kk_ovfinspot_r2

"THE KARATE KID" REEL 2AB, PAGE 1 OV FINAL SPOTTING/SUBTITLES (SDI MEDIA) CHANGED/OMITTED/NEW SUBTITLES MARKED WITH AN ASTERISK

LABORATORY: 0.00 AT START MARK

18.04 = 1ST SCENE END

2-1. /12.04 17.07 5.03 (51)

HARRY TO DRE)He's really good. I've never seen him lose to anybody.

(He's really good : i.e., 'He's an exceptionally skilled ping pong player' - Referring to the Ping Pong Man)(Dre sits with Harry in the park. Dre stares at Mei Ying as Harry reacts)

*2-1A. 18.06 20.02 1.12 (17)

DRE TO HARRY) (OPTIONAL)Yeah.

2-2. 24.01 25.10/ 1.09 (15)

HARRY TO DRE)Dude.

(Used here as a slang interjection of incredulity)

2-3. /25.14 30.00 4.02 (41)

HARRY TO DRE, THEN DRE TO HARRY)-Are you gonna talk to her or what? -To who?

(or what : i.e., 'or aren't you')(Harry points to Mei Ying)

2-4. /30.11 33.06 2.11 (26)

HARRY TO DRE)To her. The girl you've been starin' at.

2-5. 33.10 36.04 2.10 (26)

DRE TO HARRY)I wasn't staring at her, dude.

2-6. 36.08 38.08 2.00 (20)

HARRY TO DRE)Yeah, you were.

*2-7. 41.11 45.11 4.00 (40)

HARRY TO DRE)You should go talk to her. Unless you're scared.


2-8. 45.15 48.11/ 2.12 (27)

DRE TO HARRY)I'm not scared of anything.

*2-9. /48.15 52.02/ 3.03 (31)

HARRY TO DRE)Then do it. Go. Come on.

(Come on : Idiomatic expression of urging, here meaning 'Go talk to her')

2-10. 55.13 59.00 3.03 (31)

DRE TO HARRY)Cool. Right now.

(Cool : Slang used here to mean 'Okay' - 'Fine, I will')(Dre approaches Mei Ying)

2-11. 68.13 70.09 1.12 (17)

DRE TO MEI YING) (OPTIONAL)Hey.

(Slang greeting)

2-12. 73.08 75.05 1.13 (18)

DRE TO MEI YING)What's up?

2-13. 79.09 82.07 2.14 (28)

DRE TO MEI YING)I forgot, no English.

(no English : i.e., 'you don't speak English')(Dre speaks to Mei Ying in Chinese. She chuckles)

2-14. 95.13 98.03/ 2.06 (23)

MEI YING TO DRE)What language was that?

(Humorously implying Dre's Chinese is terrible)(Dre reacts, surprised)

2-15. 99.15 101.11/ 1.12 (17)

DRE TO MEI YING)You speak English?

2-16. /104.01 105.10 1.09 (15)

DRE TO MEI YING)Me too.


2-17. 106.08 109.10/ 3.02 (31)

DRE TO MEI YING)So, what are you listening to?

(Referring to the ear buds in Mei Ying's ears, which are attached to a portable digital music player. Mei Ying removes the ear buds from her ears)

2-18. 111.06 113.02 1.12 (17)

MEI YING TO DRE)Bach.

(Johann Sebastian Bach, an 18th century German composer and an organist regarded as the supreme composer of the Baroque period, and as one of the greatest of all time)

2-19. /113.13 117.15 4.02 (41)

DRE TO MEI YING)Bach. I listen to them all the time. They're tight.

(them : note implication that Dre thinks 'Bach' is a contemporary band)(tight : slang for 'excellent' - 'rhythmically precise musicians')(Note humor)

2-20. 118.03 120.03/ 2.00 (20)

DRE TO MEI YING)Wait, you ever heard of this?

(you ever heard of : i.e., 'have you ever heard' - 'are you familiar with')(Dre hands Mei Ying his own digital music player and plays a contemporary song on it for her. Mei Ying nods appreciatively)

2-21. /130.12 134.01 3.05 (33)

DRE TO MEI YING)Oh, yeah, you like that, huh? Wait.

(Wait : i.e., 'Watch me dance')(Dre dances to the music. Nearby, Liang, a young Chinese boy, reacts and alerts his friend, Cheng)

2-22. /154.01 157.04 3.03 (31)

DRE TO MEI YING)Wait, whoa. It's goin' over here.

(Wait, whoa : Used here to indicate something unexpected is about to occur in his dance)(It's goin' over here : Referring to the focal point of his dance - Note that Dre emphasizes motions in his right shoulder)


2-23. /161.02 163.11/ 2.09 (25)

DRE TO MEI YING)It's going below. Wait, wait.

(It's going below : i.e., 'My movements are traveling down my body')

2-24. /163.15 165.07 1.08 (15)

DRE TO MEI YING)It's comin' back.

(i.e., 'The movements are now traveling back up my body.')

2-25. 165.11 167.10/ 1.15 (19)

MEI YING TO DRE)May I touch your hair?

(Dre reacts and stops dancing)

2-26. 171.02 174.03/ 3.01 (30)

DRE TO MEI YING)You wanna touch my hair?

2-27. 179.04 180.08/ 1.04 (12)

DRE TO MEI YING)Sure.

(Mei Ying touches Dre's hair. Cheng approaches and pointedly steps between Dre and Mei Ying)

LABORATORY: IF PRINT IS TEXTED, THE FOLLOWING TITLES #2-28 THROUGH #2-31 WILL DOUBLE-PRINT OVER EXISTING TYPEFACE. THEY ARE TO APPEAR JUST BELOW CENTER FRAME, DIRECTLY ABOVE THE TEXT. CHECK PRINT FOR PROPER POSITIONING TO AVOID DOUBLE-PRINTING. ALSO NOTE THAT SOME OF THE TITLES ARE LESS THAN FIVE FRAMES APART INTENTIONALLY SO THAT THEY IMITATE THE EXISTING NARRATIVE TITLES ON THE SCREEN.

CHINESE TRANSLATORS: YOU MAY OMIT TITLES #2-28 THROUGH #2-31 IF YOU DO NOT NEED TO TRANSLATE THEM FOR YOUR TERRITORY.

2-28. /199.11 201.14 2.03 (21)

CHENG TO MEI YING) (subtitle of Chinese)You should be practicing.

(practicing : i.e., 'practicing the violin')


2-29. 202.15 204.06/ 1.07 (14)

MEI YING TO CHENG) (subtitle of Chinese)I am practicing.

2-30. /206.12 208.07 1.11 (16)

CHENG TO MEI YING) (subtitle of Chinese)What you're doing you won't need these.

(What you're doing : i.e., 'For what you're doing now' - Referring to flirting with Dre)(these : referring to Mei Ying's sheet music)(Cheng throws Mei Ying's sheet music on the ground)

2-31. 208.08 209.10/ 1.02 (11)

MEI YING TO CHENG) (subtitle of Chinese)What's your problem?

(Idiomatic for 'What's wrong with you?' - 'Why are you behaving this way?')(Dre begins picking up the sheet music)

2-32. /209.14 210.14/ 1.00 (10)

CHENG TO DRE)Leave it.

(i.e., 'Don't pick up the sheet music.')(Cheng's friends gather around. Dre approaches Mei Ying with the sheet music, but Cheng aggressively knocks the pages out of Dre's hands)

2-33. 222.14 224.02/ 1.04 (12)

DRE TO CHENG)Come on, dude!

(Come on : Idiomatic expression of remonstration, here used to mean 'Stop doing that')(Mei Ying begins to put away her violin and bow. Dre again collects the sheet music. Cheng reacts)

2-34. 230.06 232.14 2.08 (25)

CHENG TO DRE)I said leave it!

(Dre holds out the sheet music to Mei Ying. Cheng tries to knock it from his hands, but Dre moves it out of the way. Cheng pushes Dre to the ground, and they begin to fight as Mei Ying objects. Dre falls to the ground. Zhuang picks him back up. Dre turns to Mei Ying, who is clearly upset)


2-35. 279.02 280.11/ 1.09 (15)

ZHUANG TO DRE)Go get him.

(i.e., 'Fight him.')

2-36. /280.15 282.08 1.09 (15)

ZHUANG TO DRE)Go get him.

2-37. 282.12 284.06/ 1.10 (16)

BOYS TO DRE)Go, go, go!

(Dre runs at Cheng, who bends down and easily tosses Dre over his shoulder. Cheng's friends react, enthusiastic)

2-38. /292.02 294.02 2.00 (20)

ZHUANG) (exclaiming)Yeah!

(Harry approaches Cheng and tries to intervene. Cheng gestures for Harry to step aside and let the fight continue. Dre gets up and the fight continues. Cheng kicks Dre to the ground. Mei Ying runs up to Cheng, upset)

2-39. 351.06 353.06/ 2.00 (20)

CHENG TO DRE)Still want to fight?

(Dre gets up and hits Cheng in the face, briefly knocking him to the ground. Mei Ying struggles as the boys hold her back as the fight continues. Cheng brutally defeats Dre. Mei Ying breaks away from the boys and runs up to Cheng. Cheng and his friends walk away as Mei Ying kneels down beside Dre, who is badly injured from the fight)

2-40. 400.06 403.00 2.10 (26)

MEI YING TO DRE)Are you okay? Let me help.

2-41. 403.04 406.11/ 3.07 (34)

DRE TO MEI YING)Just leave me alone. I'm fine.

(Harry kneels down beside Dre)

*2-42. (OUT)


*2-43. 409.15 411.03/ 1.04 (12)

HARRY TO DRE)Dre.

2-44. /411.08 416.06 4.14 (48)

DRE TO HARRY)Dude, leave me alone.

(Harry walks away. The following morning, Dre stands in the bathroom of his apartment, applying some of his mother's makeup to the bruise under his eye)

2-45. /496.06 499.08 3.02 (31)

SHERRY TO DRE)Dre, are you ready?

2-46. 499.12 502.06/ 2.10 (26)

SHERRY TO DRE)'Cause we gotta be there in like 20 minutes.

(there : i.e., 'at your school')(like : i.e., 'approximately')

2-47. 503.00 504.04/ 1.04 (12)

DRE TO SHERRY)I know, Mom.

2-48. 505.02 507.12/ 2.10 (26)

SHERRY TO DRE)And you have your uniform on, right?

2-49. /508.00 509.04 1.04 (12)

DRE TO SHERRY)Yes, Mom.

2-50. 509.08 512.10/ 3.02 (31)

SHERRY TO DRE)Don't wanna break any rules on the first day.

(Don't : i.e., 'You don't')(break any rules : implying the school enforces a strict dress code that requires students to wear uniforms)

2-51. /516.13 520.03 3.06 (33)

SHERRY TO DRE)Okay. Come on. Waiting for you.

(Come on : Idiomatic expression of urging, here meaning 'Hurry')


(Dre steps out of the bathroom wearing a baseball cap. Later, Dre and Sherry walk to Dre's school)

2-52. 533.15 537.07 3.08 (35)

DRE TO SHERRY)You know you don't have to come in. I mean, I can handle it.

(come in : i.e., 'come into the school with me')(I can handle it : i.e., 'I am capable of successfully navigating my first day of school')

2-53. 537.11 541.06 3.11 (36)

SHERRY TO DRE)Dre, don't be silly. It's your first day.

(silly : i.e., 'ridiculous')

2-54. 541.10 546.10 5.00 (50)

SHERRY TO DRE)Plus, we both have to meet the assistant principal, Mrs. Po.

2-55. 546.14 550.00 3.02 (31)

DRE TO SHERRY)I can find her. And you need to get to work, right?

2-56. 551.04 553.07 2.03 (21)

SHERRY TO DRE)Are you trying to get rid of me?

(get rid of me : i.e., 'get me to leave')

2-57. 553.11 555.04 1.09 (15)

DRE TO SHERRY)No, Mom.

(Sherry and Dre approach Mrs. Po)

2-58. /557.11 559.07/ 1.12 (17)

SHERRY TO MRS. PO)Mrs. Po?

2-59. /559.14 561.15 2.01 (20)

SHERRY TO MRS. PO)Hi, Mrs. Po.

2-60. 562.03 565.04 3.01 (30)

MRS. PO TO SHERRY)Ms. Parker. We've been waiting.

(We've : i.e., 'I have' - Used here to underscore


Mrs. Po's status as assistant principal, and to maintain an impersonal tone)

2-61. 565.08 569.13 4.05 (43)

SHERRY TO MRS. PO)I am so sorry we're late. We just flew in from Detroit last night.

(Dre notices Cheng and his friends standing nearby)

2-62. 570.01 572.01 2.00 (20)

SHERRY TO MRS. PO)This is my son, Dre.

2-63. 572.05 574.00/ 1.11 (16)

MRS. PO TO DRE, THEN DRE TO MRS. PO)-Hello. -Hi.

2-64. 575.09 578.13/ 3.04 (32)

MRS. PO TO DRE)We only wear uniforms on uniform day.

2-65. 579.11 581.07/ 1.12 (17)

SHERRY TO MRS. PO)Oh, that's my fault.

2-66. 582.06 587.05/ 4.15 (49)

SHERRY TO MRS. PO)I didn't have a chance to read the school packet you sent me.

(school packet : i.e., 'the packet of information you sent me about the school and its customs')

2-67. /587.09 589.15/ 2.06 (23)

SHERRY TO MRS. PO)We'll be better tomorrow. Yeah.

(be better : i.e., 'be more prepared')

2-68. /590.06 594.00 3.10 (36)

MRS. PO TO SHERRY)And hats are not permitted.

2-69. /595.01 599.04/ 4.03 (41)

SHERRY TO MRS. PO)Yeah, I should have read up on the dress code.


(read up on : i.e., 'read through' - 'studied')(dress code : a set of requirements as to how people should dress when attending a function or visiting a place)(Sherry removes Dre's hat and notices the make-up on his face)

2-70. /599.08 602.00/ 2.08 (25)

SHERRY TO DRE)Dre, is that makeup?

(Sherry wipes the make-up off Dre's face, revealing his bruise)

2-71. /602.04 604.05/ 2.01 (20)

SHERRY TO DRE)What is that?

(i.e., 'How did you get that bruise?')

2-72. /604.12 606.15/ 2.03 (21)

DRE TO SHERRY)Mom, I ran into a pole.

2-73. 607.07 611.08/ 4.01 (40)

SHERRY TO DRE)No, you have a black eye. You got into a fight?!

(black : i.e., 'bruised')

2-74. /611.12 614.10 2.14 (28)

MRS. PO TO SHERRY)Fighting's not tolerated here.

2-75. 614.14 619.00 4.02 (41)

SHERRY TO MRS. PO, THEN TO DRE)You heard him, he ran into a pole. Come here, Dre.

(heard him : i.e., 'heard what he said')(he ran into a pole : note humor, as Sherry does not believe Dre's story, but defends her son against outsiders)

2-76. 619.04 621.12/ 2.08 (25)

DRE TO SHERRY, THEN SHERRY TO DRE)-Mom, don't start. -Who did it?

(start : i.e., 'lecture me' - 'get unnecessarily upset')(did it : i.e., 'hit you')


*2-77. /622.00 627.08 5.08 (55)

DRE TO SHERRY)Nobody, Mom. I ran into a pole. And I didn't tell you 'cause I knew you would act like this.

(act like this : i.e., 'become upset and demanding')

2-78. 627.12 631.14/ 4.02 (41)

SHERRY TO DRE)Dre, you know I don't play that. Somebody hit my baby, I will tear through--

(I don't play that : idiomatic for 'I won't tolerate that')(baby : slang for 'child')(I will tear through : implying, 'I will tear through that whole apartment building' - i.e., 'I will thoroughly search the entire apartment building to find the person who hurt you')

2-79. /632.02 636.04/ 4.02 (41)

DRE TO SHERRY)I know, Mom. That's why I don't tell you stuff.

(stuff : i.e., 'about things that happen to me')

2-80. /636.08 638.12 2.04 (22)

DRE TO SHERRY)Just relax. I just ran into a pole.

2-81. 639.00 641.13/ 2.13 (28)

SHERRY TO DRE)Yeah, yeah, you ran into a pole.

(Note implication that Sherry does not believe Dre's story)

2-82. 647.10 652.02/ 4.08 (45)

SHERRY TO DRE)All right, Dre. All right, all right. Look, go to class.

(Look : i.e., 'Listen')

2-83. /652.06 656.04 3.14 (38)

SHERRY TO DRE)Go to class, but we will talk about this later.

2-84. 656.08 658.11/ 2.03 (21)

SHERRY TO DRE)Okay? All right. Go.

2-85. 663.05 664.11/ 1.06 SHERRY TO DRE)


(13) I love you.

2-86. 666.14 668.11 1.13 (18)

DRE TO SHERRY)Mom!

(Note implication that Dre is embarrassed by his mother's display of affection)

2-87. 670.14 672.12/ 1.14 (18)

SHERRY TO DRE)I said I love you.

2-88. 674.04 676.03 1.15 (19)

DRE TO SHERRY)Okay, I love you too.

2-89. 676.07 679.04 2.13 (28)

SHERRY TO DRE)Okay, have a good day.

(In the cafeteria, Dre attempts to serve himself food using chopsticks to no avail. Mei Ying sneaks up beside him and touches his hair)

2-90. /705.03 706.05/ 1.02 (11)

MEI YING TO DRE) (OPTIONAL)Hi.

2-91. 707.00 708.05/ 1.05 (13)

DRE TO MEI YING) (OPTIONAL)Hey.

*2-92. 720.04 726.00 5.12 (57)

MEI YING TO DRE)You know, we only wear our uniforms on uniform day.

2-93. 727.10 730.15/ 3.05 (33)

DRE TO MEI YING)Oh, yeah. I so got that one.

(I so got that one : i.e., 'I am well aware of that fact now')(Mei Ying uses her chopsticks to dish up some food for Dre)

2-94. 738.14 740.09 1.11 (16)

DRE TO MEI YING)Thanks.


2-95. 742.01 744.05 2.04 (22)

MEI YING TO DRE)I'm Mei Ying.

2-96. 745.08 747.06 1.14 (18)

DRE TO MEI YING)I'm Dre.

2-97. 759.00 760.13/ 1.13 (18)

MEI YING TO DRE)Sorry about Cheng.

2-98. 764.05 766.11 2.06 (23)

DRE TO MEI YING)So that's his name.

2-99. 768.04 769.15/ 1.11 (16)

DRE TO MEI YING)Is he your boyfriend?

2-100. 770.15 772.10 1.11 (16)

MEI YING TO DRE)No.

2-101. 773.12 776.09/ 2.13 (28)

MEI YING TO DRE)Our parents are very close.

(close : i.e., 'close friends')

2-102. /776.13 779.03/ 2.06 (23)

DRE TO MEI YING)Well, he definitely likes you.

(likes : i.e., 'has romantic feelings for')

2-103. 781.07 783.09/ 2.02 (21)

MEI YING TO DRE)I have to go practice.

(Mei Ying walks away with her tray of food)

2-104. 784.14 786.09 1.11 (16)

DRE TO MEI YING)Wait.


2-105. 787.00 791.00 4.00 (40)

DRE TO MEI YING)You eat and practice at the same time?

2-106. 791.04 792.05/ 1.01 (10)

MEI YING TO DRE)Yes.

2-107. 793.07 798.01 4.10 (46)

DRE TO MEI YING)But my mom says if you eat standing up...

2-108. 798.07 800.01/ 1.10 (16)

DRE TO MEI YING)...it gives you gas.

(gas : i.e., 'intestinal gas')

2-109. 801.11 804.00 2.05 (23)

MEI YING TO DRE)You're funny.

(Dre watches Mei Ying walk away. Cheng approaches Dre from behind, slapping the food tray out of his hands)

2-110. 819.13 821.09/ 1.12 (17)

CHENG TO DRE)Sorry.

2-111. /821.13 823.03/ 1.06 (13)

DRE TO CHENG)Come on, dude!

(Come on : Idiomatic expression of challenge, here meaning 'Let's fight')(dude : slang term of address)(Dre shoves Cheng. Mrs. Po restrains Dre)

2-112. 823.10 825.09 1.15 (19)

MRS. PO TO DRE)Mr. Parker! Stop it!

2-113. 825.13 828.13 3.00 (30)

DRE TO CHENG)You just slammed the tray all over me!

(Cheng speaks to Mrs. Po in Chinese)


2-114. /831.08 833.08/ 2.00 (20)

DRE TO MRS. PO)Whatever he's saying, he is lying!

2-115. 834.07 837.09 3.02 (31)

MRS. PO TO DRE)Mr. Parker, go.

(Dre walks past Cheng, intentionally bumping against him)

2-116. 839.13 842.12 2.15 (29)

MRS. PO TO CHENG)Mr. Cheng, go.

(Cheng walks in the opposite direction as Dre walks outside the cafeteria)

2-117. /847.07 849.15 2.08 (25)

DRE) (exclaiming)I hate this place!

(After school, Dre practices karate along with a program on television. There is a graphic on the television)

2-118. /918.06 920.10 2.04 (22)

NARRATIVE TITLE) (of TV graphic)

Karate lesson 5

*2-119.ITAL

920.14 923.05 2.07 (24)

TELEVISION KARATE INSTRUCTORON TV TO GROUP) (OPTIONAL)Four. Five.

*2-120.ITAL

/924.05 925.13 1.08 (15)

TELEVISION KARATE INSTRUCTORON TV TO GROUP) (OPTIONAL)Six.

*2-121.ITAL

/926.11 928.08/ 1.13 (18)

TELEVISION KARATE INSTRUCTORON TV TO GROUP) (OPTIONAL)Seven.

*2-122.ITAL

/928.12 930.09/ 1.13 (18)

TELEVISION KARATE INSTRUCTORON TV TO GROUP) (OPTIONAL)Eight.

(Mr. Han knocks on the open apartment door)


*2-122A.ITAL

/930.13 933.03/ 2.06 (23)

TELEVISION KARATE INSTRUCTORON TV TO GROUP) (OPTIONAL)Nine. Ten.

2-123. /933.07 935.05/ 1.14 (18)

MR. HAN TO DRE)Come to fix hot water.

(i.e., 'I have come to fix the hot water.' - Note that Mr. Han speaks in broken English throughout)(Dre gestures toward the bathroom)

2-124. 936.07 937.12/ 1.05 (13)

DRE TO MR. HAN)It's in there.

(Dre loudly resumes practicing karate as Mr. Han steps into the bathroom)

2-125. /977.08 978.08/ 1.00 (10)

MR. HAN TO DRE)Kid.

(Dre ignores Mr. Han)

2-126. 979.09 981.02/ 1.09 (15)

MR. HAN TO DRE)Kid.

(Mr. Han picks up a toothpaste cap and flicks it at Dre, expertly striking him in the side of the neck. Dre glances at Mr. Han, who gestures for him to come into the bathroom)

2-127. 1005.14 1012.05 6.07 (64)

DRE TO MR. HAN)Did you just hit me in my neck with a toothpaste cap?

2-128. 1012.15 1014.15 2.00 (20)

MR. HAN TO DRE)Hot water fine.

(i.e., 'The hot water is working.')(Mr. Han flips a switch on the wall)

2-129. 1015.03 1016.12/ 1.09 (15)

MR. HAN TO DRE)Flip switch.


2-130. 1017.09 1019.06/ 1.13 (18)

MR. HAN TO DRE)Wait half hour.

2-131. /1019.10 1021.08 1.14 (18)

MR. HAN TO DRE)Take shower.

2-132. 1022.00 1023.11/ 1.11 (16)

MR. HAN TO DRE)Flip switch off.

2-133. 1024.06 1026.07/ 2.01 (20)

DRE TO MR. HAN)Why don't you just leave it on?

(i.e., 'Leave the switch flipped on to heat the water, so hot water is always available?')

2-134. 1028.10 1030.08/ 1.14 (18)

MR. HAN TO DRE)You leave on in America?

2-135. /1030.12 1033.03/ 2.07 (24)

DRE TO MR. HAN)We don't have a switch in America.

2-136. 1033.13 1035.10 1.13 (18)

MR. HAN TO DRE)Get switch.

2-137. 1035.14 1037.07/ 1.09 (15)

MR. HAN TO DRE)Save planet.

(Humorously referring to the green movement, in which energy efficient appliances play a large role - Implying that a heating switch would save energy and therefore contribute to the greening of the planet)

2-138. 1040.05 1042.02/ 1.13 (18)

MR. HAN TO DRE)What happened to eye?

(eye : referring to Dre's bruised eye)

2-139. 1043.14 1046.00/ 2.02 DRE TO MR. HAN)


(21) I ran into a pole.

2-140. 1047.12 1049.15/ 2.03 (21)

MR. HAN TO DRE)Interesting pole.

(Note implication that Mr. Han does not believe his story)(Sherry returns to the apartment)

2-141. 1052.09 1054.05 1.12 (17)

SHERRY TO DRE)Dre? I'm back.

2-142. 1054.09 1056.05 1.12 (17)

DRE TO MR. HAN)That's my mom.

2-143. /1057.00 1059.11 2.11 (26)

DRE TO MR. HAN)And the door handle's messed up.

(door handle's : i.e., 'bathroom door handle is')(messed up : i.e., 'broken' - 'not functioning properly')

2-144. 1060.00 1063.11 3.11 (36)

SHERRY TO DRE, THEN DRE TO SHERRY)-Are you ready for school? -Yeah!

(Dre goes to see Sherry as she unpacks some groceries)

2-145. 1067.10 1069.14/ 2.04 (22)

DRE TO SHERRY)Hey, let me help you.

2-146. /1070.02 1074.01 3.15 (39)

SHERRY TO DRE)They have your favorite cereal here. I found it.

(here : i.e., 'in China')(Dre resumes practicing karate as Sherry notices his jacket on the floor)

2-147. 1084.07 1086.04/ 1.13 (18)

SHERRY TO DRE)Dre.


2-148. /1086.12 1094.03/ 7.07 (74)

SHERRY TO DRE)For the one hundredth time, can you please pick up your jacket?

(For the one hundredth time : Hyperbolically implying that Sherry has repeatedly asked Dre to do something)

2-149. 1095.00 1097.11/ 2.11 (26)

DRE TO SHERRY, THEN SHERRY TO DRE)-One second, Mom. -No!

(One second : i.e., 'In a moment')

2-150. /1097.15 1100.03 2.04 (22)

SHERRY TO DRE)Not in one second. Now.

2-151. 1100.07 1103.02 2.11 (26)

DRE TO SHERRY)This program's about to be over. Give me 2 minutes.

2-152. 1103.06 1105.01/ 1.11 (16)

SHERRY TO DRE)Dre, I don't care!

2-153. 1105.10 1107.14 2.04 (22)

SHERRY TO DRE)Come pick it up now!

2-154. 1108.02 1111.06 3.04 (32)

SHERRY TO DRE)God, how many times do I have to ask you?

(God : Used as an expletive to indicate intense feeling)

2-155. 1111.10 1112.11 1.01 (10)

DRE TO SHERRY)Once.

(i.e., 'You should only have to ask me once [and I should comply when you do].')

2-156. 1112.15 1116.15 4.00 (40)

SHERRY TO DRE, THEN DRE TO SHERRY)-That's right, make it happen. -What's it with you and this jacket?

(make it happen : i.e., 'fulfill my request' - 'pick up


your jacket')(What's...jacket : i.e., 'Why are you fixated on my jacket')

2-157. 1117.03 1119.10 2.07 (24)

SHERRY TO DRE, THEN DRE TO SHERRY)-I'm sorry, what was that? -Nothing.

(what was that : i.e., 'what did you say' - 'repeat yourself' - implying, 'do not talk back to me')(Nothing : i.e., 'I didn't say anything' - 'I didn't have anything of importance to say')

2-158. 1119.14 1122.07/ 2.09 (25)

SHERRY TO DRE)Okay, just what I thought. Nothing.

(Dre picks up his jacket)

2-159. 1125.10 1127.07 1.13 (18)

SHERRY TO DRE)Thank you.

(Dre hangs up his jacket and turns to find Mr. Han staring at him. At school, Dre sees Cheng and several of his friends. He hides from them and, compelled by the sound of a beautiful violin, sneaks into the school theater to find Mei Ying practicing for her Music Instructor)

*2-160.THROUGH*2-161.

(OUT)

2-162. 1247.00 1248.09 1.09 (15)

MUSIC INSTRUCTOR TO MEI YING)No.

(i.e., 'You played that incorrectly.' - Note that the Music Instructor interrupts her playing)

2-162A. 1248.14 1251.03 2.05 (23)

MUSIC INSTRUCTOR TO MEI YING)From the top again.

(i.e., 'Start from the beginning of the piece again.' - Note that May Ying complies)

2-163. 1289.01 1293.01/ 4.00 (40)

MUSIC INSTRUCTOR TO MEI YING)Okay. That's enough, please.


(That's enough : i.e., 'You can stop playing')

2-164. 1293.13 1296.01 2.04 (22)

MUSIC INSTRUCTOR TO MEI YING)You're rushing it.

(it : i.e., 'your performance' - 'the music')

2-165. /1296.15 1301.02 4.03 (41)

MUSIC INSTRUCTOR TO MEI YING)You must play the pauses.

(i.e., 'You must incorporate the space between the notes into your performance.')

2-166. /1303.00 1306.10 3.10 (36)

MUSIC INSTRUCTOR TO MEI YING)Do you know how important this is for your family?

(this : referring to Mei Ying's audition to attend a music conservatory)

2-167. 1306.14 1309.09 2.11 (26)

MUSIC INSTRUCTOR TO MEI YING)What it'll mean for your life?

(Implying that attending the conservatory will set Mei Ying on the path to become a concert violinist)

2-168. 1309.13 1312.07 2.10 (26)

MUSIC INSTRUCTOR TO MEI YING)We have to work this weekend.

(work : i.e., 'practice')

2-169. 1312.11 1314.11/ 2.00 (20)

MUSIC INSTRUCTOR TO MEI YING)I'm calling your father.

2-170. 1321.15 1324.00 2.01 (20)

MUSIC INSTRUCTOR TO MEI YING)Well, continue.

(continue : i.e., 'continue practicing')(Mei Ying resumes playing as the Music Instructor steps away to phone her father. Dre calls out to Mei Ying in Chinese and she reacts, smiling)

2-171. 1341.01 1342.10/ 1.09 (15)

DRE TO MEI YING)How'd that sound?

(that : i.e., 'my Chinese')


2-172. 1343.01 1346.00/ 2.15 (29)

MEI YING TO DRE)Almost like Chinese.

(Note humor)

2-173. /1346.04 1347.12/ 1.08 (15)

DRE TO MEI YING)Yeah, I'm fluent.

(Note humor, as Dre barely speaks Chinese)

2-174. 1348.08 1353.12 5.04 (52)

DRE TO MEI YING)And I don't know what that guy was talkin' about. I thought you sounded great.

(what...about : i.e., 'why your music instructor was criticizing your playing')

2-175. 1354.00 1355.04/ 1.04 (12)

MEI YING TO DRE)Thank you.

(Dre sings out in a comical impression of an opera singer. Mei Ying gestures for him to be quiet)

2-176. 1368.13 1375.10 6.13 (68)

DRE TO MEI YING)So are you practicing for anything? Like a show or something?

2-177. 1375.14 1383.12 7.14 (78)

MEI YING TO DRE)Yes. I have an audition next month for the Beijing Academy of Music.

(Beijing Academy of Music : made-up music conservatory in Beijing, China)

2-178. 1384.00 1389.10/ 5.10 (56)

DRE TO MEI YING)Beijing Academy of Music. Sounds important.

2-179. 1391.03 1393.01 1.14 (18)

DRE TO MEI YING)You know...

2-180. 1395.02 1398.06/ 3.04 (32)

DRE TO MEI YING)...their initials spell "BAM"!


(BAM : onomatopoeic for the sound of a crash or other loud noise)

2-181. 1405.00 1406.04/ 1.04 (12)

MEI YING TO DRE)What?

2-182. 1408.08 1410.12 2.04 (22)

MUSIC INSTRUCTOR INTO PHONETO MEI YING'S DAD)Yeah. Yeah.

(The Music Instructor ends his call)

2-183. 1411.00 1413.06 2.06 (23)

DRE TO MEI YING)Ooh, gotta go.

(Dre slips out of the theater as Mei Ying resumes playing. Cheng and his friends encounter Dre in the hallway)

2-184. 1445.03 1447.03/ 2.00 (20)

CHENG TO DRE)Hey.

2-185. /1448.11 1451.04/ 2.09 (25)

CHENG TO DRE)Can I touch your hair?

(See Title #2-25)(Cheng touches Dre's hair. Dre turns to walk away but Cheng and his friends surround him)

2-186. 1460.11 1462.11/ 2.00 (20)

CHENG TO DRE)Gonna do something?

(do something : i.e., 'fight back' - 'try to stop us from harassing you')(Cheng's friends empty out Dre's backpack)

2-187. 1484.05 1486.15/ 2.10 (26)

CHENG TO DRE)Just stay away from us.

2-188. 1491.00 1493.00 2.00 (20)

CHENG TO DRE)All of us.

(Implying, 'Stay away from Mei Ying as well.')(Later, Dre pretends to be asleep on the couch in


front of the television when Sherry returns home)

2-189. 1527.00 1528.11/ 1.11 (16)

SHERRY TO DRE)Baby.

2-190. /1533.06 1536.03 2.13 (28)

SHERRY TO DRE)Dre, are you asleep?

(Sherry turns off the television and walks away, after which Dre opens his eyes. On another day, Dre and Sherry walk down an street crowded with small shops. Sherry eats ice cream)

*2-190A. 1583.01 1585.06/ 2.05 (23)

DRE TO SHERRY)Hey, can you sign this?

(Sherry examines a permission slip that Dre has given her to sign)

2-191. /1585.12 1588.13 3.01 (30)

SHERRY TO DRE)You're going to the Forbidden City?

(Forbidden City : the Chinese imperial palace from the Ming Dynasty to the end of the Qing Dynasty, which now houses the Palace Museum and is located in the middle of Beijing)

2-192. 1589.15 1596.08 6.09 (65)

SHERRY TO DRE)I think it's funny that you have to get my permission to go to the Forbidden City.

(Humorously referring to the fact that one requires permission to go somewhere considered 'forbidden')

2-193. 1596.12 1599.07 2.11 (26)

SHERRY TO DRE)I got pull in Beijing.

(I got pull : Idiomatic for 'I have special influence' - Note humor)

2-194. 1599.11 1601.10 1.15 (19)

DRE TO SHERRY)That's not funny, Mom.


2-195. 1601.14 1604.00 2.02 (21)

SHERRY TO DRE)Oh, cut it out, grumpy.

(cut it out : idiomatic for 'stop' - i.e., 'stop being so disagreeable')(grumpy : term for one who is bad-tempered or sullen)

2-196. 1604.15 1607.12 2.13 (28)

SHERRY TO DRE)I'm serious, Dre, this ice cream...

2-197. 1608.00 1613.02 5.02 (51)

SHERRY TO DRE)...I don't know what they do to it but it's more flavor-istic.

(flavor-istic : made up word for 'flavorful')(Dre glares at Sherry)

2-198. 1613.06 1614.06/ 1.00 (10)

SHERRY TO DRE)What?

(i.e., 'Why are you looking at me that way?')

2-199. /1614.10 1616.12 2.02 (21)

DRE TO SHERRY)Mom, this is you:

(this is you : i.e., 'this is what you sound like' - 'this is how you are acting')(Dre mimics Sherry in an exaggerated manner)

2-200. 1617.00 1620.08 3.08 (35)

DRE TO SHERRY)"Oh, my goodness, this ice cream here is so good...

(Oh, my goodness : Idiomatic expression of delight)

*2-201. 1620.12 1625.08/ 4.12 (47)

DRE TO SHERRY)...and everything in China is so much better than everything else h--"

(everything else : i.e., 'the comparable item or situation in the United States')(Sherry dabs ice cream on Dre's forehead)

2-202. /1625.12 1628.04/ 2.08 (25)

DRE TO SHERRY)Ow! Mom, come on!

(Ow : Interjection used to express pain)(come on : idiomatic expression of remonstration,


here meaning 'Stop')

2-203. /1628.08 1633.12 5.04 (52)

SHERRY TO DRE)First of all, I don't sound like that, and I don't move all like that.

(sound : i.e., 'speak')(move all like that : i.e., 'move my body in that manner')

*2-204. 1634.15 1638.10/ 3.11 (36)

SHERRY TO DRE)We shoulda got you some ice cream, it's really good.

(shoulda got : colloquial for 'should have gotten')(Dre reacts to the sight of something and quickly hurries off)

2-205. /1638.14 1641.14 3.00 (30)

DRE TO SHERRY, THEN SHERRY TO DRE)-Mom, Mom, come on. -Dre.

(come on : idiomatic expression of urging, here meaning 'come with me')

2-206. 1642.02 1644.03 2.01 (20)

DRE TO SHERRY, THEN SHERRY TO DRE)-Mom, come on! -Wait!

2-207. 1644.07 1646.09/ 2.02 (21)

SHERRY TO DRE)Wait for me, Dre. Wait.

(Dre quickly hurries across the street and Sherry chases after him)

2-208. 1647.14 1650.03/ 2.05 (23)

DRE TO SHERRY)Mom, come on.

2-209. /1650.07 1651.15 1.08 (15)

SHERRY TO DRE)Dre, wait!

(Dre gestures for an oncoming person to let him pass by)

*2-209A. /1652.03 1653.05/ 1.02 DRE) (exclaiming)


(11) Stop!

2-210. /1653.09 1655.01 1.08 (15)

SHERRY TO DRE)Wait, wait!

*2-211. 1655.05 1657.02 1.13 (18)

DRE TO SHERRY)Mom!

2-212. 1658.10 1662.08 3.14 (38)

SHERRY TO DRE)Boy, you gonna get a nut for running from me.

(you gonna get a nut : slang for 'I am going to hit you in the head [hard enough so a bump appears]' - note hyperbolic tone)(Dre stops running as they reach a lawn where a large group of students in identical red uniforms practice kung fu)

2-213. 1665.06 1667.02 1.12 (17)

SHERRY) (exclaiming) (OPTIONAL)Wow.

(Interjection of amazement)

2-214. 1669.00 1671.00 2.00 (20)

DRE TO SHERRY)Kung fu.

(A Chinese martial art)(Awed, Dre walks along the lawn, observing the students. Inside the kung fu school, Master Li leads a smaller group of students in black uniforms)

LABORATORY: IF PRINT IS TEXTED, THE FOLLOWING TITLES #2-215 THROUGH #2-219 WILL DOUBLE-PRINT OVER EXISTING TYPEFACE. THEY ARE TO APPEAR JUST BELOW CENTER FRAME, DIRECTLY ABOVE THE TEXT. CHECK PRINT FOR PROPER POSITIONING TO AVOID DOUBLE-PRINTING. ALSO NOTE THAT SOME OF THE TITLES ARE LESS THAN FIVE FRAMES APART INTENTIONALLY SO THAT THEY IMITATE THE EXISTING NARRATIVE TITLES ON THE SCREEN.

CHINESE TRANSLATORS: YOU MAY OMIT TITLES #2-215 THROUGH #2-219 IF YOU DO NOT NEED TO TRANSLATE THEM FOR YOUR TERRITORY.

2-215. 1737.10 1739.09/ 1.15 MASTER LI TO STUDENTS) (subtitle of Chinese)


(19) What do you learn here?

*2-216. 1740.02 1744.14 4.12 (47)

STUDENTS TO MASTER LI) (subtitle of Chinese)No Weakness! No Pain! No Mercy!

(No : i.e., 'Do not succumb to')

2-217. 1748.01 1749.14/ 1.13 (18)

MASTER LI TO STUDENTS) (subtitle of Chinese)What do you learn here?

*2-218. 1750.11 1756.02 5.07 (54)

STUDENTS TO MASTER LI) (subtitle of Chinese)No Weakness! No Pain! No Mercy!

2-219. 1757.05 1758.13 1.08 (15)

MASTER LI TO STUDENTS) (subtitle of Chinese)Begin!

(The students bow and begin practicing their forms. Dre notices that one of the students is Cheng. Cheng glares menacingly at Dre, who hurries out of the school. Outside, Sherry plays with several young kung fu students)

2-220. /1779.09 1781.09 2.00 (20)

SHERRY TO BOY)Hi, precious.

(precious : term of endearment)(Dre walks past Sherry)

*2-221. /1782.05 1786.08/ 4.03 (41)

DRE TO SHERRY, THEN SHERRY TO DRE)-Mom. Mom, come on, let's go. -What? What? Dre, we just got here.

2-222. /1786.12 1788.10/ 1.14 (18)

DRE TO SHERRY)Come on, Mom.

2-223. /1790.07 1794.00 3.09 (35)

SHERRY TO DRE)Dre, what's going on?

2-224. 1794.04 1796.00 1.12 (17)

DRE TO SHERRY)Nothing.


2-225. 1796.04 1800.01 3.13 (38)

SHERRY TO DRE)Dre, what happened? What happened?

(happened : i.e., 'upset you')

2-226. 1800.05 1801.09 1.04 (12)

DRE TO SHERRY)Nothing.

2-227. 1801.13 1804.04 2.07 (24)

SHERRY TO DRE)Something happened.

2-228. 1805.07 1808.04 2.13 (28)

SHERRY TO DRE)What, you don't like that karate class, baby?

(that karate class : note that Sherry mistakenly refers to kung fu as karate)

2-229. 1808.08 1810.14 2.06 (23)

DRE TO SHERRY)It's not karate, Mom.

2-230. 1813.13 1817.04/ 3.07 (34)

SHERRY TO DRE)Okay, all right. Karate, kung fu, whatever.

(whatever : interjection of dismissal - here implying a general disinterest in the details of martial arts)

2-231. /1817.08 1819.15/ 2.07 (24)

SHERRY TO DRE)Dre, what happened?

2-232. 1821.03 1823.14 2.11 (26)

DRE TO SHERRY)We moved to China!

2-233. 1825.04 1827.09 2.05 (23)

DRE TO SHERRY)That's what happened!

(i.e., 'That's why I'm so upset!')(Dre walks away from Sherry)


LAST FRAME OF PICTURE IS 1832.09

END OF REEL 2AB

kk_ovfinspot_r2

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