korea [2014 vol.10 no.01]

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  • 8/13/2019 KOREA [2014 VOL.10 No.01]

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    JAN2014

    Novelist

    Eun Hee-kyung

    Muju

    HanbokKoreas traditional clothing ispractical and beautiful

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    Publisher Woo Jin-yung, Korean Culture and Information Serv

    Executive ProducerSuh Jeong-sun

    E-mail [email protected]

    Magazine ProductionSeoul Selection

    Editor-in-ChiefRobert Koehler

    Producer Shin Yesol

    Production SupervisorLee Jin-hyuk

    Editorial AdvisorsJang Woojung, Im Hyeong Doo

    Copy EditorsGregory C. Eaves, D. Peter Kim, Hwang Chi-youn

    Creative DirectorJung Hyun-young

    Head DesignerKo Min-jeong

    PhotographyRyu Seunghoo, Robert Koehler

    Printing LEEFFECT

    All rights reserved. No part of this publication may be reproducany form without permission from KOREAand the Korean Cultu

    Information Service.

    If you want to receive a free copy of KOREAor wish to cancel a

    please e-mail us. A downloadable PDF file of KOREAand a map

    with common Korean words appearing in our text are available

    the thumbnail of KOREAon the homepage of www.korea.net.

    11-1110073-000016-06

    04

    24

    CONTENTSJANUARY2014VOL.10 NO.1

    14 PEN & BRUSHNovelist Eun Hee-kyung

    18 PEOPLEMaster Watch Repairman Back Jun-duk

    20 TRAVELMuju

    24 SPORTSKim Yuna

    26 ENTERTAINMENTTaekkyeon Arirang Lyeon

    28 SPECIAL ISSUE

    Sejong City: Part II

    30 CURRENT KOREAKorea's Toilet Revolution

    32 SUMMIT DIPLOMACY

    Year-end Diplomacy

    36 POLICY REVIEWDaedeok Innopolis

    38 CREATIVE TECHNOLOGYThe IT Healthcare Era

    40 GLOBAL KOREAKorea Lends a Hand to the Philippines

    42 GREAT KOREAN

    Han Yong-un

    44 MY KOREAThe Pojangmacha

    46 MULTICULTURAL KOREAHockey Player Brock Radunske

    48 TALES FROM KOREAThe Princess and the Idiot

    50 FLAVORSeolleongtang and Kkakdugi

    Embodying age-old philosophies, Koreas traditional

    clothing is as practical as it is beautiful

    C O V E R S T O R Y04

    HANBOK

    30

    20

    G a t e w a y t o K o r e a

    Assisting events that introduce Korean culture to non-Koreans

    Producing foreign-language publications and different types of

    promotional materials on Korea

    Operating the government homepage,www.korea.net

    Assisting intenational academics, opinion leaders and foreign media

    reporting on Korea

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    V E R S T O R Y

    Embodying age-old philosophies,Koreas traditional clothing is as practicalit is beautiul

    Written bySamuel Songhoon Lee

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    1. The traditional

    Hanbok is still worn on

    special occasions today.

    2. The many Hanbok

    worn by President Park

    Geun-hye at various

    diplomatic functions.

    here is perhaps no other artiact that

    captures the richness o Korean cultural

    heritage as well as Korean traditional attire,

    nown as Hanbok. While the origins o Hanbok

    an be traced back millennia to the ethnic origins

    the Korean people, historical records in the orm

    murals painted during the early period o the

    Goguryeo Kingdom (37 B.C.A.D. 668) show that

    Koreans began to wear a modern orm o Hanbok as

    arly as the ourth century B.C.

    Te basic design o Hanbok comprises o two-ieces, an upper and lower garment. Te upper

    arment, thejeogori, is a bolero blouse-like jacket

    worn by both women and men. For the lower

    arment, women wear a chima, a ull-blown

    kirt that reaches past the ankles, and men wear

    baji, a pair o roomy trousers. On top o these

    asic garments, a wide variety o accessories and

    uterwear can be worn or different seasons and

    different occasions.

    What is most astonishing about hanbok is the way

    in which its orm and design have been preserved,

    despite a time lapse o two thousand years. While the

    particular style and specific length have undergone

    changes over the years, the basic appearance o

    hanbok has stayed intact. In looking at Goguryeo

    period murals dating rom the ourth century B.C.,

    one will see an uncanny resemblance to the Hanbok

    being worn on the streets o modern Seoul.

    It is this remarkable preservation o Hanbok thatprovides a window into the rich cultural heritage o

    the Korean people. Although Hanbok is popularly

    worn today on special occasions such as weddings

    and birthdays, there is renewed interest among

    modern Koreans in wearing Hanbok as everyday

    wear, just as their ancestors once did. Te revival has

    been touched off by Koreas first emale head o state,

    President Park Geun-hye.

    1

    Hanbok Diplomacy

    Since being elected in December 2012, President Park Geun-

    hye has surprised the worldand the Korean peoplewith

    her steadast devotion to wearing Hanbok on official occasions.

    Her devotion to Hanbok traces back to the influences o her

    mother, Yuk Young-soo, who, in her role as first lady, oversaw

    Koreas miraculous economic rise rom being one o the most

    impoverished countries in the world in the 1960s to being one

    o the richest today.

    Yuk preerred to wear Hanbok instead o Western dresses.

    Tis instilled a sense o pride and confidence amongst Koreans

    who were struggling to pull themselves out o the destruction

    and destitution o the tragic Korean War (19501953) and the

    brutal colonial rule o Japan (19101945).

    Widely known or her humble liestyle and abstention romluxuries, Yuk was unrestrained in her concern and devotion

    to the livelihood o the common people, regularly paying

    visits to the poor and sick. oday, even the staunchest political

    opponents o President Park openly express their admiration

    and respect or her mother.

    President Park rekindled the peoples yearning or such

    benevolent leadership when she opted to wear Hanbok at key

    post-inauguration ceremonies in January 2013. She donned a

    red durumagi, or outer coat, and a blue chimaat the goodwill

    ceremony that took place minutes afer her inaugural address.

    Te symbolism o the color combination did not go un

    the colors red and blue, ound on the Korean national

    historically represented the harmony o opposites. Ma

    her outfit as a plea or unity amongst the Korean peopl

    President Park has also been dazzling the global stag

    her Hanbok, a policy that has come to be known as H

    diplomacy. In her official visits to the United States an

    she donned several varieties o Hanbok, each laden with

    symbolism and meaning to mark the particular occasio

    In an honorary dinner to mark the 60th anniversary

    Korea-US alliance at the Smithsonian Museum in Wa

    D.C., President Park wore a cobalt-colored chimaand

    jeogoriwith elaborate embroidery. According to Kim

    suk, designer o President Parks Hanbok, the colors o

    presidents Hanbok were careully selected in conside

    o the many U.S. veterans o the Korean War who wer

    attendance. Te cobalt color symbolized the Korean s

    the elaborate embroidery adorned with flowers and tr

    marked the prosperity and cultural refinement o Kor

    oward the end o her visit, President Park traveled

    Angeles, which has historically been a popular destin

    Korean emigrants. When meeting with Korean emigr

    wore a pink Hanbok. In an interview with a newspap

    Kim said he wanted to accentuate the motherly warm

    eminine grace o the nations first emale president.

    V E R S T O R Y

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    Hanbok Captivates Global FashionRunways

    Te beauty o Hanbok has also been recognized on the

    unways o the worlds most respected ashion shows. Since the

    990s, Korean ashion designers have lef their mark on the

    Western ashion world with Hanbok-inspired collections.

    In 1996, Lee Young Hee, one o the most respected Hanbok

    esigners, dazzled the Paris ashion world with her exhibition

    Hanbok: Clothes o the Wind at the Muse de lOrangerie.

    ee was also the first Korean designer to have her works

    eatured in Frances esteemed prt--porter collection. Her

    ollections eature Hanbok adapted to modern sensibilities that

    tretch the boundaries o the imagination.

    Lees Hanbok collections have ofen been described as daring

    nd experimental. Indeed, some o her womens Hanbok did

    way withjeogori, and had chimabefitting a Western dress.

    eading French media took notice o Lees collections, and Le

    Monde praised the seamless way in which Hanbok drapes over

    he human physique in smooth, flowing lines while retaining

    s elegant and sophisticated demeanor.

    Te beauty o Hanbok has also not gone unnoticed in the

    yes o Western ashion designers, who have come to draw

    nspiration rom the centuries-old Korean traditional attire.

    Carolina Herrera, whose collections have been worn by such

    rominent figures as Jacqueline Kennedy and actress Rene

    Zellweger, showcased Hanbok-inspired dresses or her 2011

    S/S collection. In particular, Herrera incorporated the ample

    spatial eature o the chimawith an added emphasis on the

    naturally flowing silhouette lines.

    Te dresses made by Herrera retain the unique Korean

    concept o the silhouette, said Kim Eun-jung, a clothing and

    textiles proessor at Chonnam National University. Te way

    the clothes envelop the body and the ample olds o the chima

    all point toward how well she understands the emphasis on

    lines ound in Hanbok. Herrera also eatured emale models

    wearinggat, a wide brimmed hat with an emerging center

    usually worn by Conucian scholars during the Joseon period.

    Another Western designer who has drawn inspiration

    rom Hanbok is the Belgian Dries van Noten, who was once

    described by Te New York imes as one o ashions most

    cerebral designers. For his 2012 Paris Collection, van Noten

    incorporated prints ound in the paper collar o the jeogori.

    His ascination withjeogoriled to a unique collaboration

    with Korean Hanbok designer Kim Hye-soon, whose extensive

    research into the upper Hanbok garment led to her authoring

    the book Our Beautiul Jeogori(2011), which traces the

    evolution o thejeogoriover more than 600 years. Van Noten

    eatured severaljeogoridesigns and patterns ound in Kims

    book in his own collection.

    The Beauty of Hanbok

    Flowing lines

    When discussing the aesthetic delight o Ha

    what inevitably emerges is the beauty o its

    lines. Indeed, it is this attribute that distingu

    Hanbok rom other East Asian traditional o

    such as the Chinese cheongsamor the Japan

    kimono. Korean Hanbok incorporates both

    and curving lines, which combine to create

    naturally flowing harmony. When the wear

    the flowing lines o Hanbok create an undu

    silhouette that is subtle yet palpable.

    Te collar o womens Hanbok, which or

    V-shape, can be adjusted to accentuate or s

    neckline. Te rounded curve o the sleeves bring out a sense o gentleness. Te straight

    that is projected rom the hanginggoreum,

    string-like long ribbon that ties thejeogori c

    presents a simple but elegant look. Te layer

    wrinkles that gradually spread out rom the

    o the chimato the bottom also add to the s

    elegance.

    Color arrangement

    Another distinguishing eature o Hanbok i

    contrast in complementary colors. Te colo

    ofen ound in Hanbok are variations o the

    colors o red, blue, green and yellow, as oun

    the natural world, along with black and whi

    East Asian philosophy oyinandyangand

    elements that are believed to be the basis o

    cosmos also yield great influence on how co

    picked and arranged. Te contrast in comp

    colors adds to the elegance and refined beau

    Hanbok. White was the deault shade histo

    avored by the Korean people or its symbol

    modesty and pure spirit.

    Red signified good ortune and prosperit

    the color used in bridal Hanbok. Indigo rep

    dedication so it was the color used in Hanb

    by court ladies and the official attire o gove

    officials. Black, which symbolized eternity a

    1. A Hanbok by designer Lee

    Young Hee at the Korea-Turkey

    Traditional Fashion Show in

    Istanbul on Sept 11, 2013

    2. The spring 2011 collection

    of designer Carolina Herrera is

    modeled during Fashion Week

    in New York, Sept 13, 2010.

    3. Fashion show by designer

    Kim Young Seok at the

    Wedding Fair at the Westin

    Chosun Hotel, Seoul, June

    2012. Traditional Korean

    Costume Kim Young Seok

    V E R S T O R Y

    1 2

    3

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    V E R S T O R Y

    Traditional Clothingas Foreign Policy

    Designer Kim Young Seok helps oster global riendships through Hanbok

    Interview byRobert Koehler

    Kim Young Seok wasnt born a Hanbok designer, let alone

    the one for President Park Geun-hye. It started out as a

    hobby, he says. When people die in Korea, they burn all their

    things, so very few old, traditional things are left. I wanted to

    recreate some of those old things as a hobby. It wasnt until

    he reached his mid-30s that he began to design K

    traditional attire professionally. Complete with fur n

    warmer, he presents the very image of a fashion d

    not just one who fashions the wardrobe of VIPs, i

    corporate executives, first ladies and, of course, P

    Park.

    Kim says traditional clothing such as hanbokrefhistory and lifestyle of a country. I think Hanbok is

    like architecture. Its very structured, he says. Lik

    architecture,hanbokreflects whats inside. Its ver

    and very layered, like the dresses of Victorian-era

    According to the designer, the beauty of Hanbo

    doesnt immediately present itself at first glance, li

    good art. Too much perfection ruins beauty, he

    pointing to the Mona Lisa, whose beauty contain

    certain sense of unease thanks t o her missing eye

    Hanbok is the same. When you first look at it, its

    if somethings missing. But it makes you want to k

    looking even after the person has passed. First w

    Eh? and then we notice its beautiful.

    President Park has earned both domestic and

    international admiration for wearing Kims Hanbok

    international events, including in her May visit to t

    When we get invited to a friends home, we wear

    clothes. When we meet foreign friends in particula

    the ways we can spark interest in one another is w

    traditional clothing or presenting them with somet

    they take an interest in, says Kim. Hanbok diplo

    is something that can smooth a first meeting and

    sense of friendship.

    So how can Korea promote Hanbok both at ho

    and abroad? Speaking generally of the culture, w

    need efforts to get people to wear Hanbok more,

    Kim. Instead of simply complaining that Hanbok

    uncomfortable, we must improve the aspects tha

    uncomfortable.

    rigin o all creation, figured in mens hats. Yellow, which

    epresented the center o the universe, was the color preerred

    y royalty and its wearing by common people was strictly

    egulated.

    Te complementary colors are one o the most captivating

    esthetic attributes o Hanbok. Te contrast o bright yellow

    gainst deep blue, or light green against solid red, or example,

    re among the more popular color arrangements preerred or

    heir eye-catching quality. During major events, such a color

    cheme is worn by the primary participants or important

    uests.

    Beauty and Practicality

    Although it may appear at first to be a daunting attire to be

    worn every day, Hanbok in reality maximizes practicality

    nd comort. Because Hanbok is sewn in a curved ashion in

    ccordance with the general shape o the human body, it allows

    asy movement and mobility. Because its silhouette and flowing

    nes are not directly tied to the wearers physique, Hanbok can

    e worn by people o all body types without compromising

    ndividual dignity or elegance.

    Simple changes in color arrangements allow the wearer to

    reate a variety o looks with different underlying emotional

    ones. Te ample room o Hanbok also allows it to be easily

    tted to adapt or changes in physique. Hanbok is also widely

    nown or its durability. Because the attire is colored using

    atural dye, its aded color can easily be restored without

    compromising its original colors.

    Tere have been growing efforts to modernize Hanbok so it

    can be worn as everyday wear along with popular clothing such

    as blue jeans. One pioneer is Hanbok designer Park Mi-yeon,

    whose brand Armi (pronounced ar-MEE) has a distinctively

    casual flair (www.armbang.co.kr). She has adapted Hanbok to

    modern, casual sensibilities that could be easily worn along

    with other daily wear while preserving the undamental design

    and spirit o Hanbok. Parks brand is carried by more than 50

    chain stores throughout the nation.

    Another pioneer in modernized Hanbok is Lee Gi-yeon, who

    heads her own brand, Jil Kyung Yee (www.jilkyungee.co.kr).

    Since the 1980s, Lee has led research and production efforts

    to adapt Hanbok as everyday wear. She goes about achieving

    the adaptation by looking urther back in time in attempting

    to bring out the spirit and philosophy o the ancestors into

    modern light.

    Te modernization o her Hanbok collection comes rom

    adapting the clothes with consideration or increased mobility

    and also the blood circulation patterns o the human anatomy.

    We embed our culture into our clothes, Lee said in a V

    interview.

    Modern Hanbok maximizes mobility and unction. Some

    collections do away with the drapinggoreum, the coat-string

    like tie that drops below waist, and also shortens the width and

    length o the chimawhile extending the length o thejeogori.

    A Russian visitor dons a Hanbok at a Korean homestay facility.

    Koreans often wear Hanbok on traditional holidays.

    21

    0

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    V E R S T O R Y

    Throughout the Joseon Dynasty (13921910), Korea was governed by a neo-

    Confucian philosophy which emphasized social harmony and refining oneself

    through dedicated scholarship. This was reflected in the different Hanbok

    ach class wore. Neo-Confucian scholars believed that a dedicated scholar must

    efrain from excess, and as such, the children of noble families studying for the royal

    vil service exam often took to wearing simple hanbok that stressed austerity and

    efinement.

    The king wore a specially prepared Hanbok made of red silk satin. It was most noted

    or the carefully sewn golden dragon emblem on the chest and also on the upper

    leeve of each arm. The queens Hanbok also stood out for its elaborate embroidery

    onsisting of pheasants and plum blossoms.

    Men belonging to the middle and aristocratic yangbanclass were easily identifiable

    y theirgat, a cylinder-shaped hat with a wide brim made of horsehair. What clothing

    material Hanbok was made from was also an important status symbol. Silk imported

    om China was seen as the ultimate luxury fabric for Hanbok, while commoners

    ended to wear Hanbok made of cotton.

    Aristocratic women also distinguished themselves with colorful chima, with the

    most popular colors being red, purple and yellow. It was quite ample in its depth,

    o allow for a full silhouette, and extended to the ground to conceal the ankles. The

    himaworn by common women were narrower and shorter and showed the ankles.

    n addition, aristocratic women were fond of elaborate embroidery sewn around their

    hima, while common women were not allowed such a luxury.

    The color of womens Hanbok was also an important signifier of marital status. Red

    himawere for single women without children while navy-blue chimawere for married

    women. A combination of yellowish greenjeogoriand red chimawere for newlywed

    rides. Widows wore white chima.

    The variety of Hanbok colors was limited to the upper class. Pink, yellow or other

    rightly colored Hanbok were worn mostly by children. Most commoners were

    estricted to wearing white hanbok as their everyday wear. Because the color gold

    eld significance as the center of the universe, only royalty was allowed to wear gold-

    olored Hanbok.

    Hanbok worn by government officials was distinguished by the square-shaped pattern

    mbroidered on the front. Military officials had a tiger while civil servants had a crane

    mbroidered on. The different types of embroidery distinguished the wearers rank.

    Professional female entertainers, known asgisaeng,tended to wear colorful

    anbok enveloped in elaborate floral patterns. They preferred Hanbok in strongrimary colors that were captivating to the eye. It was a great honor for a gisaengto

    ave one of her patrons paint a picture or write a poem directly onto her skirt.

    For a wedding Hanbok, the bride wore a crimson chimaand a special type of

    ellowish-green jeogori. They also wore an extensive white sleeve that reached to

    heir knees to cover their hands. The groom also wore an elaborate set piece that

    trongly resembled the official court attire. They also c arried a folding paper fan to

    over their mouths.

    HANBOK ACCORDING TO

    SOCIAL CLASS

    2

    The global popularity of Korean TV dramas, commonly referred

    to as Hallyu, or the Korean Wave, has brought Hanbok to the

    worlds attention. They include mega-hit dramas set in the past

    such as: The Jewel in the Palace (2003), which starred Lee Young-

    ae, one of Koreas most beloved actresses; films such as Untold

    Scandal (2003) with Bae Yong-joon, the middle-aged Korean actor

    popular with Japanese housewives, who plays a libertine, pleasure-

    loving scholar of aristocratic background; Chunhyang (1999), where

    a pair of star-crossed lovers battle fate in pursuit of love; Forbidden

    Quest (2006), where two talented aristocrats create some of the

    most sensational adult literature of the period; Hwang Jini (2006),

    where the daughter of an aristocratic family voluntarily becomes a

    gisaeng; and A Frozen Flower (2008) which follows the conflictbetween a kings male lover and the queen.

    The great appearance of Hanbok in Korean movies has not only

    led to more opportunities to introduce Korean traditional dress to

    the world, but has also made it feel more familiar to Koreans, said

    Lee Hye-soon, a highly acclaimed hanbok designer who supplied

    costumes for Untold Scandal, King and the Clown (2005), and

    A Frozen Flower(2008). While staying faithful to the tradition and

    customs of the period, Lee said that in Untold Scandal, she made

    variations to the specific hanbok worn by each character de

    on the characters personality and image.

    For example, for the character of Mrs. Cho, who was know

    voluptuous beauty and sensuality, a tight-fitting jacket with

    skirts in radiating colors was provided. The government offi

    on the other hand, wore jackets with more breathing room

    colors.

    Perhaps no other celebrity has raised the global recognit

    Hanbok as much as actress Song Hye-gyo. Her portrayal of

    most legendarygisaengin Hwang Jini led to her becomin

    Korean celebrity to grace the cover of Vogue Korea in June

    wore Hanbok in Paris and her photographs were taken by o

    worlds most recognized fashion photographers, the ItalianPaolo Roversi.

    Following the recent surge of interest in Hanbok, Korean

    featuring the attire have opted to showcase its beauty and

    in new ways. Prior to the opening of the film Queen: the Ki

    Concubine (2012), a fashion show was held at Gyeonghui

    Palace in Seoul, where the royalty of the Joseon Dynasty on

    Cast members wore their movie customes and walked the r

    putting on display the exquisite beauty of hanbok.

    THE HANBOK IN KOREAN DRAMAS

    5

    3

    4

    1

    2

    1. Cast of the 2010 MBC historical drama Dong Yi

    2. Actress Ha Ji-won in Joseon Dynasty-gisaengdress for the 2006 KBS2 drama Hwang Jini

    Commoners clothing 2. A white Hanbok worn by aseonbi, the rustic scholars of the Joseon Dynasty.

    Queens Hanbok from the early Joseon Dynasty 4. Agisaengs Hanbok 5. Wedding Hanbok

    21

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    WRITING INISOLATIONNovelist Eun Hee-kyung finds inspirationn solitude

    Written by Felix Im

    4

    N & B R U S H

    In 1994, a ormer aspiring writ

    ordinary mother, worker and

    ound hersel stuck in the one

    o a complacent lie: a preset path w

    circumstances stayed static while t

    continued to rush by, increasing in

    every year.

    I just realized that my lie was se

    at 34. Id received all the education

    going to get; I was married and a m

    my job was steady and stable. Ter

    more great changes awaiting me, s

    She is now one o Koreas most w

    known and successul novelists, wi

    that has been translated into Engli

    French, German, Russian and a ho

    other languages. Her name? Eun H

    kyung. Surprisingly reserved in de

    almost to the point o shyness, she

    her sentences careully, seemingly

    to speak beore prooreading their

    once more inside her head.

    So I decided to do something ab

    situation; I needed a change; I need

    step off the main path and run awa

    random alley and find mysel again

    It was in such an alley where Eun

    took her first steps to realizing her

    dream o becoming a novelist.

    Id always written and always lik

    writing, but I think I never gave it

    until then, she says.

    So afer acquiring a months vaca

    her day job, she ran off to the coun

    isolating hersel with her pen. It wa

    experience with true solitude.

    I had so much to say. It had all b

    stuffed down during all those years

    quietly. Te result was five short st

    Afer my month o reedom was up

    return to work, but still managed t

    sixth.

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    N & B R U S H

    Late Bloomer

    ronically enough, it was that sixth short story that she wrote

    fer coming back to work that officially started her career:

    Duet won that years literary contest held by the major daily

    Dong-A Ilbo. It didnt elicit the response Eun was hoping or,

    owever. Worse, it got little response at all. Afer a ew silent

    months passed, she decided to throw something a little heavier

    t the world and went off into seclusion again, this time or two

    months. Te result was her first ull-length novel and perhaps

    er best-known work,A Gif rom a Bird. Te cynical yet

    umorous narrative, told rom the perspective o a precocious

    2-year-old girl, got the attention the author had been seeking,

    s well as her first Munhakdongne Novel Award.

    I didnt plan on being some huge success, Eun says. But I

    new I didnt want to leave that place until Id finished my first

    ovel. o be honest, it was rather un. It was my first ull-length

    ovel and I ully enjoyed the writing process. Afer that, I was

    ble to write prolifically or a number o years. I just had so

    much to say. But Ive slowed down a bit now.

    The Value of Solitude

    ticking to her tradition o creating in isolation, Eun made it a

    oint to go somewhere new and secluded every time she wrote

    novel. Te process has obviously worked or her, as she has

    since racked up an impressive list o literary honors, including

    the prestigious Yi Sang Literary Award.

    I actually only recently started writing in caes, which is

    hinted at in my latest work Lie Unperturbed, she says. Now,

    its not as easy as it once was to just take off and seclude mysel,

    but I still cant write at home. Tats where my ordinary lie

    is. A certain occupation awaits me therea wie or mother or

    socialiteso I cant write there. I need to be alone. I dont want

    to see anyone I know. I think most writers are like that.

    Something unique to Eun, however, is her habit o rarely

    taking notes or jotting down anything on a notepad.

    Even i I do write something down on the go, I never know

    what to do with it later, when Im actually writing. Most o the

    time, I dont even know why I wrote it.

    In with the New

    Just as when she first ran off to the countryside, Eun is always

    looking or something new, be it a resh approach to writing or

    an unamiliar experience, anything to inspire her. While certain

    authors spend their careers ocusing on perecting a singular

    world, Eun approaches every novel as a new experiment, each

    its own separate world. As a result, every work evokes mixed

    reactions. Fans o one her books dont like the next one and so

    on. One thing that doesnt change, however, is that she always

    Life Unperturbed(Changbi Publishers, 2012) Talking to a Stranger (Munhakdongne Publishing Corp., 1996)

    bases villainous characters on hersel.

    I dont want to hurt anyone I know, so I model all bad

    characters afer mysel. Either that, or its my husband, she

    adds, laughing.

    Asked i her recognition abroad has changed her, Eun

    calmly shakes her head.

    Te only thing thats changed is my experience, going

    outside o Korea and seeing things Id never have seen

    I stayed in Seoul. When I go abroad or an event, boo

    signing, or just travel, the main thing Im looking or

    perspective. My writing hasnt evolved to some more

    level. It just continues to evolve as it always has. Whe

    to New York or two months, I just lived as an ordinar

    not as a writer. Tats what I wanted: a new experienc

    When someone looks at me, the first thing I do is split myselfinto two selves. One self remains inside of me, while the otherself thats been split off from my real self leaves my body and plays my

    role.

    While the other self that goes outside of my body is exposed to others

    and acts exactly like me, my real self stays inside my body and watches

    the self thats gone outside of my body. I have one self act like the self

    that others expect to see, and the other self watches this. All this time,

    Im split into the self being seen by others and the self that is watching,

    which is myself.

    All the while, of course, my real self isnt the self being seen but rather

    the self thats watching. Since its the self being seen that is p ressured

    and humiliated under the gaze of others, the real self thats watching

    isnt hurt as much. By separating myself into two se lves this way, Im less

    exposed to the eyes of others, and I can keep myself intact.

    Since Im showing others not my real self but a self Ive made, I used

    to think that this might be hypocritical or pretentious . I thought that

    splitting myself into two selves might be wrong because Im trying to

    look good or be dishonest, but after I learned the word artificiality,

    my doubts were dispelled. My habit of self-splitting wasnt hypocrisy, it

    was artificiality. Artificiality is a much more complicated emotion than

    hypocrisy, but isnt immoral in the str ict sense of the word.

    A Gift from a Bird

    6

    Excerpt,A Gift From a Bird (Mun

    Publishing Corp., 1995), p2223.

    In addition to the Korean origina

    is available in French, Spanish,

    Chinese, too.

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    R A V E L

    0

    MujuA national park and ski resort orm a winter wond

    Written byRobe

    now encrusted branches at the peak of Mt. Deogyusan, Deogyusan National Park

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    2

    Where to Eat

    Muju Deogyusan

    Resort has a wide

    selection of food and

    entertainment choices:

    Korean and Western

    restaurants, snack stores,

    bars, karaoke and cafs. For

    something a bit more rustic,

    try eojuk, a spicy fish stew. Geumgang Sikdang (T. 0

    322-0979), near Muju County Office, is a good place

    Interestingly, the region is known for making its own

    from wild grapes. The wine is aged in a renovated tu

    originally built for the construction of a hydroelectric

    Where to Stay

    Muju Deogyusan

    Resort has three

    hotels: the deluxe HotelTirol, the Family Hotel, and

    the modest Kookmin Hotel.

    The latter offers many six-

    person rooms where visitors

    sleep on the floor and share

    a kitchen. Another option is

    to stay at the little village down the road or in an ov

    sauna, called ajjimjilbang.

    Getting There

    Intercity buses depart from Seoul Nambu Bus

    Terminal to Muju Bus Terminal at 7:40am, 9:2

    10:40am, 1:40pm and 2:35pm. From the back gate o

    Muju terminal, in front of the Jeil Clinic, take the free

    bus to Muju Deogyusan Resort. T. 063-320-7113.

    MORE

    Jejudo

    Muju

    While most travelers in Korea head to

    the wilds o Gangwon-do in search

    o winter scenery, some o the best

    nowy vistas in the land can be enjoyed about two

    ours south o Seoul in the county o Muju, one o

    Koreas biggest winter sports centers. Te host o

    he 1997 Winter Universiade, Muju is blessed with

    igh scenic peaks and plenty o snowsome o the

    eaviest snow all in the country, in act. On Mt.

    Deogyusan, the centerpiece o Deogyusan National

    ark, the wind and snow combine to produce a

    urreal landscape o snow flowers that mesmerize

    ikers intrepid enough to brave the heights and

    old.

    Muju Deogyusan Resort

    Mujus chie tourist draw is Muju Deogyusan

    Resort, one o Koreas most popular ski destinations.

    Te resort boasts both the countrys longest slope,

    he 6.1-kilometer Silk Road Course (vertical height

    810 meters), and steepest run, Raiders Slope with

    70-degree incline. For those not training or the

    Olympics, a Rookie Hill is intended or beginners.

    Te courses are also snowboarder-riendly.

    Te complex is modeled afer the great alpine

    resorts o Austria, as undoubtably noticeable rom

    the aux-alpine architecture. For the ull Austrian

    experience, get a room in the resorts five-star Hotel

    irol, where the suites are lined with Austrian larch.

    Its like sleeping in an alpine orest. About 1,000

    Austrian-style condo rooms are available, too.

    On Seolcheonbong Peakwhere the gondola

    drops you offan impressive three-story Korean

    pagoda cuts a pretty dramatic figure, especially

    when the snow and wind are up. From here is also a

    trail that leads to the peak o Mt. Deogyusan.

    Deogyusan National Park

    Mt. Deogyusan is one o Koreas higher peaks at

    1,614 meters. Te 20-kilometer main ridge sports

    several peaks o more than 1,000 meters. Its a broad

    mountain, however, so while hikes are long, they

    arent especially arduous. Te biggest danger in

    winter is the cold. Dress warmly and be prepared

    1. Downhill skiing at Muju

    Deogyusan Resort

    2. Nighttime skiing at

    Muju Deogyusan Resort

    3. The gondola will get you

    to the top of the runs.

    R A V E L

    1

    or the wind and snow. Be sure to wear crampons. o hike the main

    ridge will take about 12 hours, though it could take considerably

    longer i theres deep snowand there probably will be.

    Te ideal plan is to take in the sunrise rom the peak. I youre

    lucky, the clouds will be below you to orm what Koreans call a

    sea o clouds. o do this, though, you need to spend a night at

    Hyangjeokbong Shelter (. 063-322-1614, KRW 8,000). Be sure to

    call ahead to make a reservation as it fills up quickly. At the higher

    elevations are clusters o ancient yew trees, twisted by the elements

    into antastic shapes. I youve got a camera, try to capture the trees

    silhouette against the morning sky.

    2

    3

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    KIM YUNA

    Written byKim Tong-hyung

    Figure skating superstar quiets doubt ahead oSochi Olympics

    4

    1

    P O R T S

    For the first time in as long as anyone can remember,

    Kim Yuna perormed at an international figure skating

    competition and did not wow the audience, though this

    did not change her position at the podium, which has been

    inexorably in the top spot.

    Coming off a three-month layoff due to injury, the two-time

    world champion and reigning Olympic gold medalist made

    her season debut in December in the Golden Spin o Zagreb in

    Croatia. She quieted most doubts over her orm by blowing her

    competitors out o the water.

    Despite that, her perormance did not meet the lofy

    standards she has set or hersel. Afer scoring 73.37 points in

    the short program, Kim showed a bit o rust in the ree skate,

    alling on her first jump combination, a triple lutz-triple toe

    loop, beore recovering with a smooth finish. Te all came

    afer she botched the landing on her double axel, considered

    one o the easier jumps, in the short program the previous day.

    Still, Kims score o 131.12 in the ree skate gave her a

    combined 204.48, or nearly 30 points ahead o runner-up Miki

    Ando o Japan, who finished with 176.82.

    Kims perormance reinorced what many believe: barring

    another injury or a career-altering slump, the 23-year-old

    will be the surest bet to win the gold in next months Winter

    Olympics in Sochi, Russia. She is also seeking to become

    only the third woman ever to repeatedly become Olympic

    champion.

    I was a bit shaky, but overall Im satisfied with my

    perormance, she said.

    I elt some pressure as I was coming back rom an ankle

    injury and this was the first competition o the season. I was

    surprised afer the jump as Id never allen that hard in practice,

    but I was able to concentrate more afer the mistake and skate

    cleanly the rest o the way.

    She added that her recovery

    is at the 80-90 percent

    level and expressed

    confidence about finding

    her peak orm by the

    beginning o

    the Winter

    Olympics in

    February.

    A Fierce RivalryIn Sochi, Kims biggest competition is once again exp

    come rom longtime rival Mao Asada o Japan, who e

    her ourth career win at the ISU Grand Prix Final in

    month, but it actually hasnt been much o a rivalry.

    In Kims historic perormance in the 2010 Vancouve

    Olympics, she earned a record o 228.56 points, 23 mo

    runner-up Asada.

    In their most recent meeting in the 2013 world cham

    in March, Kim won with a dominating perormance o

    points, while Asada finished a distant third.

    When at her best, Kim makes it clear that she is sim

    different level than her competitors. Te speed and tig

    her spins are rom another world, and so are the balan

    fluidity that allow her to glide on the ice and land like

    afer moments o controlled violence in the air.

    Asada can be said to be the more gifed skater in at

    ability, being the worlds only woman who can land tr

    axels with anything resembling regularity. But she has

    to display this skill in the biggest competitions, such a

    Olympics and world championships.

    I Asada does land that jump in Sochi or brings a m

    complete game, she could finally give Kim some real

    competition. Te world should hope that Asada does.

    As great as Kim has been throughout her career, wh

    world has seen her best truly remains to be seen. It is d

    to tell how ar Kim can go, considering she has yet to e

    legitimate competition.

    1. Kim Yuna at the Golden Spin of Zagreb in Zagreb, Croatia on Dec 6, 2013

    2. Commemorative coins issued to celebrate Kim's gold medal from the 201

    Olympic Games

    3. Fans root for Kim at the 2010 Vancouver Olympic Games.

    3

    2

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    6

    TAEKKYEON ARIRANGLYEONNon-verbal performance blends two classic s of Korean cultural heritage

    Written byCharles Luskin

    Although the popularity o pop culture has grown

    exponentially over the past ten years in East Asia and

    around the world, interest in traditional perormance

    rts has lagged. Tis disparity exists, in part, because o lack o

    xposure. While oreign audiences can easily consume popular

    music, V and film, and ofen do, perormances o traditional

    music and dance are ofen shown to domestic audiences only.

    aekkyeon Arirang Lyeon, however, might change this.

    Designed by taekkyeonmaster Lee Yong-bok and

    choreographer Im Hak-sun, the show, as the name suggests,

    displays two o Koreas traditional art orms: the martial art

    taekkyeonand Arirang, the nations most amous olk song.

    Both o these traditions have been included on the UNESCO

    list o Intangible Cultural Heritage. aekkyeon Arirang Lyeon

    explores the beauty o both arts by choreographing taekkyeon

    movements with Korean traditional olk music. Lyeon is a

    ERTAINMENT

    wordless narration told though martial art dance

    and music, a new composite o the old. In this

    hybridization, Lyeon ollows in the ootsteps o

    Cookin Nanta, a hit show that is an amalgam o

    traditional percussion and non-verbal comedy.

    Yet while Cookin Nantacreates a new cultural

    product by merging characteristics o the

    production Stompwith Korean traditional music,

    Lyeon does it entirely with traditional cultural

    materials. Indeed, the titular lyeon means

    connection, specifically between two art orms

    and between the past and present.

    A Long Pedigree

    Originating perhaps as early as the TreeKingdoms period, (57 B.C.A.D. 668) taekkyeon

    became a popular martial art during the

    Joseon Dynasty (1392-1910), with its public

    competitions ofen depicted in period murals

    and paintings. While taekwondo and hapkido, a

    martial art that combines kicking and punching

    techniques with joint locking and throws, have

    large international ollowings, the ormer is an

    official Olympic sport while the latter remains

    relatively ignored. Practical knowledge o

    taekkyeonwas nearly lost when Korea was under

    Japanese colonial rule. Just one master, Song Duk

    Ki, remained afer Koreas liberation in 1945, and

    rom him all modern taekkyeonpractices stem.

    aekkyeon, the first martial art to be included on

    the UNESCO Intangible Cultural Heritage list,

    relies on an almost rhythmic pattern o stances

    and fluidity o movement that give it a dance-

    like quality. In this respect, the martial art shares

    something in common with tai chi and capoeira.

    Unlike tai chi, however, taekkyeonhas combat as

    its purpose, and unlike capoeira, taekkyeonis not

    a dance. Nevertheless, the Korean martial arts

    dance-like qualities make it a natural choice or

    accompaniment with music.

    aekkyeon Arirang Lyeon sets taekkyeons

    choreography to Arirang, Koreas most amous

    olk melody. Like all old Korean olk so

    Arirang has innumerable orms and v

    but the most common version tells the

    o a jilted woman separated rom her lo

    by a mountain pass. Many passes in Ko

    mountains are called Arirang, so the s

    o the tragedy is as malleable as the lyric

    addition to this amous song, aekkyeo

    Arirang Lyeon is choreographed to sam

    Korean traditional percussion, and per

    with other traditional instruments, inclu

    gayageum, an ancient 12-stringed zither

    Te perorming companys world tou

    cover 30 countries and 70 cities over the

    years, starting November 15 in Washing

    Lyeons novel combination o artorm

    only by Cookin Nantain scope, is not th

    maniestation o the desire to explore th

    vacuum o Korean traditional arts in th

    eye. Metal bands like Wool and reggae b

    like I and I Jangdan also combine tradit

    Korean sounds with other genres, albeit

    much smaller stage. Nonetheless, it is h

    aekkyeon Arirang Lyeons tour will g

    enough global interest to spur new com

    o the new and oldand the old and old

    1. A flying taekkyeonkick

    during Taekkyeon Arirang

    Lyeon

    2. Taekkyeon Arirang

    Lyeon brings together

    Korean martial arts and

    Korean music.

    2

    1

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    The Toilet Goes Deeper

    But the toilet awards are more than just about clever designs

    and pleasant smells. Teyre part o a greater campaign

    or public health and sanitation, one that gained major

    momentum rom the 2002 FIFA World Cup Korea-Japan.

    During the preparatory stages or co-hosting the worlds

    largest soccer tournament, the Better Korea Movement

    (BKM) convened to revamp Korea or international visitors

    across three key areas: cleanliness, riendliness and order.

    One o their major concerns was that international visitors

    would poo-poo the state o Koreas public restrooms, so they

    launched a national campaign to transorm public b athrooms

    into spaces o beauty and culture.

    Another pioneer in toilet reorm was the late Sim Jae-

    duck, who was born in 1939 in an outhouse, an event that,when viewed retrospectively, seems to have orged his ate as

    inextricably linked with toilets. His place o birth resulted in

    many o his peers nicknaming him gaettong, which can be

    delicately translated as dog poop, an unortunate moniker

    that lasted throughout his childhood.

    Not until he was elected mayor o Suwon, Gyeonggi-do, did

    he drastically improve the citys waste management systems.

    He also ounded the Korean oilet Association and started

    a bathroom revolution, transorming his toilet image into a

    positive one. He didnt stop there. He became a key ounder

    o the World oilet Association, an international ben

    organization that works with the United Nations and

    NGOs in the noble pursuit o one simple goal: to pro

    every person in the world the opportunity to use a c

    comortable toilet. Sim was so passionate about toile

    even had his house rebuilt to look like one. He is now

    as Mr. oilet.

    Better Future through Better Toi

    So why the obsession with bathrooms and hygiene?

    realized that clean public acilities go beyond pleasan

    Teyre an essential eature or a healthy, progressiv

    Although taken or granted by many, sanitary restro

    arent as common as they should be. According to th

    World Health Organization, nearly 42 percent o thepopulation lives in chronically unsanitary condition

    indirectly causes more than two million deaths per y

    More than 400,000 children under age 5 die annuall

    diarrheal conditions that could be drastically reduce

    effective waste management. Cholera, typhoid, para

    and dysentery can also be greatly reduced through p

    water management and waste disposal.

    Still think the bathroom awards and toilet associat

    silly? Look at the statistics. Tink about what lie wo

    like without clean toilets and then reconsider.

    0

    Public toilets are an issue that many people would

    rather avoid discussing. Yet noble people in Korea

    have been working hard over the past decade to

    nsure that this dire topic is not ignored. Tats what the

    Korean oilet Awards are about. Whats that? You didnt

    now o an awards ceremony or clean and sanitary public

    estrooms? Even though 2013 marks the awards 15th year,

    he lavatory is still a taboo topic.

    Te annual awards were held Nov 29 at the Korea Press

    Center, with participants rom more than 100 organizations

    round the country. Public bathrooms nationwide were

    nspected by a team o judges rom July to September, and

    the winner was announced Nov 14. Te criteria were tidiness,

    sanitation, convenience o use and design.

    Te top prize this year went to a Busan toilet located along

    Daecheoncheon Stream at the base o Mt. Geumjeongsan.

    Completed in July, the acility offers a constant stream o

    relaxing classical music, mountain ragrances and a calming

    color scheme to relax the nerves. Te womens restroom

    contains stalls designed or children, one or mothers

    accompanied by children and an additional powder room

    or doing make-up. Both mens and womens restrooms are

    equipped with entrances at both ends or proper ventilation

    and offer windowed ceilings or clear views o the blue sky.

    RENT KOREA

    Written by Felix Im

    Korean oilet Awards highlight the importance o human waste management

    FLUSH WITH PRAISE

    1

    1. Lovely views from the bathroom of N Seoul Tower, Mt. Namsan

    2. Mr. Toilet House, the toilet-shaped former residence of late Suwon mayor Sim Jae-duck. Now a toilet culture exhibit hall.

    3. A dung beetle-shaped bathroom at an insect sanctuary in Yecheon, Gyeongsangbuk-do www.bkm.or.kr

    2 3

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    President Park Geun-hye had a busy diplomatic schedule

    in November and December, holding talks with several

    visiting leaders and dignitaries rom around the world,

    including Russian President Vladimir Putin and US Vice-President

    Joseph Biden.

    Boosting Relations with Russia

    President Park held summit talks with Russian President Vladimir

    Putin at Cheong Wa Dae on Nov 13. President Putin was the first

    leader o one o the our major powers closely related to Korea

    to visit Seoul. During their second

    summit this year, the two leaders

    had in-depth and useul discussions

    on a wide range o issues, including

    the boosting o major substantive,

    cooperative projects such as the

    Rajin-Hassan logistics partnership,

    the enhancement o people-to-

    people and cultural exchanges, and

    the latest developments surrounding

    the Korean Peninsula and Northeast

    Asia.

    Te two heads o state shared

    the understanding that Koreas

    policy aimed at promoting Eurasian

    cooperation and Russias policy

    ocusing on the Asia-Pacific region

    could be combined to create

    increased bilateral cooperation,

    thereby helping urther regional

    cooperation in Eurasia. In this

    connection, they adopted a joint

    statement outlining the direction o

    uture developments and concrete

    measures or collaboration sector

    by sector in the hope o orging new

    Korea-Russia relations and charting a

    new era or Eurasia.

    Summit withKyrgyz President

    President Park hosted President Almazbek Atambaev o

    Kyrgyzstan at Cheong Wa Dae on Nov 19. He was the first

    head o state rom Central Asia to make an official visit to

    Korea since the new administration was inaugurated. During

    their summit, the two leaders discussed boosting substantive

    cooperation across a wide range o areas, including bilateral

    relations, business, trade, energy, resources, agriculture,

    and development cooperation, as well as people-to-people

    exchanges. Tey also covered recent developments surrounding

    the Korean Peninsula and other regions as well as cooperation

    on the global stage.

    On the Eurasian Initiative in particular, President A

    said he strongly supported President Parks vision, esp

    her idea o a Silk Road Express that would connect th

    Eurasian region by rail. President Park said it would b

    or both countries to not only deepen cooperation and

    assistance but also to work more closely together at th

    Nations and in the world community.

    Sports Diplomacy, Cooperation wLaos

    President Park also met with International Olympic C

    (IOC) President Tomas Bach at Cheong Wa Dae on

    A BUSYDIPLOMATICSCHEDULEWorld leaders visit Seoul at the end othe year

    MIT DIPLOMACY

    2

    1. President Park sits with Russian President Vladimir Putin.

    2.President Park shakes hands with President Almazbek Atambaev of Kyrgyzstan.

    3.President Park holds a summit with Laotian President Choummaly Sayasone.

    2

    3

    1

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    1. President Park escorts Greek President Karolos Papoulias.

    2.President Park welcomes US Vice President Joe Biden

    3.President Park holds a summit meeting with Singaporean Prim

    Lee Hsien Loong.

    4

    Te meeting was a courtesy call by Bach on President Park,

    he head o state o the host nation or the 2018 PyeongChang

    Olympic Winter Games. Tey discussed working together

    or the success o the PyeongChang Olympics and increasing

    eople-to-people exchanges between Korea and the IOC.

    Te next day, President Park and Laotian President

    Choummaly Sayasone held a bilateral summit. Te two leaders

    oted that in the less than 20 years since the establishment

    diplomatic ties, bilateral relations have made remarkable

    rogress in such diverse fields as exchanges o senior-level

    fficials, trade, investment, culture and tourism. With PresidentChoummalys historic visit, both leaders agreed to continue

    o elevate riendly and cooperative relations. Tey pledged to

    urther develop mutual trust and riendship via reciprocal visits

    y high-ranking officials. Tey also welcomed the signing o

    n MOU on exchanges and cooperation between the political

    arties o the two countries.

    In addition, the two heads o state agreed on the need or

    urther exchanges and collaboration in the deense sector.

    Meeting with Greek President

    President Park held a meeting with Greek President Karolos

    Papoulias at Cheong Wa Dae on Dec 3. President Papoulias

    was the first Greek leader to visit Korea since the establishment

    o diplomatic ties between the two countries. President Park

    said the visit by the president o Greece, a European country

    that sent troops to fight in the Korean War, was especially

    meaningul on the 60th anniversary o the Korean War

    armistice. Welcoming him to Korea, President Park said the

    noble sacrifices o Greek soldiers during the Korean War would

    never be orgotten. She stressed that Greece played a critical

    role in the development o Koreas shipbuilding industry and

    that it is still the largest destination or Koreas ship exports.

    She asked President Papoulias or his support and interest so

    that mutually beneficial cooperation between Korea, a leading

    shipbuilding power, and Greece, a global shipping powerhouse,

    would continue to deepen.

    Strengthening the Alliance with the U.S.

    On Dec 6, President Park hosted a meeting with U.S. Vice President

    Joseph Biden, which was ollowed by a working luncheon at Cheong

    Wa Dae. Tey discussed a wide range o global issues, including

    urther deepening and developing the comprehensive strategic

    alliance between Korea and the United States, the North Korean

    nuclear problem and the latest regional developments in East Asia,

    as well as Iran and Syria.

    President Park noted that the bilateral alliance, which has been

    Koreas most integrated and closest alliance over the past 60 years,

    has served as the lynchpin or stability and prosperity in the Asia-

    Pacific region. She proposed that the two countries continue to

    step up efforts to crystallize the comprehensive strategic alliance

    ounded on the Joint Declaration in Commemoration o the 60th

    Anniversary o the Alliance between the Republic o Korea andthe United States o America, which was adopted this past May

    by both countries. Vice President Biden emphasized that the U.S.

    commitment to the deense o the Republic o Korea is firm and

    its decision to rebalance to the Pacific Basin is not in question.

    He added that their alliance, which is playing a key role in the

    rebalancing policy, has served as the oundation or increased

    efforts or cooperation in Asia and beyond. He also proposed that

    the two countries work together to improve cooperation and mutual

    support in a variety o fields.

    Summit with Singaporean Prime Minister

    President Park and Singaporean Prime Minister Lee Hsien Loong

    held a summit at Cheong Wa Dae on Dec 11 in her last scheduled

    summit or this year. Teir discussions ocused on bilateral

    economic cooperation to acilitate the advancement o Korean and

    Singaporean businesses ties as well as on investment, construction

    and the creative economy.

    President Park began by saying the two countries share the

    common experience o achieving remarkable economic growthby ostering human resources, despite a lack o natural resources

    and adverse external economic conditions. Bilateral cooperation,

    she said, should be urther expanded not only in the economy but

    also in politics and security, including East Asian security. o this,

    Prime Minister Lee echoed her opinion and proposed the sharing o

    experiences to meet the challenges posed by the complicated global

    economic environment, as well as a variety o regional security

    concerns and the higher expectations o society.

    MIT DIPLOMACY

    1

    2

    3

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    Driven initially by labor-intensive goods, Koreas rapid

    industrialization over the past fify years has also

    proven to be a technological success. Export items o

    he sixties were highlighted by textiles, ootwear and wigs, but

    his list is now headlined by computer chips, cars, smartphones

    nd flat screens.

    Daedeok Innopolis, a state-financed research cluster in

    Daejeon that was ormerly known as Daedeok Science own,

    as made critical contributions to integrating technology into

    Koreas economic makeup since its establishment in 1974.

    While its unction has started to be duplicated by the

    esearch units o private companies, including global business

    iants Samsung and LG, the complex continues to find ways to

    elp domestic technology stay a step ahead o the competition.

    In a ceremony celebrating the acilitys 40th anniversary

    in November last year, President Park Geun-hye called the

    research hub integral to the governments plan to nurture a

    creative economy driven by innovation and entrepreneurship.

    Government-employed researchers will be encouraged to get

    aggressive in exploring new technologies and research areas

    that private companies have yet to touch or struggled with,

    she said. Te intellectual property produced at the Daedeok

    complex is taking on an increasingly critical role or younger

    and smaller firms, which would otherwise struggle to secure

    leading-edge technologies.

    Tis is the country that, afer the Korean War, had no

    resources and no capital. However, we quickly realized the

    opportunity provided by science and technology, which drove

    our rapid economic growth in the past decades. Science and

    technology will undoubtedly help us overcome the economic

    I C Y R E V I E W

    6

    DAEDEOK INNOPOLISTe key to Koreas tech success Written by Kim Tong-hyung

    challenges we ace today, Park said.

    Te government will provide the maximum level o support

    to strengthen the Daedeok research cluster, which will serve as

    an essential part o building a creative economy.

    Key Technologies

    Established in 1973, the Daedeok complex is home to 30

    state-run think tanks, five universities, including the Korea

    Advanced Institute o Science and echnology (KAIS), and

    dozens o private R&D centers.

    More than 1,300 companies, many o them I ventures, are

    located within the cluster, taking advantage o the wealth in

    research talent. Teir combined revenue in 2012 was nearly

    USD 16.1 million and they employ nearly 64,000 people.

    Te state-run Electronics and elecommunicationsResearch Institute (ERI), located in Daedeok, is credited or

    helping advance domestic semiconductor technology in the

    1980s. Collaborating with a number o companies, including

    Samsung, and researchers rom Seoul National University, the

    think tank developed the countrys first 4-megabit DRAM chip

    in 1989 just three years into the project, and the worlds first

    256-megabit DRAM in 1994. Korea is now the worlds leading

    producer o computer memory chips, a market where Samsung

    and chie domestic rival Hynix run a duopoly.

    In the 2000s, the ERI worked with American chipmaker

    Qualcomm to commercialize CDMA communication

    technology, this has proven critical in developing the mobile

    Internet technologies used in smartphones today.

    Also in Daedeok, the Korea Aerospace Research Institute

    (KARI) marked a milestone in January last year when the

    Korea Space Launch Vehicle-1 (KSLV-1), a rocket jointly

    developed with Russia, took off rom the Naro Space Center in

    Goheung, Jeollanam-do, and delivered its payload into orbit.

    Tis made Korea the 11th nation to launch a satellite rom its

    own soil.

    KARI will independently develop and launch a bigger KSLV-

    2 rocket by 2020, a project that will represent a truer test o its

    capabilities.

    Korea started developing rocket technology in 1989 with

    help rom the University o Surrey in the UK, a project that

    resulted in Korea launching its first two spacecraf, Uribyol 1

    in 1992 and Uribyol 2 in 1993. Te number o Korean satellites

    1

    has since increased to 11, including the latest to go in

    the Science and echnology Satellite-3.

    Te Korea Institute o Machinery and Materials (K

    another Daedeok tenant, is dedicated to researching h

    speed, magnetic levitation trains. Tese uturistic trai

    designed to exploit magnetic orce and float several m

    above the tracks, which reduces riction and allows a

    speeds than conventional trains. KIMM recently ann

    that it has developed the core technology or a magne

    levitation engine that allows train speeds o more than

    kilometers per hour.

    Te technologies developed here point the way to K

    uture. Said President Park to the Daedeoks researche

    world is now experiencing a great wave o convergenc

    science and technology specialists like you find a brea

    or human development and happiness by joining or

    conduct convergent research that overcomes boundar

    2

    3

    1. Cutting-edge research in a clean room at Daedeoks Korea Research Ins

    Chemical Technology (KRICT) 2. Trial run of a maglev train at Incheon Inter

    Airport in November 2012. Scheduled to open in March 2014 3. Successful

    Korea's Naro-1 rocket on Jan 30, 2013

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    E A T K O R E A N

    HAN YONGUN

    Written byViolet Kim

    Buddhist monk and poet who also participatedin the pro-independence movement

    2

    1

    Han Yong-un, also known as Manhae, was a Buddhist

    monk, reormist, religious and political leader, poet

    and activist. Any educated Korean will immediately

    recognize the opening lines o his classic poem My Love Has

    Lef, commonly seen as an ode to a Korea ree rom Japanese

    colonization.

    Born Han Yu-cheon in 1879 in Hongseong,

    Chungcheongnam-do, Han grew up in the age o the Korean

    Empire (18971910) years amid the political uncertainty o

    oreign invasion and domestic instability at the turn o the

    century.

    His activist tendencies emerged early. In his teens, during

    the 1890s, he joined the Donghak Peasant Revolution or

    social reorm beore taking up the robe o a Buddhist monk at

    Oseam emple on Mt. Seoraksan in 1905. Tis retreat rom the

    world did not signal his retreat rom politics. Rather, it was the

    beginning o his activity as a Buddhist reormer and leader.

    In 1910, Korea officially ell under Japanese colonial rule

    and Hans style o Buddhism entered the ray. Arguing both

    or reorm and or the potential o Buddhism in politics,

    he promoted a modernized and more accessible orm o

    Buddhism that recognized political reality and offered analternative to the oppression o the time.

    His influential guide to Buddhism, Bulgyo Yushinnon,

    was published in 1913, ollowed by Bulgyo Daejeonand the

    magazine Yushin.

    An Activist Monk

    Although Hans political ideas were influenced by his religion,

    1. Simujang House, Hans old home in

    Seoul

    2. The Silence of My Love, a collection of

    Hans poetry released in 1926

    his activism also stands alone and earns him a place i

    history as one o the nations early independence hero

    He played a leading role in the organization o the Ma

    1st Movement in 1919, the first large-scale demonstra

    o Korean resistance to Japanese colonization. He help

    both the drafing and the signing o Koreas declaratio

    independence the same year.

    Tree years in prison did not deter him and he con

    write and campaign or liberation while incarcerated.

    In 1926, the monk published his first volume o poe

    Silence o My Love. O the 88 poems in this collection

    amous and widely taught is Nimeun Gatseumnida, or

    Has Lef

    Te nim, translated into English as beloved, lov

    or even Lord, is unspecified. Grammatically, nim i

    honorific way o saying you. Various interpretations

    you reerred to in this poem as the Buddha, a woma

    motherland.

    Te narrator laments a beloved that has lef while

    simultaneously denying the departure. Te nim mig

    lef but the narrator did not send this nim away, and

    rejects this absence. Tis juxtaposition o the departed

    as a stated reality and the reusal o the narrator to acc

    this are ofen interpreted as an expression o hope or

    independence, as defiance toward the reality o a colo

    Korea, with the nim representing the motherland.

    Hans oeuvre as a poet includes more than 300 poem

    while his works have and will orever be

    tied to the liberation movement,

    this does not lessen the value

    o his poetry or its place in

    Korean literature. Rather,

    an understanding o the

    underlying history can enrich

    appreciation or his works,

    as his achievements were an

    important part o the ormation

    o the Korean cultural identity

    o resistance and liberation.

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    Outdoor food stalls offer good food with a side of Korean warmth

    THE POJANGMACHA

    Written bySteve Miller

    Illustrated by Kim Yoon-Myong

    It was a late Saturday afernoon. I had just

    completed a 10-kilometer hike scouring

    the jagged ridges on Saryangdo, a small

    island near the coastal city o ongyeong in the

    southern part o Korea. While I was prepared

    or the hike, clambering up and down the fixed

    ropes needed to complete my trek took more

    out o me than Id like to admit. Tats why

    when I reached the dock to catch my erry

    back to the mainland, I was thrilled be yond

    belie when I saw severalpojangmachalined up

    waiting or me.

    Okay, so they werent necessarily waiting or

    me, but you get the idea. Tey were there, sitting

    in all their orange-tented glory, ready or hikersand passers-by alike. In Seoul,pojangmacha,

    translated as covered wagons but easier to

    describe as street ood stalls, are just about

    everywhere. Some specialize in sausages, sweet

    treats or spicy staples like tteokbokki, spicy rice

    cakes, and twigim, ried snacks. Coming down

    rom the mountain, I was hoping at least one, i

    not more, o the stalls would have my avorite

    Korean hiking snack: haemul pajeon, ried

    seaood pancake.

    I neared the first stall but it was empty. My

    heart sank just a little, since I could tell by

    the burners and batter that whoever ran this

    stall had all the ingredients needed to make

    my beloved snack; however, he or she had

    momentarily stepped away. My gaze passed to

    the two other stalls nearby and was met with a

    delightul smile rom a short ajumma, an older

    Korean woman. She beckoned me to come over

    by raising her arm and motioning to me. Despite

    being tired, I picked up the pace and obediently

    complied.

    Her stall wasnt large. From what I could tell,

    she had a two-burner gas range under a griddle

    and a small prep area. Te counter had about

    a one-oot lip sticking out rom it, but was

    enough or me to sit down on the hard plastic

    stool and use it as a table.

    Annyeonghaseyo, I said sitting dow

    Her eyes gleamed back. Annyeongh

    said melodically.

    Now my Korean isnt the best, but th

    when it comes to pronouncing ood, I

    spot-on. While I couldnt craf a long, c

    sentence inquiring about the menu, I s

    intoned, Haemul pajeon?

    A nod accompanied by Ne, or yes

    know that she understood. She said som

    couldnt catch and when she sensed tha

    comprehend, this wonderul woman m

    sentence simpler. Makgeolli?

    My eyes lit up and I nodded again. Shreached into a cooler and retrieved the

    green bottle that I know oh-so-well ro

    and gave me a small bowl rom which

    Ten she went to work. She fired up th

    and laid down a layer o batter. Te hea

    the iron below quickly made a sizzling

    as it began to cook. She added stalks o

    onion and bits o seaood to the mixtu

    While she was cooking, I saw a ew o

    members rom our group approaching

    Tey also looked haggard rom the trai

    called them over. When they saw me p

    makgeolliinto bowls or them, they ha

    their pace. ired, they plopped down b

    along the carts rim and we toasted not

    our adventure but also to the wonderu

    preparing ourpajeon.

    Our group quickly ell into a pattern

    drinking, and chatting. It is exactly thi

    camaraderie that makes dining at apoj

    enjoyable. A group o people, riends a

    riends alike, coming together to eat, d

    be merry. We finished our meal, paid t

    thanked our host, and quickly made ou

    to the erry beore it lef port. Tis expe

    isnt unique or limited to Seoul. Its a a

    across all o Korea, and one that I truly

    K O R E A

    4

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    6

    he Korean national ice hockey team is not an

    institution associated with multiculturalism, but thats

    where you can find Brock Radunske, the first oreign

    hockey player to become a Korean national.

    Te Canadian-born Radunske came to Korea six seasons

    ago to join Anyang Halla, one o Koreas three proessional ice

    hockey teams. My agent presented me with the opportunity. I

    did a little research,and I decided to take a chance on coming

    to Korea, he says in an interview with KOREA Magazine.

    Radunske came to Korea predominantly to play or Anyang,

    but acquired Korean nationality in spring 2013 to join the

    national team.

    Korea competes in

    the world hockey

    championships every

    year, and the Canuck

    joined in time or the

    2013 tournament in

    Hungary. You have

    to have a passport [to

    play or Korea], so

    that was a prerequisite

    or me to participate

    or eam Korea, he

    said.

    Korea is 26th in

    the world hockey

    rankings, but

    seeks to improve in the hope o qualiying or the 2018

    Winter Olympics, which will be hosted by the country in

    PyeongChang, Gangwon-do. Te national team has made

    steady progress in the sport, but Radunske is modest about

    how much o an impact he has had. Its hard or any one player

    to have a huge impact, he says. Tere are a lot o little things

    going on at the same time I they come together, theres

    potential or Korea to become a better hockey country. I guess

    they consider me one o the small things.

    While Korea is not amed as a melting pot, the blond-

    haired Radunske says he experienced a distinct reaction to

    his appearance in comparison to his Korean teammates in the

    national championship. Tere was a lot o curiosity, especially

    TICULTURAL KOREA

    Radunske takes the ice with Anyang Halla.

    Written by Loren Cotter

    Canadian-born hockey player Brock Radunskedishes on diversity on the peninsula

    GIVING KOREAA SHOT

    rom the media, he says, because I look different and

    name is different. But as ar as my teammates are conc

    weve played together or a long time now and theyre

    supportive. Im happy that we play together on the sam

    A Hockey First for Korea

    Korea is making great strides toward becoming more

    multicultural in sports. Officially, Radunske is the on

    player to become a Korean national, but there are tw

    players waiting or their turn, he says. Teyve also b

    or two or three years now and are hoping to be a part

    national team

    orward.

    Tere are m

    benefits to Ksports embr

    diversity, acc

    Radunske. H

    a very multi

    sport, he say

    the top team

    world, in the

    Hockey Leag

    one team co

    10 or 12 cou

    represented

    team. So or

    time, differen

    rom different countries have been playing together o

    same teams and theyve had success with this model.

    adapts to it, and it looks like they have, it gives the Ko

    players a chance to play with new players in different

    and it gives them the opportunity to improve their gam

    Radunske also says Korea is becoming more multic

    off the ice as well as on. I eel like Koreas a very ast-p

    country. Tey obviously have their certain cultural m

    with their history, but they are willing to adapt, he say

    think the reason Ive elt so comortable here is b ecau

    the willingness o the people we meet and the organiz

    play or to really help us, and it also improves who we

    makes us a part o whats going on here.

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    ES FROM KOREA

    The Princess andthe Idiot

    Written by Felix Im

    Illustrated by Shim Soo-keun

    Behind every good man is a great woman

    8

    he story o Ondal the Idiot and Princess

    Pyeonggang o Goguryeo may seem

    strange or even implausible at times. As a

    esult, the tale is ofen viewed as a historical olktalebout a mans rise rom destitution to greatness and

    he woman who had the wisdom to believe in his

    otential.

    A Stubborn Princess

    Te tale begins in the royal palace o King Pyeongwon

    Goguryeo, who ruled rom 559 to 590. Among his

    hildren was Princess Pyeonggang, a chronic crybaby

    whose crying was so persistent and got on the kings

    erves so much that he ofen threatened to marry

    er off to Ondal the Idiot i she didnt stop. Ondal

    was an inamous beggar who lived outside the palace

    gates and was reportedly as ugly as a donkey. He was

    ofen seen begging or ood or himsel and his blind

    mother. His ugliness, dirty clothes, and seemingly

    oolish behavior earned him the ridicule o everyonewho knew him, as well as the nickname Te Idiot.

    When the princess turned 16, her ather attempted

    to marry her off to a wealthy and powerul noble.

    His stubborn daughter, however, put up fierce

    resistance and insisted that the king keep his promise

    o marrying her off to Ondal. Bewildered and angry,

    King Pyeongwon said he had just teased her, that it

    was only a joke, but the princess reused to relent.

    Teir argument ended with the princess leaving the

    palace to roam the streets in search o her uture

    husband.

    The Odd Couple

    When she entered Ondals humble home, Princess

    Pyeonggang immediately explained to his weak

    mother that she wanted to marry her son, who

    was out etching tree bark or ood. His mother

    identified the princess as a person o noble

    upbringing by her perume and sof skin. Te

    mother explained that she and her son were very

    poor and that a woman o high birth had no place

    there. Te princess, however, showed no change in

    her determination.

    When Ondal arrived, the princess once again

    explained her reason or visiting. Ondal was

    instantly suspicious, however, and angrily sent her

    away. Afer the princess spent the night outside hishouse and offered to buy him a new house, ood,

    land and a horse with the money she earned by

    selling her gold ring, Ondal was soon won over by

    her sincerity. Te princess not only brought Ondal

    and his mother out o poverty, but also paid or his

    education and gave him proessional training in

    the martial arts.

    From Idiot to Hero

    Ondal, who ended up extremely talented and ar

    rom being an idiot, quickly became an excellent

    soldier. He went on to excel in an annual martial

    arts competition, so much so that he caught the eye

    o King Pyeongwon, who asked him or his name.

    When Ondal gave his reply, the king was so taken

    aback and impressed that he made the ormer

    beggar an honorary general in the royal army.

    Ondal soon displayed his bravery and military

    prowess when armies rom what the Northern

    Zhou Dynasty in China invaded Goguryeo

    lands. Legend has it that he singlehandedly slew

    more than 20 soldiers in an instant, a sight that

    inspired his entire army to victory. Ondal the

    Idiot had officially become a military hero and the

    recognized son-in-law o King Pyeongwon.

    Death for a CountryWhen the king passed away, he was succeeded

    by his eldest son Yeongyang. One day, General

    Ondal asked his new king i he could lead an

    army to reclaim lands in the south that had b een

    taken over by the Silla Kingdom. Convinced that

    Goguryeo needed to strengthen its southern

    presence, King Yeongyang consented to the

    request. Unortunately, the brave beggar-turned-

    hero never returned rom the campaign, or he

    was shot with an arrow and met his end near Mt.

    Achasan. Ondal has since been remembered in

    Korea as a rags-to-riches symbol.

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    IBRS/CCRIN:10024-40730

    NOSTAMPREQUIRED

    REPLYPAID/RPONSEPAYE

    KOREA(SEOUL

    )KOCIS

    15Hyoja-ro,Jongno-gu

    Seoul(110-040)

    RepublicofKorea

    Byairmail/Paravion

    SunriseoverBuddhisttempleSilleuksaandNamhangangRiver,Yeoju,Gyeonggi-doKTO

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    Readers CommentsYour ideas will be reflected in forthcoming issues of KOREA.

    1. How useful is KOREA Magazinefor understanding Korea?

    Please circle the number on the scale that best represents your response.

    2. What kind of content do you find most interesting or useful in KOREA?

    (1) Cover Story

    (2) Interview (Pen & Brush, People)

    (3) Travel & Culture (Travel, Seoul, My Korea, Current Korea)

    (4) International Cooperation (Global Korea)

    (5) Other (please specify)

    3. How do you find the editing, layout, and print quality of KOREA?

    (1) Excellent (2) Good (3) Average (4) Poor (5) Very poor

    4. Which article in this issue did you find most interesting and why?

    5. Do you have any suggestions for improving the content of KOREA,

    or any new ideas for regular sections?

    6. Your Personal Information:

    Gender : Female Male

    Country :

    E-mail :

    Subscribe online for your free copy of KOREA.Its as simple as

    1 Visit Korea.net

    2 Go to Home>Resources>Publications>KOREA Magazine

    3 Click on the KOREA Magazinegraphic nearthe bottom of the left-hand sidebar

    4 Enter your street address for a free hard copyor download a PDF file of the magazineeach month.

    1 2 3 4 5 6 7

    Very useful Not useful at all

    2014

    JANUARY

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    00

    L A V O R

    Seolleongtangand Kkakdugi

    Written byShin Yesol

    Photograph courtesy of Seongbuk Seolleongtang

    Nothing warms the soul in winter quite like a bowl o

    seolleongtang.

    A specialty o Seoul, the dish is a milky bee broth

    oup made rom ox bone and brisket. o get the ull flavor rom

    he bones, the soup is sometimes boiled or an entire day. Te

    ery first bowl o seolleongtangis said to have been prepared afer

    eonnongje, a Joseon Dynasty ceremony in w hich the king prayed

    or a good harvest. oday selleongtangis a popular dish or the

    masses, and its rich but not spicy flavor makes it a hit with oreign

    isitors, too.

    Seolleongtangis usually eaten with a bowl o rice and kkakdugi,

    r sliced white radish kimchi that removes the distinctive meat

    mell o the soup and supposedly aids digestion. Te contrast o

    he soup and the crunchy kkakdugialso adds a bit o un to the

    ining experience.

    The line is busyLets learn Korean expressions for making a phone call.

    Yes, this is Sejong Travel Agency.

    01, .Ne, Sejong yeohaengsaimnida.

    .

    .

    Jamkkanman gidariseyo.a, Minsu ssineun jigeumtonghwa joongimnida.

    Please hold.

    Oh, Minsu is on another line.

    03

    Really? Then Ill call a

    ? ,

    Geuraeyo? Geureom, jedashi jeonhwa hagesseu

    04

    .

    Yeoboseyo. Minsu ssi isseumnMinsu ssi jom bakkweojusey

    02

    Hello. Is this Minsu?May I speak to Minsu, ple

    Lets practice!Read the above

    expressions then fill

    in the blanks with the

    correct answers.

    .yeoboseyo.

    Hello.

    .jigeum tonghwa jungimnida.

    The line is busy.He/Sh

    .jamkkanman gidariseyo.

    Please hold.

    .jalmot georeotseumnida.

    You have the wrong n

    ?sillyejiman eodiseyo?

    May I ask whos calling

    OO .OOssi jom bakkwojuseyo.

    May I speak to OO?

    3

    4

    5

    6

    1

    2

    The following are

    Korean expressions

    used in making a

    phone call. Please

    read and say

    together.

    Hello. Yeoboseyo. Hello. Yeoboseyo.

    answer( .) answer( ?)

    ( ) ( )

    Is this Sejong Travel Agency?

    Geogi Sejong yeohaengsajiyo?

    Is this Minsus home? May I speak to Minsu?

    Geogi Minsune jibijyo? Minsu jom bakkwojuseyo.

    Oh, sorry. Jhoesonghamnida This is Minsus friend Naoko.

    Ne, jeoneun Minsu chingu Naoko-imnida.

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