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' The ICOM Cak of Ethics for Mwuma was Adopted Unanimausly by the IS* Gmcral Assembly of 1COM in Bucnor A i m (Argmuna) on 4 November 1986 B was amended by the 2(kb General Assembly in k c e l m (Spain) on 6 July 2001. r#itkd ICOM C d e of Ethifs for Mlaeums. mi revisdby the 2Ist Gmerel Assanbly in Scwl (Republic of Kom) m B O a d u r 20W. 5 http J f i c D m . ~ 1 ~ d m ~ - u p l a ~ ~ f I C ~ d e - ~ ~ 2 0 I J_ag.pdf zCprs m cr: Prrmap C. Mdhc. K q m Cm. AClnuHn X y r m p r m x ~ n . 3a no-ncu@~a 6 ~ 6 r ~ o r p 4 ~ BT.: *ion of m u m . By Geoffrey D. lzwk 2013. Encyelmia Britmn~u Online. W c v a d 06 February, 2013, from: hnp:!/amw.briEM~.com~ EBcheck~~9832Uopemt im. M n p r e m o maws (pym I( n v n ) rmre~ na ce n p w m s ra qmmumc ~a p y c m cnucauue ,Mrrp rryw3".

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npauepm cn M H D ~ ~ ~ @ ~ H H . Cp~q m: b a p I r ~ . b r i t i s h r n n S G U r n . ~ n g . . r p x ; bttp:/Ewrrw,tare.org ,u W a b u t l o u f - M e r m ~ a ~ - t a t r . h c t g : i : - - m p r m w ' What i~ Cm!tmporaty Art? A Guide f a Kids" By Jacky Klein and Swy Kkim. MoMA Publications, 201 2. ' http:~le~.moca.o~edu~ptim '~&wnuamr c mmw napepa. m m npeaaTebtHa 3a nmmmmo nmmwc or r-H h u w p ~~t~~ C~yneu~llte A ~ H H U h e m Teolcaps I C a ~ c ~ r n ~ o e a H TmmclrlC reoprms c t - w m o

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Art MuaeumdExh~bitions and the Children's Audiences. Why do Children Matter?

Irina Genova Inrriruie of Art Sfudies, New Bulgorion L'niwrsiy

AhtrmcL The paper deals with the rmportrncc of work with children's audimca at an rmscums. Thc author wmmcna on tbt following issues: Why i s the expcricncc n mu- sturn and exhibitions important to children's development? Why are children's audiences important to the development ofart museums? The wholesome influence on the develop- ment of children shows in the psitive changes as regards knowledge and undaPt.rrding. creativity and pleasure, habik Maviour and wluts. Now chi ldrm incarpwaatd into the ~ i o m l pmgrammes, 'lake' their pamu and relatives to the musturn6 to become &I* c lkd and supportive visitors in the *re. Citing the rewarding cxpcrirnce of ul museums elxwhcre, ltina fienova points at thc noccssity of dcvelaping and i m p l m t i n g odsqwte to this day educational programmes a d projects oriented t o w a h children's audiences at Bulgarian an museums.