidden.
made in italy
Burzicchi Porte e FinestreVia Carlo Marx, 11
06012 Cerbara - Città di Castello (PG) ItalyTel. +39 075 8511877 - Fax +39 075 3742379