krista thomas tamu undergraduate portfolio

KRISTA THOMASundergraduate portfolio

exploration of design and thought through the growth of architecture

PROJECTS

DESIGN BUILD

CONTACT

TEXAS ARCHITECTURE CENTER FALL 2014 SENIOR INTEGRATED STUDIO

PERFORMING ARTS THEATER SPRING 2014 JUNIOR STUDY ABROAD STUDIO

TEXAS A&M COLLEGE OF ARCHITECTURE FALL 2013 JUNIOR LEVEL STUDIO

TEXAS HUNTING LODGESPRING 2013 SOPHOMORE LEVEL STUDIO

USONIAN AFFORDABLE HOMESPRING 2013 SOPHOMORE LEVEL STUDIO

SUSTAINABLE DOG HOUSE COMPETITIONFALL 2012 SOPHOMORE LEVEL STUDIO

KRISTA BAILEY [email protected]

ABSTRACTION OF THE HUMAN BODYSPRING 2011 FRESHMAN LEVEL STUDIO

TEXAS ARCHITECTURE CENTERtask: design a public architecture center location: 1000 clay st. houston, tx challenge: integrating structural systems with a sustainable designcontributors: jacob rhodes

THE PARTI DESIGN PROGRESSION

FLOW OF TRAFFIC TO SITE

AUDITORIUMGIFT SHOP

AUDITORIUM LOUNGE

TECH CENTER

TECH LOUNGE

OFFICES

TERRACE

MULTIPURPOSE ROOMKITCHEN

OFFICES

RESTAURANT

PARKING ROOF TERRACE

GALLERY LIBRARY

STORAGE

INFORMATION DESK

COOLING TOWER

COOLING TOWER

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AUDITORIUMGIFT SHOP

AUDITORIUM LOUNGE

TECH CENTER

TECH LOUNGE

OFFICES

TERRACE


OFFICES

RESTAURANT


GALLERY LIBRARY

STORAGE

INFORMATION DESK

COOLING TOWER

COOLING TOWER

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AUDITORIUMGIFT SHOP

AUDITORIUM LOUNGE

TECH CENTER

TECH LOUNGE

OFFICES

TERRACE


OFFICES

RESTAURANT


GALLERY LIBRARY

STORAGE

INFORMATION DESK

COOLING TOWER

COOLING TOWER

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AUDITORIUMGIFT SHOP

AUDITORIUM LOUNGE

TECH CENTER

TECH LOUNGE

OFFICES

TERRACE


OFFICES

RESTAURANT


GALLERY LIBRARY

STORAGE

INFORMATION DESK

COOLING TOWER

COOLING TOWER

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AUDITORIUMGIFT SHOP

AUDITORIUM LOUNGE

TECH CENTER

TECH LOUNGE

OFFICES

TERRACE


OFFICES

RESTAURANT


GALLERY LIBRARY

STORAGE

INFORMATION DESK

COOLING TOWER

COOLING TOWER

MECHANICAL SHAFT

MECHANICAL SHAFT

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AUDITORIUMGIFT SHOP

AUDITORIUM LOUNGE

TECH CENTER

TECH LOUNGE

OFFICES

TERRACE


OFFICES

RESTAURANT


GALLERY LIBRARY

STORAGE

INFORMATION DESK

COOLING TOWER

COOLING TOWER

MECHANICAL SHAFT

MECHANICAL SHAFT

MECHANICAL SHAFT

MECHANICAL SHAFT

MECHANICAL SHAFT

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L1 L3

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L2

PARKING L2FLOW OF TRAFFIC ONTO SITEThe traffi c to and from our site is conveniently located at the west facade of our building. Through this entrance, guest will continue up the ramp which is only semi-visible from the exterior of the building. The ramp creates a seamless design through the backside of the building and allows the guest to access all three levels of the parking garage. After parking, guest will be able to take an elevator to the fi rst level of the parking garage that then lead to a second level building entrance.

Downtown Houston lacks an iconic building for the displaying of architecture. By creating a center for architecture, the general population will become better acquainted with the extents of architecture and its placement within the city of Houston. Houston is a city that is extremely car focused. Therefore, through the design process, the integration of our design with the car was essential. Our parti was created when we decided to juxtapose the typical heaviness of a parking garage and make it appear to be lightly floating under our cantilevered building. This notion not only highlights the car in the design but also indirectly displays the extremes of what architecture can do in terms of structures. The phenomenon of the parking element along with the function of the building will give the population of Houston a center for architecture to take pride in.

DESIGN PROCESS

PARKING GARAGE RAMP ENTRANCE WEST CORNER BIRDS-EYE VIEW VIEW OF FRONT FACADE AND RAMPS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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DETAIL CALLOUTS1_weather protection[hydrotech]2_styrofoam insulation[foamular]3_hydrodrain[hydrotech]4_roof membrane[hydrotech]5_steel decking6_panel clip[alucobond]7_rigid insulation[foamular]8_W 24x 55

9_parallel warren truss10_metal panel[alucobond]11_lateral bracing cord12_welded truss plate13_hvac system14_continuous runner channels15_metal stud16_insulation[foamular]

17_exterior sealant[tremco]18_concrete girder19_hung ceiling[armstrong]20_acoustical panels[armstrong]21_concrete column22_concrete slab23_carton form24_pile cap

25_30 piers26_curtain wall27_concrete wall28_rock curb29_garden drain[hydrotech]30_pedestal[hydrotech]31_paver[hydrotech]

LOAD TRACING DIAGRAMtracing the load of a large boulder sitting on top of the cantilever through the steel truss system into the concrete columns, beams and girders

BONES MODEL-CANTILEVER TRUSSES DETAIL MODEL

TEXAS A&M COLLEGE OF ARCHITECTURE task: designing a education and fabrication buildinglocation: texas a&m university challenge: connecting two other projects to our owncontributors: annmarie casteel

PARTI OPTION THREE

PARTI OPTION TWO

PARTI OPTION ONE

LIBRARY

WOODSHOP

FOYER

AUDITORIUM

Langford BVisual Axis

Currently the Langford Complex resides at the northeastern edge of the Texas A&M campus along Ross St. The proposed project allotted to the studio was to redesign Langford B and C as well as repurpose the current bridge into a link building to connect these two spaces. The program requirements for Langford B included a library space that was to be able to contain at least 2,000 periodicals, a woodshop equipped to service the students of the College of Architecture, and an auditorium that would be used for daily classes as well as public presentations and guest lectures on occasion. The building proposed by our partnership intends to answer these design requirements with well laid out volumes of space that correlate and promote circulation as well as provide great views to the outside. On the exterior volumes of space are depicted by shift-ing planes with colored emphasis on voids, while the interior emphasizes these volumes by the large atrium within the entrance and walls that subdivide one rooms function from another. Views to the outside are emphasized through a twofold design implementa-tionthe buildings angled plan and the skin. The plan is angled at the end closest to Langford A in order to provide an optimal view from the third story library window unto the space between A and Scotes Hall. Another area where this angled technique to enhance viewpoints is utilized lies along the redesigned buildings edge adjacent to Bright Hall. Here a small indent like move exists so that a view in the direction of H20 fountain and the adjoining plaza is provided. The skin initially began as a method to frame views and even-tually evolved into an overall schematic pattern that uses the interior program to determine the height of punctures within the skin. For example, near the computer area punctures are located at four and six feet in order to serve views to inhabitants whether they are sitting (four feet) or standing (six feet). This skin design allows for natural light to enter the building, but more importantly blocks unnec-essary light from heating the interior as well as letting occupants focus on the most the most striking aspects of the outside scenery devoid of unnecessary visual contextual information.

vertical atrium located as inhabitants enter the building. All sets of stairs, the sole means of circulation within this building, are stacked within

balcony universal

helves that make up the library as well as a computer lab and six study rooms. Bathrooms and the elevator are contained within the poche wall

entrances are located on. Every design contains its own unique setbacks, or challenges. In this case one of the main concerns from the beginning was the inclusion of phenomenal transparency within the interior spaces. In our original parti the atrium was located at the very front of the building and butted up again this resolute wall that made the space feel claustrophobic, unexciting, and unimportant. To solve this dilemma we moved the entrance down so that the atrium would fall in between two functional spaces rather than at the beginning of

esence.

P.O.V.TEXAS A&M UNIVERSITY-COLLEGE OF ARCHITECTURERECONSTRUCTION OF LANFORD BPRESENTED BY: KRISTA THOMAS & ANN MARIE CASTEEL

SITE NOLLI PLANLangford BVisual Axis N

By using the parti approach we were able to allot the appropriate areas needed for each space. This process allowed the design to develop from the inside out. After developing three partis we were chose to develop the third parti for our final project. Although we change the overall program of the parti the form remained the same.

THE PARTI

The plan is angled at the southeast end in order to provide an optimal view from the third story window unto an existing garden. Another area where this angled technique is utilized lies along the redesigned buildings edge adjacent to Bright Hall. Here a small indent exists so that a view in the direction of an adjoining plaza is provided.

SITE PLAN

The ground level allows for access into either the auditorium, which begins on this floor, or wood shop from the expansive vertical atrium located as inhabitants enter the building.

Level one is a mixed-use space comprised of an access point to the balcony of the auditorium and the beginnings of the library including the help desk. Additionally this floor also houses the universal connection point between two connecting buildings.

Level two contains a multitude of bookshelves that make up the library as well as a computer lab and five study rooms.

LEVEL TWO

LEVEL ONE

GROUND LEVEL

THE SKINWhen designing the skin we knew that our building would serve various groups of individuals but one thing they all would have in common would be the reason as to why they are servicing the building. As an educational facility most individuals will be students on the move to and from class. In order to optimize the views and the experience of the building we created rectangular voids where the site lines of individuals would be at advantage.

PRESENTING3-0 to 6-0 4-8+ 3-0 to 4-0

WALKING SITTINGPRESENTINGPRESENTINGPRESENTINGPRESENTING WALKING3-0 to 4-03-0 to 4-0

WALKINGWALKINGWALKINGWALKING

1:16SECOND FLOOR

1:16THIRD FLOOR

PERFORMING ARTS THEATER task: redesign an abandoned warehouse into a performing arts theaterlocation: castiglion fi orentino, itchallenge: preserving the tuscan urban fabric and enhancing the natural topography of the sitecontributors: jake boudreau, callie wendlandt

KEY PROGRAMING FEATURES:

REQUIREMENTS:

LOCATION:SITE ANALYSIS

1_performer housing2_locker & performance preparation room3_multipurpose performing spaces4_dance studio5_information center

The challenge that was presented made it important to re-purpose the existing building for performances and to use the silos as housing for performers.

Located at the foot of the city this historic site created an opportunity to utilize incoming tourist front the busy train station.

DN

DN

UP

GALLERY AND LOBBY

COFFEE BAR

THEATER

FREIGHTELEVATOR

STUDIO

PERFORMER HALL

WorkoutRoom

Game Room

Kitchen

Living & Dining

THEATERCONTROL RM

ADMINOFFICE

WOMENSRR

HAIR & MAKE UPPREP

SEATING STORAGE

FREIGHTELEVATOR

PARKING GARAGE

GARAGE LOBBY

MENS RR

MENSRESTROOM

WOMENSRESTROOM

TOURIST INFORMATIONCENTER

Restroom Restroom

UP

UP

UP

LOCKER ROOM

PERFORMERSILO CONNECTION

LEVEL TWO 0-0

LEVEL THREE 20-0

LEVEL ONE -15-0

The natural contours of the site allows for our design to expand underground, increasing the functionality of our building. For guest that are entering the site from the train we have provided an information desk that will not only provide details of the performance center but for the city as well. The residents of the silos have a private access that is connected directly to the locker room. This access creates a easy and safe transition for the performers from their housing to the theater.

DN

Patio

Balcony

Bedroom

Bedroom

Common Space

PERFORMANCE HALL CONFIGURATIONSOur design allows for the theater to adapt to any size performance, up to 250 guest. The wall separating the main theater from the studio is designed to be removable in the case of a larger performance. The seating for this black box design is retractable and is able to be easily compacted and stored on the level below with the use of the adjacent freight elevator.

THEATER

STORAGE

WORKOUT ROOM

FREIGHTELEVATOR

OUTDOOR PERFORMANCE SPACE

LOUNGE BEDROOM

BEDROOMBEDROOM

LIVING/DINING

HALLWAYHALL TOTHEATER

BEDROOM

OUTDOOR PERFORMANCE SPACE

KitchenDining &Living

WorkoutRoom

Game Room

Bedroom

Bedroom

Common Space

Common Space

Bedroom

Bedroom


WorkoutRoom

Game Room

Bedroom

Bedroom

Common Space

Common Space

Bedroom

Bedroom


WorkoutRoom

Game Room

Bedroom

Bedroom

Common Space

Common Space

Bedroom

Bedroom

One of the biggest challenges of this project was taking six, forty foot tall grain silos and turning them into adequate housing. The fi rst level of the silos is designed to be communal space for the residents including a full kitchen, game room as well as a workout room. In the two levels above we divided four of the silos directly in half so that each performer could essentially have their own room and privacy. The existing silos are completely enclosed causing an issue with natural lighting into the bedrooms. To solve this issue we proposed that the silos be pulled back in three strategic areas along the front of the four silos.

SILO DESIGN

An important aspect of the project was to create a not only a performing arts theater but to also create a space for the community of Castiglion Fiorentino. The beautiful climate and social lifestyles enhance the program of the complex by allowing our design to be successful inside and out. We created three separate spaces surrounding the building to optimize the communal aspect of bringing people together through activity. The outdoor spaces on the back side of the building are enhanced with green steps that encourage groups to enjoy the outdoors on the steps that could also be used as seating for an outdoor performance.

UTILIZING EXTERIOR TOPOGRAPHY

BALCONY

BAR STUDIO THEATER

RESTROOMS DRESSING ROOMSTAFF PARKING RESTROOMS RESTROOMS

GALLERY LOBBY

STORAGE

TEXAS HUNTING LODGEtask: design a economical hunting lodgelocation: central texas challenge: enhancing the lodge by using massing in Revit

Ground Level0' - 0"

Roof and GridSystem12' - 0"

Level 10' - 0"

Level 210' - 0"

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1Sections

4Sections

1/4" = 1'-0"5Primary Elevation N

Ground Level0' - 0"


Level 10' - 0"

Level 210' - 0"

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Sections

4Sections

1/4" = 1'-0"2Copy of Looking North

Ground Level0' - 0"


Level 10' - 0"

Level 210' - 0"

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1Sections

4Sections

Ground Level0' - 0"


Level 10' - 0"

Level 210' - 0"

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3Sections

2Sections

5Sections

6Sections

1Details

1/4" = 1'-0"6 Primary Elevation S

Ground Level0' - 0"


Level 10' - 0"

Level 210' - 0"

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1Sections

4Sections

1/4" = 1'-0"3Looking South

Ground Level0' - 0"


Level 10' - 0"

Level 210' - 0"

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Sections2

Sections6

Sections1

Details

1/4" = 1'-0"1

1/4" = 1'-0"4Copy of Looking West

REVIT 3D MASSING The exterior of the house is designed with aluminum panels. The zinc panels are light weight and easy to installation making them great for construction. The doubly curved surface acts as three components of my design. Wrapping from west to the east the mass begins as a secondary wall, leading into the primary roof and finally into overhang to provide shading for the large glass panels of the common areas.

BUNK-ROOM

WH

KITCHEN

WATERCOLLECTION

LIVING ROOM

FRONT PORCH

My Design was inspired by the idea of surprise. Coming from the west entrance of the property the lodge is approached by a curving road that brings the home owner around the enclosed side of the lodge from west to east. Upon approaching the east side of the house the lodge becomes completely open with large glass panel doors that lead to a covered patio that opens into the common areas.

DESIGN PROCESS

USONIAN AFFORDABLE HOMEtask: designing a home for the affordable housing marketlocation: bryan, txchallenge: creating a economical plan for a single family

4 East Elevation

3 West Elevation

1 North Elevation

2 South Elevation 1/16" = 1'-0"5 Floor Plan 1

FURNISHED FLOOR PLAN

USONIAN DESIGN

NORTH ELEVATION

WEST ELEVATION

SOUTH ELEVATION

EAST ELEVATION

Usonian style homes have a special art to them that allows the homes to be detailed yet still moderately affordable. Created by Frank Lloyd Wright, Usonian style homes are most commonly recognized by their single story elevations with elongated roofs. The materials used on Usonian homes allow the home to connect with nature by using dark wooden panels and rustic brick, which I have also used in my design. I wanted to design a home that was affordable but yet aesthetically pleasing. The overhangs are supported by reinforced concrete columns that are also lined with bricks placed in a rowlock pattern. The interior of the home has a open floor plan with a single hall that connects the three bedrooms to the common spaces. The skylights in the hall allow for natural light to flood into the interior spaces creating a bright environment without the need of artificial lighting.

ROOF CONNECTION INTERIOR DOOR JAMB EXTERIOR DOOR JAMB

SWING DOOR TO EXTERIOR

EXTERIOR WALL WITH ANCHOR BOLT

INTERIOR DOOR WITH CARPETING

EXTERIOR STONE WALL WITH WINDOW

DESIGN BUILDdesign build projects have allowed me to study and develop projects at a deeper level. through this process I find excitement that is unreachable from the screen of any computer. these projects take a simple concept to reality allowing me to develop construction skills that have been able to influence my future designs.

SUSTAINABLE DOG HOUSE COMPETITION task: design a sustainable dog house for the brazos valley bark and build competitionlocation: bryan, texas challenge: using a 34 x 5 x 6 module with recycled materialscontributors: kyle haws, elizabeth widaski

SUSTAINABLE & AWARD WINNING DESIGN

Our design incorporated the use of louvers and interaction with the environment. We placed louvers on three of our four walls which allowed for the wind to constantly flow through the dog house. We also added a plywood panel to give the dog shade, warmth and protection from the elements. A key part of our sustainable design is the trough that collects water from the runoff of the metal roof. The trough is lined with non-toxic spray-on rubber and could also be used as a flower pot. We made our roof heat reflective by using recycled galvanized sheet metal. Along with the roof we strive to keep the dog cool by adding reclaimed tile flooring to the interior. The porch of the house is lined with synthetic grass and is adorned with a tug-o-war rope wall. The tile flooring and synthetic grass allow the house to be easily cleaned and create an aesthetically pleasing environment that not only benefits the dog but also the owner.

SKETCHUP CONCEPT COMPETITION SITE

RECYCLED MATERIALS1_synthetic grass[porch covering]2_ceramic tile[interior of house]3_shipping pallets[louvers & base]4_plywood sheet[house facades]5_tennis balls[tug-o-war wall]6_sheet metal[roof]7_wooden rods[louver support]8_rope[tug-o-war wall]NON-RECYCLED MATERIALS1_metal fasteners[louvers]2_screws & nails[throughout]3_non-toxic green paint[facades]

We pushed to make our dog house out of one hundred percent recycled materials and were able to collect all our building materials except for the connections and paint from Brazos Valley locals and construction sites. In competition with other students and Brazos Valley architects our dog house place first runner up in Best in Show and also was awarded gold in sustainability.

ABSTRACTION OF THE HUMAN BODYtask: study the human body to create an art abstraction challenge: make the abstraction by hand using galvanized sheet metal contributors: fransico castillo

STUDY OF HUMAN PROPORTIONS We studied the golden ratio in order to sketch our original designs and incorporated the average proportions of eight into our designs. Along with the golden ratio we found that it was important to research the structural elements such as the center points of the human body. It was a requirement for our model to stand alone and with the research of these elements we found that the spine would be crucial in building a standalone model.

The challenge to create a full-scale abstraction of the human body using only sheet metal. Using twenty-eight gauge galvanized sheet metal, we hand cut twenty-one, two inch strips of steel that were measured to the dimensions of my body. The strips were then made into rings using of rivets. In order to construct a study spine we shaped the metal into a rectangular tube that was then attached to the inside of the rings. The spine connected the head, back and pelvis as it would on a human. Additional strips were also added at the ribs and ankles of the model as we found that these points were weak.

DESIGN PROCESS & MATERIALS1_28 gauge galvanized sheet metal2_blind rivets

Texas A&M University [email protected]

krista thomas tamu undergraduate portfolio

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