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PERIMETERS OF MOVEMENT: BORDERS AND  THE DOUBLE OCCUPANCY OF

 THE NEW EUROPE

By being a spae !" #$ansi#i!n% &ai''a#ing be#(een #(! )'#)$a' an*

'ing)is#i i*en#i#ies% #+e spae !" #+e b!$*e$ $ep$esen#s a &a)), !"

i*en#i#y- T+!,as E'saesse$ !nep#)a'i.es #+e in#e$/e#+ni 'i&ing !"

!n#e,p!$a$y E)$!pe by i*en#i"ying i# as 0*!)b'e !)pany1% (+i+ is an

0in#e$,e*ia#e #e$, be#(een )'#)$a' i*en#i#y an* )'#)$a' *i&e$si#y1 23445%

5678- I (i'' be )sing Ha,i* Na9y1s 23448 *es$ip#i!n !" aen#e* ine,a

#! *is)ss #+e !n*i#i!n !" b!$*e$s !n #+e pe$ip+e$ies !" E)$!pe an* #+e

9g)$e !" #+e ,ig$an#-

My pape$ (i'' *is)ss #+e s!ia';+),an !n*i#i!n !" 'i&ing a$!)n*

b!$*e$s !n E)$!pean pe$ip+e$y an* #+e 9g)$e !" #+e b!$*e$ #$a

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Na9y% Ha,i*- 344-  An accented cinema: exilic and diasporiclmma!ing- P$ine#!n: P$ine#!n Uni&e$si#y P$ess-

Ins#i#)#i!na' a