Formula

• Non-toxic Pigments

• Vita-Flow dispersal protection

• Mix’n Match System lets

you create perfect colors

• Made in the USA

East Coast: 239/280-7626

West Coast: 888/664-9990

Fax: 808/261-9070 email: infor@kolorsource.com

email: velvetneedles@hawaii.rr.comon-line: www.kolorsource.com

KolorsourceKolorsource

KolorsourceKolorsourceColors you can trust.

Since 1996

"To make a better future ...

build on elements of the past."

Goethe

™VitaColors™ are original formulas from tried-and-

true pigments proven to be safe and effective for

more than a decade.

We do not analyze the pigments of competitors or

engage in any unethical attempts to copy anyone.

Our VitaFlow™ formulas are skin-safe and contain

tissue protecting antioxidants.

What makes Kolorsource™ pigments so special?

With the new revolutionary ColorBurst™ technique

we have invented a way to get more color out of

every formula. With the ColorBurst™ technique each

pigment is a truer reflection of its ingredients.

That means color that lasts longer and goes in easier.

Just touch the skin and the color’s in!

any color just

$29!

Colorburst!Technique

RegularTechnique

Helen Snowknows pigmentsLearn moreon page 3

12/07/03

Inorganic PigmentsIron oxides (Fe2O3 and Fe3O4) lack a carbon molecule andare therefore "inorganic". Iron oxides in nature (dirt) areoften combined with toxic metals like lead, arsenic, mercury,antimony and selenium. The FDA has regulated cosmeticcolorants so the level of toxic metal present are below certainpercentages in order to be used safely.

Synthetic iron oxides are manufactured to eliminate the con-tamination of naturally occurring iron oxides. These metalsare basically inert, although iron oxide blacks (magnetite) dohave magnetic properties. Iron oxides are a softer metal thantitanium dioxide.Iron oxide molecules are crystals and are indifferent shapes. Some are spherical, others are rhomboidsand yet others look like a pencil shaped crystal (long andnarrow). Ultraviolet light can affect the crystalline structureand result in loss of color activity. Light fastness or"reflectance" describes a particle's ability to reflect light at acertain wavelength. Most synthetic iron oxides are manufac-tured in the visible light spectrum and have maintain goodreflectance. Examples of the endurance of iron oxides are thecave paintings which have endured thousands of years indarkness.

Particle SizeIt is a mistaken belief that pigment particles are 6 microns orgreater. The fact is that the average iron oxide particle size isless than one micron. However, the particles are attracted toeach other and form "agglomerates". When the particles aremeasured in a suspension it is common to get a particle sizemeasurement of 1-20 microns because the agglomerates arebeing measured in addition to the individual particles.Although iron oxides are inorganic, they are often dispersedin glycerin or alcohol which are organic substances.

Carbon BlackCommon in inks used for tattooing, the carbon black particleis without shape or "amorphous" and the size is a tiny .03microns. This means it is from 10-20 times smaller in sizethan an iron oxide pigment particle. My personal belief isthat this ultra-small size is why we will often see migrationor "bleeding" of pigment into surrounding tissues when usingcarbon black based inks.

An example of carbon black ink is HIGGINS India Ink.Because lead is no longer legal in the U.S. as an additive tocarbon black, even India Ink or Pelikan Ink have lost their"black blackness". Carbon black is illegal for use in cosmet-

ics in the United States because of a case of blindness thatresulted from its use in mascara. Carbon black is legal inother countries, and is used widely in the US by tattooists.Although it is safe to use when alcohol is present to preventinfections, the law remains to be changed in the U.S.

SolubilityBy definition, a pigment is a particle and NOT soluble insolution. If a colorant dissolves in solution then it becomes adye. Various dispersal agents such as glycerin, ethyl alcohol,Witch Hazel, water, castor oil, propylene glycol and othersare used to keep the particles from forming clumps.Rememberthat these particles are weakly attracted to each other.

OrganicMany colorant molecules are organic because they contain acarbon molecule. You don't have to look any further thanyour dinner table to find examples of organic colors.Spinach, carrots, tomatoes, beets and parsley are all "organ-ic" colors. We eat these products every day and they arevery safe. Rarely organic colors such as "coal tar" have beendetermined to have undesirable effects including causing can-cer. But this is an exception. Therefore, whether a color isorganic or inorganic does not determine the safety of thatcolor. One manufacturer feels strongly FOR organic pig-ments and yet another feels strongly FOR iron oxides. Justremember that "bright" colors are organic in origin andearth colors are inorganic. Carmine is a naturally occurringred pigment from cochineal extract (beetles) in SouthAmerica. It is added to some iron oxide pigment lip colors.KolorSource™ pigments use KOSHER glycerin or propyleneglycol for peace of mind.

Properties of pigments The smaller apigment becomes the more translucent it becomes. This istrue of even the most opaque pigment, titanium dioxide.Science is making "nano particles" which are a thousandtimes smaller than "micron-sized" particles. The larger theparticle size the more light it will reflect and the more opaqueit will become.

Adverse EffectsIron oxides contain nickel and a large percentage of the pop-ulation tested is allergic to nickel (17.9%). Tattooneedles,including surgical grade stainless steel needles, con-tain nickel (8.2%). So sensitivity to pigments can and doesoccur, even to iron oxides. The fact that organic colorants do

not contain nickel is good. However, the inert iron oxides arevery safe despite the presence of nickel. Organic pigmentscan cause severe allergic reactions and granulomas that aredifficult to treat. Fortunately, this is rare. Most adverseeffects come from sensitivity to antibiotic ointments appliedafter the permanent cosmetic procedure.

Iron Oxide ColorsIn nature, iron oxides exist in reds, yellows, blacks, ochre,umbre and burnt umber. Synthetic iron oxides come in sever-al shades of red, yellow and black. A pigment has both a"top tone" and an "undertone". So in addition to dealingwith the undertones in the client's skin, you must take intoaccount the "undertone" in the pigment.

Titanium DioxideCompared to iron oxides, titanium dioxide is very opaque.However, although white in appearance, it also has under-tones (DuPont) which may be blue on the light spectrum insome cases. It is often mixed with blacks, reds and yellows tolighten (tint) the original hue (color) of the cosmetic color.

Loss of color over timea) Exposure to sunlight or UV lightb) Body breaks down foreign bodies when possible and

eliminates themc) Use of glycolics, Retin-A and other new products for

wrinkle treatments are having an adverse effect on permanentmakeup.

There are advantages to either inorganic or organic col-orants. Allergic reactions to red pigments used in tattoos were actu-ally allergic reactions to the Yellow "Cadmium sulfide" addedto the reds. Often times a claim of an "allergic reaction" ismade after lip color when in fact the culprit was from over-working the lips with the needles. Bumps will occur in thiscase. This should NOT be mistakenly diagnosed as an aller-gic reaction. A tiny tissue “punch” biopsy is needed to con-firm ANY suspected allergic reaction. The treatment forallergic reactions ranges from overtattooing with salt wateror Kenalog,to topical or systemic steroids to laser removalattempts. Injections of steroids locally usually wear off andthe reaction will flare again. Tattooing with a dry needle anddabbing on Kenalog 1% cream helps too.

Cosmetic Colorants Information about pigments we use in P.C.

2

Use the right needle (and machine) for the job. As you can see from this preliminary study, the #5 Flat in the Midas is the best for brow hairstrokes. For eyeliner and lipcolor, the #3 FLAT

(or round if you prefer) is the best needle. Velvet Needles® carry more color faster.

#3(30) FlatVelvet

Needle PB

#3 prongRound

Cartridge

#5 FlatMIDAS

VelvetNeedle

#5 FlatMIDAS

VelvetNeedle

#3(30)RInfiniti®

VelvetNeedle

#5 prongRound

Cartridge

#5 prongRound

Cartridge

#3(30R) 2”KP-96

VelvetNeedle

#3(30R) 2”FLAT KP96VelvetNeedle

#3(30R) 2”FLAT KP96VelvetNeedle

by Linda H. Dixon MD

We wanted to know how much the Colorburst™ pigments would fade duringhealing. So a local tattoo artist used six KolorSource™ pigments to add color

to an old ink tattoo on his leg. All reds, yellows and orange held well and stayedthe same color as day one.

Day 1 Day 5

Licorice 8475

Mink 3590

Titanic 8476

Hazel Khaki 9179

Storm 8477

Burnt Toast 8478

Seaweed 8875

Spanish Eyes 9178

Blackjack6190

Purple Sunset 9200

Peacock9201

Black Amethyst 9220

Black Emerald 9221

EyelinerColorsEyelinerColorsFleshTonesFleshTonesPink Flesh 8949

Pale Flesh 8950

Yellow Flesh 8951

Hawaiian Flesh 9166

Neutral Flesh 9167

LipColorsLipColorsAwesome O

8938

Beets Me! T 9155

Berry Cool T 8941

Crimson O 9141

Girls Night Out!9167

Hoochie Mama O 8946

Hula Girl O 9177

Kiss Me! O 9134

Naturelle9196

Pomegranate O 8947

Poppy O 8948

Red Pepper T 8942

Sassy 9197

Salmon Pate O 8945

Scarlet Kiss T8943

Very Berry T8940

Wine Cooler O8944

Whisper Mix 9100

Nude Mix 9101

Pansy 9102

Envy 9103

BlueJeans 9104

Flax 11 9105

Gold Digger9116

Canary 9106

Squash 9107

Off White 9108

Bubblegum 4400

Red Areola 8952

Creme Areola 8953

Chocolate Areola 8954

AreolaColorsAreolaColors

KolorsourceKolorsourcewww.kolorsource.com

info@kolorsource.com

any color just $29

239/280-7626

Blonde Moment9135

Brown Abyss9111

Cashmere9199

Chocolate Mousse9156

Dk. Beechwood 9113

Dk. Tawny Brown9115

Dream Brow9174

Ginger 8480

Goldilocks9205

Honey Brow9173

Lt. Tawny Brown9114

Red Brow HiLite’r9110

Soft Beechwood9112

Tobacco9136

EyebrowColorsEyebrowColors

This color chart may notbe a good reflection of theactual colors because ofthe difference in monitorsand color printers. Pleasefeel free to call if youhave any questions.

Toll Free 800/964-6437 Then press #19

de

pe

nd a b l e p i g m e n t s

When you reach for a bottle of pigment you don’t want any doubtthat the product you’ve chosen is the best you can use. The exclusive line of

Kolorsource pigments come in all the colors professionals use most. From deliciouslywarm tones to seductively cool colors, our pigments are formulated specifically for

lips, brows, eyeliner, and areolas. Plus we have pigments for correcting and mixing.You’ll love them all! All colors have been tattooed into the skin for many years. Note: You must shake well in Pigment Shaker AND stir with Mini-Mixer for good color.

888/664-99904

LipColorsLipColors Before Right After Healed After Touch-up

Awesome O8938 Natural lipcolor with brown warm undertone. No pink. It’s the color you want to use

if you don’t want pink lips. Awesome + Ginger + Nude Lips give MOST nat. lipcolor.

Beets Me! T 9155Profoundly rich, deep red color that can only be described as “beet-red”! My 78 y/o mother named this color in a heartbeat when she saw it.

Berry Cool T 8941Med. Cool true Red. Transluscent. Deep pink when healed. Add 1/8-1/4 Nude or Whisper Mix to lighten to a 3 yr. old baby’s lip color.

Crimson O 9141Never turns blue. It turns light orange. Mix 50/50 with Salmon Paté according toHelen (Snow) for pleasing color.

Girls Night Out! T9167 Go ahead and kick up your heals with this profoundly dark, translucent lipcolor. Add

a little Nude for opacity or Bubblegum to lighten. “Lips night out!”

Hoochie Mama O 8946Seinfeld coined the “hoochie mama” term according to Liza Lawrence. This colorreminds you of someone with lips that never end. Luscious red lips.

Hula Girl O 9177Rich velvety deep balance of warmth and cool in brown tones with mauve. A strongyet natural appearing color for lips that need definition and youthfulness.

Kiss Me! O 9134This is a profoundly powerful, dense warm rose color (on steroids). Will mauve outover normal lip tones.

Naturelle9196 In progress

Pomegranate O 8947A medium Blue/Pink. Think fruity (rhubarb). Opaque.

Poppy O 8948Powerful, balance of cool and warm reds with just enough yellow to stay true. Usealone or add Canary to brighten or Lip Mix to add mauve. Opaque

Red Pepper T 8942Brighter Red with Orange hues. Red hot pepper. Translucent

Sassy O 9197Dark “sassy” burgundy tones. Packed full of colors so a word of caution to use spar-ingly or mix with Salmon Paté or perhaps Hawaiian Flesh to tone down.Or Bubblegum.

Salmon Pate O 8945A Creamy Pink. Opaque. Beautiful added to Wine Cooler 50/50.

Scarlet Kiss T8943 Brighter Red with Orange hues. Red hot pepper. Translucent.

Very Berry T8940 Deep Cool Red Boysenberry. I use it in all my lipcolors. Mix with Nude Lip Mix 1/4

for deep mauve. I always add Nude Lip or Bubblegum (a few drops) to add opacity.

Wine Cooler O8944 Deep Blue Pink. Fuschia. Lighten with white pigment. Heals bright pink. Opaque.

Mix 50/50 with Salmon Paté for pretty color.

O=Opaque T=Transparent

If you don’t remember anything else, please remember to alwaysshake and stir your pigments. Yes, Shake AND Stir! Both ofthem. Forget the toothpick approach. Here’s why:

A poorly mixed pigment will give you uneven results. You’llhave problems getting in the color so you will tend to “overwork”the area trying so hard to do a good job. The result? You’ll actu-ally be creating tissue damage that will cause bleeding and scab-bing and you’ll have very little color left after the healing period.

Mixing colors together isn’t done evenly enough with a toothpick.Put your mini-mixer “stirrer” in the bottom of your pigment cupbefore you turn it on. Then stir away with the tip making circlesaround the bottom of the pigment cup. Always have the tip touch-ing the bottom of the pigment cup to prevent “flying” colors.

And by all means don’t let your colors dry out. Some pigmentscontain a lot of alcohol and it evaoporates quickly once it is inyour pigment cup. This results in “caking” of the dried pigment inbetween your needles. When your needles are clogged with dry

pigment they can’t carry color intothe skin. Going deeper or harderto get in the color won’t workwhen your needles are full of driedpigment.

Solution? Run your needles in a cupof water to get out the caked pigment,then add Scatter to your color mixtureand be sure to stir it thoroughly withyour mini-mixer.

You’ll be glad youdid! Shake!Stir! Shake!Stir!

Shake Rattle and Roll by Linda Dixon

How pigment shaking and stirring give you better results

Pigment shaker $49Mini-mixer $8

Before After

Pink Flesh 8949 Scar camouflage. Choose closest to skin tone. Test small area, wait 3 weeks.

Pale Flesh 8950 Adjust sparingly, repeat as necessary. Wait 3-4 weeks between sessions.

Yellow Flesh 8951Choose for warm skin tones. Also, to make superb flesh tones mix Gingerwith White until desired color is achieved.

Hawaiian Flesh 9166 Rich warm flesh. Smear a little over the desired area to see how it matchesor covers.

Neutral Flesh 9167 Few people realize collagen is gray so we’ve toned “neutral flesh” with ahint of gray. You’ll reach for Neutal Flesh often to camouflage small areas.

any color just $29

888/664-9990

888/664-9990 5

One of the best Flesh Tones is GINGER mixed with white (SNOW).

Licorice 8475 Heals soft, matte black. Stays black. Stays put. Everyone’s favorite eyeliner pigment!

Mink 3590 Brown trying to be black. Warm black. Mixes well with Licorice or any bright color too.

Titanic 8476 Think of the ocean depths of dark blue green and you’ve got Titanic. Seabee. Profoundlyblack/blue/green but can heal like

Hazel Khaki 9179 *Favorite color. Softens dark eyeliner and good for bottom eyeliner in fair clients. Balanced green/brown

with a lot of yellow in the base.Warm to neutral. For accents and eye shadow application “smudgy” effect.

Storm 8477Medium charcoal. Add Black to Darken for Full or Upper eyeliner. Add Brown Abyss for Grayish Browneyebrows. Add Pansy (purple), Bluejeans or Envy Green for toned eyeliner. For older gray hair ladiesbrows add to Flax 11. Too gray for a straight brow. Good mixing color mainly.

Burnt Toast 8478 Brown/Black. Best for Asians. Deep burnt brown color. Good for eyebrows too for Asians and Hispanicsand Black Skin.

Seaweed 8875 Green like seaweed wet from the ocean shores. Gray-black undertone with almost invisible golden yellowmaking for a green color to go just above eyeliner.

Spanish Eyes 9178 Deepest, blackest brown possible for Hispanic eyeliner with a hint of warmth. Looks black until you look

carefully and you’ll see brown in them thar hills!

Blackjack6190 Black eyeliner with orange already added to cancel blue undertones so common in skin and black pig-

ments. Contains Blooper.

Purple Sunset 9200 Smokey purple. A lot of women really look fabulous with this as a bonus color just above their normal

black eyeliner (Licorice). Can Mix with Licorice or Storm.

Peacock9201 Beautiful combination of blue and green like the feathers in a peacock with black undertones.

Black Amethyst 9220 Blackest Violet

Black Emerald 9221 Blackest Green

FleshTonesFleshTones

EyelinerColorsEyelinerColors

Whisper Mix 9100 Add to any lipcolor to lighten (tint)

Nude Mix 9101 Add to Berry Kiss or Red Cool Kiss for a natural look, to widen a naturallip, or cover a lip scar.

Pansy 9102 Add to other eyeliner colors for a violet smoke effect. Add white plusLicorice for eyeshadow.

Envy 9103 Add to other eyeliner colors for a green smoke effect. Add white plusLicorice for eyeshadow.

BlueJeans 9104 Add to other eyeliner colors for a blue smoke effect. Add white plus Licoricefor eyeshadow.

Gold Digger9116 Ochre tint to mix with brow colors or use alone to highlight and blur brow

edges for powdery effect over darker color. Also,see Goldilocks for red-gold.

Flax 11 9105 Add to brow colors for more ashed out ochre or mustard color and to put

back yellow where it has been lightened by time. Add to black for gray color

Canary 9106 Add to lips to brighten and to brow colors to give warmth and lighten.

Squash 9107 Use alone or mix with desired color as desired to cancel too much blue.

Off White 9108Titanium Dioxide White. Mix with Ginger for flesh colors. Ask aboutBlooper for a natural buff color with no blue undertones likes pure white.

Bubblegum 4400 Bubblegum gets control of unwanted blue fast and prevents it too. Knownas lip insurance add a drop or two to your lipcolors and brow colors.

6 any color just $29

888/664-9990

EyebrowColorsEyebrowColorsBlonde Moment

9135 True neutral blonde. A real favorite. Makes a good base for hairstrokes too with DreamBrow.Mix very well before using.

Brown Abyss9111 A dark brown which can be added to other eyebrow shades. May be used alone for deep

Brunette tones. Add red hues with Red Brow Highlighter.

Cashmere9199 Cashmere is the luxurious hair that comes from a goat living at very high altitudes. It is a

whispy pale gray yellow color you’ll want to use mainly to mix with your other brow colors.

Chocolate Mousse9156 Rich brown/black with abundance of butter yellow undertones which makes for a soft yet dark

eyeliner or brow hairstroke color. Has red undertones so not best in translucent skin types.

Dk. Beechwood 9113 Dark gray-brown. For medium gray-brown mix 1/2 each Light and Dark Beechwood. No

unwanted red hues. Add drop Ginger for hint of warmth.

Dk. Tawny Brown9115 Dark gray-brown. For medium gray-brown mix 1/2 each Light and Dark Beechwood. No

unwanted red hues. Add drop Ginger for hint of warmth.

Dream Brow9174 Medium DARK brown with balanced warm/cool mixture.

Ginger 8480 Mix with any brow color for golden tones; use alone in redheads; mix with white for flesh

tones. Absolutely fabulous pigment with orangey undertone.

Goldilocks9205 Use this for a warm gold. So useful over brows that are too ashy or dark. Good for straw-

berry blonde types. No black or red in this formula. Add to Brown Abyss for golden highlight

Honey Brow9173 Medium brown with golden undertones. A warm medium brown. Very popular.

Lt. Tawny Brown9114 Very light yellow-brown. No red hues. Flaxen color which means a gray-yellow.

Soft Beechwood9112 Light gray-brown. No undesireable red hues. This will quickly become one of your favorite

colors. Think “Little old lady from Pasadena” but great for every age.

Red Brow Highlighter 9110 Use as additive to all other brow colors. Mix with tawny for strawberry blondes; mix withBeechwood to a soft pinkish gray. Mix with Dark Brown to a deep brunette. Never use alone!

Tobacco9136 Rich brown with neutral to yellow undertones. I use this usually to add yellowish tones to

Dark or Soft Beechwood or Dk. Tawny. MIXING COLOR Only.

Color Kits

Before Healed

Touchup

Unretouched photos on actual clients using Kolorsource pigments and Velvet Needles.

Have Any Questions? Call

See order form on the back page

Buy 4 Get 1 Free!

Kit #9185Lip Kit-A: 5 colors

Very Berry, Awesome, PoppyWineCooler, Salmon Paté.

Kit #20EssentialsKit: 20 colors

BROWSBlonde MomentBrown AbyssTobaccoSoft BeechwoodDk. BeechwoodHoneyDream BrowGinger EYELINER

Titanic (not forbrows)Burnt Toast(brows too)Spanish EyesHazel Khaki

LIPSVery BerryWine CoolerHoochie MamaSalmon PatéPoppyAwesome Lip

MIXINGCOLORS

Nude Lip MixKarrotsCanary *No sub-stitutions please

25%

Usage: A thing is translucent (T) when it merely admits the passage of light, without enabling us to distinguish the color andoutline of objects through it; it is transparent when we can clearly discern objects placed on the other side of it. Ground glass

is translucent while glass, water, etc., are transparent. (O)Opaque objects block the passage of light. I’ve noticed over theyears that organic pigments behave totally different in the skin than the iron oxides. Organics are a much more delicate pig-ment of a finer particle size and they are generally more translucent than the oxides. So you need to punch up the color with

something like Lip Mix or Bubblegum or an iron oxide.

Kit #9186Lip Kit-B: 5 colors

Hula girl, Berry Cool, Red Pepper,Crimson, Hoochie Mama

Kit #9187Brow Kit-A: 5 colorsHoney, Dream Brow, Blonde Moment,

Ginger, Brown Abyss

Kit #9188Brow Kit-A: 5 colors

Soft and Dk. Beechwood, Lt. Tawny,Chocolate Moussé, Tobacco

Kit #9189Eyeliner Kit: 5 colors

Titanic, hazel Khaki, Storm, BurntToast, Spanish Eyes.

Kit #9190Mix Kit-A: 5 colorsNude, Bluejeans, Gold Digger, Canary,

Karrots

Red Areola 8952Dual formula red with iron oxide/organic balance and yellow to preventfrom turning undesired “blue”. Wash with Créme or Chocolate Areola.

Creme Areola 8953 Pale pigment with yellow undertone and a “hint” of pink.

Chocolate Areola 8954This is a medium brown color with pink tones; may be used alone or color washed over with Areola Créme or Aureola Red.

AreolaColorsAreolaColorsAlso can mix lipcolors with Flesh colors to desired match.

Before After Close-up

888/664-9990888/664-9990Ginger Browcolor

Midas #5 flat Velvet

Licorice EyelinerDigipoint #3 flat Velvet

Very Berry linerInfiniti #3 Velvet

Poppy lip fill colorShenDai #8 Velvet

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5-Color KITS SAVE

Lip Kit-A 9185 $116

Lip Kit-B 9186 $116

Brow Kit-A 9187 $116

Brow Kit-B 9188 $116

Eyeliner: Kit 9189 $116

Mix: Kit 9190 $116

KIT: 25% SAVE

Essential 20 Colors 9170 $435

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Scatter -2 for $25 8310 $25

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East Coast: 239/280-7626West Coast: 888/664-9990Fax: 808/261-9070e-mail: kolorsource@comcast.neton-line: www.kolorsource.com 12

Buy 10 colors get 10% discount.Buy 20 or more colors and get 20% dis-count. Save 25% on Essentials 20 colors!