late 20 th century art

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Late 20 th Century Art Post WWII

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Late 20 th Century Art. Post WWII. Key Ideas. Experimentation in a restless era Short-lived, intense movements Variety of media used by individual artists (not just a painter or sculptor) Technological advances – digital media Closer equality of the sexes in art. - PowerPoint PPT Presentation

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Page 1: Late 20 th  Century Art

Late 20th Century Art

Post WWII

Page 2: Late 20 th  Century Art

Key Ideas

• Experimentation in a restless era• Short-lived, intense movements• Variety of media used by individual artists (not

just a painter or sculptor)• Technological advances – digital media• Closer equality of the sexes in art

Page 3: Late 20 th  Century Art

Post War EuropeanFigural ArtAlberto Giocometti, Swiss, Walking Man, bronze, 1960

•Figural art was used to stay close to the human condition of the war•Response to the human casualties of war•Similar to the fleshiness of concentration camp survivors•plaster

Page 4: Late 20 th  Century Art

Post War EuropeFigural ArtFrancis Bacon, English, Head Surrounded by Sides of Beef, 1954, oil on canvas

Jean Debuffet,,French, Cow with the Subtile Nose, 1954, oil on enamel on canvas

•Art brut – childlike primitive

Page 5: Late 20 th  Century Art

Abstract Expressionism“The New York School”• Reaction against minimalist

abstraction (Mondrian, Malevich)

• Jackson Pollack, Number 1, 1950, oil, enamel, aluminum paint on canvas. Action painting, Immense size.

• William de Kooning, Woman II, 1952, oil on cnavas. Slashed paint, woman with huge breasts mocking magazine ads, ferocious women.

Page 6: Late 20 th  Century Art

New York School SculptureLouise Nevelson, Sky Cathedral, 1958, wood.

•Cubist influence•Shallow boxes with wooden contents•Huge constructions painted black to unify the composition

Page 7: Late 20 th  Century Art

Color Field PaintingMark Rothko, Orange and Yellow, 1956, oil on canvas

•Tension in the color relationships•Blocks of color with hazy edges•No names beyond colors used

“only in expressing basic human emotions — tragedy, ecstasy, doom, and so on. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions . . . The people who weep before my pictures are having the same religious experience I had when I painted them. And if you, as you say, are moved only by their color relationship, then you miss the point.”

“I realize that historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them, however . . . is precisely because I want to be very intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn’t something you command!” Rothko

Page 8: Late 20 th  Century Art

Pop Art1950s-1960sAndy Warhol, Marilyn, Campbell Soup Cans

•15 minutes of fame•Mass marketing•Mass popular culture•The Factory

Richard Hamilton, Just What is it that Makes Today’s Homes So Different, So Appealing?, 1956, collage.

Page 9: Late 20 th  Century Art

Pop ArtRoy Lichtenstein, Hopeless, 1963, oil on canvas.

•Heavy black outlines•Benday dots•Inspired by comic books•Precise drawing

Page 10: Late 20 th  Century Art

Minimalism/Postminimalism

Frank Stella, Avicenna, 1960. Aluminum paint on canvas.

•Suppression of personality•Denies all representation•Lacks narrative•Precursors were Mondrian/malevich

Page 11: Late 20 th  Century Art

Site Art (Earth Art)•Dependent on location for meaning•Continues today…

Robert Smithson, Spiral Jetty, 1970. Great Salt Lake, Utah

Christo, Running Fence, 1972-76. Nylon Fence, Sonoma and Marin Counties, CA.