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JOSEPH CONRAD’S CRITICAL RECEPTION roughout the twentieth and twenty-first centuries, Joseph Conrad’s novels and short stories have consistently figured into – and helped to define – the dominant trends in literary criticism. is book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad stud- ies, from the 1895 publication of his first book, Almayer’s Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad’s work, John G. Peters’s careful analysis also evaluates Conrad’s impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post- structuralist criticism, narratology, postcolonial studies, gender and women’s studies, and ecocriticism. e breadth and scope of Peters’s study make this text an essential resource for Conrad scholars and students of English literature and literary criticism. John G. Peters is a professor of English at the University of North Texas and former president of the Joseph Conrad Society of America. He is author of Conrad and Impressionism (2001) and e Cambridge Introduction to Joseph Conrad (2006). He is editor of Conrad and the Public Eye (2008), A Historical Guide to Joseph Conrad (2010), the Broadview Press edition of Conrad’s Under Western Eyes (2010), and volume two of Joseph Conrad: e Contemporary Reviews (2012). www.cambridge.org © in this web service Cambridge University Press Cambridge University Press 978-1-107-03485-3 - Joseph Conrad's Critical Reception John G. Peters Frontmatter More information

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Page 1: Joseph Conrad’s CritiCal reCeptionassets.cambridge.org/97811070/34853/frontmatter/... · 2014. 10. 13. · Joseph Conrad’s CritiCal reCeption Throughout the twentieth and twenty-first

Joseph Conrad’s CritiCal reCeption

Throughout the twentieth and twenty-first centuries, Joseph Conrad’s novels and short stories have consistently figured into – and helped to define – the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad stud-ies, from the 1895 publication of his first book, Almayer’s Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad’s work, John G. peters’s careful analysis also evaluates Conrad’s impact on critical trends such as the belles lettres tradition, the new Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women’s studies, and ecocriticism. The breadth and scope of peters’s study make this text an essential resource for Conrad scholars and students of english literature and literary criticism.

John G. Peters is a professor of english at the University of north texas and former president of the Joseph Conrad society of america. he is author of Conrad and Impressionism (2001) and The Cambridge Introduction to Joseph Conrad (2006). he is editor of Conrad and the Public Eye (2008), A Historical Guide to Joseph Conrad (2010), the Broadview press edition of Conrad’s Under Western Eyes (2010), and volume two of Joseph Conrad: The Contemporary Reviews (2012).

www.cambridge.org© in this web service Cambridge University Press

Cambridge University Press978-1-107-03485-3 - Joseph Conrad's Critical ReceptionJohn G. PetersFrontmatterMore information

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www.cambridge.org© in this web service Cambridge University Press

Cambridge University Press978-1-107-03485-3 - Joseph Conrad's Critical ReceptionJohn G. PetersFrontmatterMore information

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Joseph Conrad’s CritiCal reCeption

John G. petersUniversity of North Texas

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cambridGe university PressCambridge, new York, Melbourne, Madrid, Cape town,

singapore, são paulo, delhi, Mexico City

Cambridge University press32 avenue of the americas, new York, ny 10013-2473, usa

www.cambridge.orginformation on this title: www.cambridge.org/9781107034853

© John G. peters 2013

This publication is in copyright. subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written

permission of Cambridge University press.

First published 2013

printed in the United states of america

A catalog record for this publication is available from the British Library.

Library of Congress Cataloging in Publication datapeters, John G. (John Gerard), author.

Joseph Conrad’s critical reception / by John G. peters, University of north texas.pages cm

includes bibliographical references and index.isbn 978-1-107-03485-3 (hardback)

1. Conrad, Joseph, 1857–1924 – Criticism and interpretation. i. title.Pr6005.o4Z784948 2013

823′.912–dc23 2012036037

isbn 978-1-107-03485-3 hardback

Cambridge University press has no responsibility for the persistence or accuracy of urLs for external or third-party internet Web sites referred to in this publication and does not guarantee that any content on such Web sites is, or will remain, accurate or appropriate.

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For Kaitlynne

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Acknowledgments page ixPreface xi

1. early Conrad Commentary 1

2. Beginnings of Modern Conrad Commentary 33

3. development of Modern Conrad Commentary 61

4. Modern Conrad Commentary 121

5. Contemporary Conrad Commentary 198

afterword: Future directions for Conrad Commentary 245

Bibliography 247Index 263

Contents

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i would like to thank the staff and librarians in the interlibrary loan department at the University of north texas, especially pamela Johnston and lynne Wright, for their tireless efforts to locate obscure and hard-to-find materials. i would also like to thank the office of the Vice president of research at the University of north texas for grants to aid in completing this project. a number of Conrad scholars and other individuals have pro-vided information or made suggestions for appropriate items to include, and many have generously donated copies of their works when no other copy was available. in particular, i would like to thank Zdzisław najder, robert trogden, allan h. simmons, nic panagopoulos, adam Gillon, Mark Conroy, Brian richardson, peter lancelot Mallios, allan hunter, J. h. stape, Christopher GoGwilt, robert hampson, tim Yap Fuan, and simon dickinson ltd. i would also like to thank my family for their support.

Acknowledgments

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Preface

in this book i wish to present a thorough and readable overview of the history of commentary on the life and works of Joseph Conrad from 1895 through 2012. i intend to delineate the genealogy and evolution of Conrad criticism in general as well as the development of important top-ics of debate, while at the same time presenting a cross-sectional look at the commentary, both evolutionary and comparative. The reader should see the progress of Conrad scholarship, while at the same time comparing important trends therein.

length constraints prevented discussions of every commentary; consequently, i had to be selective. since the major trends and highlights in Conrad criticism generally appear in monographs, my emphasis has been on those works, and therefore i include most of the monographs on Conrad’s life and works. nevertheless, there are a number of impor-tant articles and book chapters, and i discuss the most significant of these commentaries as well. in determining whether to include a particular work, i selected based on continuing importance or historical importance. in other words, some works may no longer be very useful but are histori-cally important, while others remain important critical resources.

although my goals are to present a history of Conrad criticism and to discuss individual works, another aim is to present a readable narrative his-tory rather than a collection of separate and largely isolated discussions of the kind that appear in annotated bibliographies. a narrative history lets me draw connections among works and arrange together similar works, allowing for comparison.

Finally, although various valuable bibliographies (annotated and other-wise) exist, even the most recent, owen Knowles’s An Annotated Critical Bibliography of Joseph Conrad, covers only criticism published through 1990 and is understandably selective in its coverage. as a result, numerous critical works have never appeared in a discussion of Conrad commentary. Furthermore, important critical trends, such as Conrad and gender and

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xii Preface

ecocritical responses to Conrad’s works, arose or became a major focus after Knowles’s bibliography appeared. Thus, yet another purpose of this work is to fill these significant gaps.

This book is not meant to be especially evaluative but rather to be a nar-rative history of the development of the criticism. i do make some evalu-ations, particularly of older Conrad studies, as many scholars may be less familiar with these or they may be less readily available. For studies pub-lished since 1960, however, i make far fewer evaluations, since these stud-ies enjoy greater familiarity and greater accessibility, and because there is often debate about the quality of many of these commentaries. however, i typically indicate those instances where there seems to be general con-sensus concerning important contributions to Conrad scholarship.

My discussion of individual works is weighted toward critical and bio-graphical monographs and the most important articles and book chapters. except in unusual circumstances, i have not included essay collections or introductory books. since the first book on Conrad was not published until 1914, prior commentary appeared only as articles and reviews. i include all of the articles on Conrad published through 1914 of which i am aware, along with those reviews that comment on Conrad’s works in general rather than solely on the work being reviewed. after 1914, articles and book chapters appear in this history with increasingly less frequency. Concerning works translated into english, i have included these works in the period in which the original work was published, except in those cases where that work was significantly revised before translation.

in organizing this book, as noted earlier, i have divided Conrad com-mentary into a number of periods. Within those periods, i have also included more focused periods. in discussing commentary to 1960, i have worked largely chronologically, usually only dividing commentary from biography and bibliography. after 1960, with critical conversations having begun to be established, i have grouped together (typically chronologi-cally) studies on similar subjects or otherwise related categories. in cases where a particular study fits more than one category, i have placed it where it seems to have the greater emphasis. after grouping works together, i consider any works that do not fit into a particular category. i begin each period with critical works, followed by biographical/historical works and then bibliographic/reference works.

in addition to the narrative history, i have included a bibliography of all items discussed. regarding the bibliography, i have included either the english or american edition, depending on which copy i had avail-able (unless publication years differed, in which case i included the first

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xiii Preface

published). i have included new editions of previously published works only if they were significantly different. in several instances, journal titles and publisher names appeared differently at different times; in those cases, i have maintained whatever appeared in the particular work.

it is my wish that readers will come away from this book with a good understanding and overview of the history of Conrad commentary and the critical trends that have developed since his first book appeared. Ultimately, i hope this study will be a useful resource for students and scholars.

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