kip402 lecture 01
TRANSCRIPT
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KIB102/KIP402 Visual Interactions
Visual Interactions Unit Structure • Lectures – 1 to 2 hours • Tutorials – 2 hours
Unit Content • Theory and Practice: Image, Narrative, Time, Action, Interaction and CULTURE • Methods: Evaluation and Creation • Demonstration and Inspiration: Case Studies
Teaching Team Deb Polson, Colleen Morgan, Dave Wallace, Cameron Owen, Tracey Porst
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Reading Images A Revision in Social-Cultural Persuasion
• Form • Composition • Content • Context • Interpretive Models • Yummy examples
Form Primary Elements
• Line • Shape • Texture • Colour
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Composition Organisational Principles
• frame of reference • figure and ground • value"
• balance • contrast • proportion/scale
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Composition Organisational Principles • frame of reference • figure and ground • value"
• balance • contrast • proportion
Resulting Dynamics • emphasis/dominance • focus • salience • movement/rhythm
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Content Ways of seeing
• Primary Content: basic inventory of the composition • Secondary Content: the explicit and implicit meaning • Tertiary Meaning: relates to context"
file:///Volumes/SCOOT/admin/CV_web/public_html/dotdoc/worship/topics/03/origins/prop.jpg
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15th century Chinese woodcut 21st century Japanese anime
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Context Self, Site and Field
• attitudes, beliefs, interests, values, education, training, biography"
• the circumstances in which the work was produced: the apparent function of the work, religious and a philosophical conviction; sociopolitical and economic structures; and even climate and geography... "
• the field of the work's reception and interpretation"
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Interpretive Models Semiotics, Mimetic, Narrative Theory
• Signified, Signifier, Addressee, Addressor, langue, parole • Communication Devices and Systems"
• Mimesis 1: Acknowledgment of codes and conventions • Mimesis 2: Emplotment • Mimesis 3: Re-configuration and transformation
• Literary, film, games • Series, Sitcom, Episodic, Cimenatic, ludic"
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Interface: Image + Action Surface/place/point at which connections between things/people are understood/controlled
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“the largest increase in expressive capability in history” Clay Shirky
http://www.ted.com/talks/lang/eng/clay_shirky_how_cellphones_twitter_facebook_can_make_history.html
Visual Interactions The Projects • The Pitch: ‘Serious’ ARG mock up and Documentation • The Campaign: Multiplatform Presentation
Project Tecnologies • Customised Blog • Appropriated Social networks • Flash Component
Project Theme • Black Market/Organised Crime (A unique combination of fact and fiction)
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Visual Interactions Project Criteria • Response to the Brief • Representation/Evidence of Concept • Appropriate use of basic Interface and Interaction Design Principles • Effective Articulation of Design Intentions and Process • Presentation and Communication
“True interactivity is not about clicking on icons or downloading files, itʼs about encouraging communication.” Ed Scholssberg, 2002